| | English Chamber Orchestra, Gilbert Levine & Elisabeth Söderström | Simple Symphony, Op. 4: II. Movement 2 (Playful Pizzicato) | |
| | English Chamber Orchestra, Gilbert Levine & Elisabeth Söderström | Variations On a Theme of Frank Bridge, Op. 10: IX. Funeral March | |
| | Martti Talvela, Otto Klemperer, Marga Höffgen, Philharmonia Orchestra, Elisabeth Söderström & Waldemar Kmentt | Missa solemnis, Op. 123: Sanctus | |
| | Ernest Blanc, Fernando Corena, Carlo Maria Giulini, Teresa Berganza, Philharmonia Orchestra, Elisabeth Söderström & Elisabeth Schwarzkopf | Le nozze di Figaro, K. 492, Act 4 Scene 11: No. 28, Finale, "Pian pianin le andrò più presso" (Cherubino, Contessa) - "Ecco qui la mia Susanna!" (Conte, Susanna, Figaro, Cherubino, Contessa) | |
| | Sir Charles Mackerras, Peter Dvorský, Wiener Philharmoniker, Elisabeth Söderström, Eva Randová & Wieslaw Ochman | Jenufa: Tetko Koselnicko | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act III Scene 3: Leb wohl, du kuhnes, herrliches Kind! (Wotan) | |
| | Elisabeth Söderström, George Shirley, Pierre Boulez, Orchestra of the Royal Opera House, Covent Garden, The Royal Opera Chorus & Douglas Robinson | Pelléas et Mélisande, L. 88: Act III: Scene I, Une des tours du château "Mes longs cheveux descendent jusqu'au seuil de la tour" (Mélisande, Pelléas) | |
| | The Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Elisabeth Söderström, Francis Grier, Mark Blatchly, Robert Tear, Simon Halsey & Sir Simon Rattle | War Requiem, Op.66, IV. Sanctus: Benedictus qui venit in nomine Domini | |
| | Elisabeth Söderström, Arne Ohlson, Carl-Axel Hallgren, Lamberto Gardelli & Drottningholm Chamber Orchestra | Il Maestro di Musica, Act II: Mio caro signor Maestro | |
| | Wiener Staatsopernchor, Elisabeth Söderström & Peter Dvorský | Jenufa: Dusa Moya, Stevo, Stevusko | |
| | Elisabeth Söderström, Dame Margaret Price, Philharmonia Orchestra, Michael Langdon, Otto Klemperer, Dame Kiri Te Kanawa, Werner Hollweg, Reri Grist, Geraint Evans, Teresa Cahill, Annelies Burmeister, Willi Brokmeier, Teresa Berganza, Gabriel Bacquier & John Alldis Choir | Le nozze di Figaro K492, ATTO PRIMO: Terzetto: Cosa sento! Tosto andate (Conte/Basilio/Susanna) | |
| | Wiener Philharmoniker, Sir Charles Mackerras, Elisabeth Söderström, Nadezda Kniplova, Vladimir Krejcik & Libuse Marova | Káta Kabanová: Chces-li matky poslechnout | |
| | Elisabeth Söderström & Clas Pehrsson | God morgon min docka (Good morning, my doll) | |
| | Elisabeth Söderström & Vladimir Ashkenazy | 16 Songs for Children, Op.54: 4. Moy sadik | |
| | Elisabeth Söderström, Kerstin Meyer & Jan Eyron | Moravské dvojzpěvy (Moravian Duets), Op. 32, B. 62: Skromna [Die Bescheidene, the Modest Maid], Op. 32, No. 8 | |
| | Busk Margit Jonsson, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert, Kerstin Meyer, Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing & Arne Hendriksen | Carmen, Act II: Rassel, pingel … (Carmen, Mercedes, Frasquita) [Sung in Swedish] | |
