| | The Cleveland Orchestra, Cleveland Orchestra Boy's Choir, Cleveland Orchestra Chorus, Judith Blegen, Kenneth Riegel, Michael Tilson Thomas & Peter Binder | Carmina Burana: "O Fortuna" | |
| | Bernd Weikl, Chor der Sächsischen Staatsoper Dresden, Chor des Mitteldeutschen Rundfunks Leipzig, Deborah Voigt, Giuseppe Sinopoli, Jennifer Larmore, Kenneth Riegel, Klaus Maria Brandauer, Prague Men's Choir, Staatskapelle Dresden & Thomas Moser | Gurrelieder : Part 3 "Deckel des Sarges klappert und klappt" [Bauer] | |
| | José Van Dam, Leonard Bernstein, Wiener Philharmoniker, Kenneth Riegel, Trudeliese Schmidt, Agnes Baltsa, Hermann Prey, Dame Margaret Price, Judith Blegen & Rudolf Scholz | Symphony No. 8 in E-Flat - "Symphony Of A Thousand" / Pt. One: Hymnus "Veni creator spiritus": "Infirma nostri corporis" | |
| | Teresa Stratas, Pierre Boulez, Orchestre de l’Opéra national de Paris, Jane Manning, Hanna Schwarz, Anna Ringart, Ursula Boese, Kenneth Riegel, Claude Meloni, Helmut Pampuch, Pierre-Yves Le Maigat, Gerd Nienstedt & Jules Bastin | Lulu: "Meine Herrn und Damen!" . "Der Staatsanwalt bezahlt demjenigen" | |
| | Pierre Boulez, Orchestre de l’Opéra national de Paris, Teresa Stratas, Kenneth Riegel & Franz Mazura | Lulu: "Ich darf mich jetzt hier nicht sehen lassen" | |
| | Ruggero Raimondi, Chevy Chase Elementary School Chorus, Choral Arts Society of Washington, Oratorio Society of Washington, Mstislav Rostropovich, National Symphony Orchestra, Kennedy Center, Kenneth Riegel & Nicolai Gedda | Boris Godunov, Act 4: "Ah! Ah! They've offended God's Fool!" (Simpleton, Boris, Shuisky, Chorus) | |
| | Dame Margaret Price, Judith Blegen, Trudeliese Schmidt, Agnes Baltsa, Kenneth Riegel, Hermann Prey, José Van Dam, Wiener Philharmoniker, Leonard Bernstein, Rudolf Scholz, Chor der Wiener Staatsoper, Walter Hagen-Groll, Wiener Singverein, Helmut Froschauer, Wiener Sängerknaben & Uwe Theimer | Symphony No. 8 in E-Flat - "Symphony of a Thousand" / Pt. One: Hymnus "Veni creator spiritus": Veni, creator spiritus | |
| | Edda Moser, Kenneth Riegel, Dame Kiri Te Kanawa, Lorin Maazel, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni, K. 527: Protegga il guisto cielo/Vendichi il giusto cielo (Edda Moser, Kenneth Riegel, Kiri Te Kanawa) | |
| | Kenneth Riegel, Hanna Schwarz, Frode Olsen, Wiener Philharmoniker & Christoph von Dohnányi | Salome, Op.54 - original version - Scene 4: "Wo ist Salome?" | |
| | Ruggero Raimondi, Mstislav Rostropovich, National Symphony Orchestra, Kennedy Center & Kenneth Riegel | Boris Godunov, Act 2: "No, I cannot ... I cannot, my child! Tsarevich, obey!" (Boris, Shuisky) | |
| | Dame Kiri Te Kanawa, Kenneth Riegel, Edda Moser, José Van Dam, Lorin Maazel, Orchestre de l’Opéra national de Paris & Chœurs de l'Opéra national de Paris | Don Giovanni, K. 527: Bisogna aver corraggio (Kiri Te Kanawa, Kenneth Riegel, Edda Moser, Jose Van Dam) | |
| | Margaret Price, Judith Blegen, Trudeliese Schmidt, Agnes Baltsa, Kenneth Riegel, Hermann Prey, José Van Dam, Rudolf Scholz, Wiener Philharmoniker, Leonard Bernstein, Wiener Staatsopernchor, Wiener Singverein & Wiener Sängerknaben | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: XVI. Alles Vergängliche | |
| | Kenneth Riegel, Hanna Schwarz, Wiener Philharmoniker & Christoph von Dohnányi | Salome, Op. 54 (Original Version) - Scene 4: Es ist kalt hier | |
| | Lorin Maazel, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Ruggero Raimondi, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni: Questo è il fin (Tutti) | |
| | Lorin Maazel, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Ruggero Raimondi, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni: Batti, batti, o bel Masetto (Zerlina) | |
| | Judith Blegen, Faye Robinson, Deborah Sasson, Florence Quivar, Lorna Myers, Kenneth Riegel, Benjamin Luxon, Gwynne Howell, Tanglewood Festival Chorus, Boston Boys Choir, Boston Symphony Orchestra, James Christie & Seiji Ozawa | Symphony No. 8 in E-Flat - "Symphony of a Thousand" - Pt. Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | |
| | Leonard Bernstein, New York Philharmonic, Westminster Choir, Gwendolyn Killebrew, Kenneth Riegel, Judith Blegen & Simon Estes | Missa in Angustiis in D Minor, Hob.XXII: 11 "Nelsonmesse": V. Benedictus: Allegretto | |
| | Lorin Maazel, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni: Deh vieni alla finestra (Don Giovanni) | |
| | Jane Manning, Pierre Boulez, Orchestre de l’Opéra national de Paris, Ursula Boese, Anna Ringart, Claude Meloni, Kenneth Riegel, Pierre-Yves Le Maigat & Jules Bastin | Lulu: "Wollen sie wohl diese Aktie akzeptieren" (Journalist, Bankier, Mutter, Kunstgewerblerin, Alwa, Fünfzehnjährige, Diener) | |
| | Kenneth Riegel, Chicago Symphony Orchestra & Sir Georg Solti | La damnation de Faust, Op. 24, H 111 Pt. 2: Scène 3. "Sans regrets j'ai quitté les riantes campagnes" | |
| | Kenneth Riegel, José Van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti | La damnation de Faust, Op. 24, H 111 Pt. 2: Choeur de gnomes et de sylphes "Dors! Dors! heureux" | |
| | Kenneth Riegel, Lorin Maazel, Orchestre de l’Opéra national de Paris & Chœurs de l'Opéra national de Paris | Don Giovanni, K. 527: Il mio tesoro (Kenneth Riegel) | |
| | Lorin Maazel, Chœurs de l'Opéra national de Paris, Dame Kiri Te Kanawa, Edda Moser, Kenneth Riegel & Orchestre de l’Opéra national de Paris | Don Giovanni, K. 527: Protegga il guisto cielo - Vendichi il giusto cielo | |
| | The Cleveland Orchestra, Cleveland Orchestra Boy's Choir, Cleveland Orchestra Chorus, Judith Blegen, Kenneth Riegel, Michael Tilson Thomas & Peter Binder | Carmina Burana: "Chramer, gip die varwe mir" | |
| | Lorin Maazel, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Ruggero Raimondi, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni: Fin ch'han dal vino (Don Giovanni) | |
| | Dame Margaret Price, Leonard Bernstein, Wiener Philharmoniker, Judith Blegen, Chor der Wiener Staatsoper, Wiener Singverein, Trudeliese Schmidt, Agnes Baltsa, Wiener Sängerknaben, Kenneth Riegel, Hermann Prey, José Van Dam & Rudolf Scholz | Symphony No. 8 in E-Flat - "Symphony Of A Thousand" / Pt. Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | |
| | Kenneth Riegel, Thomas Klug & Deutsche Kammerphilharmonie Bremen | Little Gidding: IV. With the drawing of this Love and the voice of this Calling. Lento | |
| | Yvonne Minton, Pierre Boulez, Orchestre de l’Opéra national de Paris, Kenneth Riegel, Toni Blankenheim & Gerd Nienstedt | Lulu: "Er lässt auf sich warten" | |
| | Teresa Stratas, Kenneth Riegel, Helmut Pampuch, Franz Mazura, Orchestre de l’Opéra national de Paris & Pierre Boulez | Lulu, Act II: "Die Matinée wird, wie ich mir denke" | |
| | Kenneth Riegel, José Van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti | La damnation de Faust, Op. 24, H 111 Pt. 2: Chanson de Méphistophélès. "Une puce gentille" | |
| | Kenneth Riegel, Hanna Schwarz, Wiener Philharmoniker & Christoph von Dohnányi | Salome, Op.54 - original version - Scene 4: Es ist kalt hier | |
| | Leonard Bernstein, New York Philharmonic, Westminster Choir, Gwendolyn Killebrew, Kenneth Riegel, Judith Blegen & Simon Estes | Missa in Angustiis in D Minor, Hob.XXII: 11 "Nelsonmesse": II. Gloria: Gloria in excelsis Deo. Allegro | |
| | The Cleveland Orchestra, Cleveland Orchestra Boy's Choir, Cleveland Orchestra Chorus, Judith Blegen, Kenneth Riegel, Michael Tilson Thomas & Peter Binder | Carmina Burana: "Estuans interius" | |
| | Dame Kiri Te Kanawa, José Van Dam, Kenneth Riegel, Edda Moser, Lorin Maazel, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni, K. 527: Sola, sola in buio loco (Kiri Te Kanawa, Jose Van Dam, Kenneth Riegel, Edda Moser) | |
| | New York Philharmonic, Gwendolyn Killebrew, Kenneth Riegel, Judith Blegen, Leonard Bernstein, Westminster Choir & Simon Estes | Missa In Angustiis In D Minor, Hob.XXII: 11, Nelson Mass/V. Benedictus: Benedictus Qui Venit. Allegretto | |
