| | Nikolaus Harnoncourt, Christine Schäfer, Bernarda Fink, Kurt Streit, Gerald Finley, Arnold Schoenberg Choir, Erwin Ortner & Concentus Musicus Wien | Requiem, K. 626: VI. "Benedictus" | |
| | Berliner Philharmoniker, Daniel Barenboim & Kurt Streit | Cosi fan tutte KV 588 : Atto I - n°17 Aria "Un'aura amorosa" (Ferrando) | |
| | Nikolaus Harnoncourt, Christine Schäfer, Bernarda Fink, Kurt Streit, Gerald Finley, Arnold Schoenberg Choir, Erwin Ortner & Concentus Musicus Wien | Requiem, K. 626: IV. Offertorium "Domine Jesu" | |
| | Berliner Philharmoniker, Cecilia Bartoli, Daniel Barenboim, Ferruccio Furlanetto, Sir John Tomlinson, Kurt Streit & Lella Cuberli | Cosi fan tutte: Act 1, "Di scrivermi ogni giorno" [Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso] | |
| | Berliner Philharmoniker, Cecilia Bartoli, Daniel Barenboim, Ferruccio Furlanetto, Sir John Tomlinson, Kurt Streit & Lella Cuberli | Cosi fan tutte KV 588 : Atto I - n°9 Quintetto (e coro) "Discrivermi ogni giorno" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) | |
| | Nikolaus Harnoncourt, Christine Schäfer, Bernarda Fink, Kurt Streit, Gerald Finley & Concentus Musicus Wien | Requiem, K. 626: III. Sequentia "Recordare" | |
| | Nikolaus Harnoncourt, Christine Schäfer, Bernarda Fink, Kurt Streit, Gerald Finley & Concentus Musicus Wien | Requiem, K. 626: III. Sequentia "Tuba mirum" | |
| | Hans-Jurgen Lazar, Frankfurt Opera Orchestra, Richard Cox, Martina Dike, Sebastian Weigle, Kurt Streit, Frankfurt Opera and Museum Orchestra, Magnus Baldvinsson, Katharina Magiera, Jenny Carlstedt, Britta Stallmeister, Dietrich Volle, Barbara Zechmeister, Alfred Reiter, Jochen Schmeckenbecher, Terje Stensvold & Meredith Arwady | Das Rheingold: Scene 1: Vorspiel | |
| | Berliner Philharmoniker, Daniel Barenboim, Ferruccio Furlanetto, Sir John Tomlinson & Kurt Streit | Cosi fan tutte KV 588 : Atto I - n°1 Terzetto "La mia Dorabella capace non e" (Ferrando, Don Alfonso, Guglielmo) | |
| | Berliner Philharmoniker, Daniel Barenboim, Ferruccio Furlanetto, Kurt Streit & RIAS Kammerchor | Cosi fan tutte KV 588 : Atto II - n°21 Duetto con coro "Secondate aurette amiche" (Ferrando, Guglielmo, coro) | |
| | Peter Rose, Gerd Grochowski, Brigitte Geller, Markus Raab, ORF Radio Symphony Orchestra Vienna, Kurt Streit, Martin Schwab, Camilla Nylund, Dietmar Kerschbaum, Arnold Schoenberg Choir, Ralf Lukas, Bertrand De Billy & Thomas Ebenstein | Fidelio, Op. 72a (with inserted texts by W. Jens): Act I: Duet: Jetzt, Schatzchen, jetzt sind wir allein… (Jaquino, Marzelline) | |
| | Kurt Streit, Robert Gambill, Cheryl Studer, Elzbieta Szmytka, Gunther Missenhardt, Bruno Weil, Chor der Wiener Staatsoper & Wiener Symphoniker | Die Entfuhrung Aus Dem Seráil: Frisch Zum Kampfe! (Pedrillo) | |
| | Berliner Philharmoniker, Daniel Barenboim, Kurt Streit & Lella Cuberli | Cosi fan tutte: Act 2, "Fra gli amplessi in pochi istanti" [Fiordiligi, Ferrando] | |
| | Berliner Philharmoniker, Daniel Barenboim & Kurt Streit | Cosi fan tutte: Act 1, "Un'aura amorosa" [Ferrando] | |
| | Berliner Philharmoniker, Daniel Barenboim & Kurt Streit | Cosi fan tutte, Act 1: "Un'aura amorosa" [Ferrando] | |
| | Tutti Soloists, Christian Curnyn, Early Opera Company, Kurt Streit & Rosemary Joshua | Partenope, HWV 27, Act II Scene I: Con valorosa mano (Emilio, Partenope, All) | |
| | Wiener Philharmoniker, Bruno Weil & Kurt Streit | Die Entführung aus dem Serail, K. 384: O, wie will ich triumphieren | |
