| | Alejandro Ramirez, Hanna Schaer, Lausanne Vocal Ensemble, Michel Corboz, Orchestre de Chambre de Lausanne, Philippe Corboz, Philippe Huttenlocher & Sheila Armstrong | Magnificat, D. 486 | |
| | Concerto Amsterdam, Gustav Leonhardt, Jaap Schröder, Jürgen Jürgens, Max van Egmond, Sheila Armstrong & Johann Sebastian Bach | Cantata No. 59 Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 59: I Duet - "Wer Mich Liebet" [Soprano, Bass] | |
| | Sheila Armstrong, David Haslam & The Northumbrian Concert Orchestra | The Cullercoats Fish Lass | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | Perfidissimo volto - (G.B. Guarini)/Madrigali a 5 voci (Book III) | |
| | Sheila Armstrong, Dame Janet Baker, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn & London Symphony Chorus | A Spring Symphony Op. 44: Waters above! (H Vaughan) | |
| | Sir Thomas Allen, Sheila Armstrong, David Haslam, Northern Sinfonia & Northern Sinfonia Chorus | It Was One Summer’s Morning | |
| | Hallé, Maurice Handford & Sheila Armstrong | Carmina Burana: 23. Dulcissime SA | |
| | Sheila Armstrong, Joy Hall & Raymond Leppard | Quel sguardo sdegnosetto - Madrigali, Canzonette e Scherzi musicali (Book X) | |
| | Tatiana Troyanos, Sir Charles Mackerras, Kammerorchester des Norddeutschen Rundfunks, Hamburg, Sheila Armstrong, Barry McDaniel, Monteverdi-Chor Hamburg & Jürgen Jürgens | Dido and Aeneas, Z. 626: "Your Counsel All Is Urg'd in Vain" - "Great Minds Against Themselves Conspire" | |
| | Hertha Töpper, Stuttgart Figuralchor der Gedachtniskirche, Helmuth Rilling, Theo Altmeyer, Jakob Stampfli, Stuttgart Bach Collegium & Sheila Armstrong | Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Treues Echo dieser Orten (Alto) | |
| | Sheila Armstrong, James Bowman, English Chamber Orchestra, Sir Charles Mackerras & Kenneth Sillito | Saul, HWV 53, Act 2: 5VI. Duet: O Fairest of ten thousand Fair | |
| | John Noble, London Philharmonic Choir, Sir Adrian Boult, Gloria Jennings, London Philharmonic Orchestra, Marie Hayward, Sheila Armstrong & Ian Partridge | The Pilgrim's Progress, Act I, Scene 2: The House Beautiful. "Save Me! Save Me, Lord!" (Pilgrim, Shining Ones, Interpreter, Chorus) | |
| | André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong | The Bells, Op. 35: I. Allegro ma non tanto | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Helen Watts, Bernard Dickerson, Robert Tear, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | Il quarto libro de madrigali (1603): Cor mio mentre vi miro | |
| | André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong | The Bells, Op. 35: IV. Lento lugubre | |
| | Sheila Armstrong, London Symphony Orchestra & David Atherton | The Mystic Trumpeter, Op. 18 (Ed. C. Matthews) | |
| | London Philharmonic Choir, Sir Adrian Boult, London Philharmonic Orchestra & Sheila Armstrong | Symphony No. 1 "A Sea Symphony": I. (c) A Song for All Seas, All Ships. "Flaunt out, O Sea, Your Separate Flags" | |
| | Hallé, Maurice Handford, Michael Ball & Sheila Armstrong | Carmina Burana: 15. Amor volat undique SA | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | O come è gran martire - (G.B. Guarini)/Madrigali a 5 voci (Book III) | |
| | Sir Thomas Allen, Sheila Armstrong, David Haslam & Northern Sinfonia Chorus | Blaydon Races | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | La giovinetta pianta - Madrigali a 5 voci (Book III) | |
| | Sheila Armstrong, Alfreda Hodgson, Helen Watts, Joy Hall & Raymond Leppard | Come dolce hoggi l'auretta - Madrigali, Canzonette e Scherzi musicali (Book IX) | |
| | John Carol Case, London Philharmonic Choir, Sir Adrian Boult, London Philharmonic Orchestra & Sheila Armstrong | Symphony No. 1 "A Sea Symphony": IV. (g) The Explorers. "O My Brave Soul" | |
| | John Noble, Terence Sharpe, Robert Lloyd, Sir Adrian Boult, London Philharmonic Orchestra, Sheila Armstrong, John Elwes & Wynford Evans | The Pilgrim's Progress, Act IV, Scene 2: The Delectable Mountains. "The Lord Is My Shepherd" (Voice of a Bird, Pilgrim, Shepherds, Messenger) | |
| | Theo Altmeyer, Sheila Armstrong, Stuttgart Figuralchor der Gedachtniskirche, Helmuth Rilling, Stuttgart Bach Collegium, Jakob Stampfli & Hertha Töpper | Lasst uns sorgen, lasst uns wachen, BWV 213: Recitative: Auf! folge meiner Bahn (Soprano, Tenor) | |
| | John Carol Case, Sir Adrian Boult, London Philharmonic Orchestra & Sheila Armstrong | Symphony No. 1 "A Sea Symphony": IV. (c) The Explorers. "O We Can Wait No Longer" | |
| | Sheila Armstrong, David Haslam & The Northumbrian Concert Orchestra | The Cliffs of Old Tynemouth | |
