| | The Metropolitan Opera Orchestra, Eleanor Steber, Jean Madeira & The Metropolitan Opera Chorus | Madama Butterfly: Nello Shosi or Faremo | |
| | The Metropolitan Opera Orchestra, Jean Madeira, Eleanor Steber & The Metropolitan Opera Chorus | Madama Butterfly: e Izaghi Ed Izanemi | |
| | Ludwig Suthaus, Hilde Rössel-Majdan, Leonie Rysanek, Milan Teatro alla Scala Chorus, Gerda Scheyrer, Martha Rohs, Hans Hotter, Birgit Nilsson, Gottlob Frick, Lotte Rysanek, Margareta Sjoestedt, Judith Hellwig, Christa Ludwig, Rosette Anday, Herbert von Karajan, Orchestra del Teatro alla Scala di Milano & Jean Madeira | Die Walkure: Act III Scene 3: Feuerzauber | |
| | Eleanor Steber, Cesare Siepi, Nadine Conner, Jean Madeira, The Metropolitan Opera Orchestra & Fritz Stiedry | Le nozze di Figaro, K. 492, Act IV: Signora, ella mi disse (Live) | |
| | Jean Madeira & Orchestre De L'Association Des Concerts Pasdeloup | Carmen: Voyons, que j'essaie à mon tour | |
| | Zinka Milanov, Martha Lipton, Alberto Erede, Richard Tucker, Studio Orchestra, Clifford Harvuot & Jean Madeira | Cavalleria rusticana: Beato voi, compar Alfio (Lucia, Alfio, Santuzza, Villagers) | |
| | Jean Madeira, Lili Chookasian, Raymond Michalski, Louis Sgarro, The Metropolitan Opera Orchestra & Sir Colin Davis | Peter Grimes, Op. 33, Act III: Mr. Swallow! | |
| | Heinz Wallberg, Otto Wiener, Hans Hotter, Karl Friedrich, Jean Madeira, Karl Dönch, Lisa Della Casa, Wolfgang Windgassen, Kurt Equiluz, Murray Dickie, Fritz Sperlbauer, Heinz Strohbauer & Wiener Philharmoniker | Die Meistersinger von Nürnberg: Seid meiner Treue wohl versehen | |
| | Giuseppe Valdengo, Max Rudolf, Jean Madeira, The Metropolitan Opera Orchestra & Eleanor Steber | Madama Butterfly, IGP 7, Act II: "Suzuki! Dove sei?" (Butterfly, Suzuki, Sharpless) | |
| | Judith Hellwig, Gottlob Frick, Orchestra del Teatro alla Scala di Milano, Gerda Scheyrer, Christa Ludwig, Jean Madeira, Martha Rohs, Hans Hotter, Rosette Anday, Birgit Nilsson, Ludwig Suthaus, Hilde Rössel-Majdan, Leonie Rysanek, Herbert von Karajan, Milan Teatro alla Scala Chorus, Lotte Rysanek & Margareta Sjoestedt | Die Walkure: Act II Scene 4: So wenig achtest du ewige Wonne? | |
| | Jean Madeira, Inge Borkh, Wiener Philharmoniker & Dimitri Mitropoulos | Elektra, Op. 58, TrV 223: Was willst du? Seht doch, dort! (Live) | |
| | Heinz Wallberg, Otto Wiener, Hans Hotter, Karl Friedrich, Jean Madeira, Karl Dönch, Lisa Della Casa, Wolfgang Windgassen, Kurt Equiluz, Murray Dickie, Fritz Sperlbauer, Heinz Strohbauer & Wiener Philharmoniker | Die Meistersinger von Nürnberg: Silentium! Silentium! | |
| | Wiener Philharmoniker, Edouard Van Remoortel & Jean Madeira | El Amor Brujo: No. 10, Canción del Fuego Fatuo (1920 Version) | |
| | Jean Madeira, Gottlob Frick, Vienna State Opera Orchestra, George London, Rafael Kubelik, Hans Hopf & Leonie Rysanek | Aïda (Sung in German): Ich seh' dich wieder, meine Aïda - Bei Nàpata die Schluchten [Live] | |
| | Jean Madeira, The Metropolitan Opera Orchestra & Fritz Stiedry | Götterdämmerung, Act I Scene 3: Blitzend Gewölk (Live) | |