| | Stig Westerberg, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Erik Saeden, Elisabeth Söderström & Lars Ekborg | Forkladd gud (The Disguised God), Op. 24: Narration: Ej for de starka i varlden… (Not for the strong in the world…) - Vem spelar pa en pipa en lat av gryningsluft… (Who plays upon a pipe a song of the morning air…) (Chorus) | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act I Scene 2: Mud am Herd fand ich den Mann (Sieglinde) | |
| | Elisabeth Söderström, Beno Blachut, Blanka Vitkova, Dalibor Jedlicka, Peter Dvorský, Wiener Philharmoniker & Sir Charles Mackerras | Vec Makropulos (The Makropulos Case), Act 3: Buenos dias, Maxi! | |
| | Vladimir Ashkenazy & Elisabeth Söderström | Night (Noch') | |
| | Fernando Corena, Carlo Maria Giulini, Philharmonia Orchestra & Elisabeth Söderström | Le nozze di Figaro, K. 492, Act 1 Scene 1: No. 1, Duettino, "Cinque ... dieci ... venti" (Figaro, Susanna) - Recitativo, "Cosa stai misurando" (Susanna, Figaro) | |
| | Ernest Blanc, Fernando Corena & Elisabeth Söderström | Le nozze di Figaro, K. 492, Act 3 Scene 2: Recitativo, "E perché fosti mecco" (Conte, Susanna) - "Ehi, Susanna, ove vai?" (Figaro, Susanna) | |
| | Carlo Maria Giulini, Elisabeth Schwarzkopf, Elisabeth Söderström, Ernest Blanc & Teresa Berganza | Le nozze di Figaro, K. 492, Act II: Recitativo. Quante buffonerie! | |
| | Carlo Maria Giulini, Philharmonia Orchestra & Elisabeth Söderström | Le nozze di Figaro, K. 492, Act 4 Scene 10: No. 27, Recitativo ed Aria, "Giunse alfin il momento" (Susanna) | |
| | Frederick Prausnitz, Frederick Prausnitz Orchestra & Elisabeth Söderström | Concerto per la notte di Natale dell'anno 1956: IV. Secondo inno. Impetuoso, violento | |
| | Vladimir Ashkenazy & Elisabeth Söderström | Music (Muzika), Op. 34, No. 8 | |
| | Gabriel Bacquier, Otto Klemperer, Philharmonia Orchestra & Elisabeth Söderström | Le nozze di Figaro, K. 492, Act 2: "Dunque voi non aprite" (Conte, Contessa) | |
| | Jean Madeira, Rudolf Kempe, Wiener Philharmoniker & Elisabeth Söderström | Palestrina, Act I: Ighino! Gut, dass ich dich seh'! (Live) | |
| | Elisabeth Söderström & Hakan Sund | Nar skonheten kom till byn (arr. H. Sund) [When Beauty arrived in the village] | |
| | Carlo Maria Giulini, Elisabeth Söderström & Philharmonia Orchestra | Le nozze di Figaro, K. 492, Act IV: Recitativo ed Aria. Giunse alfin il momento | |
| | Elisabeth Söderström, Cappella Coloniensis & Ferdinand Leitner | Orphée et Eurydice, Wq. 30, Act III: Che fiero momento | |
| | Ernest Blanc, Teresa Berganza, Elisabeth Söderström & Elisabeth Schwarzkopf | Le nozze di Figaro, K. 492, Act 2 Scene 3: Recitativo, "Quante buffonerie!" (Contessa, Susanna, Cherubino) - "Chi picchia alla mia porte" (Contessa, Conte, Cherubino) | |
| | Matla Temko, Elisabeth Söderström, Olle Sivall, Leon Björker, Ruinspelet Orchestra, Ruinspelet Choir & Friedrich Mehler | Petrus de Dacia (Reconstr. 1952) [Excerpts]: Min son, hur härligt gläds jag åt [Live] | |
| | Carlo Maria Giulini, Philharmonia Orchestra & Elisabeth Söderström | Le nozze di Figaro, K. 492, Act 2 Scene 3: No. 12, Aria, "Venite, inginocchiatevi" (Susanna) | |
| | Otto Klemperer, Elisabeth Söderström, Marga Hoeffgen, New Philharmonia Chorus, Wilhelm Pitz & Philharmonia Orchestra | Missa solemnis, Op.123 (2001 Remastered Version), Sanctus: Benedictus | |
