| | Luciano Pavarotti, Herbert von Karajan, Berliner Philharmoniker, Mirella Freni, Elizabeth Harwood & Rolando Panerai | La bohème, Act III: Dunque: è proprio finita!...Addio, dolce svegliare | |
| | Elizabeth Harwood, Herbert von Karajan, Schonberger Sangerknaben, Chor der Deutschen Oper Berlin, Michel Sénéchal, Mirella Freni, Berliner Philharmoniker, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai & Gianni Maffeo | La bohème, Act II: Quando m'en vo' (Musetta's Waltz) | |
| | Gianni Maffeo, Herbert von Karajan, Berliner Philharmoniker, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood & Rolando Panerai | La bohème, Act IV: Oh Dio! Mimì! | |
| | Elizabeth Harwood, Herbert von Karajan, Berliner Philharmoniker, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov & Gianni Maffeo | La bohème, Act IV: C'è Mimì... | |
| | Hans-Dietrich Pohl, Herbert von Karajan, Berliner Philharmoniker, Elizabeth Harwood & Mirella Freni | La bohème, Act III: Ohè, là, le guardie! - Aprite! | |
| | Nicolai Ghiaurov, Herbert von Karajan, Schonberger Sangerknaben, Gianni Maffeo, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Luciano Pavarotti, Rolando Panerai & Elizabeth Harwood | La bohème, Act II: Chi l'ha richiesto | |
| | Luciano Pavarotti, Herbert von Karajan, Schonberger Sangerknaben, Gianni Maffeo, Chor der Deutschen Oper Berlin, Nicolai Ghiaurov, Berliner Philharmoniker, Rolando Panerai, Michel Sénéchal & Elizabeth Harwood | La bohème, Act II: Oh!...Essa!...Musetta! | |
| | Elizabeth Harwood, Philip Potter, David Palmer, Jeffrey Skitch, Royal Philharmonic Orchestra & Sir Malcolm Sargent | Princess Ida or Castle Adamant: 12. "The world is but a broken toy" | |
| | Elizabeth Harwood, Dame Janet Baker, Raimund Herincx, The Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras & John McCarthy | Messiah, HWV 56 (1989 Remastered Version), Part 1: And the angel said unto them | |
| | Sir Charles Mackerras, Dame Janet Baker, English Chamber Orchestra, Elizabeth Harwood, Robert Tear, The Ambrosian Singers & Raimund Herincx | Messiah, HWV 56, Pt. 3: "I know that my Redeemer liveth" (soprano) [Highlights] [ed. Basil Lam] [1997 Digital Remaster] | |
| | Elizabeth Harwood, René Kollo, Berliner Philharmoniker & Herbert von Karajan | Die lustige Witwe, Act III: "Lippen schweigen" | |
| | Elizabeth Harwood, Dame Janet Baker, Raimund Herincx, The Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras & John McCarthy | Messiah, HWV 56 (1989 Remastered Version), Part 2: Thy rebuke hath broken his heart (tenor accompagnato: Largo) | |
| | Elizabeth Harwood, Wendy Eathorne, Margaret Cable, Wynford Evans, Christopher Keyte, John Scott, Choir of St John’s College, Cambridge, The Wren Orchestra & George Guest | St. Cecilia Mass: Et incarnatus | |
| | George Baker, Richard Lewis, Pro Arte Orchestra, Elsie Morison, Sir Malcolm Sargent, Elizabeth Harwood, Glyndebourne Festival Chorus & Peter Gellhorn | Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act II: There grew a little flower (Hannah, Roderic) | |
| | Dietrich Fischer-Dieskau, Felicity Palmer, Meriel Dickinson, Pauline Stevens, Elizabeth Harwood, Alfreda Hodgson, English Chamber Orchestra & Benjamin Britten | Sz. enen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Dritte Abteilung (Part Three): Dir, der Unberührbaren | |
| | Meredith Davies, Elizabeth Harwood, Royal Philharmonic Orchestra & Robert Tear | A Village Romeo and Juliet - Scene IV. Interior of Marti's house: Ah, the darkness has come | |
| | Elizabeth Harwood, Dame Janet Baker, Raimund Herincx, The Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras, John McCarthy, Paul Esswood & Robert Tear | Messiah, HWV 56 (1989 Remastered Version), Part 1: Rejoice greatly, O daughter of Zion (soprano air: Allegro) | |
| | Sir Charles Mackerras, Donald McIntyre, Elizabeth Harwood, Ava June, Raimund Herincx & Sadler's Wells Orchestra and Chorus | The Marriage of Figaro, K.492: Act 1: If You Are After a Little Amusement | |