| | Birgit Nilsson, Judith Hellwig, Christa Ludwig, Jean Madeira, Lotte Rysanek, Gerda Scheyrer, Margareta Sjoestedt, Hans Hotter, Rosette Anday, Ludwig Suthaus, Hilde Rössel-Majdan, Gottlob Frick, Herbert von Karajan, Orchestra del Teatro alla Scala di Milano, Leonie Rysanek, Milan Teatro alla Scala Chorus & Martha Rohs | Die Walkure: Act III Scene 1: Schutzt mich und helft in hochster Not! (Brunnhilde) | |
| | Richard Tucker, Giuseppe Valdengo, Jean Madeira, The Metropolitan Opera Orchestra, Thelma Votipka & The Metropolitan Opera Chorus | Madama Butterfly: non Ve L´avevo? | |
| | Hilde Gueden, Leonard Warren, Alois Pernerstorfer, Richard Tucker, Jean Madeira, The Metropolitan Opera Orchestra & Alberto Erede | Rigoletto, Act III: M'odi, ritorna a casa (Live) | |
| | Jean Madeira, Wiener Philharmoniker & Edouard Van Remoortel | The Three-Cornered Hat - Les Voisins | |
| | Erik Saeden, Ernst Krukowski, Jean Madeira, Orchester der Deutschen Oper Berlin & Lorin Maazel | Odysseus, Act II: Meinen Anruf vernahmst du Kirke! | |
| | Jean Madeira, Nadine Conner, Fritz Reiner, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act I: Tutto ancor non ho perso | |
| | Orchestre Pasdeloup, Pierre Dervaux, Nicola Filacuridi & Jean Madeira | Carmen, Act I, Scene 10: Séguedille. "Près des remparts de Séville" - Duo. "Tais-toi" (Don José, Carmen) | |
| | Maria von Ilosvay, Bayreuther Festspielorchester, Astrid Varnay, Hans Knappertsbusch & Jean Madeira | Götterdämmerung, WWV 86d, Vorspiel: Es ragt die Burg (Live) | |
| | Ursula Boese, Jean Madeira, Rita Gorr, Bayreuther Festspielorchester & Hans Knappertsbusch | Götterdämmerung, Prologue: Welch Licht leuchtet dort? (Live) | |
| | Gene Boucher, Lili Chookasian, Jean Madeira, Geraint Evans, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Sir Colin Davis | Peter Grimes, Act I: Have you heard? | |
| | Staatskapelle Dresden, Karl Böhm, Inge Borkh & Jean Madeira | Elektra, Op. 58, Act I: "Was bluten muss?" (Elektra, Klytämnestra) | |
| | Hilde Gueden, Leonard Warren, Richard Tucker, Jean Madeira, The Metropolitan Opera Orchestra & Alberto Erede | Rigoletto, Act III: Bella figlia dell'amore (Live) | |
| | Eleanor Staber, Giuseppe Valdengo, Jean Madeira, Max Rudolf, Richard Tucker, The Metropolitan Opera & Thelma Votipka | Madama Butterfly: Atto II: Coro a Bocca Chiusa | |
| | Eleanor Staber, Giuseppe Valdengo, Jean Madeira, Max Rudolf, Richard Tucker, The Metropolitan Opera & Thelma Votipka | Madama Butterfly: Atto I: Dovunque Al Mondo | |
| | Birgit Nilsson, Ludwig Suthaus, Judith Hellwig, Herbert von Karajan, Orchestra del Teatro alla Scala di Milano, Christa Ludwig, Jean Madeira, Lotte Rysanek, Margareta Sjoestedt, Rosette Anday, Leonie Rysanek, Milan Teatro alla Scala Chorus, Gerda Scheyrer, Martha Rohs, Hans Hotter, Hilde Rössel-Majdan & Gottlob Frick | Die Walkure: Act I Scene 3: Siegmund, den Walsung, siehst du, Weib! | |
| | Ernst Krukowski, Jean Madeira, Annabelle Bernard, Orchester der Deutschen Oper Berlin & Lorin Maazel | Odysseus, Act II: Frölich, frölich, lustig soll diese Nacht sein! | |
| | Eleanor Staber, Giuseppe Valdengo, Jean Madeira, Max Rudolf, Richard Tucker, The Metropolitan Opera & Thelma Votipka | Madama Butterfly: Atto II: Yamadori, Ancor... Le Pene | |
