| | London Philharmonic Orchestra, Earl Wild & Norma Procter | Le Messie, HWV 56: Behold, a Virgin Shall Conceive | |
| | Norma Procter | I Will Give My Love an Apple | |
| | Norma Procter, Alexander Young, Münchener Bach-Orchester & Karl Richter | Samson HWV 57, Act 1: Recitative: "Ye see, my friends" | |
| | Martina Arroyo, Rafael Kubelik, Chor des Bayerischen Rundfunks, Erna Spoorenberg, Chor des Norddeutschen Rundfunks, Chor Des Westdeutschen Rundfunks, Julia Hamari, Norma Procter, Boys of the Regenburger Domchorus, Donald Grobe, Symphonieorchester des Bayerischen Rundfunks, Dietrich Fischer-Dieskau, Franz Crass, Eberhard Kraus, Josef Schmidhuber, Helmut Franz, Herbert Schernus & Christoph Lickleder | Symphony No. 8 in E-Flat, "Symphony of a Thousand": "Alles Vergängliche" | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part I: Give me thy son (Elijah) | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part I: Aria: Is not His word like a fire (Elijah) | |
| | Martina Arroyo, Rafael Kubelik, Symphonieorchester des Bayerischen Rundfunks, Erna Spoorenberg, Chor des Bayerischen Rundfunks, Julia Hamari, Chor des Norddeutschen Rundfunks, Norma Procter, Chor Des Westdeutschen Rundfunks, Donald Grobe, Dietrich Fischer-Dieskau, Franz Crass, Eberhard Kraus, Josef Schmidhuber, Helmut Franz & Herbert Schernus | Symphony No. 8 in E-Flat, "Symphony of a Thousand": "Imple superna gratia" | |
| | Heather Harper, Norma Procter, Werner Hollweg, Netherlands Radio Choir, Het Koninklijk Concertgebouworkest & Bernard Haitink | Das Klagende Lied, Pt. 2: "Von hohen Felsen erglänzt das Schloß" | |
| | Edith Mathis, Martina Arroyo, Julia Hamari, Norma Procter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik, Die Regensburger Domspatzen & Christoph Lickleder | Symphony No.8 In E Flat - "Symphony Of A Thousand", Part Two: Final Scene From Goethe's "Faust": „Gönn auch dieser guten Seele“ | |
| | Martina Arroyo, Chor des Bayerischen Rundfunks, Rafael Kubelik, Erna Spoorenberg, Chor des Norddeutschen Rundfunks, Julia Hamari, Chor Des Westdeutschen Rundfunks, Norma Procter, Boys of the Regenburger Domchorus, Donald Grobe, Female Chorus of the Munich Motettenchorus, Dietrich Fischer-Dieskau, Symphonieorchester des Bayerischen Rundfunks, Franz Crass, Eberhard Kraus, Josef Schmidhuber, Helmut Franz, Herbert Schernus, Christoph Lickleder & Hans Rudolf Zöbeley | Symphony No. 8 in E-Flat, "Symphony of a Thousand": "Gloria sit Patri Domino" | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, George Maran & Norma Procter | Elijah, Op. 70 (Sung in English): Part II | |
| | Jacqueline Delman, Norma Procter, George Maran, Bruce Boyce, London Philharmonic Choir, London Philharmonic Orchestra & Josef Krips | Elijah, Op. 70, Pt. 2: O Come Every One - And Then Shall Your Light Break Forth | |
| | Teresa Stich-Randall, Richard Lewis, Norma Procter, Kim Borg, BBC Symphony Orchestra, BBC Chorus & Jascha Horenstein | Missa Solemnis in D Major, Op. 123: Credo. Allegro ma non troppo | |
| | London Philharmonic Orchestra, Josef Krips, Norma Procter & Jacqueline Delman | Elijah, Op. 70, MWV A25, Pt. 1: For He Shall Give His Angel | |
| | London Philharmonic Orchestra, London Philharmonic Choir, Josef Krips, Bruce Boyce & Norma Procter | Elijah, Op. 70, MWV A25, Pt. 2: Have Ye Not Heard - Man of God Now Let My Words Be Precious | |
| | London Philharmonic Orchestra, Earl Wild & Norma Procter | Le Messie, HWV 56: He Was Despised and Rejected of Men | |
| | Norma Procter, London Philharmonic Choir, London Philharmonic Orchestra & Josef Krips | Elijah, Op. 70, Pt. 1: Yet doth the Lord see it not - Elijah! get thee hence | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Arioso: For the mountains shall depart, and the hills be removed (Elijah) | |
| | Martina Arroyo, Erna Spoorenberg, Edith Mathis, Julia Hamari, Norma Procter, Donald Grobe, Dietrich Fischer-Dieskau, Franz Crass, Eberhard Kraus, Chor des Bayerischen Rundfunks, Chor des Norddeutschen Rundfunks, Chor Des Westdeutschen Rundfunks, Boys of the Regenburger Domchorus, Female Chorus of the Munich Motettenchorus, Symphonieorchester des Bayerischen Rundfunks & Rafael Kubelik | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2, Final Scenefrom Goethe's "Faust": "Dir, der Unberührbaren" | |
| | Orchestre de la Suisse Romande, Ernest Ansermet, Chorale Du Brassus, André Charlet, Choeur des Jeunes de l'Eglise Nationale Vaudoise, Dame Joan Sutherland, Norma Procter, Anton Dermota & Arnold van Mill | Symphony No. 9 in D Minor, Op. 125: IV. Presto - Allegro molto assai | |
| | Norma Procter, Symphonieorchester des Bayerischen Rundfunks & Rafael Kubelik | Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O Röschen rot!" | |
