| | Hermann Scherchen & Orchestre de l Opéra d Etat de Vienne | Symphonie No. 5: Adagietto. Sehr langsam | |
| | Pierrette Alarie, Vienna State Opera Orchestra, Nan Merrimann & Hermann Scherchen | Mass in B Minor, BWV 232 "Hohe Messe" Pt. I: Christe Eleison (Duo soprani II & II) | |
| | Wiener Akademie Kammerchor, Vienna State Opera Orchestra & Hermann Scherchen | Mass in B Minor, BWV 232 "Hohe Messe" Pt. II: Confiteor (Chœur) | |
| | Hermann Scherchen, Magda Lászlò, Hilde Rössel-Majdan, Waldemar Kmentt, Alfred Poell, Wilhelm Hübner, Hans Kamesch, Anton Heiller, Academy Choir & Vienna State Opera Orchestra | Wachtet auf, ruft uns die stimme BWV 140 : Chorale, Zion hört die Wächter singen | |
| | Hermann Scherchen, Academy Choir, Vienna State Opera Orchestra, Magda Lászlò, Hilde Rössel-Majdan, Waldemar Kmentt & Alfred Poell | Wachet auf, ruft uns die Stimme, Cantate, BWV 140: I. Wachet auf, ruft uns die Stimme | |
| | Vienna State Opera Orchestra, Hermann Scherchen, Vienna Academy Chorus, Sena Jurinac, Lucretia West, Hans Loeffler & Frederick Guthrie | Requiem in D Minor, K. 626 I. Introitus: Requiem | |
| | Hermann Scherchen, Magda Lászlò, Hilde Rössel-Majdan, Waldemar Kmentt, Alfred Poell, Wilhelm Hübner, Hans Kamesch, Anton Heiller, Academy Choir & Vienna State Opera Orchestra | Wachtet auf, ruft uns die stimme BWV 140 : Chorus, Wachet auf, ruft uns die Stimme | |
| | Hermann Scherchen, Academy Choir, Vienna State Opera Orchestra, Magda Lászlò, Hilde Rössel-Majdan, Waldemar Kmentt & Alfred Poell | Wachet auf, ruft uns die Stimme, Cantate, BWV 140: VI. Mein Freund ist mein | |
| | Wiener Akademie Kammerchor, Vienna State Opera Orchestra & Hermann Scherchen | Mass in B Minor, BWV 232 "Hohe Messe" Pt. II: Crucifixus (Chœur) | |
| | Nan Merrimann, Vienna State Opera Orchestra & Hermann Scherchen | Mass in B Minor, BWV 232 "Hohe Messe" Pt. I: Qui sedes ad dexteram patris (Alto) | |
| | Vienna State Opera Orchestra, Hermann Scherchen, Vienna Academy Chorus, Sena Jurinac, Lucretia West, Hans Loeffler & Frederick Guthrie | Requiem in D Minor, K. 626 III. Sequentia: Lacrimosa | |
| | Vienna State Opera Orchestra & Hermann Scherchen | Symphony No. 5: IV. Adagietto | |
| | Vienna State Opera Orchestra, Hermann Scherchen & Richard Standen | Die Himmel erzählen die Ehre Gottes, BWV 76, Pt. 1: No. 4, Wer aber hört | |
| | Orchestre des Cento Soli, Hermann Scherchen & Cento Soli Orchestra | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | |
| | Richard Standen, Hermann Scherchen & Orchestre de L'Opéra de Vienne | Saint Matthew Passion BWV 244, Part II: 42. Aria: "Gebt mir meinen Jesum wieder" | |
| | Radio Symphnie Orchester Berlin & Hermann Scherchen | Suite for String Orchestra in G Major: V. Gigue. Moderato | |
| | Wiener Staatsoper Orchester & Hermann Scherchen | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | |
| | Choeur de la Radiodiffusion Télévision Francaise, Orchestre de l’Opéra national de Paris & Hermann Scherchen | Grande messe des morts, Op. 5, H. 75 "Requiem": III. Quid sum miser | |
| | Rudolf Streng, Vienna State Opera Orchestra & Hermann Scherchen | Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks against a Cliff Surmounted by a Bronze Horseman | |
| | Hermann Scherchen & Vienna Symphony Orchestra | 49 Adagio - Vivace | |
| | Hermann Scherchen & Köln Radio Sinfonie Orchester | Pelleas und Melisande, Op. 5, IAS 22: I. Anfang | |
| | Hermann Scherchen & Vienna State Opera Orchestra | 53 Adagio - Allegro | |
| | Vienna State Opera Orchestra, Hermann Scherchen & Wiener Akademie Kammerchor | Mass in B Minor, BWV 232: XXVII. Dona nobis pacem | |
