| | Rudolf Albert & Orchestre des Cento Soli | Le sacre du printemps, Pt. II: Danse sacral. L'élue | |
| | Orchestre des Cento Soli, Jean Gitton & Camille Maurane | Le Roi David: No. 9, Psaume. "Pitié de moi, mon Dieu" | |
| | Orchestre des Cento Soli, Hermann Scherchen & Cento Soli Orchestra | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | |
| | Orchestre des Cento Soli, Daniel Chabrun & Charles Cyroulnik | Violin Concerto No. 5 in A Major, K. 219: III. Rondo. Tempo di minuetto - Allegro | |
| | Yvonne Loriod, Orchestre des Cento Soli & Rudolf Albert | Petrouchka, Tableau IV: Danse des nounous | |
| | Orchestre des Cento Soli & Ataulfo Argenta | Miroirs, M. 43: No. 4, Alborada del gracioso (Version for Orchestra) [Live] | |
| | Orchestre des Cento Soli & Serge Baudo | Suite from The Nutcracker, Op. 71a: Characteristic Dances. Arabian Dance | |
| | Ataulfo Argenta, Orchestre des Cento Soli, Bernard Cottret & Denyse Gouarne | Llanto por Ignacio Sanchez Mejias: Alma ausente | |
| | Hermann Scherchen, Orchestre des Cento Soli, Roger Delmotte, Lucien Lavaillotte, Robert Casier & Georges Tessier | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | |
| | Robert Casier, Orchestre des Cento Soli & Anthony Bernard | Oboe Concerto No. 3 in G Minor, HWV 287: II. Allegro | |
| | Orchestre des Cento Soli, Serge Baudo & Claude Helffer | Concerto for piano and orchestra, Opus 36: Allegro con spirito | |
| | Fritz Lehmann & Orchestre des Cento Soli | 1. Eveil d'impressions joyeuses en arrivant à la campagne: Symphonie pastorale No. 6 en fa majeur, Op. 68 | |
| | Karel Husa & Orchestre des Cento Soli | Symphonie No. 1 in C Minor, Op. 68: II. Andante sostenuto | |
| | Rudolf Albert, Orchestre des Cento Soli & Yvonne Loriod | Pétrouchka: La rixe : Le maure et Pétrouchka Tableau 4 | |
| | Orchestre des Cento Soli, Jean Gitton & Jean Marchat | Le Roi David: No. 13, Marche des philistins | |
| | Orchestre des Cento Soli & Fritz Lehmann | Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | |
| | Ataulfo Argenta, Orchestre des Cento Soli, Bernard Cottret, Denyse Gouarne & Mauricio Molho | Llanto por Ignacio Sanchez Mejias: Cuerpo presente | |
| | Orchestre des Cento Soli, Victor Desarzens & Ruggero Gerlin | Concerto pour clavecin No. 1 in D Minor, BWV 1052: II. Adagio | |
| | Orchestre des Cento Soli, Rudolf Albert & Yvonne Loriod | Petrushka, Pt. 4 "The Shrovetide Fair, Towards Evening": The Mummers (1947 Version) | |
| | Orchestre des Cento Soli & Fritz Lehmann | Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | |
| | Orchestre des Cento Soli, Jean Gitton & Chorale de l'Université de Paris | Le Roi David: No. 14, Lamentations de Guilboa | |
| | Herbert Graz & Orchestre des Cento Soli | Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman | |
| | Orchestre des Cento Soli & Louis Fourestier | Symphonie fantastique, Op. 14: III. Scène aux champs. Adagio, pt. 1 | |
| | Orchestre des Cento Soli & Rudolf Albert | Le sacre du printemps, pt. 2 "Le sacrifice": Accomplissement rituel des ancêtres | |
| | Orchestre des Cento Soli, Victor Desarzens & Ruggero Gerlin | Concerto pour clavecin No. 1 in D Minor, BWV 1052: III. Allegro | |
| | Rudolf Albert & Orchestre des Cento Soli | Le sacre du printemps, Pt. I: Cortège du sage | |
| | Orchestre des Cento Soli, Jean Gitton & Chorale de l'Université de Paris | Le Roi David: No. 16, La danse devant l'arche | |
| | Serge Baudo & Orchestre des Cento Soli | The Nutcracker, Op. 71, Act II, Scene 3: No. 12b, Divertissement. Arabian Dance "Coffee" | |
| | Orchestre des Cento Soli, Jean Gitton & Corinne Tinardon | Le Roi David: No. 12, Incantation. La Pythonisse | |
| | Orchestre des Cento Soli, Jean Gitton & Jean Marchat | Le Roi David: No. 26, Couronnement de Salomon | |
| | Herbert Graz & Orchestre des Cento Soli | Scheherazade, Op. 35: III. The Young Prince and the Young Princess | |
| | Rudolf Albert & Orchestre des Cento Soli | Le sacre du printemps, Pt. I: Jeu du rapt | |
| | Orchestre des Cento Soli, Jean Gitton & Chorale de l'Université de Paris | Le Roi David: No. 15, Cantique de fête | |
| | Rudolf Albert, Orchestre des Cento Soli & Yvonne Loriod | Pétrouchka: La police et le charlatan Tableau 4 | |
| | Orchestre des Cento Soli, Anthony Bernard & Robert Casier | Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | |
| | Orchestre des Cento Soli & Ataulfo Argenta | Ma Mère L'oye - Suite D'Orchestre: II. Petit poucet | |
| | Rudolf Albert & Orchestre des Cento Soli | Le sacre du printemps, Pt. I: Le sage | |
| | Orchestre des Cento Soli & Ettore Gracis | Il maestro di cappella: Sinfonia | |
| | Orchestre des Cento Soli & Hermann Scherchen | Brandenburg Concerto No.5 in D Major, BWV 1050: I. Allegro | |
| | Orchestre des Cento Soli & Günter Wand | Symphony No. 4 in D Minor, Op. 120: I. Adagio - Vivace | |
| | Orchestre des Cento Soli, Victor Desarzens & Ruggero Gerlin | Concerto pour clavecin No. 4 in A Major, BWV 1055: III. Allegro ma non tanto | |
| | Orchestre des Cento Soli & Günter Wand | Concert grosso a quattro chori in D Major: I. Allegro | |
| | Karel Husa & Orchestre des Cento Soli | Symphonie No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | |
| | Karel Husa & Orchestre des Cento Soli | Symphonie No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro | |
| | Ruggero Gerlin, Orchestre des Cento Soli & Victor Desarzens | Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro | |
| | Orchestre des Cento Soli & Louis Fourestier | Symphonie fantastique, Op. 14: IV. Marche au supplice. Allegretto non Troppo | |
| | Orchestre des Cento Soli, Hermann Scherchen & Cento Soli Orchestra | Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | |
| | Orchestre des Cento Soli & Karel Husa | Suite from The Miraculous Mandarin, Op. 19b, Sz. 73: The Mandarin Enters | |
| | Yvonne Loriod, Orchestre des Cento Soli & Rudolf Albert | Petrouchka, Tableau III: Valse : La ballerine et le Maure | |
| | Yvonne Loriod, Orchestre des Cento Soli & Rudolf Albert | Petrouchka, Tableau IV: Fête populaire de la semaine grasse, vers le soir | |
