| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act I Scene XIV: Vo solcando un mar crudel (Arbace) | |
| | Diego Fasolis, Max Emanuel Cencic & I Barocchisti | Farnace, RV 711, Act 2 Scene 5: No. 15b, Aria, "Gelido in ogni vena" (Farnace) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act III Scene VII: Tu vuoi ch'io viva o cara (Arbace, Mandane) | |
| | Max Emanuel Cencic, Ornamente 99 & Karsten Erik Ose | Sempre Mi Torna In Mente: Aria Con Violini: Peno, e Ver | |
| | Max Emanuel Cencic, Il Pomo d Oro & Riccardo Minasi | Merope, Act III: Sposa... non mi conosci | |
| | Max Emanuel Cencic, Il Pomo d Oro & Riccardo Minasi | La costanza combattuta in amore, Act III: Mormorando quelle fronde | |
| | Les Arts Florissants, Max Emanuel Cencic, Philippe Jaroussky & William Christie | Duetto: 'Pietoso Nume arcier' | |
| | Max Emanuel Cencic, Ornamente 99 & Karsten Erik Ose | Non V'e Pena: Aria: Non V'e Pena | |
| | Diego Fasolis, Max Emanuel Cencic & I Barocchisti | Farnace, RV 711, Act 2 Scene 6: No. 16, Aria, "Perdona, o figlio amato" (Farnace) | |
| | Max Emanuel Cencic, Il Pomo d Oro & Riccardo Minasi | Il nascimento de l'Aurora: Pianta bella, pianta amata | |
| | Max Emanuel Cencic, Diego Fasolis & I Barocchisti | Parnasso in festa, HWV 73: Non tardate Fauni ancora | |
| | Wiener Sängerknaben, Peter Marschik, Chorus Viennesis, Academy of London, Max Emanuel Cencic, Charles Humphries, Ivan Sharpe & Robert Torday | Messiah, Act I, No. 19: "Glory to God in the Highest", Chorus | |
| | Alan Curtis, Il Complesso Barocco, Veronica Cangemi, Marianne Pizzolato, Laurence Heym, Filippo Adami, Lawrence Zazzo, Max Emanuel Cencic & Neal Banerjee | Fernando, re di Castiglia, Atto terzo, Scena IV: Aria: "Sincero affetto" | |
| | Max Emanuel Cencic, Il Pomo d Oro & Riccardo Minasi | Motezuma, RV 723, Act II: Quel rossor che in volto miri | |
| | Max Emanuel Cencic, Il Pomo d Oro & Riccardo Minasi | Flavio Anicio Olibrio, Act I: Dolce mio ben, mia vita | |
| | Les Arts Florissants, Max Emanuel Cencic, Philippe Jaroussky & William Christie | Cantata 'Chiaro e limpido fonte': Duetto 'Dunque voi cristalli erranti' | |
| | Max Emanuel Cencic, Diego Fasolis & I Barocchisti | Orlando, HWV 31 (1733): Verdi allori | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act III Scene I: L'onda dal mar divisa (Arbace) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act III: Perché tarda è mai la morte (Arbace) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act II Scene XI: Per quel paterno amplesso (Arbace) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act II Scene VI: Se d'un amor tiranno (Mandane) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act I Scene XIII: Torna innocente e poi (Semira) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act I Scene VII: Bramar di perdere troppo affetto (Semira) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act I Scene V: Per pietà, bell'idol mio (Artaserse) | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act I: Sinfonia I. Allegro | |
| | Wiener Sängerknaben, Chorus Viennensis, Peter Marschik, Christian Bauer, Ernst Jankowitsch, Max Emanuel Cencic, Gertraud Schmid & Wiener Volksoper Orchestra | Die Schopfung (The Creation), Hob.XXI:2: Part III: Duet: Von deiner Gut', o Herr und Gott (By thee with bliss, O bounteous Lord) (Eve, Adam, Chorus) | |
| | Wiener Sängerknaben, Chorus Viennensis, Peter Marschik, Christian Bauer, Ernst Jankowitsch, Max Emanuel Cencic, Gertraud Schmid & Wiener Volksoper Orchestra | Die Schopfung (The Creation), Hob.XXI:2: Part II: Trio: Der Herr ist gross (The Lord is great) (Gabriel, Uriel, Raphael, Chorus) | |
