| | Seiji Ozawa, Julian Rodescu, Janis Taylor, Vladimir Atlantov, Tanglewood Festival Chorus, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Dominique Labelle, Maureen Forrester, Katherine Ciesinski, Tanya Roudenko, Boston Symphony Orchestra, Sergei Leiferkus, John Oliver, The American Boychoir & James Litton | Pique Dame (The Queen of Spades): Da, Vspomnila...Podrugi Milie | |
| | Seiji Ozawa, Julian Rodescu, Janis Taylor, Vladimir Atlantov, Tanglewood Festival Chorus, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Dominique Labelle, Maureen Forrester, Katherine Ciesinski, Tanya Roudenko, Boston Symphony Orchestra, Sergei Leiferkus, John Oliver, The American Boychoir & James Litton | Pique Dame (The Queen of Spades): Uzh vecher | |
| | Seiji Ozawa, Julian Rodescu, Vladimir Atlantov, Tanglewood Festival Chorus, Dennis Peterson, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Maureen Forrester, Boston Symphony Orchestra, Jorge Chaminé, Sergei Leiferkus & John Oliver | Pique Dame (The Queen of Spades): Akh! Istomilas Ya Gorem | |
| | Maureen Forrester, Beverly Wolff, Julius Rudel & New York City Opera Orchestra | Dove, dove, inumani - Son nata a lagrimar from Julius Ceasar | |
| | Maureen Forrester, Netherlands Radio Chorus, Women, Boys Chorus Of The St. Willibrord Church, Het Koninklijk Concertgebouworkest & Bernard Haitink | Symphony No.3 in D minor, Part 2: 5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel" | |
| | Maureen Forrester, Het Koninklijk Concertgebouworkest & Bernard Haitink | Symphony No.3 in D minor, Part 2: 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" | |
| | Maureen Forrester & John Newmark | Zigeunerlieder, Op. 103: VII. Kommt dir manchmal in den Sinn | |
| | Maureen Forrester & John Newmark | I Never Saw Another Butterfly: I. to Olga | |
| | Maureen Forrester, Vienna Radio Orchestra, Brian Priestman & Martin Isepp | Serse, Act 3: Per rendermi beato | |
| | Seiji Ozawa, Julian Rodescu, Vladimir Atlantov, Tanglewood Festival Chorus, Dennis Peterson, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Maureen Forrester, Boston Symphony Orchestra, Jorge Chaminé, Sergei Leiferkus & John Oliver | Pique Dame (The Queen of Spades): Budem Pit I Veselitsya! | |
| | New York Philharmonic, Bruno Walter, The Westminster Choir, Emilia Cundari & Maureen Forrester | Symphony No. 2 In C Minor - "Resurrection" : IV. 'Urlicht' Sehr Feierlich, Aber Schlicht / V. Im Tempo Des Scherzos, Wild Herausfahrend | |
| | Mildred Miller, Maureen Forrester, Thomas Hemsley, Vienna Radio Orchestra, Brian Priestman & Martin Isepp | Serse, Act 1: Ecco Serse, oche volto | |
| | Maureen Forrester & Hertha Klust | Zigeunerlieder, Op. 103: VI. Röslein dreie in der Reihe | |
| | Seiji Ozawa, Julian Rodescu, Janis Taylor, Vladimir Atlantov, Tanglewood Festival Chorus, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Dominique Labelle, Maureen Forrester, Katherine Ciesinski, Tanya Roudenko, Boston Symphony Orchestra, Sergei Leiferkus, John Oliver, The American Boychoir & James Litton | Pique Dame (The Queen of Spades): Kakaya vedma | |
| | Maureen Forrester, Mario Rossi & Orchestra Sinfonica Di Torino Della RAI | Orfeo ed Euridice, Wq. 30, ICG 25, Act II: "Che puro ciel! Che chiaro sol!" (Orfeo) | |
| | Vienna Radio Orchestra, Brian Priestman, Teresa Stich-Randall, Maureen Forrester & Alexander Young | Rodelinda: Act I (part two) to conclusion | |
| | Teresa Stich-Randall, Hanny Steffak, Maureen Forrester, Sir Charles Mackerras & Vienna State Opera Orchestra | Orfeo Ed Euridice, Act III Scene 2 (1762 Edition with 1774 Paris Revisions): Orfeo, Che Fai? | |
| | New York Philharmonic, Bruno Walter, The Westminster Choir, Emilia Cundari & Maureen Forrester | Symphony No. 2 In C Minor - "Resurrection" : I. Allegro Maestoso | |
| | Maureen Forrester & Hertha Klust | Arianna a Naxos, Hob. XXVIb:2 | |
| | Maureen Forrester & John Newmark | Frauenliebe und -leben, Op. 42: VII. An meinem Herzen, an meiner Brust | |
| | Richard Lewis, Maureen Forrester, Chicago Symphony Orchestra & Fritz Reiner | Das Lied von der Erde: iii. Von Der Jugend | |
| | Charles Munch, Maureen Forrester & Boston Symphony Orchestra | Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld | |
| | Bruno Walter, New York Philharmonic, Maureen Forrester, Emilia Cundari & Westminster Choir | Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso | |
| | Maureen Forrester, Richard Lewis, Bruno Walter & Philharmonic Symphony Orchestra | Das Lied von der Erde (Song of the Earth): III. Von der Jugend (Of Youth) | |
| | Maureen Forrester, Richard Lewis, Bruno Walter & Philharmonic Symphony Orchestra | Das Lied von der Erde (Song of the Earth): II. Der Einsame im Herbst (The Lonely One in Autumn) | |
| | Pablo Casals, Festival Casals Orchestra of Puerto Rico, Alexander Schneider, Olga Iglesias, Maureen Forrester, Paulino Saharrea, Pablo Elvira, Carlos Serrano, Puerto Rico Conservatory of Music Chorus & SERGIJE RAINIS | El Pessebre: Part IV: L'Adoració: XXI. Els Tres Reis | |
| | Maureen Forrester, Brian Priestman, Vienna Radio Orchestra, Hilde Rössel-Majdan & Martin Isepp | Rodelinda - Rodelinda: Atto Secondo: No. 19 Aria e Recitativo: "Con rauco mormorio - Dell'estinto germano" | |
| | Seiji Ozawa, Julian Rodescu, Janis Taylor, Vladimir Atlantov, Tanglewood Festival Chorus, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Dominique Labelle, Maureen Forrester, Katherine Ciesinski, Tanya Roudenko, Boston Symphony Orchestra, Sergei Leiferkus, John Oliver, The American Boychoir & James Litton | Pique Dame (The Queen of Spades): Gori, Gori Yasno | |
| | Maureen Forrester & John Newmark | Zigeunerlieder, Op. 103: II. Hochgetürmte Rimaflut, wie bist du trüb | |
| | Maureen Forrester, Vienna Radio Orchestra, Brian Priestman & Martin Isepp | Serse, Act 3: Crude furie degl'orridi abissi | |
| | John Cameron, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham, Denis Vaughan & Maureen Forrester | Songs of Sunset: A song of the setting sun! (Quietly) | |
| | Maureen Forrester, Vienna Radio Orchestra, Brian Priestman & Martin Isepp | Serse, Act 1: Più che penso alle fiamme | |
| | Maureen Forrester, Vienna Radio Orchestra, Brian Priestman & Martin Isepp | Serse, Act 2: Romilda, e sarà ver | |
| | Maureen Forrester & Felix Schröder | Weihnachtslied, Wq. 197 | |
| | The Festival Casals Orchestra, Pablo Casals & Maureen Forrester | St. Matthew Passion, BWV 244, Pt. 2: No. 61, Aria. If the tears upon my cheeks can | |
| | Heinz Rehfuss, Felix Prohaska, Maureen Forrester & Vienna Festival Orchestra | Des Knaben Wunderhorn: Revelge | |
| | Maureen Forrester & Thomas Muraco | 11 Zigeunerlieder (Gypsy-Songs), Op. 103: V. Brauner Bursche Fuhrt Zum Tanze | |
| | Seiji Ozawa, Mirella Freni, Boston Symphony Orchestra, Vladimir Atlantov, Dmitri Hvorostovsky, Maureen Forrester, Sergei Leiferkus, Katherine Ciesinski, The American Boychoir, Tanglewood Festival Chorus, Janis Taylor, Dominique Labelle, Tanya Roudenko, Ernesto Gavazzi, Julian Rodescu, James Litton & John Oliver | Pique Dame, The Queen of Spades: Zachem zhe eti slyozy | |
| | Maureen Forrester, Mario Rossi & Orchestra Sinfonica Di Torino Della RAI | Orfeo ed Euridice, Wq. 30, ICG 25, Act I: "Chiamo il mio ben così" (Orfeo) | |
| | Seiji Ozawa, Boston Symphony Orchestra, Mirella Freni, Vladimir Atlantov, Dmitri Hvorostovsky, Maureen Forrester, Sergei Leiferkus, Tanglewood Festival Chorus, Ernesto Gavazzi, Julian Rodescu, John Oliver, Dennis Peterson & Jorge Chaminé | Pique Dame, The Queen of Spades: Yeslib miliya devitsy | |
| | Maureen Forrester & John Newmark | Zigeunermelodien, Op. 55, B. 104: No. 6, In dem weiten, breiten, luft’gen Leinenkleide | |
| | Maureen Forrester, Maria Stader, Chicago Symphony Chorus, David Lloyd, Otto Edelmann, Bruno Walter & Chicago Symphony Orchestra | Requiem in D minor, K. 626: Offertory No. 1: Domine Jesu Christe | |
| | Bruno Walter, Westminster Choir, New York Philharmonic, Maria Stader & Maureen Forrester | Symphony No. 2 in C minor, "Resurrection": IV. Urlicht | |
| | John Newmark & Maureen Forrester | 5 Gedichte Fur Eine Frauenstimme, Op. 91, "Wesendonck Lieder": No. 5. Traume | |
| | Maureen Forrester, Johannes Somary & English Chamber Orchestra | Theodora, HWV 68: Recitative: Or Lulled With Grief … - Aria: Sweet Rose and Lily … (Didimus) | |
| | Maureen Forrester | Suleika, D.717 | |
| | Maureen Forrester, Ferenc Fricsay & Rundfunk-Sinfonieorchester Berlin | Rückert-Lieder: Liebst du um Schönheit | |
| | Eugene Ormandy, The Philadelphia Orchestra, Maureen Forrester, Richard Tucker, George London, Lucine Amara & Westminster Choir | Messa da Requiem: Ingemisco. - Qui Mariam. Poco meno mosso (Tenor) | |
| | Maureen Forrester & John Newmark | Spring Rhapsody: III. Admonition for Spring | |
| | Maureen Forrester & Hertha Klust | Zigeunerlieder, Op. 103: IV. Lieber Gott, du weißt | |
