| | Mary Bevan, Sophie Bevan & Malcolm Martineau | Six Duets, Op. 63: IV. Herbstlied: Ach wie so bald verhallet der Reigen, MVW. J 11 | |
| | Ludus Baroque, Mary Bevan & Richard Neville-Towle | The Triumph of Time & Truth, HWV 71: Happy, If Still They Reign In Pleasure | |
| | Mary Bevan, Joseph Middleton & Ruisi Quartet | Chanson perpétuelle, Op. 37 | |
| | Davina Clarke, Mary Bevan & The Davina Clarke Ensemble | 9 German Arias: Das zitternde Glänzen der spielenden Wellen, HWV 203 | |
| | Handel and Haydn Society, Mary Bevan, Catherine Wyn-Rogers, Jeremy Budd, Sumner Thompson & Harry Christophers | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IX. Benedictus | |
| | Mary Bevan & Jack Liebeck | Along the Field: No. 4, In the Morning | |
| | Mary Bevan & Joseph Middleton | Complainte de la Seine | |
| | Mary Bevan, Sophie Bevan, Jess Dandy, Choir of Clare College, Cambridge, Britten Sinfonia & William Vann | Pan's Anniversary: Pan Is Our All | |
| | Mary Bevan, Joseph Middleton & Ruisi Quartet | Sérénades (Version for Voice & Piano Quintet): III. Sérénade d’Automne | |
| | Mary Bevan, Fleur Barron, Nicky Spence, William Thomas, Dylan Perez & Joseph Middleton | Neue Liebeslieder-Walzer, Op. 65: II. Finstere Schatten der Nacht | |
| | Mary Bevan & William Vann | Folk Songs from the Eastern Counties: No. 3, A Bold Young Farmer | |
| | Mary Bevan, The Brook Street Band & John Andrews | The Dragon of Wantley, Act I: O Father! | |
| | Mary Bevan, Nicky Spence & William Vann | The Poisoned Kiss: Blue Larkspur in a Garden (Arr. A. Williams for Voice & Piano) | |
| | Mary Bevan & Jack Liebeck | 4 Songs for Violin & Voice, Op. 35, H. 132: No. 2, My Soul Has Nought but Fire and Ice | |
| | Ludus Baroque, Mary Bevan & Richard Neville-Towle | Song for St. Cecilia's Day, HWV 76: Orpheus could lead the savage race (Soprano air) | |
| | Mary Bevan, Joseph Middleton & Ruisi Quartet | Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): II. Mandoline | |
| | Mary Bevan, Nicky Spence & William Vann | 9 English Folk Songs from the Southern Appalachian Mountains (Ed. C. Sharp): No. 5, John Randolph | |
| | Mary Bevan & Sholto Kynoch | Der Schwalben Heimkehr | |
| | Paula Murrihy, Lucy Crowe, Mary Bevan, William Dazeley, The English Concert & Harry Bicket | Serse, HWV 40, Act III: Recitativo. Sono vani (Arsamene, Romilda, Atalanta, Elviro) | |
| | Christian Curnyn, Hilary Summers, Mary Bevan & Early Opera Company | Amadigi di Gaula, HWV 11, Act 2 Scene 6: Recitativo "Arresta, oh Prence!" | |
| | Mary Bevan, Joseph Middleton & Ruisi Quartet | Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): III. Le son du cor s’afflige | |
| | Mary Bevan & Dylan Perez | Hermit Songs, Op. 29: III. St. Ita's Vision | |
| | Mary Bevan, Jennifer Johnston & William Vann | Dirge for Fidele | |
| | Mary Bevan & Joseph Middleton | Arianna a Naxos: I. Largo e sostenuto | |
| | Mary Bevan, Catherine Wyn-Rogers, Handel and Haydn Society, Harry Christophers, Jeremy Budd & Sumner Thompson | Missa in angustiis, Hob. XXII:11 "Nelson Mass": Benedictus | |
| | Mary Bevan, Thomas Hancox, Gordon Hunt, Mark van de Wiel, Meyrick Alexander & Ben Goldscheider | The Lady of the Lambs Op.79 | |
| | Mary Bevan, London Early Opera & Bridget Cunningham | Dalisa: Se fosse il mio diletto | |
| | Mary Bevan, Thomas Gould & William Vann | The Unquiet Grave "How Cold the Wind Doth Blow (Arr. for Voice, Violin & Piano) | |
| | Ludus Baroque, Mary Bevan & Richard Neville-Towle | Song for St. Cecilia's Day, HWV 76: What passion cannot music raise and quell? (Soprano air) | |
| | Myrthen Ensemble, Mary Bevan & Joseph Middleton | Sun, Moon and Stars | |
| | Mary Bevan, Joseph Middleton & Ruisi Quartet | Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): I. La mer est plus belle | |
| | Mary Bevan, London Early Opera & Bridget Cunningham | Agrippina, HWV 6: Bel Piacere | |
| | Mary Bevan & Joseph Middleton | Ganymed, D.544 | |
| | Ludus Baroque, Mary Bevan & Richard Neville-Towle | Song for St. Cecilia's Day, HWV 76: But oh! what art can teach? (Soprano air) | |
| | Mary Bevan & Joseph Middleton | Mörike Lieder: No. 46: Gesang Weylas | |
| | Mary Bevan, The English Concert & Harry Bicket | Serse, HWV 40, Act I: Recitativo. Per rapir quel tesoro (Atalanta) | |
| | London Early Opera, Bridget Cunningham & Mary Bevan | The Power of Music and Beauty | |
| | Mary Bevan & Malcolm Martineau | Seltsam, Mutter, MVW. K 21 | |
| | Mary Bevan & Joseph Middleton | Mörike Lieder: No. 25 Schlafendes Jesuskind | |
| | Mary Bevan & William Vann | 4 Songs, Op. 4, H. 14: No. 2, Margrete's Cradle-Song | |
| | Mary Bevan, Nicky Spence & Joseph Middleton | I’ll See You Again / Dance Little Lady / Poor Little Rich Girl / A Room With A View / Someday I’ll Find You / I’ll Follow My Secret Heart / If Love Were All / Play Orchestra Play | |
| | Mary Bevan, The English Concert & Harry Bicket | Serse, HWV 40, Act II: Aria. Dirà che non m’amò (Atalanta) | |
| | Mary Bevan & Dylan Perez | Hermit Songs, Op. 29: I. At Saint Patrick's Purgatory | |
| | Mary Bevan & Joseph Middleton | Mörike Lieder: No. 28. Gebet | |
| | Mary Bevan, Catherine Carby, John Savournin, The Brook Street Band & John Andrews | The Dragon of Wantley, Act I: O Save Us All! Moore of Moore Hall! | |
| | Mary Bevan & Graham J. Lloyd | Songs for Baritone or Mezzo Soprano and Piano, Op. 41: VI. Chamber Music No. 3 | |
| | Mary Bevan & Malcolm Martineau | Weihnachtslied, MVW. K 74 | |
| | Mary Bevan, Nicky Spence & Joseph Middleton | Véronique: De-ci, de là | |
| | Mary Bevan, Dunedin Consort & John Butt | Samson, HWV 57, Act 3 Scene 3: VI. Let the Bright Seraphim (Air) | |
| | Mary Bevan & Sholto Kynoch | Uber Nacht | |