| | New York Philharmonic, Gwendolyn Killebrew, Kenneth Riegel, Judith Blegen, Leonard Bernstein, Westminster Choir & Simon Estes | Missa In Angustiis In D Minor, Hob.XXII: 11, Nelson Mass/II. Gloria: Gloria In Excelsis Deo. Allegro | |
| | Bernd Weikl, Chor der Sächsischen Staatsoper Dresden, Chor des Mitteldeutschen Rundfunks Leipzig, Deborah Voigt, Giuseppe Sinopoli, Jennifer Larmore, Kenneth Riegel, Klaus Maria Brandauer, Prague Men's Choir, Staatskapelle Dresden & Thomas Moser | Gurrelieder : Part 1 "Du sendest mir einen Liebesblick" [Tove] | |
| | Bernd Weikl, Chor der Sächsischen Staatsoper Dresden, Chor des Mitteldeutschen Rundfunks Leipzig, Deborah Voigt, Giuseppe Sinopoli, Jennifer Larmore, Kenneth Riegel, Klaus Maria Brandauer, Prague Men's Choir, Staatskapelle Dresden & Thomas Moser | Gurrelieder : Part 3 "Ein seltsamer Vogel ist so'n Aal" [Klaus-Narr] | |
| | Lorin Maazel, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Ruggero Raimondi, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni: Il mio tesoro intanto (Don Ottavio) | |
| | José Van Dam, Kenneth Riegel, Trudeliese Schmidt, Agnes Baltsa, Hermann Prey, Margaret Price, Judith Blegen, Rudolf Scholz, Wiener Philharmoniker & Leonard Bernstein | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: V. Infirma nostri corporis II | |
| | Lorin Maazel, Chœurs de l'Opéra national de Paris, Edda Moser, Kenneth Riegel & Orchestre de l’Opéra national de Paris | Don Giovanni, K. 527: Calmatevi, idol mio! | |
| | Leonard Bernstein, Wiener Philharmoniker, Dame Margaret Price, Judith Blegen, Chor der Wiener Staatsoper, Wiener Singverein, Trudeliese Schmidt, Agnes Baltsa, Kenneth Riegel, José Van Dam, Hermann Prey & Rudolf Scholz | Symphony No. 8 in E-Flat - "Symphony of a Thousand" / Pt. One: Hymnus "Veni creator spiritus": "Infirma nostri corporis" | |
| | Lorin Maazel, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Ruggero Raimondi, Chœurs de l'Opéra national de Paris & Orchestre de l’Opéra national de Paris | Don Giovanni: Riposate, vezzose ragazze! (Tutti) | |
| | Dame Margaret Price, Judith Blegen, Trudeliese Schmidt, Agnes Baltsa, Kenneth Riegel, Hermann Prey, José Van Dam, Wiener Philharmoniker, Leonard Bernstein, Rudolf Scholz, Chor der Wiener Staatsoper, Walter Hagen-Groll, Wiener Singverein, Helmut Froschauer, Wiener Sängerknaben & Uwe Theimer | Symphony No. 8 in E-Flat - "Symphony of a Thousand" / Pt. Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | |
| | Lorin Maazel, Chœurs de l'Opéra national de Paris, Dame Kiri Te Kanawa, Edda Moser, José Van Dam, Kenneth Riegel, Malcolm King, Orchestre de l’Opéra national de Paris, Ruggero Raimondi & Teresa Berganza | Don Giovanni, K. 527: Venite pur avanti | |
| | Eliahu Inbal, Frankfurt Radio Symphony, Fritz Walter-Lindqvist, Hans-Peter Runscher, Helmut Franz, Helmut Wolf, Herbert Schernus, Uwe Gronostay, Christoph Denoix, Alois Ickstadt, Gerhart Roth, Faye Robinson, Teresa Cahill, Hildegard Heichele, Livia Budai, Jane Henschel, Kenneth Riegel, Hermann Prey, Harald Stamm, Chor des Bayerischen Rundfunks, North German Radio Chorus, Stuttgart Sudfunkchor, West German Radio Chorus, RIAS Kammerchor, Limburger Domsingknaben & Hessischer Rundfunk Children's Chorus | Symphony No. 8 in E-Flat Major, Pt. I: Veni, creator spiritus | |
| | Teresa Stratas, Kenneth Riegel, Orchestre de l’Opéra national de Paris & Pierre Boulez | Lulu, Act II: "Wenn deine beiden grossen Kinderaugen" - "Durch dieses Kleid" | |
| | Kenneth Riegel, Wiener Philharmoniker, Leonard Bernstein, Rudolf Scholz, Chor der Wiener Staatsoper, Walter Hagen-Groll, Wiener Singverein & Helmut Froschauer | Symphony No. 8 in E-Flat - "Symphony of a Thousand" / Pt. Two: Final scene from Goethe's "Faust": "Höchste Herrscherin der Welt" | |
| | Kenneth Riegel, Orchestre de l’Opéra national de Paris & Lorin Maazel | Don Giovanni, K. 527: Il mio tesoro intanto | |
| | Kenneth Riegel, Lorin Maazel, Orchestre de l’Opéra national de Paris & Chœurs de l'Opéra national de Paris | Don Giovanni, K. 527: Come mai creder deggio... (Kenneth Riegel) | |