| | Staatskapelle Dresden, Karl Böhm, Jean Madeira, Inge Borkh, Renate Reinecke & Hermi Ambros | Elektra, Op. 58, Act I: "Das klingt mir so bekannt" (Klytämnestra, Elektra, Die Vertraute, Die Schleppträgerin) | |
| | Jean Madeira, Rudolf Kempe, Wiener Philharmoniker & Elisabeth Söderström | Palestrina, Act I: Warum tun deine Worte mir so weh? (Live) | |
| | Max Rudolf, Jean Madeira, The Metropolitan Opera Orchestra, Eleanor Steber & Alessio De Paolis | Madama Butterfly, IGP 7, Act II: "Vespa! Rospo maledetto!" (Suzuki, Butterfly, Goro) | |
| | Jean Madeira, Nadine Conner, Cesar Siepi, Victoria de los Ángeles, Giuseppe Valdengo, Fritz Reiner, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act II: Voi signor? | |
| | Jean Madeira, Paul Franke, Robert Schmorr, Gene Boucher, Raymond Michalski, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Sir Colin Davis | Peter Grimes, Op. 33, Act II: Now is gossip put on trial | |
| | Jean Madeira, Wiener Philharmoniker & Edouard Van Remoortel | Love The Magician - El Amor Brujo - Introduction | |
| | The Metropolitan Opera Orchestra, Eleanor Steber, Jean Madeira & The Metropolitan Opera Chorus | Madama Butterfly: Spoglio È L´orto | |
| | Jean Madeira, Rudolf Kempe, Wiener Philharmoniker & Elisabeth Söderström | Palestrina, Act I: Hast du vom Leid der Welt noch nicht gehört? (Live) | |
| | Zinka Milanov, Martha Lipton, Alberto Erede, Richard Tucker, Studio Orchestra, Clifford Harvuot & Jean Madeira | Cavalleria rusticana: Oh! Il Signore vi manda (Santuzza, Alfio) | |
| | Eleanor Staber, Giuseppe Valdengo, Jean Madeira, Max Rudolf, Richard Tucker, The Metropolitan Opera & Thelma Votipka | Madama Butterfly: Atto II: Or Vienmi Ad Adornar | |
| | Heinz Wallberg, Otto Wiener, Hans Hotter, Karl Friedrich, Jean Madeira, Karl Dönch, Lisa Della Casa, Wolfgang Windgassen, Kurt Equiluz, Murray Dickie, Fritz Sperlbauer, Heinz Strohbauer & Wiener Philharmoniker | Die Meistersinger von Nürnberg: Ein Werbelied! Von Sachs! | |
| | Jean Madeira, Wiener Philharmoniker & Dimitri Mitropoulos | Elektra, Op. 58, TrV 223: Ich will hinunter (Live) | |
| | Jean Madeira, Nicolas Filacuridi & Orchestre De L'Association Des Concerts Pasdeloup | Carmen: Prés des remparts de Seville | |
| | Louis Sgarro, Raymond Michalski, Jon Vickers, Jean Madeira, Lucine Amara, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Sir Colin Davis | Peter Grimes, Op. 33, Prologue: Peter Grimes! | |
| | Heinz Wallberg, Otto Wiener, Hans Hotter, Karl Friedrich, Jean Madeira, Karl Dönch, Lisa Della Casa, Wolfgang Windgassen, Kurt Equiluz, Murray Dickie, Fritz Sperlbauer, Heinz Strohbauer & Wiener Philharmoniker | Die Meistersinger von Nürnberg: Nun denn, wenn´s Meistern und Volk beliebt | |
| | Jean Madeira, Irene Dalis, Martina Arroyo, Erich Leinsdorf & The Metropolitan Opera Orchestra | Götterdämmerung, WWV 86D, Vorspiel: Welch Licht leuchtet dort? | |
| | Eleanor Staber, Giuseppe Valdengo, Jean Madeira, Max Rudolf, Richard Tucker, The Metropolitan Opera & Thelma Votipka | Madama Butterfly: Atto II: Ah! M'ha Scordata? | |
| | Jean Madeira, Nicolas Filacuridi & Orchestre De L'Association Des Concerts Pasdeloup | Carmen: Coupe-moi, brûle-moi | |