| | Frankfurt Opera and Museum Orchestra, Kurt Streit, Magnus Baldvinsson, Terje Stensvold, Martina Dike, Dietrich Volle & Sebastian Weigle | Das Rheingold, Scene 4: Nicht so leicht und locker gefügt! (Fafner, Loge, Wotan, Fricka, Donner) | |
| | Beau Gibson, Kurt Streit, Magnus Baldvinsson, Boris Grappe, Andreas Bauer, Nina Tarandek, Chor der Oper Frankfurt, Frankfurt Opera Orchestra & Sebastian Weigle | Julietta, Act I (Sung in German): Ich glaube, es war ein Spielzeug, eine Spielzeugente | |
| | Berliner Philharmoniker, Luba Orgonasova, Rundfunkchor Berlin, Kurt Streit, Birgit Remmert & Nikolaus Harnoncourt | Mass No. 5 in A-Flat Major, D. 678: V. Benedictus | |
| | Kurt Streit, Barbara Bonney, The Drottningholm Court Theatre Chorus, The Drottningholm Court Theatre Orchestra & Arnold Östman | Die Zauberflöte, K. 620, Act II: "Wir wandelten durch Feuersgluten" | |
| | The Royal Opera Chorus, Richard Hickox, Terry Edwards, Royal Opera House Orchestra Covent Garden, Kurt Streit, Susan Gritton & Timothy Robinson | Paul Bunyan, Op. 17, Act I Scene 2: Tiny's Song (Tiny, Inkslinger, Slim, Chorus) | |
| | Britta Stallmeister, Barbara Zechmeister, Jochen Schmeckenbecher, Dietrich Volle, Terje Stensvold, Meredith Arwady, Kurt Streit, Magnus Baldvinsson, Frankfurt Opera Orchestra, Richard Cox, Hans-Jurgen Lazar, Katharina Magiera, Jenny Carlstedt, Martina Dike, Sebastian Weigle, Alfred Reiter & Frankfurt Opera and Museum Orchestra | Das Rheingold: Scene 2: So schirme sie jetzt (Fricka, Freia, Wotan) | |
| | Peter Rose, Martin Schwab, Brigitte Geller, Bertrand De Billy, Kurt Streit, ORF Radio Symphony Orchestra Vienna, Dietmar Kerschbaum, Gerd Grochowski, Thomas Ebenstein, Camilla Nylund, Arnold Schoenberg Choir, Ralf Lukas & Markus Raab | Fidelio, Op. 72a (with inserted texts by W. Jens): Ouverture | |
| | Brigitte Geller, Ralf Lukas, Martin Schwab, ORF Radio Symphony Orchestra Vienna, Dietmar Kerschbaum, Markus Raab, Peter Rose, Gerd Grochowski, Bertrand De Billy, Kurt Streit, Thomas Ebenstein, Camilla Nylund & Arnold Schoenberg Choir | Fidelio, Op. 72a (with inserted texts by W. Jens): Er wollte Wasser, der Gefangene… (Rocco) | |
| | Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit | Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 16 Terzetto: E voi ridete? (Don Alfonso/FerrandoGuglielmo) | |
| | Berliner Philharmoniker, Kurt Streit, Nikolaus Harnoncourt & Dorothea Röschmann | Alfonso und Estrella, D. 732, Act II: Duet "Aber, Freund, nun lass uns eilen" | |
| | Berliner Philharmoniker, Daniel Barenboim, Ferruccio Furlanetto, Sir John Tomlinson, Kurt Streit & Richard Amner | Cosi fan tutte, Act 2: "Tutti accusan le donne" [Don Alfonso, Guglielmo] | |
| | Berliner Philharmoniker, Daniel Barenboim, Ferruccio Furlanetto, Sir John Tomlinson & Kurt Streit | Cosi fan tutte: Act 2, "Bravo, questa è constanza" [Don Alfonso, Ferrando, Guglielmo] | |
| | Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle | Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Ora vedo che siete una donna di garbo (Despina/Dorabella/Fiordiligi) | |
| | Berliner Philharmoniker, Daniel Barenboim & Kurt Streit | Cosi fan tutte: Act 2, "In qual fiero contrasto" [Ferrando] | |
| | Berliner Philharmoniker, Daniel Barenboim, Ferruccio Furlanetto, Sir John Tomlinson & Kurt Streit | Cosi fan tutte KV 588 : Atto I - n°16 Terzetto "E voi ridete ?" (Ferrando, Guglielmo, Don Alfonso) | |
