| | Alastair Miles, Arnold Schoenberg Choir, Concentus Musicus Wien, Deon Van der Walt, Elisabeth von Magnus, Erwin Ortner, Luba Orgonasova & Nikolaus Harnoncourt | Te Deum in C Major, Hob. XXIIIc:2, 'for the Empress Maria Theresa' | |
| | John Nelson, Alastair Miles, Ensemble Orchestral de Paris, Lynne Dawson, David Daniels, Christine Brandes, Ian Bostridge & The Bach Choir | L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the morn upon the night | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena V, "Oh giusto cielo!" No. 14 - Scena ed Aria (Coro, Andrea Rost) | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus & Herbert Lippert | Stabat Mater Hob. XXbis: Paradisi Gloria | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus & Herbert Lippert | Stabat Mater Hob. XXbis: XI Flammis Orci Ne Succendar [Bass] | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus, Herbert Lippert & Nikolaus Harnoncourt | Stabat Mater Hob. XXbis: IX. Fac Me Vere Tecum Flere [Alto] | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus & Herbert Lippert | Stabat Mater Hob. XXbis: VIII Sancta Mater, Istud Agas [Soprano, Tenor] | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus, Herbert Lippert & Nikolaus Harnoncourt | Stabat Mater Hob. XXbis: VII Eja Mater, Fons Amoris [Chorus] | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus, Herbert Lippert & Nikolaus Harnoncourt | Stabat Mater Hob. XXbis: III. Quis Est Homo [Chorus] | |
| | Alastair Miles, Arnold Schoenberg Choir, Barbara Bonney, Concentus Musicus Wien, Elisabeth von Magnus, Herbert Lippert & Nikolaus Harnoncourt | Stabat Mater Hob. XXbis: I. Stabat Mater [Chorus] | |
| | Alastair Miles, Arnold Schoenberg Choir, Concentus Musicus Wien, Deon Van der Walt, Elisabeth von Magnus, Erwin Ortner, Luba Orgonasova & Nikolaus Harnoncourt | Mass No. 11 in D Minor, Hob. XXII:11, 'Missa in Angustiis' (Nelson Mass): IV. Sanctus | |
| | Charlotte Margiono, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Catherine Robbin, Monteverdi Choir, William Kendall, Alastair Miles, Elizabeth Wilcock & Alastair Ross | Mass in D, Op. 123 "Missa Solemnis": Kyrie | |
| | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock & The English Concert Choir | Mass No. 6 in G Missa Sti. Nicolai, HXXII No. 6 "Nicolaimesse": Agnus Dei - Adagio - Allegretto | |
| | Charlotte Margiono, John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Catherine Robbin, Monteverdi Choir, William Kendall & Alastair Miles | Mass in C, Op. 86: V. Agnus Dei | |
| | Alastair Miles, Arnold Schoenberg Choir, Concentus Musicus Wien, Deon Van der Walt, Elisabeth von Magnus, Erwin Ortner, Luba Orgonasova & Nikolaus Harnoncourt | Mass No. 11 in D Minor Hob. XXII, 11, 'Missa in Angustiis' [Nelson Mass]: VI Agnus Dei | |
| | Alastair Miles, Jesús López-Cobos, Orchestra del Teatro Comunale di Bologna, Coro da Camera di Praga & Lubomir Matl | Le Comte Ory: Cette aventure fort singulière | |
| | Simon Keenlyside, Alastair Miles, Sir Mark Elder, Vesselina Kasarova & Orchestra of the Royal Opera House, Covent Garden | Dom Sebastien, roi de Portugal, Act 3: "Pour eteindre une guerre aux deux pays cruelle" (Dom Juam de Sylva, Abayaldos) | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Handel - Messiah, K. 572: Part II: Chorus: Surely, He Hath Borne Our Griefs | |
| | William Dazeley, Alastair Miles, David Parry, Philharmonic Orchestra, Dennis O'Neill & Cynthia Haymon | La bohème, SC 67, Act IV: Oh Mimì, our love is over (Rodolfo, Marcello, Schaunard, Colline) | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Accompanied Recitative. Und alsobald war da bei dem Engel (Soprano) [arr. W.A. Mozart, K. 572] | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Aria: O Du, Die Wonne Verkundet In Zion (Soprano) | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena III, "D'immenso giubilo" No. 12 - Coro (Coro) | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Alastair Miles | Der Messias, K. 572: No. 4b, Arie. Doch wer mag ertragen den Tag seiner Ankunft | |
| | Susan Gritton, Christine Rice, Peter Auty, Alastair Miles, The Bach Choir, Brighton Festival Chorus, Côr Caerdydd, CBSO Youth Chorus, Eltham College Boys' Choir, Huddersfield Choral Society, London Symphony Chorus, Southend Boys' and Girls' Choirs, The BBC National Orchestra of Wales, BBC Concert Orchestra & Martyn Brabbins | Symphony No. 1 in D Minor, "The Gothic": Part 2 No 1. Te Deum laudamus. Allegro moderato | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Nuccia Focile, Carol Vaness, Suzanne Murphy, Susanne Mentzer, Ryland Davies, Alfonso Antoniozzi, Alessandro Corbelli & Alastair Miles | Le nozze di Figaro, K. 492, Act II: Finale. Esci ormai | |
