| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Arie "O wär' ich schon mit dir vereint" | |
| | Joanne Lunn, John Eliot Gardiner, Monteverdi Choir, Angharad Gruffydd Jones, English Baroque Soloists, Sara Mingardo, Elinor Carter, Topi Lehtipuu, Brindley Sherratt & Julian Clarkson | Mass in B-Flat Major, Hob. XXII:10 "Missa Sancti Bernardi von Offida" ("Heiligmesse"): Et incarnatus est | |
| | John Eliot Gardiner, Christoph Genz, Monteverdi Choir, English Baroque Soloists, Brindley Sherratt & Robin Tyson | Es ist dir gesagt, Mensch, was gut ist, BWV 45: Aria: Weiss ich Gottes Rechte (Tenor) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 4: "O sainte melodie!" (Pauline, Polyeucte) | |
| | Paul Groves, David Kempster, Brindley Sherratt, Rebecca Evans, Hallé, Sir Mark Elder & Hallé Choir | The Apostles, Op. 49, Pt.1: Ic. The Calling of the Apostles, "And when it was day" | |
| | David Kempster, Brindley Sherratt, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment & Joyce El-Khoury | Les Martyrs, Act 4: "L'arret est prononce, tous chretiens" (Severe, Felix, Pauline) | |
| | John Adams, BBC Symphony Orchestra, Aubrey Allicock & Brindley Sherratt | Doctor Atomic, Act II, Scene 4: "Lieutenant Bush, keep a weather eye on Oppenheimer" | |
| | English Baroque Soloists, Brindley Sherratt, Christoph Genz, Robin Tyson, John Eliot Gardiner & Monteverdi Choir | Erforsche mich, Gott, und erfahre mein Herz, BWV 136: Chorale: Dein Blut, der edle Saft | |
| | Fabio Previati, Alastair Miles, Brindley Sherratt, David Parry, Joan Davies, Philharmonia Orchestra & Alexander Oliver | L'eremitaggio di Liverpool, Act 1: "Venite! Tremate!" (Claudio, Villars, Giacomo, Mountaineers, All) | |
| | Joanne Lunn, John Eliot Gardiner, Monteverdi Choir, Angharad Gruffydd Jones, English Baroque Soloists, Sara Mingardo, Elinor Carter, Topi Lehtipuu, Brindley Sherratt & Julian Clarkson | Mass No. 9, 'Missa Sancti Bernardi Von Offida' (Heiligmesse) Hob. XXII/10 (1796): VI. Et Incarnatus Est | |
| | Brindley Sherratt & Julius Drake | Let Us Garlands Bring, Op. 18: No. 3, Fear no more the heat o' the sun | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Duett "Jetzt, Alter, jetzt hat es Eile!" | |
| | Brindley Sherratt, Christian Curnyn & Early Opera Company | Semele, HWV 58, Act I Scene I: No. 4, Daughter, obey (Cadmus) | |
| | Joanne Lunn, John Eliot Gardiner, Monteverdi Choir, Angharad Gruffydd Jones, English Baroque Soloists, Sara Mingardo, Topi Lehtipuu, Andrew Busher & Brindley Sherratt | Mass No. 14 'Harmoniemesse' in B-Flat. Hob.XXII/14 (1802): VIII. Et Vivam Venturi Saeculi | |
| | Louise Winter, Jeffrey Lloyd Roberts, Brindley Sherratt, Graeme Danby, BBC Symphony Orchestra & André de Ridder | The Wandering Jew, Scene 5: Pt. 1, What Is This Place, So Wild, So Cold? | |
| | Brindley Sherratt, Jennifer Larmore, Malcolm Martineau, Mireille Delunsch & Lawrence Brownlee | "Ridiamo, cantiamo che tutto sen va" | |
| | Brindley Sherratt & Julius Drake | 6 Sea Songs: No. 2, Limehouse Reach | |
| | Joanne Lunn, Sara Mingardo, Topi Lehtipuu, Brindley Sherratt, English Baroque Soloists, Monteverdi Choir & John Eliot Gardiner | "Missa Sancti Bernardi von Offida" (Heiligmesse) Hob. XXII/10: III. Gratias Agimus Tibi | |
| | Anthony Michaels-Moore, Christopher Purves, Brindley Sherratt, David Parry, London Philharmonic Orchestra & Susan Patterson | A Masked Ball, Act III Scene 1: So which name has been chosen? (Anckarstroem, Ribbing, Amelia, Horn) | |
| | Anthony Michaels-Moore, Christopher Purves, Brindley Sherratt, David Parry, London Philharmonic Orchestra, Dennis O'Neill & Linda Richardson | A Masked Ball, Act I Scene 1: My friends, will you come with me (Gustavus, Anckarstroem, Oscar, Ribbing, Horn) | |
| | John Adams, BBC Symphony Orchestra, Aubrey Allicock, Brindley Sherratt & Gerald Finley | Doctor Atomic, Act II, Scene 3: "The only saviors are the ham sandwiches" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 2: Duett "Nur hurtig fort, nur frisch gegraben" | |
| | English Baroque Soloists, Brindley Sherratt, John Eliot Gardiner, Christoph Genz, Robin Tyson & Monteverdi Choir | Wo Gott der Herr nicht bei uns halt, BWV 178: Aria: Schweig, schweig nur, taumelnde Vernunft! (Tenor) | |
| | David Kempster, Brindley Sherratt, Opera Rara Chorus, Sir Mark Elder & Orchestra of the Age of Enlightenment | Les Martyrs, Act 2: "Amour de mon jeune age, Toi dont la douce image" (Severe) | |
| | Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment & Joyce El-Khoury | Les Martyrs, Act 2: "Severe existe! ... Un dieu sauveur, Des sombres bords un dieu l'envoie!" (Pauline) | |
| | Brindley Sherratt, Sir Mark Elder, Victoria Simmonds & Orchestra of the Age of Enlightenment | Maria di Rohan, Appendix: "Lascia" (Gondi, Chalais) | |
| | John Adams, BBC Symphony Orchestra, Andrew Staples, Brindley Sherratt & Gerald Finley | Doctor Atomic, Act I, Scene 1: "What if it's a dud?" | |
| | Simon Keenlyside, Brindley Sherratt, Opera in English Chorus, Edward Gardner & English National Opera Orchestra | Macbeth, Act I Scene 1, A Wood: Strange that this glorious day is drowned in darkness! (Macbeth, Banquo, Witches) | |
| | Brindley Sherratt, Geoffrey Mitchell Choir, David Parry, Victoria Simmonds, London Philharmonic Orchestra, José Bros & Mark le Brocq | Il pirata, Act 1: "Per te di vane lagrime" (Gualtiero, Itulbo, Goffredo, Chorus) | |
| | Brindley Sherratt, Roderick Earle, James Judd, Della Jones, Academy of St Martin in the Fields, Marilyn Hill Smith & Ian Caley | Dinorah, Act 3: "Bonjour, faucheur!" (Huntsman, Reaper, Goatherd, Goatgirl, All) | |
| | Hallé, Hallé Choir, Sir Mark Elder & Brindley Sherratt | The Apostles, Op. 49, Pt. 2: IV. The Betrayal, "Wither Shall I Go" | |
| | Brindley Sherratt, Geoffrey Mitchell Choir & Malcolm Martineau | La notte del Santo Natale | |
| | Christ Church Cathedral Choir, Oxford Philomusica, Stephen Darlington, Jeni Bern, Benjamin Hulett, Nathan Vale & Brindley Sherratt | Acis & Galatea, HWV 49: XII. Chorus. "Wretched Lovers!" (arr. Mendelssohn) | |
| | John Eliot Gardiner, Monteverdi Choir, Joanne Lunn, Sara Mingardo, English Baroque Soloists, Topi Lehtipuu & Brindley Sherratt | Mass No. 14 'Harmoniemesse' in B-Flat. Hob.XXII/14 (1802): X. Benedictus | |
| | Brindley Sherratt, David Parry, Philharmonia Orchestra & Yvonne Kenny | L'eremitaggio di Liverpool, Act 2: "Non intende il mio contento" (Emilia, All) | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio Op. 72: Ouvertüre | |
| | Joanne Lunn, John Eliot Gardiner, English Baroque Soloists, Sara Mingardo, Monteverdi Choir, Topi Lehtipuu & Brindley Sherratt | Mass No. 9, 'Missa Sancti Bernardi Von Offida' (Heiligmesse) Hob. XXII/10 (1796): III. Gratias Agimus Tibi | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Dialog "Ihr habt schon recht, Meister Rocco" | |
| | John Eliot Gardiner, Monteverdi Choir, Joanne Lunn, English Baroque Soloists, Sara Mingardo, Topi Lehtipuu & Brindley Sherratt | Missa in Tempore Belli "Paukenmesse", Hob. XXII:9 in C: I. Kyrie | |
| | John Eliot Gardiner, Monteverdi Choir, Joanne Lunn, English Baroque Soloists, Sara Mingardo, Topi Lehtipuu & Brindley Sherratt | Mass No. 14 'Harmoniemesse' in B-Flat. Hob.XXII/14 (1802): III. Gratias | |
| | Brindley Sherratt, Hallé, Hallé Choir & Sir Mark Elder | The Apostles, Op. 49, Pt.2: IVe. The Betrayal, "Wither shall I go" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Quartett "Mir ist so wunderbar" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Dialog "Aber Marzelline" | |
| | Russell Braun, Brindley Sherratt, Sir Mark Elder, Victoria Simmonds, Orchestra of the Age of Enlightenment, Brenda Rae & Robert Murray | Fantasio, Act 2: "Oui, c'est bien lui, chère princesse!" (Flamel, Marinoni, La princesse Elsbeth, Le Roi de Baviere, Le prince de Mantoue) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 2: "Voila le proconsul, ce guerrier magnanime" (Polyeucte, Severe, Pauline) | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Arie "Komm, Hoffnung, lass den letzten Stern" | |
| | Brindley Sherratt, Mirco Palazzi, Giuliano Carella, Manuela Custer, Academy of St Martin in the Fields, Laura Claycomb & Paul Austin Kelly | L'esule di Granata, Act 1: "Miei pensieri, in tal cimento " (Almanzor, Azema, Alamar, Sulemano, Ali) | |
| | Brindley Sherratt, Edward Gardner & English National Opera Orchestra | Macbeth, Act II Scene 2, A Park: My son, be wary, be cautious! (Banquo) | |
| | David Kempster, Brindley Sherratt, Opera Rara Chorus, Sir Mark Elder & Orchestra of the Age of Enlightenment | Les Martyrs, Act 2: "Les dieux ont conserve des jours si precieux!" (Felix) | |
| | John Adams, BBC Symphony Orchestra, Brindley Sherratt & Gerald Finley | Doctor Atomic, Act II, Scene 2: "I've spent a great deal of time indulging in controlled fantasies" | |
