| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Radamisto (1720): Aria Ombra cara di mia sposa (II, 2) | |
| | Bejun Mehta, Freiburger Barockorchester, René Jacobs & Rosemary Joshua | Sosarme (1732): Duetto Per le porte del tormento (II, 8) | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Amadigi di Gaula (1715): Aria Sento la gioia (III, 6) | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & René Jacobs | Agrippina: Act II, Sc. V, Recit. Ottone "Otton, qual portentoso" Aria Ottone "Voi che udite il mio lamento" | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Agrippina (1709): Aria Voi, che udite il mio lamento (II, 5) | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Rodelinda (1725): Fra tempeste funeste (II, 4) | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Tolomeo, re d'Egitto (1728): Aria Stille amare (III, 6) | |
| | Bejun Mehta, Freiburger Barockorchester, René Jacobs & Rosemary Joshua | Rodelinda (1725): Con rauco mormorio (II, 5) | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & René Jacobs | Agrippina: Act II, Sc. VI: Cavatina Ottone "Vaghe fonti" | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Orlando (1733): Accompagnato Ah! Stigie larve / Arioso Già latra Cerbero / Accompagnato Ma la furia / Aria Vaghe pupille (II, 11) | |
| | Alexandrina Pendatchanska, René Jacobs, Sunhae Im, Marcos Fink, Bejun Mehta & Akademie für Alte Musik Berlin | Agrippina: Act III, Sc. XIV: Aria Agrippina "Se vuoi pace, oh volto amato" | |
| | Sunhae Im, René Jacobs, Akademie für Alte Musik Berlin & Bejun Mehta | Agrippina: Act III, Sc. I-V: Recitativo Poppea "Amico ciel, seconda il mio disegno" | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & René Jacobs | Agrippina: Act II, Sc. II: Aria Ottone "Coronato il crin d'alloro" | |
| | Bejun Mehta, Rosemary Joshua & René Jacobs | Sosarme, HWV 30, Act II: Duetto, "Per le porte del tormento" | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Orlando (1733): Recitativo T'ubbidirò, crudele / Aria Fammi combattere (I, 9) | |
| | Julius Drake & Bejun Mehta | O mistress mine | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & Bernhard Forck | The Choice of Hercules, HWV 69: No. 10, Yet, Can I Hear That Dulcet Lay | |
| | London Philharmonic Orchestra, Bejun Mehta, Iride Martinez, Jack Morlen, Timothy Robinson, Jared Holt, Tove Dahlberg, Kate Royal, Iain Paterson, Louise Poole, Henry Waddington, Geoffrey Moses, Simon Kirkbride, Michael Smallwood, Alasdair Elliott, Matthew Rose, Trinity Boys Choir, Ilan Volkov, Robert St John Wright & David Swinson | A Midsummer Night's Dream, Op. 64, Act 2: "On the ground, sleep sound" | |
| | Magdalena Kožená, Pascal Bertin, Bejun Mehta, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17 / Atto primo: Recitativo "Regni Cleopatra" | |
| | Charlotte Hellekant, Marc Minkowski, Les Musiciens du Louvre, Magdalena Kožená, Marijana Mijanovic, Anne Sofie von Otter, Pascal Bertin, Bejun Mehta, Alan Ewing & Jean-Michel Ankaoua | Giulio Cesare in Egitto HWV 17 / Atto terzo: No. 40 Coro e Duetto "Ritorni omai nel nostro core" | |
| | Bejun Mehta & Akademie für Alte Musik Berlin | Artaserse, HelN 78: Aria "Vo solcando un mar crudele" | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Riccardo primo, re d'Inghilterra (1727): Aria Agitato da fiere tempeste (I, 6) | |
| | Bejun Mehta, Het Koninklijk Concertgebouworkest, Netherlands Chamber Choir & George Benjamin | Dream of the Song: VI. My Heart Thinks as the Sun Comes Up | |
| | Marijana Mijanovic, Marc Minkowski, Les Musiciens du Louvre, Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Alan Ewing & Jean-Michel Ankaoua | Giulio Cesare in Egitto HWV 17 / Atto secondo: No. 25 Aria e Coro "Al lampo dell'armi" | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & Bernhard Forck | Ach, das ich Wassers g'nug hätte | |
| | Bejun Mehta, Roberta Invernizzi, Innsbrucker Festwochenorchester & Alessandro De Marchi | Silla, GraunWV B:I:27, Act II Scene 10: Signor, non t'irritar | |
| | Bejun Mehta, B'Rock Orchestra & René Jacobs | Orlando, HWV 31, Act III: 35. Arioso "Già l'ebbro mio ciglio" | |