| | Franklyn Whiteley, Sarah Walker, Stephen Varcoe, Robert Tear, Paul Taylor, Neville Taweel, Pauline Stevens, John Shirley-Quirk, Royal Philharmonic Orchestra, Doreen Price, Ian Partridge, Felicity Palmer, John Noble, Corin Manley, Noel Mangin, Benjamin Luxon, Martyn Hill, Elizabeth Harwood, Bryn Evans, Wendy Eathorne, Meredith Davies, John Huw Davies, Mavis Beattie, Robert Bateman, Elaine Barry, John Alldis Choir & John Alldis | A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: The twilight closes round the garden (Sali, Vrenchen, The Dark Fiddler) | |
| | George Baker, Glyndebourne Chorus, Richard Lewis, Pro Arte Orchestra, Elsie Morison, Sir Malcolm Sargent, Elizabeth Harwood, Glyndebourne Festival Chorus & Peter Gellhorn | Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: Hail the bride of seventeen summers (Chorus) | |
| | Geraint Evans, Heather Harper, Catherine Wilson, Monica Sinclair, Richard Lewis, Gywn Griffiths, Emily Maire, Elizabeth Harwood, Theresia Bester, Royal Philharmonic Orchestra & Sir Colin Davis | Die Zauberflöte, K. 620, Act I: Hm! Hm! Hm! Hm! (Live) | |
| | James King, Elizabeth Harwood, Wiener Symphoniker & Bernhard Klee | Christus am Ölberge, Op. 85: 3. "Verkündet, Seraph, mir dein Mund Erbarmen" | |
| | Elizabeth Harwood, Dame Janet Baker, Raimund Herincx, The Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras & John McCarthy | Messiah, HWV 56 (1989 Remastered Version), Part 3: Worthy is the lamb (chorus: Largo - Andante - Laghetto) | |
| | Elizabeth Harwood, Dame Janet Baker, Raimund Herincx, The Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras & John McCarthy | Messiah, HWV 56 (1989 Remastered Version), Part 2: How beautiful are the feet (soprano air: Larghetto) | |
| | Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker & Herbert von Karajan | La bohème, Act IV: Oh Dio! Mimi! – Che ha detto il medico? | |
| | Meredith Davies, Elizabeth Harwood, John Noble, Ian Partridge, Royal Philharmonic Orchestra, John Shirley-Quirk, Robert Tear & Robert Bateman | A Village Romeo and Juliet - Scene VI. The Paradise Garden: Come with us...live in freedom! | |
| | Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker & Herbert von Karajan | La Bohème: "Quando m'en vo'" (Musetta's Waltz) | |
| | George Baker, Richard Lewis, Elsie Morison, Elizabeth Harwood, Glyndebourne Festival Chorus, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra & Sir Malcolm Sargent | Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: Hold, bride and bridegroom (Sir Despard, Rose, Robin, Zorah, Richard, Margaret, Chorus) | |
| | Elizabeth Harwood, Benjamin Britten & English Chamber Orchestra | Szenen aus Goethes 'Faust' für Solostimmen, Chor und Orchester - Erste Abteilung (Part One): Ach neige, du Schmerzenreiche | |
| | John Shaw, Alexander Young, George Baker, Pro Arte Orchestra, John Cameron, Sir Malcolm Sargent, Elizabeth Harwood, Elsie Morison, Glyndebourne Festival Chorus, Peter Gellhorn & Heather Harper | Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: So go to him and say to him (Jane, Bunthorne) | |
| | Ian Humphries, Hamburg Radio Symphony Orchestra, Elizabeth Harwood, Barbara Elsy, Alexander Faris & Edward Darling | The Mikado, Act 2: No. 3, Madrigal, "Brightly Dawns Our Wedding Day" | |
| | John Shaw, George Baker, Alexander Young, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, Marjorie Thomas, Monica Sinclair, Elizabeth Harwood, Elsie Morison, Glyndebourne Festival Chorus, Peter Gellhorn & Heather Harper | Patience (or, Bunthorne's Bride) [1987 Remastered Version], Act II: When I go out of door (Bunthorne, Grosvenor) | |
| | Gianni Maffeo, Herbert von Karajan, Berliner Philharmoniker, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood & Rolando Panerai | La Bohème: "Oh Dio! Mimì!" | |
