| | Dame Kiri Te Kanawa, London Symphony Chorus, Sir Colin Davis, London Symphony Orchestra, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell & John Constable | Vesperae solennes de confessore in C K. 339: VI. Magnificat Anima Mea (Luc. 1:46-55) | |
| | Gwynne Howell, Paul Hudson, Chorus of Royal Opera House - Coven Garden, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden, Reri Grist & Plácido Domingo | Un ballo in maschera, IGV 32, Act I: "Su, profetessa, monta il treppiè" (Samuel, Tom, Coro, Oscar, Riccardo) | |
| | Orchestra of the Royal Opera House, Gosta Winbergh, Gwynne Howell, Sir Thomas Allen & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Seid meiner Treue wohl versehen (Live) | |
| | Corydon Singers, Corydon Orchestra, Jean Rigby, John Mark Ainsley, Juliet Booth, Gwynne Howell & Matthew Best | Mass No. 3 in F Minor, WAB 28: IV. Sanctus | |
| | Anne Gjevang, Sir Georg Solti, Chicago Symphony Orchestra & Gwynne Howell | Messiah: Recit: Thus Saith the Lord.Aria: But Who May Abide | |
| | Gwynne Howell, Sir Neville Marriner & Academy of St Martin in the Fields | Messiah, HWV 56, Pt. III: No. 47, Behold, I Tell You - No. 48, The Trumpet Shall Sound | |
| | Piero Cappuccilli, Gwynne Howell, Paul Hudson, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden, Katia Ricciarelli & Reri Grist | Un ballo in maschera, IGV 32, Act III: "Alle danze questa notte" (Oscar, Amelia, Renato, Samuel, Tom) | |
| | Gwynne Howell, Elena Obraztsova, Orchestra of the Royal Opera House, Covent Garden & Lorin Maazel | Luisa Miller: Vien la Duchessa! | |
| | Piero Cappuccilli, Gwynne Howell, Paul Hudson, Chorus of Royal Opera House - Coven Garden, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden & Katia Ricciarelli | Un ballo in maschera, IGV 32, Act II: "Ve' se di notte qui co' la sposa" (Samuel, Tom, Coro, Amelia, Renato) | |
| | Gwynne Howell, John Wilbraham, Academy of St Martin in the Fields & Sir Neville Marriner | Messiah / Pt. 3: "The trumpet shall sound" | |
| | Gwynne Howell, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti, Agnes Baltsa, Orchestra of the Royal Opera House, Covent Garden & Dano Raffanti | I Capuleti e i Montecchi, Act 1: "La tremenda ultrice spada" (Capellio, Romeo, Tebaldo, Coro) [Live] | |
| | Dame Kiri Te Kanawa, Sir Colin Davis, London Symphony Chorus, Elizabeth Bainbridge, London Symphony Orchestra, Ryland Davies, Gwynne Howell & John Constable | Vesperae solennes de confessore in C, K. 339: III. Beatus Vir Qui Timet Dominum (PS. 111/112) | |
| | Judith Blegen, Faye Robinson, Deborah Sasson, Florence Quivar, Lorna Myers, Kenneth Riegel, Benjamin Luxon, Gwynne Howell, Tanglewood Festival Chorus, Boston Boys Choir, Boston Symphony Orchestra, James Christie & Seiji Ozawa | Symphony No. 8 in E-Flat - "Symphony of a Thousand" - Pt. Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | |
| | Piero Cappuccilli, Gwynne Howell, Paul Hudson, Chorus of Royal Opera House - Coven Garden, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden & Katia Ricciarelli | Un ballo in maschera, IGV 32, Act II: "Seguitemi - Mio Dio!" (Renato, Amelia, Coro, Samuel, Tom) | |
| | Dame Kiri Te Kanawa, London Symphony Chorus, Sir Colin Davis, London Symphony Orchestra, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell & John Constable | Vesperae solennes de confessore in C, K. 339: VI. Magnificat Anima Mea (Luc. 1:46-55) | |
| | Dame Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra & Sir Colin Davis | Vesperae solennes de confessore in C, K. 339: 6. Magnificat anima mea | |
| | Sir Peter Pears, John Shirley-Quirk, Gwynne Howell, Wandsworth School Boys Choir, English Chamber Orchestra & Benjamin Britten | St. John Passion, BWV 245 / Pt. Two: "Then Led They Jesus From Caiaphas To the Judgement" | |