| | Martin Snell, Kurt Streit, Wolfgang Koch, Oliver Ringelhahn, Wiener Symphoniker & Bertrand De Billy | Mathis der Maler, Scene 2: Was gibt's? (Live) | |
| | Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit | Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Amico, abbiamo vinto! (Ferrando/Guglielmo) | |
| | Berliner Philharmoniker, Nikolaus Harnoncourt, Dorothea Röschmann & Kurt Streit | Alfonso und Estrella, D. 732, Act III: Duet "Doch nun werde deinem Retter deine Freude offenbar" | |
| | Orquesta Sinfónica de Madrid, Ivor Bolton, Kurt Streit, Patricia Petibon, Silvia Tro Santafé, Inga Kalna & Maria Jose Moreno | Lucio Silla, K. 135, Act III Scene 5: Recitativo. Roma, il Senato e 'l popolo m'ascolti | |
| | Juanita Lascarro, Kurt Streit, Boris Grappe, Chor der Oper Frankfurt, Frankfurt Opera Orchestra & Sebastian Weigle | Julietta, Act II (Sung in German): Ah, endlich da! | |
| | Boston Baroque, Martin Pearlman, Alan Ewing, Kurt Streit & Paul Austin Kelly | Der Stein der Weisen, Act II: Nadir, ermord' erst diesen hier | |
| | Gilles Cachemaille, Kurt Streit, Ruth Ziesak, Pia Hansen, Iris Vermillion, The Drottningholm Court Theatre Orchestra & Arnold Östman | Die Zauberflöte, K. 620, Act 1: "Der Vogelfänger bin ich ja" | |
| | Håkan Hagegård, Kurt Streit, The Drottningholm Court Theatre Chorus, The Drottningholm Court Theatre Orchestra & Arnold Östman | Die Zauberflöte, K. 620, Act I: "Wo willst du kühner Fremdling hin?" | |
| | Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle | Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: Recitativo: Ah, correte al giardino (Don Alfonso/Dorabella) | |
| | Christian Curnyn, Early Opera Company & Kurt Streit | Partenope, HWV 27, Act II Scene II: Barbaro Fato sì (Emilio) | |
| | Barbara Bonney, Kristinn Sigmundsson, Kurt Streit, Gilles Cachemaille, Håkan Hagegård, The Drottningholm Court Theatre Orchestra & Arnold Östman | Die Zauberflöte, K. 620, Act 2: "Soll ich dich, Teurer, nicht mehr sehn?" | |
| | Berliner Philharmoniker, Dorothea Röschmann, Kurt Streit, Nikolaus Harnoncourt, Christian Gerhaher & Jochen Schmeckenbecher | Alfonso und Estrella, D. 732, Act II: Recitative and Duet "Wie rühret mich dein herrlicher Gesang – Von Fels und Wald umrungen" | |
| | Kurt Streit & Wolfram Rieger | Der Sänger, Op. 57: No. 6, Rechtfertigung | |
| | Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit | Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: Recitativo: Vittoria, padroncini! (Despina/Ferrando/Guglielmo/Don Alfonso) | |
| | Le Cercle de l'Harmonie, Jérémie Rhorer, Robert Gleadow, Kurt Streit & Julie Boulianne | La clemenza di Tito, K. 621, Act II, Scene 7: Recitativo "Cesare, nol diss'io?" | |
| | Kurt Streit & Wolfram Rieger | Der Sänger, Op. 57: No. 12, Sapphische Strophe | |
| | Sonia Ganassi, San Carlo Theatre Chorus, Marco Guidarini, San Carlo Theatre Orchestra, Kurt Streit, Iano Tamar, Deyan Vatchkov, Jörg Schneider, Angeles Blancas Gulin, Dario Magnabosco, Antonietta Bellone, Lucia Gaeta, Carmine Durante & Carmine Mennella | Idomeneo re di Creta, K. 366: Act I Scene 2: Ecco ci salvi alfin (Idomeneo) | |
| | Sonia Ganassi, San Carlo Theatre Chorus, Marco Guidarini, San Carlo Theatre Orchestra, Kurt Streit, Iano Tamar, Deyan Vatchkov, Jörg Schneider, Angeles Blancas Gulin, Dario Magnabosco, Antonietta Bellone, Lucia Gaeta, Carmine Durante & Carmine Mennella | Idomeneo re di Creta, K. 366: Act III Scene 3: Padre mio, caro padre, ah dolce nome! (Idamante, Idomeneo, Ilia, High Priest, Elettra) | |