| | Heather Harper, Norma Procter, Werner Hollweg, Het Koninklijk Concertgebouworkest & Bernard Haitink | Das Klagende Lied, Pt. 1: "Beim Weidenbaum, im kühlen Tann" | |
| | London Philharmonic Orchestra, Sir Adrian Boult & Norma Procter | Messiah, HWV 56, Pt. 3, Scene 3: No. 49, Recitative. "Then Shall Be Brought to Pass" | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Recitative: Above him stood the Seraphim (Contralto) | |
| | Capella Coloniensis, Ferdinand Leitner, Fritz Wunderlich, Nicola Monti, Norma Procter & Jaenette van Dijck | Alcina, HWV 34, Act I: "Di te me rido, semplice stolto" (Ruggiero, Oronte, Bradamante, Morgana ) | |
| | Norma Procter, Alexander Young, Ezio Flagello, Münchener Bach-Orchester & Karl Richter | Samson HWV 57, Act 3: Recitative: "More trouble is behind" | |
| | Norma Procter & Alec Redshaw | O Can Ye Sew Cushions? | |
| | London Philharmonic Orchestra, Sir Adrian Boult, Norma Procter & George Malcolm | Messiah, HWV 56: 18. He Shall Feed His Flock | |
| | Norma Procter, Josef Krips, London Philharmonic Choir, George Maran & London Philharmonic Orchestra | Elijah, Op. 70, MWV A25 / Pt. 2: Have ye not heard; Man of God | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Recitative: The Lord hath exalted thee from among the people (Elijah) | |
| | Norma Procter, Bernard Haitink, Netherlands Radio Choir & Het Koninklijk Concertgebouworkest | Das Klagende Lied: Ach Sielmann, lieber Spielmann mein! | |
| | Jacqueline Delman, Josef Krips, London Philharmonic Orchestra, Norma Procter & Bruce Boyce | Elijah, Op. 70, MWV A25 / Pt. 1: Now Cherith's brook is dried up; What have I to do | |
| | London Philharmonic Orchestra, London Philharmonic Choir, Earl Wild, Frederik Jackson & Norma Procter | Le Messie, HWV 56: O Thou That Tellest Good Tidings to Zion | |
| | London Philharmonic Orchestra, Sir Adrian Boult, George Maran & Norma Procter | Messiah, HWV 56, Pt. 3, Scene 3: No. 50, Duet. "O Death, Where Is Thy Sting" | |
| | Leonard Bernstein, John Mitchinson, Vladimir Ruždjak, Gwenyth Annear, Anna Reynolds, Erna Spoorenberger, Dame Gwyneth Jones, Donald McIntyre, Hans Vollenweider, Leeds Festival Chorus, London Symphony Chorus, Orpington Junior Singers, Highgate School Boys Choir, Finchley Children's Music Group, London Symphony Orchestra & Norma Procter | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gloria Patri Domino | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Recitative: Night falleth round me, O Lord (Elijah) | |
| | Orchestra and Chorus of Covent Garden, Benjamin Britten, Jennifer Vyvyan, Sir Peter Pears & Norma Procter | Spring Symphony, Op. 44: Introduction. Shine Out | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Then did Elijah the prophet break forth like a fire (Chorus) | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Recitative: Man of God, now let my words be precious in thy sight (Obadiah, Elijah) | |
| | Norma Procter, London Philharmonic Orchestra & Sir Adrian Boult | Messiah, HWV 56 / Pt. 1: 7. Behold, a Virgin shall Conceive | |
| | Norma Procter, Werner Hollweg, Netherlands Radio Choir, Het Koninklijk Concertgebouworkest & Bernard Haitink | Das Klagende Lied, Pt. 2: "Was ist der König so stumm und bleich" | |
| | Norma Procter, Thomas Stewart, Münchener Bach-Orchester & Karl Richter | Samson HWV 57, Act 3: Recitative: "What noise of joy was that?" | |
| | London Philharmonic Orchestra, Josef Krips, Norma Procter & Bruce Boyce | Elijah, Op. 70, MWV A25, Pt. 2: Above Him Stood the Seraphim - Go, Return Upon Thy Way! | |
| | Norma Procter, George Maran, London Philharmonic Choir, London Philharmonic Orchestra & Sir Adrian Boult | Messiah, HWV 56 / Pt. 3: 48. O Death, where is thy Sting?; 49. But Thanks to God | |
| | Norma Procter, London Philharmonic Orchestra & Sir Adrian Boult | Messiah, HWV 56 / Pt. 1: 7. Behold, a Virgin shall Conceive | |
| | Leonard Bernstein, Norma Procter & London Symphony Orchestra | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Bei dem hochgeweihten Orte (Maria Aegyptiaca) | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part I: Chorale: Cast the burden upon the Lord (Angels) | |
| | Jacqueline Delman, London Philharmonic Choir, Josef Krips, London Philharmonic Orchestra, Bruce Boyce, George Maran, Norma Procter, Michael G. Cunningham & Hampstead Parish Church Choir | Elijah, Op. 70 (Sung in English): Part II: Behold! God the Lord passed by! (Chorus) | |
| | Capella Coloniensis, Ferdinand Leitner, Dame Joan Sutherland, Norma Procter, Fritz Wunderlich & Thomas Hemsley | Alcina, HWV 34, Act I: "Di, cor mio, quanto t'amai" (Alcina, Bradamante, Ruggiero, Melisso) | |
| | Norma Procter, Royal Philharmonic Orchestra & Sir Malcolm Sargent | Messiah, HVW 56 - Recitative: Behold! A Virgin Shall Concieve | |