| | Gwynne Howell, Bruno Bartoletti, Philharmonia Orchestra & Plácido Domingo | Manon Lescaut, Act 3: "Ah! Non v'avvicinate!" (Des Grieux, Il Commandante) | |
| | Corydon Orchestra, Gwynne Howell, Juliet Booth, John Mark Ainsley, Corydon Singers, Matthew Best & Jean Rigby | Mass No. 3 in F Minor, WAB 28: V. Benedictus | |
| | Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Gwynne Howell, Orchestra del Maggio Musicale Fiorentino & Coro del Maggio Musicale Fiorentino | Stabat Mater: VIII. Inflammatus et accensus | |
| | Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti | Mass in D Major, Op. 123 - "Missa Solemnis": Et incarnatus est | |
| | Renato Bruson, Plácido Domingo, Gwynne Howell, Katia Ricciarelli, Audrey Michael, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel, Chorus of the Royal Opera House, Covent Garden & John Barker | Luisa Miller: Fra'mortali ancora oppressa | |
| | Lucia Popp, Yvonne Minton, Mallory Walker, Gwynne Howell, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti | Mass in D Major, Op. 123 - "Missa Solemnis": Et resurrexit | |
| | Riccardo Muti, Orchestra of the Royal Opera House, Covent Garden, Dano Raffanti, Gwynne Howell, Agnes Baltsa, Edita Gruberová, Sir John Tomlinson & Chorus of the Royal Opera House, Covent Garden | I Capuleti e i Montecchi, Act I Scene 3: Accorriam ... Romeo! (Coro/Tebaldo/Capellio/Romeo/Giulietta/Lorenzo) | |
| | Tanglewood Festival Chorus, Boston Boys Choir, Boston Symphony Orchestra, Seiji Ozawa, Benjamin Luxon & Gwynne Howell | Symphony No. 8 in E-Flat - "Symphony of a Thousand" - Pt. Two: Final scene from Goethe's "Faust": "Waldung, sie schwankt heran" | |
| | Gwynne Howell, The Argo Chamber Orchestra & Laszlo Heltay | Stabat Mater, Hob. XXbis: XI. Flammis orci ne succendar | |
| | Dame Kiri Te Kanawa, London Symphony Chorus, Sir Colin Davis, London Symphony Orchestra, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell & John Constable | Vesperae Solennes De Confessore in C, K. 339: 4. Laudate Pueri Dominum (Ps. 112/113) | |
| | Gwynne Howell, Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden & Lorin Maazel | Luisa Miller: L'alto retaggio non ho bramato | |
| | Judith Blegen, Faye Robinson, Deborah Sasson, Florence Quivar, Lorna Myers, Kenneth Riegel, Benjamin Luxon, Gwynne Howell, Tanglewood Festival Chorus, Boston Boys Choir, Boston Symphony Orchestra, James Christie & Seiji Ozawa | Symphony No. 8 in E-Flat - "Symphony of a Thousand" - Pt. Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | |
| | Alison Hargen, Della Jones, David Rendell, Gwynne Howell, Wyn Morris, London Symphony Chorus & London Symphony Orchestra | Symphony No. 9 in D minor ("Choral"), Op. 125: Allegro ma non tanto - Poco adagio - Tempo 1 - Poco adagio - Poco allegro, stringendo il tiempo… | |
| | Dame Kiri Te Kanawa, Sir Colin Davis, London Symphony Chorus, Elizabeth Bainbridge, London Symphony Orchestra, Ryland Davies, Gwynne Howell & John Constable | Vesperae Solennes De Confessore in C, K. 339: 3. Beatus Vir Qui Timet Dominum (PS. 111/112) | |
| | Piero Cappuccilli, Gwynne Howell, Paul Hudson, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden & Katia Ricciarelli | Un ballo in maschera, IGV 32, Act III: "Ma chi vien?... Tu?" (Tom, Renato, Amelia, Samuel) | |
| | Orchestra of the Royal Opera House, Gwynne Howell & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Das schone fest, Johannistag (Live) | |
| | Gwynne Howell, Laszlo Heltay & The Argo Chamber Orchestra | Stabat Mater, Hob. XXa:1: XI. Flammis orci ne succendar | |
