| | Carolyn Watkinson | Rinaldo, Aria 'Cara Sposa' | |
| | Carolyn Watkinson | Dido and Aeneas, Rec. 'Thy Hand, Belinda' - Aria 'When I Am Laid In Earth' | |
| | Carolyn Watkinson | Treue liebe | |
| | Wolfgang Schone, Arleen Auger, Aldo Baldin, Carolyn Watkinson, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Jesu, Der Du Meine Seele, BWV 78: Aria: Wir Eilen Mit Schwachen, Doch Emsigen Schritten (Soprano, Alto) | |
| | Carolyn Watkinson | Ariodante, Aria 'Dopo Notte' | |
| | Carolyn Watkinson | Orfeo Ed Euridice, Scene 'Che Puro Ciel !' | |
| | Carolyn Watkinson | Serse, Rec. 'Frondi Tenere e Belle' - Aria 'Ombra Mai Fù' | |
| | Carolyn Watkinson | Les Adieux de L'hôtesse Arabe | |
| | Carolyn Watkinson | Orfeo Ed Euridice, Rec. 'Ove Trascorsi, Ohime' - Aria 'Che Faro Senza Euridice ?' | |
| | Carolyn Watkinson | Orfeo Ed Euridice, Rec. 'Che Disse ? Che Ascoltai ?' - Aria 'Addio, O Miei Sospiri' | |
| | Carolyn Watkinson | Rodelinda, Rec. 'Pompe Vane Di Morte' - Aria 'Dove Sei, Amato Bene ?' | |
| | Carolyn Watkinson, English Baroque Soloists & John Eliot Gardiner | Dido and Aeneas, Act 3: "Thy hand, Belinda.When I am laid in earth" | |
| | Symphonieorchester des Bayerischen Rundfunks, Ruth Falcon, Bernard Haitink, Sylvia Herman, M Lilowa, Carolyn Watkinson, Ursula Kunz, Ute Walther, Anita Soldh & Margaretha Hintermeier | First Day: Die Walkure, Act III: Hojotoho! (Walkürenritt) (Gerlinde/Helmwige/Waltraute/Schwertleite/Ortlinde/Siegrune/Grimgerde/Rossweise) | |
| | Jean-Claude Malgoire, Le Grande Ecurie et La Chambre du Roy, Carolyn Watkinson, Paul Esswood, Charles Brett, Ileana Cotrubas, Jeanette Scovotti, Nicole Leport, Marie-Francoise Jacquelin, Ulrik Cold, Armand Arapian & Sophie Boulin | Rinaldo: Vo' Far Guerra | |
| | Carolyn Watkinson, MDR Leipzig Radio Choir, Peter Schreier & New Bach Collegium Musicum Leipzig | Mass In B Minor, BWV 232: Agnus Dei, Dona Nobis Pacem | |
| | Carolyn Watkinson | Orfeo Ed Euridice, Ballo (Act II) | |
| | Carolyn Watkinson | Dido and Aeneas, Overture | |
| | Lucia Popp, Carolyn Watkinson, Peter Schreier, Robert Holl, Netherlands Radio Chorus, Het Koninklijk Concertgebouworkest & Bernard Haitink | Symphony No. 9 in D Minor, Op. 125 - "Choral": IV. Allegro assai - | |
| | Patrizia Kwella, Carolyn Watkinson, Ian Partridge, Academy of Ancient Music & Christopher Hogwood | La Resurrezione, HWV 47, Pt. 1: "Quando è parto dell'affetto" | |
| | Jean-Claude Malgoire, Le Grande Ecurie et La Chambre du Roy, Carolyn Watkinson, Paul Esswood, Charles Brett, Ileana Cotrubas, Jeanette Scovotti, Nicole Leport, Marie-Francoise Jacquelin, Ulrik Cold, Armand Arapian & Sophie Boulin | Rinaldo: Sibillar Gli Angui | |
| | Carolyn Watkinson, Peter Schreier & Berlin Chamber Orchestra | Lasst Uns Sorgen, Lasst Uns Wachen, BWV 213: Aria: Ich Will Dich Nicht Horen (Alto) | |
| | Jörg-Peter Weigle, Sir Neville Marriner, Staatskapelle Dresden, Carolyn Watkinson, Chor Des Reichssenders Leipzig, Christine Schonknecht, Hansjürgen Scholze, Keith Lewis, Margaret Marshall & Robert Holl | Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse': Sanctus | |
| | Kammerorchester Berlin, Peter Schreier & Carolyn Watkinson | Schleicht, spielende Wellen, BWV 206: VI. Recitative. Ich nehm zugleich an deiner Freude teil (Alto) | |
| | Wolfgang Schone, Arleen Auger, Aldo Baldin, Carolyn Watkinson, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Wo Soll Ich Fliehen Hin, BWV 5: Aria: Ergiesse Dich Reichlich, Du Gottliche Quelle (Tenor) | |
| | Carolyn Watkinson, Gewandhausorchester, Kurt Masur & Latvija Choir | Alexander Nevsky, Op. 78: V. The Battle On the Ice | |
| | La Grande Écurie et la Chambre du Roy, Carolyn Watkinson, Ortrun Wenkel, Paul Esswood, Ulrich Studer, Barbara Hendricks, Anne-Marie Rodde, Ulrik Cold & Jean-Claude Malgoire | Serse (Xerxes) Dramma per musica in tre atti: "Qui si canta il mio nome" - "Un Serse mirate" (Carolyn Watkinson, Barbara Hendricks, Paul Esswood) | |
| | La Grande Écurie et la Chambre du Roy, Carolyn Watkinson, Ortrun Wenkel, Paul Esswood, Ulrich Studer, Barbara Hendricks, Anne-Marie Rodde, Ulrik Cold & Jean-Claude Malgoire | Serse (Xerxes) Dramma per musica in tre atti: Aria "Se l'idol mio rapir mi vuoi" - Recitativo "Per rapir quel tesoro" (Barbara Hendricks, Anne-Marie Rodde) | |
