| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Marjana Lipovšek, Francisco Araiza & Peter Meven | Missa in angustiis "Nelson Mass", Hob. XXII: 11 in D Minor: Kyrie | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Barbara Hendricks, Symphonieorchester des Bayerischen Rundfunks, Marjana Lipovšek, Francisco Araiza & Peter Meven | Missa in angustiis "Nelson Mass", Hob. XXII: 11 in D Minor: Credo: Et incarnatus est | |
| | Sharon Sweet, Sir Neville Marriner, Academy of St Martin in the Fields, Francisco Araiza, Karita Mattila, Simone Alaimo, Marie McLaughlin & Claudio Otelli | Don Giovanni, K.527 / Act 2: "Ah! dov'è il perfido?" | |
| | Enzo Dara, Claudio Abbado, Chamber Orchestra of Europe, Lucia Valentini-Terrani, Cecilia Gasdia, Lella Cuberli, Katia Ricciarelli, Edoardo Gimenez, Francisco Araiza, Samuel Ramey, Ruggero Raimondi, Leo Nucci, Giorgio Surjan, Oslavio, di Credico, Raquel Pierotti, Antonella Bandelli, Bernadette Manca Di Nissa, Luigi De Corato, Ernesto Gavazzi, William Matteuzzi, Prague Philharmonic Chorus & Lubomir Matl | Il Viaggio a Reims: "Ora, Secondo Gli Usi" / "Or Che Regna" | |
| | Francisco Araiza, Agnes Baltsa, Francesco Ellero d'Artegna, Edita Gruberová, Simone Alaimo, Iris Vermillion, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester & Giuseppe Patanè | Maria Stuarda / Act 2: "Deh! l'accogli" - "Morta al mondo, e morta al trono" | |
| | Enzo Dara, Lucia Valentini-Terrani, Cecilia Gasdia, Lella Cuberli, Katia Ricciarelli, Edoardo Gimenez, Francisco Araiza, Samuel Ramey, Ruggero Raimondi, Leo Nucci, Giorgio Surjan, Oslavio, di Credico, Raquel Pierotti, Antonella Bandelli, Bernadette Manca Di Nissa, Luigi De Corato, Ernesto Gavazzi, William Matteuzzi, Chamber Orchestra of Europe, Claudio Abbado, Prague Philharmonic Chorus & Lubomir Matl | Il viaggio a Reims: "Altro da dir avrei" - "Ai prodi guerrieri" | |
| | Francisco Araiza, Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, Susanne Mentzer, Barbara Hendricks & Roberta Alexander | Idomeneo, re di Creta, K. 366: "Andrò Ramingo e Solo" | |
| | James Morris, Riccardo Muti, Wiener Philharmoniker & Francisco Araiza | Così fan tutte, K. 588, Act 2: Finale. "Giusto ciel! Voi qui scriveste" (Ferrando, Guglielmo) [Live] | |
| | Pinchas Steinberg, Francesco Ellero d'Artegna, Julie Kaufmann, Alan Titus, Francisco Araiza, Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester | La Wally: Non C'è Che Dir! | |
| | Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, Francisco Araiza & Susanne Mentzer | Idomeneo, re di Creta, K. 366: "Vattene prence" | |
| | Francisco Araiza, Copenhagen Philharmonic Orchestra & John Frandsen | La traviata: Lunge da lei per me. De' miei bollenti spiriti (Live) | |
| | Francisco Araiza & Irwin Gage | Die schöne Müllerin, D.795: XVII. Die böse Farbe | |
| | Peter Schreier, Staatskapelle Dresden, Dame Margaret Price, Trudeliese Schmidt, Francisco Araiza, Theo Adam & Rundfunkchor Leipzig | Requiem in D Minor, K. 626: IIId. Sequentia: Recordare | |
| | Enzo Dara, Leo Nucci, Francisco Araiza, Cecilia Gasdia, Lucia Valentini-Terrani, Lella Cuberli, Katia Ricciarelli, Edoardo Gimenez, Samuel Ramey, Ruggero Raimondi, Giorgio Surjan, Oslavio, di Credico, Raquel Pierotti, Antonella Bandelli, Bernadette Manca Di Nissa, Luigi De Corato, Ernesto Gavazzi, William Matteuzzi, Chamber Orchestra of Europe, Claudio Abbado, Prague Philharmonic Chorus & Lubomir Matl | Il viaggio a Reims: "Don Alvaro, dal nord." - "Omaggio all'Augusto Duce" | |
| | Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan & Wiener Staatsopernchor | Turandot, Act II: O mondo pieno di pazzi innamorati! (Ping, Pong, Pang, Coro) | |
| | Staatskapelle Dresden, Jeffrey Tate, Anne Sofie von Otter, Francisco Araiza & Samuel Ramey | Les Contes d'Hoffmann: No. XVIII. "Serviteur!" | |
| | Nikolaus Harnoncourt, Mozartorchester des Opernhauses Zürich & Francisco Araiza | Idomeneo, K. 366, Appendix, Act 2: Rondo. "Non temer, amato bene" (Idamante) | |
| | Heinz Zednik, Herbert von Karajan, Wiener Philharmoniker, Francisco Araiza & Gottfried Hornik | Turandot: "Non V'e in China Per Nostra Fortuna" (Ping, Pong, Pang) | |
| | Dietrich Fischer-Dieskau, Chor des Bayerischen Rundfunks, Wolfgang Sawallisch, Brigitte Fassbaender, Symphonieorchester des Bayerischen Rundfunks, Helen Donath & Francisco Araiza | Mass in E-Flat Major, D. 950: Benedictus | |
| | Francisco Araiza, Jessye Norman, Staatskapelle Dresden & Jeffrey Tate | Les Contes d'Hoffmann - Performing version of the critical edition by Michael Kaye/ Libretto: J. Barbier after J. Barbier & M. Carré, Act 3: "C'est une chanson d'amour" | |
| | Francisco Araiza, Sir Neville Marriner, Academy of St Martin in the Fields, Sir Thomas Allen, José Van Dam, Karita Mattila & Anne Sofie von Otter | Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa" | |
| | Jeffrey Tate, Rundfunkchor Leipzig, Anne Sofie von Otter, Francisco Araiza, Staatskapelle Dresden & Samuel Ramey | Les Contes d'Hoffmann: No. X. "Et par où votre diablerie" | |
| | Heinz Zednik, Francisco Araiza, Ruggero Raimondi, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan & Wiener Staatsopernchor | Turandot, Act III: Liù, bontà! Liù, dolcezza! (Timur, Pong, Ping, Pang, Coro, Coro di ragazzi) | |
| | Francisco Araiza, Gabriele Ferro, Domenico Trimarchi, Enzo Dara, Emilia Ravaglia, Marilyn Schmiege, Lucia Valentin-Terrani, Alessandro Corbelli & Chor Des Westdeutschen Rundfunks | La Cenerentola, Act I: "Qui Nel Mio Codice" (Alessandro Corbelli) | |
| | Heinz Zednik, Herbert von Karajan, Wiener Philharmoniker, Francisco Araiza, Wiener Staatsopernchor, Plácido Domingo, Gottfried Hornik & Ruggero Raimondi | Turandot: "Silenzio, Olà!" (Coro, Ping, Pang, Pong, Calaf, Timur) | |
| | Francisco Araiza, Cheryl Studer, Staatskapelle Dresden & Jeffrey Tate | Les Contes d'Hoffmann - Performing version of the critical edition by Michael Kaye/ Libretto: J. Barbier after J. Barbier & M. Carré, Act 4: "Jusque là, cependant" | |
| | Francisco Araiza, Leopold Hager & Mozarteumorchester Salzburg | Si Mostra la Sorte, K. 209 | |
| | Francisco Araiza, Sir Neville Marriner & Academy of St Martin in the Fields | Don Giovanni, K.527 / Act 1: "Come mai creder deggio" | |
| | Francisco Araiza, Münchner Rundfunkorchester & Ralf Weikert | Das Land des Lächelns: Dein ist mein ganzes Herz | |
| | Francisco Araiza, English Chamber Orchestra & Alberto Zedda | Werther, Act III: "Traduire. Ah! bien souvent mon rêve s'envola"."Pourquoi me réveiller" | |
| | Francisco Araiza, Gabriele Ferro, Domenico Trimarchi, Enzo Dara, Emilia Ravaglia, Marilyn Schmiege, Lucia Valentin-Terrani, Alessandro Corbelli & Chor Des Westdeutschen Rundfunks | La Cenerentola, Act II: "Mi Par Che Quei Birbanti" (Enzo Dara) | |
| | Staatskapelle Dresden, Jeffrey Tate, Cheryl Studer, Samuel Ramey & Francisco Araiza | Les Contes d'Hoffmann: No. 5V. "Le voilà, donc" | |