| | Wiener Sängerknaben, Peter Marschik, Chorus Viennesis, Academy of London, Max Emanuel Cencic, Charles Humphries, Ivan Sharpe & Robert Torday | Messiah, Act I, No. 4: "And the Glory of the Lord Shall Be Revealed", Chorus | |
| | Max Emanuel Cencic, Ornamente 99 & Karsten Erik Ose | Care selve, amici prati, RV 671: Aria: Care selve, amici prati | |
| | Max Emanuel Cencic, Ornamente 99 & Karsten Erik Ose | Cessate, omai cessate, RV 684: Aria: Ah, ch'infelice sempre | |
| | Riccardo Minasi, Il Pomo d'Oro, Max Emanuel Cencic, Ruxandra Donose & Pavel Kudinov | Tamerlano, HWV 18, Act I Scene VIII: Recitativo | |
| | George Petrou, Il Pomo d'Oro & Max Emanuel Cencic | Ottone, HWV 15, Act I: "Dell’onda ai fieri moti" | |
| | Chorus Viennensis, Peter Marschik, Ivan Sharpe, Max Emanuel Cencic, Charles Humphries, Robert Torday & Academy of London | Messiah, HWV 56 : Part III: Aria: If God be for us, who can be against us? (Soprano) | |
| | Academy of London, Robert Torday, Peter Marschik, Wiener Sängerknaben, Chorus Viennensis, Max Emanuel Cencic, Ivan Sharpe & Charles Humphries | Messiah, HWV 56 : Part II: And with His stripes we are healed (Chorus) | |
| | Vince Yi, George Petrou, Armonia Atenea, Max Emanuel Cencic & Juan Sancho | Arminio, HWV 36, Act I: "Arminio, al tuo furore un tanto ardir condono" | |
| | Max Emanuel Cencic, Charles Humphries, Academy of London & Peter Marschik | Messiah, HWV 56, Pt. 1: No. 20, He Shall Feed His Flock Like a Shepard | |
| | Narea Son, Max Emanuel Cencic, George Petrou & Armonia Atenea | Polifemo: Recitativo accompagnato - Nerea, Ulisse | |
| | Wiener Sängerknaben, Chorus Viennensis, Peter Marschik, Christian Bauer, Ernst Jankowitsch, Max Emanuel Cencic, Gertraud Schmid & Wiener Volksoper Orchestra | Die Schopfung (The Creation), Hob.XXI:2: Part II: Trio: Zu dir, o Herr, blickt alles auf (On Thee each living soul awaits) (Gabriel, Uriel, Raphael) | |
| | Karina Gauvin, Riccardo Minasi, Il Pomo d'Oro & Max Emanuel Cencic | Tamerlano, HWV 18, Act II Scene II: Recitativo | |
| | Max Emanuel Cencic, Steven Mockel, Alfred Halbartschlager, Wiener Volksoper Kammerorchester & Uwe Christian Harrer | Sub tuum praesidium, K. 198 | |
| | Philippe Jaroussky, Max Emanuel Cencic, Diego Fasolis, I Barocchisti, Franco Fagioli, Daniel Behle, Valer Sabadus & Yuriy Mynenko | L'Artaserse, Act II Scene I: Rendimi il caro amico (Artaserse) | |
| | Karsten Erik Ose, Max Emanuel Cencic & Ornamente 99 | Da tuoi lumi: Aria: Da tuoi lumi | |
| | Max Emanuel Cencic, George Petrou & Il Pomo d'Oro | Ottone, HWV 15, Act II: "Con gelosi sospetti" | |
| | Max Emanuel Cencic, Diego Fasolis & I Barocchisti | Radamisto, HWV 12a (1720): Ombra cara | |
| | Max Emanuel Cencic, Yasunori Imamura, Aline Zylberajch & Maya Amrein | Fille, Gia Piu Non Parlo: Aria: Sol Ti Rammenta, O Cara | |
| | Max Emanuel Cencic, In-Sung Sim, Xavier Sabata, Vassily Koroshev, Armonia Atenea & George Petrou | Alessandro, HWV 21, Act II: Sinfonia - Recitativo: "Dopo il sublime onor delle gran geste" | |
| | Chorus Viennensis, Peter Marschik, Ivan Sharpe, Max Emanuel Cencic, Charles Humphries, Robert Torday & Academy of London | Messiah, HWV 56 : Part II: Accompagnato: He was cut off out of the land of the living (Tenor) | |
| | Max Emanuel Cencic, Riccardo Minasi & Il Pomo d'Oro | Catone in Utica, Act II: "L’ingiustizia, il disprezzo" | |
| | Wiener Sängerknaben, Chorus Viennensis, Peter Marschik, Christian Bauer, Ernst Jankowitsch, Max Emanuel Cencic, Gertraud Schmid & Wiener Volksoper Orchestra | Die Schopfung (The Creation), Hob.XXI:2: Part III: Recitative: Aus Rosenwolken bricht (In rosy mantle appears) (Uriel) | |
| | William Christie, Philippe Jaroussky, Max Emanuel Cencic & Les Arts Florissants | Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno) | |