| | Elizabeth Harwood, René Kollo, Zoltan Kelemen, Karl Renar & Herbert von Karajan | The Merry Widow (Die lustige Witwe): Dialog: "Gospodina, dieses vaterländische Fest" | |
| | John Shaw, Alexander Young, Glyndebourne Chorus, George Baker, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Elsie Morison, Glyndebourne Festival Chorus, Peter Gellhorn & Heather Harper | Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: The soldiers of our Queen (Dragoons, Colonel Calverley) | |
| | English Chamber Orchestra, Sir Charles Mackerras, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx & The Ambrosian Singers | Messiah, HWV 56, Pt. I Scene 3: No. 12, For Unto Us a Child is Born (Chorus: Andante allegro) | |
| | John Shaw, Alexander Young, George Baker, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Elsie Morison, Glyndebourne Festival Chorus, Peter Gellhorn & Heather Harper | Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: It's clear that medieval art alone retains its zest (Duke, Major, Colonel) | |
| | Elizabeth Harwood, Valerie Masterson, Valérie Masterson, Philip Potter, Kenneth Sandford, Jeffrey Skitch, David Palmer, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra & Sir Malcolm Sargent | Princess Ida: XVIII. Oh, Joy! Our Chief Is Sav'd | |
| | Elizabeth Harwood, Herbert von Karajan, Berliner Philharmoniker, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Michel Sénéchal & Rolando Panerai | La Bohème: "Quando m'en vo'" (Musetta's Waltz) | |
| | Sir Charles Mackerras, Donald McIntyre, Elizabeth Harwood, Ava June, Raimund Herincx & Sadler's Wells Orchestra and Chorus | The Marriage of Figaro, K.492: Act 4: Now Susanna, be kind and forgive Me | |
| | Elizabeth Harwood, Werner Krenn, Donald Grobe, Berliner Philharmoniker, Herbert von Karajan & Chor der Deutschen Oper Berlin | The Merry Widow (Die lustige Witwe): Entrée-Lied: "Bitte, meine Herrn...Welche Galanterien" | |
| | George Baker, Richard Lewis, Glyndebourne Chorus, Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Glyndebourne Festival Chorus & Peter Gellhorn | Ruddigore (or, The Witch's Curse) (1987 Remastered Version), Act I: Sir Rupert Murgatroyd (Hannah, Chorus) | |
| | Patrick Halsted, Christopher Keyte, Elizabeth Harwood, Pro Musica Symphony Orchestra, Alexander Faris & Linden Singers | The Pirates of Penzance (Excerpts): Hold! Monsters! | |
| | Elizabeth Harwood, London Symphony Orchestra & Benjamin Britten | A Midsummer Night's Dream, Act 2: "Be Kind and Courteous to this gentleman" | |
| | Elizabeth Harwood, Hamburg Radio Symphony Orchestra, The Linden Singers of London & Alex Faris | The Mikado: Three Little Girls From School | |
| | The Ambrosian Singers, Sir Charles Mackerras, Dame Janet Baker, English Chamber Orchestra, Elizabeth Harwood, Robert Tear & Raimund Herincx | Messiah, HWV 56, Pt. 2: "Hallelujah!" (Chorus) | |
| | Elizabeth Harwood, Dame Janet Baker, Raimund Herincx, The Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras & John McCarthy | Messiah, HWV 56 (1989 Remastered Version), Part 1: There were shepherds abiding in the field (soprano recitative) | |
| | Philomusica of London, Sir David Willcocks, Elizabeth Harwood & Saint Anthony Singers | L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: No. 9, Accompagnato and Chorus. "There Held in Holy Passion Still" | |
| | John Shaw, Alexander Young, Pro Arte Orchestra, George Baker, Sir Malcolm Sargent, John Cameron, Elizabeth Harwood, Elsie Morison, Glyndebourne Festival Chorus, Peter Gellhorn & Heather Harper | Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act I: When I first put this uniform on (Colonel Calverley) | |
| | Valérie Masterson, Valerie Masterson, Elizabeth Harwood, Ann Hood, Christene Palmer, Kenneth Sandford, George Cook, Donald Adams, Anthony Raffell, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra & Sir Malcolm Sargent | Princess Ida or Castle Adamant: 19. "We may remark, tho' nothing can dismay us" | |
