| | Amor Artis Chorus, Ann Murray, Carole Bogard, English Chamber Orchestra, Michael Rippon & Richard Lewis | Mass in C Minor, "The Great," K. 427: XI. Et incarnatus est | |
| | Amor Artis Chorus, Ann Murray, Carole Bogard, English Chamber Orchestra, Michael Rippon & Richard Lewis | Requiem, K. 626: I. Requiem (Introit) | |
| | Amor Artis Chorus, Ann Murray, Carole Bogard, English Chamber Orchestra, Michael Rippon & Richard Lewis | Mass in C Minor, "The Great," K. 427: II. Gloria in excelsis | |
| | Fritz Busch, Sena Jurinac, Richard Lewis, Alexander Young & Glyndebourne Festival Chorus and Orchestra | Idomeneo: Act III, Quartet - Andro Ramingo e Solo | |
| | Richard Lewis, London Symphony Orchestra & Sir Malcolm Sargent | Semele : Air. Where'er you walk | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 4 Chorus: And the Glory of the Lord | |
| | Amsterdam Philharmonic Society, Andre Vandernoot & Richard Lewis | Du Hirte Israel, höre, BWV 104: Recitative. "Der höchste Hirte sorgt vor mich" | |
| | Dame Joan Sutherland, Richard Lewis, Edith Coates, Covent Garden Orchestra, Chorus of the Royal Opera House, Covent Garden & Sir John Pritchard | The Midsummer Marriage, Act I: Jenifer!.. Jenifer!.. My Daughter, Jenifer! | |
| | George Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent & Richard Lewis | HMS Pinafore (or, The Lass that Loved a Sailor), Act I: When I was a lad I served a term (Sir Joseph, Relatives, Sailors) | |
| | Kim Borg, New Philharmonia Chorus, Carlo Maria Giulini, Josephine Veasey, Philharmonia Orchestra, Pilar Lorengar & Richard Lewis | Missa Solemnis in D Major, Op. 123, ILB 139: V. Agnus Dei | |
| | Richard Lewis, Christine Mayer, Lorin Maazel & Teatro La Fenice Orchestra | Das Lied von der Erde: VI. Der Abschied (Song of the Earth: The Farewell) | |
| | Glyndebourne Festival Orchestra, John Pritchard, Sena Jurinac, Richard Lewis, Léopold Simoneau, William McAlpine, Lucille Udovick, Hervey Alan & James Milligan | Idomeneo, K. 366, Act III: Recitativo. "Ferma, o Sire, che fai?" (Ilia, Idomeneo, Idamante, Gran Sacerdote, Elettra, La Voce, Arbace) | |
| | Teresa Stich-Randall, Richard Lewis, Norma Procter, Kim Borg, BBC Symphony Orchestra, BBC Chorus & Jascha Horenstein | Missa Solemnis in D Major, Op. 123: Credo. Allegro ma non troppo | |
| | Amor Artis Chorus, Ann Murray, Carole Bogard, English Chamber Orchestra, Michael Rippon & Richard Lewis | Mass in C Minor, "The Great," K. 427: V. Domine | |
| | Sir Georg Solti | Don Giovanni: Ma Qual Mai S'offre, O Dei - Donna Anna, Don Ottavio, Don Giovanni, Leporello | |
| | Sir Georg Solti | Don Giovanni: Sola, Sola In Buio Loco - Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto | |
| | The London Singers, Ensemble Orchestral de L'Oiseau-Lyre, Margaret Ritchie, Elsie Morison, William Herbert, Richard Lewis, Bruce Boyce & Anthony Lewis | Magnificat | |
| | Richard Lewis & Geoffrey Parsons | L'invitation au voyage: I. — (Live) | |
| | Hallé, Richard Lewis & Sir John Barbirolli | The Dream of Gerontius, Op.38 (2007 Remastered Version), Part II: I went to sleep (Soul of Gerontius) | |
| | Sir Malcolm Sargent, Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra & Richard Lewis | Messiah, HWV 56: Part II: Chorus: (a) Surely He Hath Borne Our Griefs, (b) And With His Stripes, (c ) All We Like Sheep- Recit: All They That See Him, Chorus: He Trusted in God | |
| | Richard Lewis | Piano Sonata No. 21 in B-Flat Major, D. 960: II. Andante sostenuto | |
| | Danish National Choir, Maria Kontra, Raffaella Milanesi, Christoph Strehl, Ádám Fischer, Henriette Bonde-Hansen, Christian Elsner, Goran Eliasson, Ditte Andersen, Kristina Hammarström, Jakob Bloch Jepsen, Danish Radio Sinfonietta, Mathias Hedegaard, Stephen Milling & Richard Lewis | Idomeneo re di Creta, K. 366: Act III Scene 5: Se cola ne' fati e scrito (Arbace) | |
| | Richard Lewis | Piano Sonata No.13 in A Major, D. 664: III. Allegro | |
| | George Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent & Richard Lewis | HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Carefully on tiptoe stealing (Ralph, Josephine, Sailors, Captain Corcoran, Dick) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 35 Chorus: Let All the Angels of God Worship Him | |
| | Richard Lewis | Second lesson: St. John Ch.1 v.35: Second lesson: St. John Ch.1 v.35 | |
| | Richard Lewis & Thomas Swindells | Future Technik | |
| | Richard Lewis, Huddersfield Choral Society, Sir Malcolm Sargent, Liverpool Philharmonic Orchestra, Monica Sinclair & Elsie Morrison | Israel in Egypt, HWV 54, Pt. II: The People Shall Hear and Be Afraid (Chorus) | |