| | Wiener Staatsopernorchester & Hermann Scherchen | Symphony No. 92 in G Major, Hob. I:92 "Oxford": III. Menuet. Allegretto | |
| | Luciano Sgrizzi, Orchestra della Radio della Svizzera Italiana & Hermann Scherchen | Die Kunst der Fuge, BWV 1080 (Arr. for Harpsichord & Orchestra): No. 18, Contrapunctus XIV (Fuga a 3 soggetti) [Live] | |
| | Hermann Scherchen, Laurence Molden, helga Glöckner, Orchestre de l’Opéra de Vienne, Hugues Cuenod & Peter Lagger | Saint Matthew Passion, BWV 244, Pt. II: No. 38a, Evangelist, Ancilla I, Pierre, Ancilla II. Petrus aber saß… | |
| | English Baroque Orchestra, Hermann Scherchen & Orchestre de l'Opéra d'Etat de Vienne | Great Fugue, Op. 133 | |
| | Wiener Symphoniker & Hermann Scherchen | Symphony in D, H.I, No. 104 - "London": 2. Andante | |
| | Hermann Scherchen & Orchestre du Théâtre des Champs-Elysées | Symphony No. 40 in G Minor, K. 550: III. Minuetto: Allegretto | |
| | Vienna State Opera Orchestra, Hermann Scherchen & Wiener Akademie Kammerchor | Mass in B Minor, BWV 232: XXII. Sanctus | |
| | London Philharmonic Orchestra & Hermann Scherchen | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | |
| | Wiener Akademie Kammerchor, Hermann Scherchen & Wiener Symphoniker | Mass in B Minor, BWV 232: Confiteor | |
| | Hermann Scherchen & Wiener Symphoniker | Symphony No. 3 in D Minor: VI. Langsam. Ruhevoll. Empfunden | |
| | Hermann Scherchen & Vienna State Opera Orchestra | 36 Finale. Presto man non troppo | |
| | London Philharmonic Orchestra & Hermann Scherchen | Hungarian Rhapsodies, S. 359: No. 1 in C-Sharp Minor, Pt. 1 | |
| | Sena Jurinac, Hermann Scherchen, Vienna State Opera Orchestra, Lucretia West, Hans Loeffler & Frederick Guthrie | Requiem in D minor, K. 626: No. 3. Sequentia: Recordare | |
| | CBC Toronto Chamber Orchestra, Kenneth Gilbert & Hermann Scherchen | L'Art de la Fugue, BWV 1080: Counterpoint VI | |
| | Hermann Scherchen & Orchestre de l'Opéra d'Etat de Vienne | Symphonie No. 92 en sol majeur "Oxford": IV. Finale (Presto) | |
| | Hermann Scherchen & Vienna State Opera Orchestra | 32 Presto | |
| | Vienna State Opera Orchestra & Hermann Scherchen | Symphony No. 7 in A Major, Op. 92: II. (Allegretto) | |
| | Royal Philharmonic Orchestra & Hermann Scherchen | The Firebird, First Tableau: Lullaby | |
| | Vienna State Opera Orchestra, Hermann Scherchen & Lucretia West | Symphony No. 2 in C Minor "Resurrection": IV. Urlicht | |
| | Berlin Radio Choir, Hermann Scherchen, Gerhard Pechner, Fritz Düttbernd, Ernst Ginsberg, Erik Wirl, Berlin Radio Orchestra & Betty Mergler | Der Lindberghflug (first version): No. 3. Weill: Aufbruch des Fliegers Charles Lindbergh in New York zu seinem Flug nach Europa | |
| | Hermann Scherchen, Roger Bourdin, Lily Laskine & Orchestre du Théâtre des Champs-Elysées | Concerto pour flûte, harpe et orchestre en Do majeur : Andantino | |
| | London Philharmonic Orchestra & Hermann Scherchen | Hungarian Rhapsodies, S. 359: No. 4 in C-Sharp Minor | |
| | Hermann Scherchen | L'Art de la Fugue, BWV 1080: Rehearsal in English | |
| | Hermann Scherchen | Sérénade n° 13, "Eine kleine Nachtmusik", K.525 / Romance | |
| | The Philadelphia Orchestra & Hermann Scherchen | Symphony No. 5 in C-Sharp Minor: I. Trauermarsch (Remastered 2022) [Live] | |
| | Hermann Scherchen & Vienna State Opera Orchestra | Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Adagio - Allegro | |
| | English Baroque Orchestra & Hermann Scherchen | Orchestral Suite No. 3 in D Major, BWV 1068: Ouverture | |