| | Sylvia McNair, Robert Lloyd, Francisco Araiza, Carolyn Watkinson, Academy of St Martin in the Fields & Sir Neville Marriner | Requiem in D Minor, K. 626: VI. Benedictus | |
| | Joan Rodgers, John Eliot Gardiner, English Baroque Soloists & Carolyn Watkinson | Soloman, HWV 67: " Thrice Bless'd Be the King " | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, The English Concert Choir, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Sanctus | |
| | Robert Holl, Rundfunkchor Leipzig, Sir Neville Marriner, Carolyn Watkinson, Staatskapelle Dresden, Hansjürgen Scholze, Christine Schonknecht, Margaret Marshall & Keith Lewis | Mass in D Minor, Hob. XXII/11, "Nelsonmesse": I. Kyrie (Chorus, Sopranos, Alto, Tenor, Bass). Allegro moderato | |
| | Patrizia Kwella, Ian Partridge, Carolyn Watkinson, Academy of Ancient Music & Christopher Hogwood | La Resurrezione, HWV 47, Pt. 2: "Se impassibile, immortale" | |
| | Jean-Claude Malgoire, Le Grande Ecurie et La Chambre du Roy, Carolyn Watkinson, Paul Esswood, Charles Brett, Ileana Cotrubas, Jeanette Scovotti, Nicole Leport, Marie-Francoise Jacquelin, Ulrik Cold, Armand Arapian & Sophie Boulin | Rinaldo: Combatti Da Forte | |
| | Kammerorchester Berlin, Peter Schreier & Carolyn Watkinson | Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: VI. Recitative. Unsre Königin im Lande, die der Himmel zu uns sandte (Alto) | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, The English Concert Choir, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Gloria: Gloria in excelsis Deo | |
| | Michel Corboz, Carolyn Watkinson, Orchestre de Chambre de Lausanne, Ensemble Vocal de Lausanne & Schola des Petits Chanteurs de Notre-Dame de Sion | Matthäus-Passion, BWV 244, Pt. 2: No. 60, Aria mit Chor. "Sehet, Jesus hat die Hand" | |
| | Inga Nielsen, Carolyn Watkinson, Walter Heldwein, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Es Ist Ein Trotzig Und Verzagt Ding (Chorus) | |
| | Carolyn Watkinson, Jean-Claude Malgoire & La Grande Écurie et la Chambre du Roy | Largo ("Ombra Mai Fu") From Xerxes | |
| | Ian Partridge, Patrizia Kwella, Carolyn Watkinson, Academy of Ancient Music & Christopher Hogwood | La Resurrezione (1708), HWV 47 / Parte Seconda: "Caro Figlio!" | |
| | Carolyn Watkinson, English Baroque Soloists & John Eliot Gardiner | Dido and Aeneas, Act III: "Thy Hand, Belinda.When I Am Laid in Earth" | |
| | Helmuth Rilling, Siegfried Jerusalem, Carolyn Watkinson, Arleen Auger, Siegmund Nimsgern, Gächinger Kantorei Stuttgart & Bach Collegium Stuttgart | Requiem, K. 626: V. Sanctus | |
| | Carolyn Watkinson, Edith Wiens, New York Philharmonic, Kurt Masur, Westminster Symphonic Choir, The American Boychoir & Trinity Church Choir, New York | St Matthew Passion, BWV 244, Part I: No. 27, Aria. So ist mein Jesus nun gefangen (Soprano, Alto, Chorus II) | |
| | Jean-Claude Malgoire, Le Grande Ecurie et La Chambre du Roy, Carolyn Watkinson, Paul Esswood, Charles Brett, Ileana Cotrubas, Jeanette Scovotti, Nicole Leport, Marie-Francoise Jacquelin, Ulrik Cold, Armand Arapian & Sophie Boulin | Rinaldo: Il Vostro Maggio | |
| | Wolfgang Schone, Arleen Auger, Aldo Baldin, Carolyn Watkinson, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Jesu, Der Du Meine Seele, BWV 78: Recitative: Die Wunden, Nagel, Kron Und Grab (Bass) | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, Carolyn Watkinson, The English Concert Choir, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Kyrie | |
| | Carolyn Watkinson, New York Philharmonic, Westminster Symphonic Choir, The American Boychoir, Trinity Church Choir, New York & Kurt Masur | St Matthew Passion, BWV 244, Part II: No. 60, Aria. Sehet, Jesus hat die Hand (Alto, Chorus II) | |
| | Carolyn Watkinson, John Eliot Gardiner, English Baroque Soloists & Nancy Argenta | Soloman, HWV 67: " Thou Fair Inhabitant" - "Welcome As the Dawn of Day" | |
| | Carolyn Watkinson | Serenade | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, The English Concert Choir, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Gloria: Gloria in Excelsis Deo | |
| | Carolyn Watkinson | Grantchester (1920) | |
