| | Karita Mattila, Sir Neville Marriner, Academy of St Martin in the Fields, Anne Sofie von Otter, José Van Dam & Elzbieta Szmytka | Così fan tutte, K.588 / Act 1: "Soave sia il vento" - "Non son cattivo" - "Che vita maledetta" - "Madame, ecco la vostra colazione" | |
| | Elzbieta Szmytka, Sir Simon Rattle, Philip Langridge, Thomas Hampson, Ryszard Minkiewicz, Jadwiga Rappé, Lisa Milne, Andrew Burden, City of Birmingham Symphony Youth Chorus, Adrian Partington, City of Birmingham Symphony Chorus, Simon Halsey & City of Birmingham Symphony Orchestra | King Roger: Hagios! Hagios! (Chorus/Youth Chorus/Archbishop) | |
| | Kurt Streit, Robert Gambill, Cheryl Studer, Elzbieta Szmytka, Gunther Missenhardt, Bruno Weil, Chor der Wiener Staatsoper & Wiener Symphoniker | Die Entfuhrung Aus Dem Seráil: Frisch Zum Kampfe! (Pedrillo) | |
| | Elzbieta Szmytka & Iain Burnside | Wiejskie Spiewy / Dorfgesänge / Village Songs Op. 34 (Anon.), Sieben Lieder Für Hohe Singstimme - No. 5 Rano | |
| | Tracey Welborn, Elzbieta Szmytka, Jesus Lopez-Cobos & Jesús López Cobos | Il matrimonio segreto, Act 1: Cara, non dubitar | |
| | Elzbieta Szmytka & Malcolm Martineau | Hulanka (Merrymaking), Op. 74, No. 4 | |
| | Elzbieta Szmytka & Malcolm Martineau | Spring, Op. 74, No. 2 | |
| | Netherlands Radio Philharmonic Orchestra, Reinbert de Leeuw, Thomas Oliemans, Yves Saelens & Elzbieta Szmytka | Legende: Nel's Aria | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris) | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret) | |
| | Elzbieta Szmytka & Malcolm Martineau | The Double End, Op. 74, No. 11 | |
| | Elzbieta Szmytka & Malcolm Martineau | Reverie, Op. 74, No. 19 | |
| | Elzbieta Szmytka, Sir Simon Rattle, Philip Langridge, Thomas Hampson, Ryszard Minkiewicz, Jadwiga Rappé, Lisa Milne, Andrew Burden, City of Birmingham Symphony Youth Chorus, Adrian Partington, City of Birmingham Symphony Chorus, Simon Halsey & City of Birmingham Symphony Orchestra | King Roger: Tajemmych glebin (Shepherd) | |
| | Elzbieta Szmytka, Jeannette Fischer, Anne-Marie Owens, Jesus Lopez-Cobos & Jesús López Cobos | Il matrimonio segreto, Act 1: Le faccio un inchino | |
| | Dame Felicity Lott, Thomas Hampson, Elzbieta Szmytka, John Aler, Kurt Azesberger, Robert Poulton, Rudolf Schasching, Glyndebourne Chorus, David Angus, London Philharmonic Orchestra & Franz Welser-Möst | Die Lustige Witwe, Act I: O Vaterland...Da geh' ich zu Maxim | |
| | Elzbieta Szmytka & Malcolm Martineau | Leaves Are Falling (Hymn From The Tomb), Op. 74, No. 17 | |
| | Elzbieta Szmytka, Andrea Rost, Philip Langridge, Ulrich Großrubatscher, Nicolai Ghiaurov, Walter Zeh, Franz Wimmer, Richard Novak, Pavel Kamas, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor & Peter Burian | From the House of the Dead, JW I/11, Act II: Mil'y, mil'y, Aljejo! | |
| | Elzbieta Szmytka & Malcolm Martineau | The Ring, Op. 74, No. 14 | |
| | Elzbieta Szmytka, Sir Neville Marriner & Academy of St Martin in the Fields | La finta semplice, K.51 - 1st (original) version / Act 3: "Sono in amore, voglio marito" | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret) | |
| | Elzbieta Szmytka, Andrea Rost, Philip Langridge, Ulrich Großrubatscher, Nicolai Ghiaurov, Walter Zeh, Franz Wimmer, Richard Novak, Pavel Kamas, Wiener Philharmoniker, Claudio Abbado, Chor der Wiener Staatsoper & Peter Burian | From the House of the Dead (Z Mrtvého Domu), Act 2: Milý, Milý Aljejo! | |
| | Karita Mattila, Sir Neville Marriner, Academy of St Martin in the Fields, Sir Thomas Allen, Elzbieta Szmytka & José Van Dam | Così fan tutte, K.588 / Act 2: "Come tutto congiura" - "L'abito di Ferrando" | |
| | Angelo Romero, Jeannette Fischer, Anne-Marie Owens, Tracey Welborn, Elzbieta Szmytka, Quatuor Stanislas, Jesus Lopez-Cobos & Jesús López Cobos | Il matrimonio segreto, Act 1: Tu mi dici che del Conte | |
| | Elzbieta Szmytka, Barry Mccauley, Josef Veverka, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor & Peter Burian | From the House of the Dead, JW I/11, Act I: Aljejo, podávej nitku! | |