| | Alastair Miles, David Parry, Diana Montague, Manuela Custer, Philharmonia Orchestra, Nelly Miricioiu & Renée Fleming | Rosmonda d'Inghilterra, Act 1: "Alfin la perfida " (Leonora) | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Durch Seine Wunden Sind Wir Geheilet (Chorus) | |
| | Alastair Miles, Iestyn Davies, Véronique Gens, Delphine Galou, Balthasar-Neumann-Ensemble & Thomas Hengelbrock | Niobe, regina di Tebe, Act II: Ritornate a gli abissi (Live) | |
| | Alastair Miles, David Parry & Philharmonia Orchestra | Orazi e Curiazi, Act 3: "Sull'alto delle mura ognun de' prodi" (Vecchio Orazio) | |
| | Alastair Miles, The Ambrosian Singers, London Symphony Orchestra, Neil Shicoff, Richard Bonynge & Gaetano Donizetti | Lucia di Lammermoor: Act 2 "Oh meschina!" [Edgardo, Raimondo, Chorus] | |
| | Alastair Miles, Richard Farnes & Opera North Orchestra | Don Carlos, Act III Scene 1: She has no love for me! (Philip) | |
| | Sir Roger Norrington, Nancy Argenta, Peter Thorley, Alastair Miles, Catherine Robbin, John Mark Ainsley, London Classical Players & Schütz Choir of London | Requiem in D Minor, K. 626: III. Sequenz: No. 7, Amen | |
| | Stuttgart Radio Symphony Orchestra, Amanda Halgrimson, Alastair Miles, John Aler, Cornelia Kallisch, North German Radio Chorus, Stuttgart Vocal Ensemble & Sir Roger Norrington | Mass in D Major, Op. 123, "Missa Solemnis": IV. Sanctus / Benedictus | |
| | Charlotte Margiono, John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Catherine Robbin, Monteverdi Choir, William Kendall & Alastair Miles | Mass in C, Op. 86: Kyrie | |
| | Alastair Miles, The Ambrosian Singers, London Symphony Orchestra, Richard Bonynge & Gaetano Donizetti | Lucia di Lammermoor: Act 3 "Ah! cessate, ah cessate quel contento" [Raimondo, Chorus] | |
| | Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo & London Symphony Orchestra | Mass in C Major, Op. 86: I. Kyrie | |
| | Alastair Miles, David Parry, Philharmonia Orchestra, Jennifer Rhys-Davies & Nelly Miricioiu | Orazi e Curiazi, Act 2: "Arde gia l'atroce guerra! ..." (Camilla, Sabina, Women) | |
| | Alastair Miles, Saito Kinen Orchestra & Seiji Ozawa | Mass in B Minor, BWV 232 - Credo: Et in Spiritum Sanctum | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Machet das Tor weit (Chorus) [arr. W.A. Mozart, K. 572] | |
| | Alastair Miles, John Eliot Gardiner, Monteverdi Choir & Orchestre Révolutionnaire et Romantique | Messa da Requiem: II. Confutatis | |
| | Alastair Miles, The Ambrosian Singers, Carlo Rizzi, David Barrell, Edita Gruberová, Fabrizio Visentin, Kim Begley, London Symphony Orchestra, Neil Shicoff, Patricia Spence & Peter Sidhom | La traviata: Act 2 "Alfredo! Voi!" [Violetta, Flora, Alfredo, Gastone, Douphol, Marchese, Dottore, Domestico, Chorus] | |
| | Garry Magee, Alastair Miles & David Harper | Il galop | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Rebecca Evans, Suzanne Murphy & Alastair Miles | Le nozze di Figaro, K. 492, Act IV: Recitativo. Barbarina, cos'hai? | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Scottish Chamber Orchestra Chorus, Barbara Hendricks, Jerry Hadley, Peter Svensson & Alastair Miles | Die Zauberflöte, K. 620, Act II: Dreiter Finale. Wir wandeln durch des Tones Macht | |
| | Alastair Miles, The Brandenburg Consort & Sir Stephen Cleobury | Messiah - First version of 1752; edited by Donald Burrows - Pt. 1: X. Accompagnato: For behold, darkness shall cover | |
| | Sally Matthews, Sara Mingardo, John Mark Ainsley, Alastair Miles, Sir Colin Davis, London Symphony Chorus & London Symphony Orchestra | Mass in C, Op. 86: VI. Agnus Dei | |
| | Donna Brown, Alastair Miles, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Ma, oh ciel, mesta e confusa | |
| | Della Jones, Jonathan Peter Kenny, Alastair Miles, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 3: Adorato mio sposo | |
| | Alastair Miles, James Judd, Academy of St Martin in the Fields & Deborah Cook | Dinorah, Act 3: "Grand Dieu! Son teint s'anime et se" (Dinorah, Hoel) | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Hirtenmusik (arr. W.A. Mozart, K. 572) | |