| | Piero Cappuccilli, Gwynne Howell, Paul Hudson, Chorus of Royal Opera House - Coven Garden, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden, Reri Grist, Francis Eggerton & Plácido Domingo | Un ballo in maschera, IGV 32, Act I: "Il primo giudice" (Oscar, Renato, Giudice, Riccardo, Samuel, Tom, Coro) | |
| | Dame Kiri Te Kanawa, Sir Colin Davis, London Symphony Chorus, Elizabeth Bainbridge, London Symphony Orchestra, Ryland Davies, Gwynne Howell & John Constable | Vesperae solennes de confessore in C K. 339: III. Beatus Vir Qui Timet Dominum (PS. 111/112) | |
| | Gwynne Howell, Corydon Orchestra, Jean Rigby, John Mark Ainsley, Matthew Best, Janice Watson & Corydon Singers | Mass in C Major, Op. 86: II. Gloria | |
| | Gwynne Howell, Sir John Tomlinson, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti, Agnes Baltsa, Orchestra of the Royal Opera House, Covent Garden & Edita Gruberová | I Capuleti e i Montecchi, Act 2: "Ah! Crudel! Che mai facesti?" (Giulietta, Romeo, Coro, Capellio, Lorenzo) [Live] | |
| | Dame Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra & Sir Colin Davis | Vesperae solennes de confessore in C, K. 339: 6. Magnificat anima mea | |
| | Gwynne Howell, Richard Van Allan, Girls from the Haberdashers' Aske's School for Girls, Elstree, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti, Rodney Slatford, Philharmonia Orchestra, Reri Grist, Medici String Quartet & Plácido Domingo | Un ballo in maschera, Act 1: "La rivedrà nell'estasi" (Riccardo, Oscar, Coro, Samuele, Tom) | |
| | Neal Davies, Robert Lloyd, Gwynne Howell, Ian Bostridge, Stephen Richardson, Mark Tucker, London Symphony Orchestra & Sir Colin Davis | A Midsummer Night's Dream, Op. 64, Act 3: "If We Offend, It Is With Our Good Will" | |
| | Gwynne Howell, Sir John Tomlinson, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti, Orchestra of the Royal Opera House, Covent Garden & Edita Gruberová | I Capuleti e i Montecchi, Act 2: "Deh! Padre mio" (Lorenzo, Giulietta, Capellio, Coro) [Live] | |
| | Sir Colin Davis, Dame Kiri Te Kanawa, London Symphony Chorus, London Symphony Orchestra, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell & John Constable | Vesperae Solennes de Confessore in C, K. 339: III. Beatus Vir Qui Timet Dominum (PS. 111/112) | |
| | Dame Kiri Te Kanawa, London Symphony Chorus, Sir Colin Davis, London Symphony Orchestra, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell & John Constable | Vesperae solennes de confessore in C K. 339: IV. Laudate Pueri Dominum (Ps. 112/113) | |
| | Dame Kiri Te Kanawa, Sir Colin Davis, London Symphony Chorus, Elizabeth Bainbridge, London Symphony Orchestra, Ryland Davies, Gwynne Howell & John Constable | Vesperae Solennes De Confessore in C, K. 339: 2. Confitebor Tibi, Domine (Ps. 110/111) | |
| | Keith Lewis, Sir Georg Solti, Chicago Symphony Chorus, Gwynne Howell & Chicago Symphony Orchestra | Messiah: Air: Why Do the Nations.Air: Thou Shalt Break Them Them. | |
| | Gwynne Howell, Paul Hudson, Chorus of Royal Opera House - Coven Garden, Claudio Abbado, Orchestra of Royal Opera House - Coven Garden, Reri Grist & Plácido Domingo | Un ballo in maschera, IGV 32, Act I: "La rivedrà nell'estasi" (Riccardo, Samuel, Tom, Oscar, Coro) | |
| | Corydon Orchestra, Gwynne Howell, Matthew Best & Corydon Singers | L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): IV. L'intérieur de la maison des Ismaél: No. 2, Grand Dieu! quelle détresse! (Le père de famille/Chœur) | |
| | Gwynne Howell, Sir Georg Solti & Chicago Symphony Orchestra | Messiah: 10. Accompagnato: For Behold, Darkness Shall Cover the Earth 11. Aria: The People That Walked in Darkness | |
| | Alison Hargen, Della Jones, David Rendell, Gwynne Howell, Wyn Morris, London Symphony Chorus & London Symphony Orchestra | Symphony No. 9 in D minor ("Choral"), Op. 125: IV. Presto - Allegro ma non troppo - Allegro assai - | |