| | George Baker, Heather Harper, John Cameron, Elsie Morison, Glyndebourne Chorus, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Hold, monsters! (Edith, Samuel, Girls, Major-General Stanley, Pirates) (1987 Remastered Version) (Edith, Samuel, Girls, Major-General Stanley, Pirates; 1987 Remastered Version) | |
| | Herbert Bardgett, Eric Chadwick, Huddersfield Choral Society, Richard Lewis, James Milligan, Elsie Morison, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent & Marjorie Thomas | Messiah: IV. And the glory of the Lord (Chorus) | |
| | Elsie Morison, John Cameron, Glyndebourne Chorus, Marjorie Thomas, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent, Richard Lewis, Monica Sinclair & Geraint Evans | The Mikado (or, The Town of Titipu) [1987 Remastered Version], Act II: A more humane Mikado (Mikado, Nobles) | |
| | George Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent & Richard Lewis | HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I am the captain of the Pinafore (Captain Corcoran, Sailors) | |
| | Martin Milner, John McCarthy, Richard Lewis, Eric Chadwick, Kim Borg, Sir John Barbirolli & Dame Janet Baker | The Dream of Gerontius Op. 38, Part II: Softly and gently (Angel, chorus, semi-chorus) | |
| | Maureen Forrester, Richard Lewis, Bruno Walter & Philharmonic Symphony Orchestra | Das Lied von der Erde (Song of the Earth): II. Der Einsame im Herbst (The Lonely One in Autumn) | |
| | Elsie Morison, Marjorie Thomas, Richard Lewis, Norman Walker, Huddersfield Choral Society, Liverpool Philharmonic Orchestra & Sir Malcom Sargent | Messiah: Recit, "For, Behold, Darkness Shall Cover the Earth" | |
| | Royal Liverpool Philharmonic Orchestra, Huddersfield Choral Society, Sir Malcolm Sargent, Elsie Morison, Marjorie Thomas, Richard Lewis & James Milligan | Messiah, HWV 56: Behold the Lamb of God | |
| | Richard Lewis, London Symphony Orchestra & Sir Malcolm Sargent | Judas Maccabaeus : Recit. May arms! - Air. Sound an alarm | |
| | The London Singers, Ensemble Orchestral de L'Oiseau-Lyre, Margaret Ritchie, Elsie Morison, William Herbert, Richard Lewis, Bruce Boyce & Anthony Lewis | Audi coelum | |
| | George Baker, James Milligan, Glyndebourne Chorus, John Cameron, Elsie Morison, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Oh, better far to live and die (Pirate King, Pirates) | |
| | Thomas Swindells & Richard Lewis | Got the Attitude | |
| | Blanche Thebom, Erich Kunz, Fritz Busch, Glyndebourne Festival Orchestra, Mario Borriello, Richard Lewis & Sena Jurinac | Così fan tutte, K. 588, Act 1: "Non v'è più tempo, amici ... Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | |
| | Dame Joan Sutherland, Richard Lewis, Edith Coates, Covent Garden Orchestra, Chorus of the Royal Opera House, Covent Garden & Sir John Pritchard | The Midsummer Marriage, Act II: In The Summer Season On The Longest Day Of All | |
| | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent, Richard Lewis & Huddersfield Choral Society | Messiah: Part I. No.2 Recit.: Comfort Ye - Air: ev'ry Valley - Chorus: The Glory of the Lord | |
| | Leonard Bernstein, New York Philharmonic, Westminster Choir, Carol Smith, Richard Lewis, Eileen Farrell & Kim Borg | Missa Solemnis in D Major, Op. 123: III. Credo: "Crucifixus" | |
| | George Baker, Elsie Morison, John Cameron, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act II: Stay, Frederic, stay! (Mabel, Frederic) | |
| | Henriette Bonde-Hansen, Christian Elsner, Kristina Hammarström, Stephen Milling, Richard Lewis, Christoph Strehl, Ádám Fischer, Danish Radio Sinfonietta, Mathias Hedegaard, Raffaella Milanesi, Goran Eliasson, Ditte Andersen, Jakob Bloch Jepsen, Danish National Choir & Maria Kontra | Idomeneo re di Creta, K. 366: Act III Scene 10: Ha vinto amore … (A Voice) | |
| | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent & Richard Lewis | Messiah, HWV 56: No. 3, Aria. "Ev'ry Valley" | |
| | Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Denis Dowling, Richard Lewis & James Cameron | The Yeomen of the Guard : Act I | |
| | Sir John Barbirolli, Dame Janet Baker, Hallé & Richard Lewis | The Dream of Gerontius, Op. 38, Pt. 2: It Is a Member of That Family - All Hail! My Child and Brother (Angel, Soul) | |
| | Sir Thomas Beecham, Jennifer Vyvyan, Marian Nowakowski, Monica Sinclair, Richard Lewis, Royal Philharmonic Orchestra & Beecham Choral Society | Mass in C Major, Op. 86: II. Gloria | |