| | Sir Thomas Allen, Agnes Baltsa, Francisco Araiza, Domenico Trimarchi, Robert Lloyd, Academy of St Martin in the Fields & Sir Neville Marriner | Il barbiere di Siviglia / Act 2: No.13 Quintetto: "Don Basilio!" "Cosa veggo!" | |
| | Francisco Araiza, Enzo Dara, Cecilia Gasdia, Katia Ricciarelli, Lucia Valentini-Terrani, Leo Nucci, Ruggero Raimondi, Chamber Orchestra of Europe & Claudio Abbado | Il viaggio a Reims: "Zitti. Non canta più" / "Simbol di pace e gloria" | |
| | Marija Vidovic, Philharmonie Baden-Baden & Francisco Araiza | Carmen, WD 31: C'est des contrebandiers | |
| | Francisco Araiza, La Sinfonietta & Luis Jaime Cortez | Te Vi Llorar | |
| | Anne Sofie von Otter, Francisco Araiza, Jean-Luc Chaignaud, Georges Gautier, Samuel Ramey, Cheryl Studer, Staatskapelle Dresden & Jeffrey Tate | Les contes d'Hoffmann, Act 4: "Tiens, mes cartes!" | |
| | Agnes Baltsa, Francisco Araiza, Academy of St Martin in the Fields & Sir Neville Marriner | Il barbiere di Siviglia, Act 2: No. 11 Aria. "Contro un cor che accende amore" | |
| | Edith Mathis, Herbert von Karajan, Wiener Philharmoniker, Francisco Araiza & José Van Dam | Die Schöpfung Hob. XXI:2 / Zweiter Teil: XVIII. Terzett: in holder Anmut stehn | |
| | Dietrich Fischer-Dieskau, Chor des Bayerischen Rundfunks, Wolfgang Sawallisch, Brigitte Fassbaender, Symphonieorchester des Bayerischen Rundfunks, Helen Donath & Francisco Araiza | Mass in A-Flat Major, D. 678: Benedictus | |
| | Francisco Araiza, Staatskapelle Dresden & Jeffrey Tate | Les Contes d'Hoffmann - Performing version of the critical edition by Michael Kaye/ Libretto: J. Barbier after J. Barbier & M. Carré, Act 4: "O Dieu, de quelle ivresse" | |
| | Francisco Araiza, Sir Neville Marriner, Academy of St Martin in the Fields, Sharon Sweet, Karita Mattila, Simone Alaimo, Marie McLaughlin & Claudio Otelli | Don Giovanni, K.527 / Act 2: "Or che tutti, o mio tesoro" | |
| | Münchner Rundfunkorchester, Gustav Kuhn, Rosalind Plowright, Francisco Araiza, Pierre Lefebvre, Arturo Cauli & Chor des Bayerischen Rundfunks | La vestale, Act III: O terreur! O disgrace! | |
| | Francisco Araiza, Peter Menzel, Rundfunkchor Leipzig, Staatskapelle Dresden & Jeffrey Tate | Les Contes d'Hoffmann - Performing version of the critical edition by Michael Kaye/ Libretto: J. Barbier after J. Barbier & M. Carré, Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | |
| | Francisco Araiza & Irwin Gage | Die schöne Müllerin, D.795: XIV. Der Jäger | |
| | José Van Dam, Sir Neville Marriner, Academy of St Martin in the Fields, Francisco Araiza, Sir Thomas Allen, Elzbieta Szmytka, Karita Mattila & Anne Sofie von Otter | Così fan tutte, K.588 / Act 1: "Eccovi il medico" | |
| | Janet Perry, Raina Kabaivanska, Trudeliese Schmidt, Christa Ludwig, Francisco Araiza, Heinz Zednik, Rolando Panerai, Federico Davia, Wiener Philharmoniker & Herbert von Karajan | Falstaff, Act I: Pst, pst, Nannetta – Falstaff m'ha canzonata – Torno all'assalto | |
| | Dietrich Fischer-Dieskau, Chor des Bayerischen Rundfunks, Wolfgang Sawallisch, Brigitte Fassbaender, Symphonieorchester des Bayerischen Rundfunks, Helen Donath & Francisco Araiza | Mass in A-Flat Major, D. 678: Credo | |
| | Barbara Hendricks, Herbert von Karajan, Wiener Philharmoniker, Heinz Zednik, Plácido Domingo, Francisco Araiza, Ruggero Raimondi, Gottfried Hornik & Wiener Staatsopernchor | Turandot: "Ah! Per L'ultima Volta!" (Timur, Liù, Ping, Pang, Pong, Calaf, Coro) | |
| | Francisco Araiza, Sir Neville Marriner & Academy of St Martin in the Fields | Don Giovanni, K.527 / Act 2: "Ah, si segua il suo passo" | |
