| | Agnès Jaoui & Liat Cohen | Manha de carnaval - Orfeu Negro | |
| | Agnès Jaoui, Hélène Noguerra, Liat Cohen & Natalie Dessay | Les eaux de Mars | |
| | Agnès Jaoui, Hélène Noguerra, Liat Cohen & Natalie Dessay | Les eaux de mars | |
| | Agnès Jaoui, Hélène Noguerra, Liat Cohen & Natalie Dessay | Bidonville - Consolaçao | |
| | Liat Cohen & Natalie Dessay | Bebê | |
| | Liat Cohen & Natalie Dessay | Bachianas Brasileiras No. 5: Aria (Cantilena) | |
| | Liat Cohen | Prelude No. 2 in E Major | |
| | Liat Cohen & Natalie Dessay | Bachianas Brasileiras No. 5 | |
| | Agnès Jaoui, Helena Noguerra & Liat Cohen | Catende | |
| | Liat Cohen & Charles Castronovo | 3 canciones españolas: I. Adela | |
| | Liat Cohen | Choro lento - retrato brasileiro | |
| | Liat Cohen & Charles Castronovo | 12 Tonadillas en estilo antiguo (Transc. Bakish for Guitar & Voice): No. 10, El mirar de la maja | |
| | Liat Cohen | Suite in C Minor, BWV 997: V. Double (Arr. for Guitar) | |
| | Liat Cohen & Charles Castronovo | 7 Canciones populares españolas: II. Seguidilla murciana (Transc. Llobet for Guitar & Voice) | |
| | The Duo Parvarim & Liat Cohen | Sephardic Love Songs: Abre Tu Puerta Cerrada | |
| | Liat Cohen & Natalie Dessay | Modinha | |
| | Liat Cohen, Sandrine Piau, Charles Castronovo & Rolando Villazón | Seguidillas, Book 2: No. 2, "Cuando de ti me aparto" | |
| | Liat Cohen | Prelude in C Minor, BWV 999 (Arr. for Guitar) | |
| | Natalie Dessay & Liat Cohen | Les mères, Op. 45 | |
| | Liat Cohen | Choro Lento (Retrato Brasileiro) | |
| | Gil Waysbort, Liat Cohen, Sandrine Piau & Charles Castronovo | En Aranjuez con mi amor (Transc. Ben-Moshe for 2 Guitars & Voices) | |
| | Liat Cohen | Sonnets de l'amour noir: Flammes de la passion | |
| | Liat Cohen | Manha de carnaval - Orfeu Negro (feat. Agnès Jaoui) | |
| | Liat Cohen | 12 Etudes, W 235: No. 8, Modéré - Lent | |
| | Liat Cohen | Violin Sonata No. 1 in G Minor, BWV 1001: II. Fuga (Arr. for Guitar) | |
| | Liat Cohen & Charles Castronovo | 7 Canciones populares españolas: VI. Canción (Transc. Llobet for Guitar & Voice) | |
| | Liat Cohen | Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto (Arr. for Guitar) | |
| | Hélène Noguerra & Liat Cohen | Chega de saudade | |
| | Liat Cohen & Charles Castronovo | 7 Canciones populares españolas: IV. Jota (Transc. Llobet for Guitar & Voice) | |
| | Agnès Jaoui, Hélène Noguerra & Liat Cohen | A Felicidade | |
| | Liat Cohen & Ricardo Moyano | Sephardic Suite For Two Guitars: Nostálgica | |
| | Liat Cohen | Suite in C Minor, BWV 997: II. Fuga (Arr. for Guitar) | |
| | Liat Cohen & Charles Castronovo | 7 Canciones populares españolas: VII. Polo (Transc. Llobet for Guitar & Voice) | |
| | Liat Cohen & Charles Castronovo | 7 Canciones populares españolas: V. Nana (Transc. Llobet for Guitar & Voice) | |
| | Liat Cohen | Suite No. 4, BWV 1069 : Bourrée | |
| | Liat Cohen | Nocturne No. 2, Op. 9 | |
| | Liat Cohen & Charles Castronovo | Clair de lune, Op. 46 No 2 (Transc. Ben-Moshe for Guitar & Voice) | |
| | Liat Cohen | 3 piezas Españolas: III. Zapateado | |
| | Liat Cohen & Natalie Dessay | L'oiseau blessé d'une flèche, Op. 10 | |
| | Liat Cohen | Suite española No. 1, Op. 47: V. Asturias (Leyenda) [Transc. Cohen for Guitar] | |
| | Liat Cohen | Les Eaux De Mars | |
| | Liat Cohen & Natalie Dessay | Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) | |
| | Liat Cohen, Charles Castronovo & Rolando Villazón | La Dolores: La jota de la Dolores / Emigrantes: Granadinas (Transc. Kadishson for Guitar & Voices) | |
| | Liat Cohen | Choix de mes fleurs chéries : La rose | |
| | Liat Cohen | Kol Nidrei pour guitare solo | |
| | Liat Cohen | Introductions et variations | |
| | Liat Cohen | Suite No. 4, BWV 1069 : Loure | |
| | Agnès Jaoui, Hélène Noguerra & Liat Cohen | Samba em preludio | |
| | Liat Cohen & Ricardo Moyano | Sephardic Suite For Two Guitars: Amorosa | |
| | Liat Cohen & Charles Castronovo | 12 Tonadillas en estilo antiguo (Transc. Bakish for Guitar & Voice): No. 8, El majo tímido | |