| | Francisco Araiza, Sir Neville Marriner, Academy of St Martin in the Fields, Sir Thomas Allen, Karita Mattila, Anne Sofie von Otter, Elzbieta Szmytka & José Van Dam | Così fan tutte, K.588 / Act 1: "Dammi un bacio" | |
| | Elzbieta Szmytka & Malcolm Martineau | Melody, Op. 74, No. 9 | |
| | Netherlands Radio Philharmonic Orchestra, Reinbert de Leeuw & Elzbieta Szmytka | Legende: Farmer Jochem | |
| | Elzbieta Szmytka, Philharmonia Orchestra & Gary Brain | Na Wsi / Ländliche Szenen / Rural Scenes Op. 30 (Anon.), Sieben Lieder Für Hohe Singstimme Und Orchester - No. 6 Zmiana | |
| | Elzbieta Szmytka, Gary Brain & Philharmonia Orchestra | Na Wsi / Ländliche Szenen / Rural Scenes Op. 30 (Anon.), Sieben Lieder Für Hohe Singstimme Und Orchester - No. 2 Pasterz | |
| | Bruno Weil, Wiener Symphoniker, Michael Heltau, Cheryl Studer, Elzbieta Szmytka, Kurt Streit, Robert Gambill & Günter Missenhardt | Die Entführung aus dem Serail, K. 384: Ouverture | |
| | Elzbieta Szmytka & Iain Burnside | Sieben Lieder für hohe Singstimme, Dorfgesänge, Op. 34: No. 7 Wytrwale prosby | |
| | Thomas Hampson, Glyndebourne Chorus, Franz Welser-Möst, London Philharmonic Orchestra, Elzbieta Szmytka, Dame Felicity Lott, John Aler, Kurt Azesberger & Rudolf Schasching | The Merry Widow, Act I: "Der junge Mann tanzt Polka" (Live at Royal Festival Hall, 1993) | |
| | Elzbieta Szmytka, Alexander Oliver, Bojidar Nikolov, Walter Zeh, Richard Haan, Pavel Kamas, Wiener Philharmoniker, Claudio Abbado, Chor der Wiener Staatsoper & Peter Burian | From the House of the Dead (Z Mrtvého Domu), Act 2: Hra o Kedrilovi a Juanovi | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: V. Panno slodka racz mozolem (Virgo virginum praeclare) | |
| | Elzbieta Szmytka & Iain Burnside | Sieben Lieder für hohe Singstimme, Ländliche Szenen, Op. 30: No. 3 Powrót | |
| | Elzbieta Szmytka, Sir Neville Marriner & Academy of St Martin in the Fields | La Finta Semplice, K. 51: "Sono in Amore, Voglio Marito" | |
| | Tracey Welborn, Anne-Marie Owens, Elzbieta Szmytka, Jesus Lopez-Cobos & Jesús López Cobos | Il matrimonio segreto, Act 2: Sento, oimé! che mi vien male | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere) | |
| | Bruno Weil, Elzbieta Szmytka & Robert Gambill | Die Entführung aus dem Serail, K. 384, Act II: Kein Bassa, keine Konstanze mehr da? (Dialog) | |
| | Elzbieta Szmytka & Iain Burnside | Zwei Lieder Op. 12 - No. 2 Wiatr Gnie Sieroce Smreki (Kasprowicz) | |
| | Elzbieta Szmytka, Wojtek Gierlach, Mark Milhofer, Lawrence Brownlee, Evelyn Pollock, Carlos Petruzziello, Fiqerete Ymeraj, Andres de Castillo, St. Gallen Symphony Orchestra, Chor des Theaters St. Gallen, Opernchor des Theaters St. Gallen & David Stern | Medea in Corinto: Act I: Overture | |
| | Bruno Weil, Tafelmusik, Luciana Serra & Elzbieta Szmytka | Don Giovanni Tenorio (Version without Recitatives): Duetto "Per quanto ben ti guardo" (Donna Elvira, Maturina) | |
| | Philharmonia Orchestra, Gary Brain & Elzbieta Szmytka | Sieben Lieder für hohe Singstimme, Klavier und Orchester, Dorfgesänge, Op. 34: No. 1 W leszczynie | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: I. Stala Matka bolejaca (Stabat Mater dolorosa) | |
| | Elzbieta Szmytka & Iain Burnside | Sieben Lieder für hohe Singstimme, Dorfgesänge, Op. 34: No. 4 Mazurska powiatska | |
| | Philharmonia Orchestra, Gary Brain & Elzbieta Szmytka | Sieben Lieder für hohe Singstimme und Orchester, Ländliche Szenen, Op. 30: No. 1 Chmiel | |
| | Elzbieta Szmytka & Iain Burnside | Wiejskie Spiewy / Dorfgesänge / Village Songs Op. 34 (Anon.), Sieben Lieder Für Hohe Singstimme - No. 3 Na Wojence Dalekiej | |
| | Elzbieta Szmytka, Florence Quivar, Simon Halsey, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Stabat Mater, Op.53: I. Stala Matka bolejaca (Stabat Mater dolorosa) | |
| | Elzbieta Szmytka & Malcolm Martineau | The Sad River, Op. 74, No. 3 | |
| | Elzbieta Szmytka & Iain Burnside | Wiejskie Spiewy / Dorfgesänge / Village Songs Op. 34 (Anon.), Sieben Lieder Für Hohe Singstimme - No. 4 Mazurska Powiatska | |
