| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Dido and Aeneas, Z. 626, Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. for Cello and Strings by Mathieu Herzog) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Deux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. for Cello and Orchestra by Richard Tognetti) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Orfeo ed Euridice, Wq. 30, Act II: Dance Of The Blessed Spirits (Arr. for Cello and Strings by Mathieu Herzog) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Norma, Act I: "Casta Diva" (Arr. for Cello and Orchestra by Mathieu Herzog) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Gypsy Melodies, Op. 55, B. 104: 4. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | L'elisir d'amore, Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | |
| | Camille & Julie Berthollet, Appassionato, Guillaume Vincent & Mathieu Herzog | Forrest Gump Suite | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Theme From "Schindler's List" (Adapt. for Cello and Orchestra) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: 1. Adagio ma non troppo | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | L'elisir d'amore, Act II: "Una furtiva lagrima" (Adapt. For Cello And Orchestra) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: 2. Un poco più animato | |
| | Camille & Julie Berthollet, Appassionato & Mathieu Herzog | Oboe Concerto in D Minor, S. Z799: II. Adagio (Arr. Herzog) | |
| | Appassionato, Camille & Julie Berthollet & Mathieu Herzog | Le violon rouge | |
| | Camille & Julie Berthollet, Appassionato & Mathieu Herzog | 5 Lieder, Op. 49: IV. Wiegenlied (Orch. Herzog) | |
| | Camille & Julie Berthollet, Grégoire Dubruel, Mathieu Herzog & Rémi Rière | Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Arr. Mahler) | |
| | Camille & Julie Berthollet, Grégoire Dubruel, Guillaume Vincent & Mathieu Herzog | Piano Quintet in A Major, D. 667 "The Trout": IV. Andante (Thema e variazioni ) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | |
| | Thomas Enhco, Appassionato & Mathieu Herzog | Concerto for Piano and Orchestra: Finale | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Wesendonck-Lieder, WWV 91: 5. Träume (Arr. For Cello And Orchestra By Mathieu Herzog) | |
| | Mathieu Herzog, Camille Berthollet, Guillaume Vincent, Julie Berthollet & Appassionato | Forrest Gump Suite | |
| | Thomas Enhco, Appassionato & Mathieu Herzog | Two souls | |
| | Appassionato & Mathieu Herzog | Metamorphosen, TrV 290: IV. Più allegro (Live) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Deux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti) | |
| | Mathieu Herzog, Camille Berthollet & Appassionato | Oboe Concerto in D Minor, S. Z799: II. Adagio (Orch. Herzog for Orchestra) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Theme From "Schindler's List" (Adapt. For Cello And Orchestra) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | |
| | Appassionato, Mathieu Herzog & Sergei Redkin | Piano Concerto No. 3: Movement I | |
| | Mathieu Herzog, Camille Berthollet, Guillaume Vincent, Julie Berthollet & Appassionato | Forrest Gump Suite | |
| | Mathieu Herzog, Camille Berthollet & Appassionato | 5 Lieder, Op. 49: IV. Wiegenlied (Orch. Herzog) | |
| | Camille & Julie Berthollet, Appassionato & Mathieu Herzog | 21 Hungarian Dances, WoO 1: No. 6 in D-Flat Major (Arr. for Chamber Ensemble) | |
| | Thomas Enhco, Appassionato & Mathieu Herzog | Concerto for Piano and Orchestra: Allegro | |
| | Mathieu Herzog & Appassionato | Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | "Kol Nidrei" Adagio For Cello And Orchestra, Op. 47: 2. Un poco più animato | |
| | Mathieu Herzog & Appassionato | Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto. Allegretto | |
| | Mathieu Herzog & Appassionato | Symphony No. 39 in E-Flat Major, K. 543: IV. Allegro | |
| | Appassionato, Mathieu Herzog & Jinjoo Cho | Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | |
| | Mathieu Herzog & Appassionato | Symphony No. 40 in G Minor, K. 550: I. Molto allegro | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | "Kol Nidrei" Adagio For Cello And Orchestra, Op. 47: 1. Adagio ma non troppo | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Dido and Aeneas, Z. 626, Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | |
| | Thomas Enhco, Appassionato & Mathieu Herzog | Two souls | |
| | Mathieu Herzog, Camille Berthollet & Appassionato | Oboe Concerto in D Minor, S. Z799: II. Adagio (Orch. Herzog for Orchestra) | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | Werther, Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) | |
| | Mathieu Herzog & Appassionato | Symphony No. 40 in G Minor, K. 550: IV. Allegro assai | |
| | Thomas Enhco, Appassionato & Mathieu Herzog | Two souls | |
| | Appassionato, Camille & Julie Berthollet & Mathieu Herzog | Moto perpetuo, Op. 11 No. 6 | |
| | Appassionato & Mathieu Herzog | Verklärte Nacht, Op. 4: IV. Adagio (Live) | |
| | Camille Berthollet, Grégoire Dubruel, Julie Berthollet, Mathieu Herzog & Rémi Rière | Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Orch. Mahler) | |
| | Appassionato & Mathieu Herzog | L'Apprenti sorcier | |
| | Camille Thomas, Brussels Philharmonic & Mathieu Herzog | "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | |
| | Appassionato, Mathieu Herzog & Sergei Redkin | Piano Concerto No. 3: Movement II | |