| | April Cantelo, Helen Watts, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, H.138, Act I: "Vous soupirez, madame?" | |
| | London Philharmonic Orchestra, Walter Susskind, London Philharminic Choir & Helen Watts | Messiah, HWV 56: No. 9, O Thou That Tellest Good Tidings to Zion | |
| | Alfred Deller, Anthony Lewis, Helen Watts & William Herbert | Sosarme: Per Le Porte del Tormento Passan L'anime a Gioir | |
| | Arleen Auger, Helen Watts, Aldo Baldin, Niklaus Tüller, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Du Wahrer Gott Und Davids Sohn, BWV 23: Aller Augen Warten, Herr (Chorus) | |
| | London Philharmonic Orchestra, Walter Susskind, Helen Watts & London Philharmonic Choir | Messiah, HWV 56, Pt. 1: O Thou That Tellest Good Tidings to Zion | |
| | Dame Joan Sutherland, Dennis Clift, Helen Watts, Geraint Jones Orchestra, Wilfred Brown, Geraint Jones Singers, Edward Selwyn, Geraint Jones & Denis Clift | Cantata "Herz und Mund und Tat und Leben", BWV 147, Pt. 2: X. Jesu bleibet meine Freude (Chorale) | |
| | English Bach Festival Baroque Orchestra, Helen Watts & Michel Corboz | Nisi Dominus in G Minor, RV 608: IV. Cum dedeirt | |
| | Wolfgang Schone, Helen Watts, Adalbert Kraus, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Erhalt Uns, Herr, Bei Deinem Wort (Chorus) | |
| | Helen Watts, Kurt Equiluz, Niklaus Tüller, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Singet Dem Herrn Ein Neues Lied, BWV 190: Chorale: Lass Uns Das Jahr Vollbringen (Chorus) | |
| | Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bringet Dem Herrn Ehre Seines Namens, BWV 148: Chorale: Amen Zu Aller Stund (Chorus) | |
| | Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bringet Dem Herrn Ehre Seines Namens, BWV 148: Recitative: Bleib Auch, Mein Gott, In Mir (Tenor) | |
| | Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bringet Dem Herrn Ehre Seines Namens, BWV 148: Aria: Mund Und Herze Steht Dir Offen (Alto) | |
| | Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bringet Dem Herrn Ehre Seines Namens, BWV 148: Recitative: So, Wie Der Hirsch Nach Frischem Wasser Schreit (Alto) | |
| | Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bringet Dem Herrn Ehre Seines Namens, BWV 148: Aria: Ich Eile, Die Lehren Des Lebens Zu Horen (Tenor) | |
| | Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bringet Dem Herrn Ehre Seines Namens (Chorus) | |
| | Arleen Auger, Helen Watts, Adalbert Kraus, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Nimm Was Dein Ist, Und Gehe Hin, BWV 144: Aria: Genugsamkeit Ist Ein Schatz In Diesem Leben (Soprano) | |
| | Wolfgang Schone, Arleen Auger, Helen Watts, Aldo Baldin, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Meinen Jesum Lass Ich Nicht, BWV 124: Aria: Entziehe Dich Eilands, Mein Herze, Der Welt (Soprano, Alto) | |
| | Arleen Auger, Helen Watts, Aldo Baldin, Niklaus Tüller, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Du Wahrer Gott Und Davids Sohn, BWV 23: Chorale: Christe, Du Lamm Gottes (Chorus) | |
| | Wolfgang Schone, Arleen Auger, Helen Watts, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Bereitet Die Wege, Bereitet Die Bahn, BWV 132: Aria: Wer Bist Du? Frage Dein Gewissen (Bass) | |
| | Arleen Auger, Helen Watts, Adalbert Kraus, Walter Heldwein, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Herr, Gehe Nicht Ins Gericht Mit Deinem Knecht, BWV 105: Aria: Wie Zittern Und Wanken (Soprano) | |
| | April Cantelo, Helen Watts, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict: "Vous soupirez, madame?" - "Nuit paisible et sereine!" | |
| | Eamonn O'Dwyer, Helen Watts & Original NYMT Cast | We Used to Think the Earth Was Flat (Live) | |
| | Orchestra Di Santa Cecilia, Anthony Lewis & Helen Watts | Sosarme, HWV 30, Act II: Padre, Signor! | |
| | Erna Spoorenberg, Helen Watts, Alexander Young, Joseph Rouleau, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields & George Guest | Mass in B-Flat major, Hob. XXII:14 "Harmoniemesse": 3. Credo | |
| | Helen Watts, Stuttgarter Kammerorchester & Karl Münchinger | Christmas Oratorio, BWV 248, Pt. 1: No. 4, Aria " Bereite dich, Zion" | |