| | Bejun Mehta & Akademie für Alte Musik Berlin | Mitridate, K. 87: Aria "Già dagli occhi il velo è tolto" | |
| | London Philharmonic Orchestra, Bejun Mehta, Iride Martinez, Jack Morlen, Timothy Robinson, Jared Holt, Tove Dahlberg, Kate Royal, Iain Paterson, Louise Poole, Henry Waddington, Geoffrey Moses, Simon Kirkbride, Michael Smallwood, Alasdair Elliott, Matthew Rose, Trinity Boys Choir, Ilan Volkov, Robert St John Wright & David Swinson | A Midsummer Night's Dream, Op. 64, Act 3: "Gentles, perchance you wonder at this show" | |
| | Christopher Purves, Barbara Hannigan, Bejun Mehta, Rebecca Jo Loeb, Allan Clayton, Mahler Chamber Orchestra & George Benjamin | Written on Skin, Part Two, Scene VIII: The Protector and Agnès | |
| | Charlotte Hellekant, Magdalena Kožená, Bejun Mehta, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17: Recitativo "T'arresta, Oh Genitrice" | |
| | Charlotte Hellekant, Bejun Mehta, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17: No. 28 Arioso "Belle Dee Die Questo Core" | |
| | London Philharmonic Orchestra, Bejun Mehta, Iride Martinez, Jack Morlen, Timothy Robinson, Jared Holt, Tove Dahlberg, Kate Royal, Iain Paterson, Louise Poole, Henry Waddington, Geoffrey Moses, Simon Kirkbride, Michael Smallwood, Alasdair Elliott, Matthew Rose, Trinity Boys Choir, Ilan Volkov, Robert St John Wright & David Swinson | A Midsummer Night's Dream, Op. 64, Act 3: "Helena! Hermia! Demetrius!" | |
| | Bejun Mehta, Rosemary Joshua & René Jacobs | Sosarme, HWV 30, Act II: "Per le porte del tormento" | |
| | Sunhae Im, Bejun Mehta, B'Rock Orchestra & René Jacobs | Orlando, HWV 31, Act II: 17. Cavatina "Quando spieghi" / Rec. "Perchè, gentil Dorinda" | |
| | Bejun Mehta, B'Rock Orchestra & René Jacobs | Orlando, HWV 31, Act II: Rec. "È questa la mercede" / 19. Aria "Cielo! se tu il consenti" | |
| | London Philharmonic Orchestra, Bejun Mehta, Iride Martinez, Jack Morlen, Timothy Robinson, Jared Holt, Tove Dahlberg, Kate Royal, Iain Paterson, Louise Poole, Henry Waddington, Geoffrey Moses, Simon Kirkbride, Michael Smallwood, Trinity Boys Choir, Benjamin Britten, Ilan Volkov, Robert St John Wright & David Swinson | A Midsummer Night's Dream, Op. 64, Act 3: "This lanthorn doth the hornéd Moon present" | |
| | London Philharmonic Orchestra, Bejun Mehta, Iride Martinez, Jack Morlen, Timothy Robinson, Jared Holt, Tove Dahlberg, Kate Royal, Iain Paterson, Louise Poole, Henry Waddington, Geoffrey Moses, Simon Kirkbride, Michael Smallwood, Alasdair Elliott, Matthew Rose, Trinity Boys Choir, Ilan Volkov, Robert St John Wright & David Swinson | A Midsummer Night's Dream, Op. 64, Act 1: "Through the forest I have gone" | |
| | Julius Drake & Bejun Mehta | Songs of Travel: VIII. Bright is the ring of words | |
| | Bejun Mehta & Akademie für Alte Musik Berlin | Antigona: Aria "Ah, se lo vedi piangere" | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & Bernhard Forck | The Choice of Hercules, HWV 69: I. Oh cease, enchanting Siren! | |
| | George Benjamin, Bejun Mehta, Mariss Jansons & Het Koninklijk Concertgebouworkest | Dream of the Song: I. The Pen (Live) | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & Bernhard Forck | Ich habe genug, BWV 82: IV. Mein Gott, wann kömmt das schöne | |
| | Charlotte Hellekant, Anne Sofie von Otter, Bejun Mehta, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17: Recitativo ". Di Quel Ch'avete" | |
| | Los Angeles Chamber Orchestra & Bejun Mehta | Solomon, HWV 67, Part I Scene 2: Air: With Thee Th'unshelter'd Moor I Tread | |
| | Julius Drake & Bejun Mehta | Since we loved | |
| | Bejun Mehta, Akademie für Alte Musik Berlin & Bernhard Forck | I Will Magnify Thee, HWV 250b: I. I Will Magnify Thee | |
| | Christopher Purves, Barbara Hannigan, Bejun Mehta, Rebecca Jo Loeb, Allan Clayton, Mahler Chamber Orchestra & George Benjamin | Written on Skin, Part One, Scene VI: Agnès and the Boy II | |
| | Julius Drake & Bejun Mehta | The Widow Bird | |
| | Carol Rosenberger, David Shifrin & Bejun Mehta | 49 Deutsche Volkslieder, WoO 33: No. 25. Mein Madel Hat Einen Rosenmund | |