| | Vladimir Ashkenazy & Elisabeth Söderström | I Shall Tell You Nothing (Ya tebe nichevo ne skazu) | |
| | Martti Talvela, New Philharmonia Chorus, Otto Klemperer, Marga Höffgen, Philharmonia Orchestra, Elisabeth Söderström & Waldemar Kmentt | Missa solemnis, Op. 123: Kyrie | |
| | Elisabeth Söderström, Sir Colin Davis & Swedish Radio Symphony Orchestra | Le nozze di Figaro (The Marriage of Figaro), K. 492, Act IV: Sa kom och droj [Sung in Swedish] | |
| | Sir Simon Rattle, Elisabeth Söderström, Mark Blatchly, Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, The Boys of Christ Church Cathedral, Oxford & CBSO & Chorus | War Requiem, Op. 66: Ia. Requiem aeternam: What passing-bells for these who die as cattle? | |
| | Sven-Erik Vikstrom, Royal Swedish Orchestra, Anna-Greta Soderholm, Joel Berglund, Set Svanholm, Hjordis Schymberg, Sixten Ehrling, Margareta Bergstrom, Kjerstin Dellert, Arne Wiren, Kerstin Meyer, Arne Tyren, Ingvar Wixell, Elisabeth Söderström, Royal Opera Chorus, Sigurd Bjorling, Conny Soderstrom, Eva Prytz, Carrie Nilsson & Margareta Bakker-Sunnegardh | Parsifal: Act II: Ich sah das Kind | |
| | Elisabeth Söderström, Dame Margaret Price, Philharmonia Orchestra, Michael Langdon, Otto Klemperer, Dame Kiri Te Kanawa, Werner Hollweg, Reri Grist, Geraint Evans, Teresa Cahill, Annelies Burmeister, Willi Brokmeier, Teresa Berganza, Gabriel Bacquier & John Alldis Choir | Le nozze di Figaro K492, ATTO TERZO: Recitativo: E perché fosti mecco (Conte/Susanna/Figaro) | |
| | Elisabeth Söderström, Beno Blachut, Vaclav Zitek, Wiener Philharmoniker & Sir Charles Mackerras | Vec Makropulos (The Makropulos Case), Act 2: Dovolte, dovolte, prosim | |
| | Arne Hendriksen, Busk Margit Jonsson, Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert & Kerstin Meyer | Carmen, Act III: Forsiktigt, forsiktigt (Smugglar) [Sung in Swedish] | |
| | Bernard Haitink, Elisabeth Söderström, Het Koninklijk Concertgebouworkest & Ortrun Wenkel | From Jewish Folk Poetry, Op. 79: II. Fussy Mummy and Auntie | |
| | Elisabeth Söderström, Kerstin Meyer & Jan Eyron | Sound the Trumpet, Z. 335 | |
| | Peter Dvorský, Elisabeth Söderström, Wiener Philharmoniker & Sir Charles Mackerras | Vec Makropulos (The Makropulos Case), Act 1: Konecne!. Dobre, Gregore! | |
| | Vladimir Ashkenazy & Elisabeth Söderström | The Raising of Lazarus (Voskresheniye Lazarya), Op. 34, No. 6 | |
| | English Chamber Orchestra, Gilbert Levine & Elisabeth Söderström | Variations On a Theme of Frank Bridge, Op. 10: IV. Romance | |
| | Elisabeth Söderström, Dame Margaret Price, Philharmonia Orchestra, Michael Langdon, Otto Klemperer, Dame Kiri Te Kanawa, Werner Hollweg, Reri Grist, Geraint Evans, Teresa Cahill, Annelies Burmeister, Willi Brokmeier, Teresa Berganza, Gabriel Bacquier & John Alldis Choir | Le nozze di Figaro K492, ATTO SECONDO, Finale:: Signori, di fuori son già i suonatori (Figaro/Conte/Susanna/Contessa) | |
| | Sir Charles Mackerras, Eva Randová, Wiener Philharmoniker, Elisabeth Söderström & Wieslaw Ochman | Jenufa: Vstante, Testounka Moja! | |