| | Felicity Palmer, George Guest, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, Kenneth Bowen & Christopher Keyte | Mass No. 6 in E-Flat Major, D.950: 6b. Dona nobis pacem | |
| | The Choir of King's College, Cambridge, London Symphony Orchestra, Tom Krause, Wilfred Brown, Helen Watts, Sylvia Stahlmann & Sir David Willcocks | Missa in Augustiis "Nelson Mass" in D Minor, Hob. XXII:11: V. Benedictus | |
| | English Chamber Orchestra, Helen Watts, John Shirley-Quirk, Raymond Leppard & George Frideric Handel | Samson : Act 3 "The Body Comes" [Micah, Manoah] | |
| | Alfred Deller, Anthony Lewis, Helen Watts & William Herbert | Sosarme: Altomoro, Si Renda Libero Lo Steccato | |
| | Helen Watts & Benjamin Britten | A Charm of Lullabies, Op.41: 5. The Nurse's Song | |
| | London Symphony Orchestra, The Choir of King's College, Cambridge, Helen Watts, Simon Preston, Sir David Willcocks, Sylvia Stahlman & Wilfred Brown | Missa in Angustiis in D Minor, Hob XXII:11 "Lord Nelson Mass": VIII. Sanctus | |
| | Helen Watts & Geoffrey Parsons | Gedichte von J. W. von Goethe: 7. Mignon III (So laß mich scheinen) | |
| | Arleen Auger, Helen Watts, Gabriele Schreckenbach, Philippe Huttenlocher, Aldo Baldin, Frankfurt Kantorei, Helmuth Rilling & Stuttgart Bach Collegium | Ich Hab In Gottes Herz Und Sinn, BWV 92: Aria: Seht, Seht! Wie Reisst, Wie Bricht, Wie Fallt (Tenor) | |
| | Jennifer Vyvyan, Helen Watts, Sir Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra & George Malcolm | IX: Rhenana erga omnes. X: Ut instissime XI: O cives. | |
| | Thurston Dart & Helen Watts | Hymn to God the Father | |
| | Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Sängerknaben, Wiener Staatsopernchor, Chicago Symphony Orchestra & Sir Georg Solti | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | |
| | Helen Watts, St. Cecilia Orchestra & Anthony Lewis | Sosarme, HWV 30, Act I: Aria: Sì, sì, minaccia, e vinta | |
| | Sir David Willcocks, Philomusica of London & Helen Watts | St. John Passion, BWV 245 / Pt. One: Aria: "From the Bondage of Transgression" | |
| | Elly Ameling, Helen Watts, Stuttgarter Kammerorchester & Karl Münchinger | Kommt, eilet und laufet (Easter Oratorio), BWV. 249: VII. Recitativo "Indessen seufzen wir" | |
| | Felicity Palmer, George Guest, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, Robert Tear & Christopher Keyte | Mass in C Major, Op. 86: VI. Agnus Dei | |
| | Helen Watts, Lübecker Kantorei, Stuttgarter Kammerorchester & Karl Münchinger | Christmas Oratorio, BWV 248: Pt. Five - For the 1st Sunday in the New Year: No. 46 Choral: "Dein Glanz all Finsternis verzehrt" | |
| | Erna Spoorenberg, George Guest, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, Alexander Young, Joseph Rouleau & Brian Runnett | Mass in B-Flat Major, Hob. XXII:14 "Harmoniemesse": Sanctus | |
| | Alfred Deller, Anthony Lewis, Helen Watts & William Herbert | Sosarme: Alle Sfere Della Gloria Alza I Vanni un Nobil Cor | |
| | Arleen Auger, Helen Watts, Philippe Huttenlocher, Kurt Equiluz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Argre Dich, O Seele, Nicht, BWV 186: Aria: Bist Du, Der Mir Helfen Soll (Bass) | |
| | Pierre Boulez, BBC Singers, BBC Symphony Orchestra, Denis Wicks, Helen Watts, Michael Rippon, Orpheus Boys' Choir & Philip Langridge | Moses und Aron (Continued): Feierlich (Takt/bar 320) | |
| | Heather Harper, Helen Watts, London Symphony Chorus, London Symphony Orchestra & Sir Georg Solti | Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos | |
| | Wolfgang Schone, Arleen Auger, Helen Watts, Kurt Equiluz, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Magnificat, Wq. 215: Quia fecit mihi magna (Tenor) | |
| | Helen Watts & Geoffrey Parsons | Five Poems of Mary Stuart, Op. 135: III. An Die Königin Elisabeth | |
| | April Cantelo, Helen Watts & Viola Tunnard | Irlande, Op. 2, H 38: 2. Hélène | |
| | Alfred Deller, Anthony Lewis, Helen Watts & William Herbert | Sosarme: Quanto Piu Melo Ha Sdegno... Sento Il Cor Che Lieto Gode | |