| | Sheila Armstrong, Karl Richter, Münchener Bach-Orchester & Dietrich Fischer-Dieskau | Ach Gott, wie manches Herzeleid, Cantata BWV 58: 5. "Ich hab für mir ein schwere Reis" | |
| | Leonard Bernstein, Dame Janet Baker, Sheila Armstrong, Arthur Oldham, Edinburgh Festival Chorus & London Symphony Orchestra | Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso | |
| | Raymond Leppard, Joy Hall, Sheila Armstrong, Alfreda Hodgson & Anne Collins | Su pastorelli vezzosi - (Anonymous)/Madrigali Guerrieri et Amorosi (Book VIII) | |
| | London Philharmonic Orchestra, London Philharmonic Choir, John Carol Case, Sir Adrian Boult, Sheila Armstrong & John Alldis | Dona nobis pacem: I. 'Agnus Dei' (Lento) - | |
| | Hallé, Maurice Handford & Sheila Armstrong | Carmina Burana: 23. Dulcissime SA | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Helen Watts, Bernard Dickerson, Robert Tear, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | Il quarto libro de madrigali (1603): Sfogava con le stelle | |
| | Sheila Armstrong, Barry McDaniel, Tatiana Troyanos, Paul Esswood, Sir Charles Mackerras & Kammerorchester des Norddeutschen Rundfunks, Hamburg | Dido And Aeneas, Act I: "See, your royal guest appears"/"Cupid only throws." | |
| | André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong | The Bells, Op. 35: I. Allegro ma non tanto | |
| | Sheila Armstrong, London Symphony Orchestra & Sir Colin Davis | Les nuits d'été, Op. 7: IV. Absence | |
| | Sheila Armstrong, Dietrich Fischer-Dieskau, Münchener Bach-Orchester & Karl Richter | Ach Gott, wie manches Herzeleid, BWV 58: V. Duetto "Ich hab' für mir ein schwere Reis'" | |
| | Sheila Armstrong, Sir Charles Mackerras, Kammerorchester des Norddeutschen Rundfunks, Hamburg, Monteverdi-Chor Hamburg & Jürgen Jürgens | Dido and Aeneas, Z. 626: Ritornelle - "Thanks to These Lonesome Vales" - Gitter Ground a Dance | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | Vivrò fra i miei tormenti - (T. Tasso, Gerusalemme liberata, Canto XII)/Madrigali a 5 voci (Book III): Pt. I: "Vivrò fra i miei tormenti" - Pt. II: "Ma dove, o lasso me" - Pt. III: "Io pur verrò" | |
| | Sir Adrian Boult, Sheila Armstrong, Richard Angas, Norma Burrowes, John Carol Case, Bernard Dickerson, Wendy Eathorne, John Elwes, Gerald English, Wynford Evans, Marie Hayward, Raimund Herincx, Alfreda Hodgson, Gloria Jennings, Christopher Keyte, London Philharmonic Choir, London Philharmonic Orchestra, John Noble, Ian Partridge, Doreen Price, Geoffrey Shaw, John Shirley-Quirk, Jean Temperley, Delia Wallis, Robert Lloyd, Kenneth Woollam, Terence Sharp & Joseph Ward | The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1 | |
| | André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong | The Bells, Op. 35: III. Presto | |
| | John Carol Case, John Noble, Christopher Keyte, Richard Angas, Sir Adrian Boult, Alfreda Hodgson, Gloria Jennings, Meriel Dickinson, Shirley Minty, London Philharmonic Orchestra, Marie Hayward, Norma Burrowes, Sheila Armstrong, Susan Longfield, Bernard Dickerson, Ian Partridge, Kenneth Bowen & Wynford Evans | Serenade to Music | |
| | Sheila Armstrong, Dame Janet Baker, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn & London Symphony Chorus | A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare) | |
| | Sir Adrian Boult, Sheila Armstrong, John Elwes, Wynford Evans, London Philharmonic Orchestra, John Noble, Robert Lloyd & Terence Sharp | The Pilgrim's Progress, Act IV, Scene 2: The Delectable Mountains: The Lord Is My Shepherd | |
| | Sheila Armstrong, Münchener Bach-Orchester & Karl Richter | Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. "Ich bin vergnügt in meinem Leiden" | |
| | Sir Thomas Allen, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus, André Previn, London Symphony Orchestra & Sheila Armstrong | Carmina Burana, Pt. 3, Cour d'amours: Tempus est iocundum | |
| | Tatiana Troyanos, Barry McDaniel, Sheila Armstrong, Kammerorchester des Norddeutschen Rundfunks, Hamburg, Sir Charles Mackerras & Monteverdi-Chor Hamburg | Dido And Aeneas, Act II: "Behold, upon my bending spear"/"Haste, haste to town" | |
| | Sir Adrian Boult, Sheila Armstrong, Marie Hayward, Gloria Jennings, London Philharmonic Choir, London Philharmonic Orchestra, John Noble & Ian Partridge | The Pilgrim's Progress, Act I, Scene 2: The House Beautiful | |
| | Norma Procter, Sheila Armstrong, London Symphony Orchestra & Leopold Stokowski | Messiah - Pt. 1: "Then shall the eyes of the blind be opened . He shall feed his flock" | |
| | Hallé, Maurice Handford & Sheila Armstrong | Carmina Burana: 21. In trutina SA | |
