| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Overture | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Aria | |
| | Constantine Orbelian, Ewa Podleś & Moscow Chamber Orchestra | Rinaldo, HWV 7, Act I: Cara Sposa, Amante Cara, Dove Sei? | |
| | Ewa Podleś, Hungarian State Opera Chorus, Hungarian State Opera Orchestra & Pier Giorgio Morandi | La Cenerentola: Nacqui all'affanno | |
| | Ewa Podleś, Constantine Orbelian & Russian Philharmonia | The Maid of Orleans, Act II: Aria: Da, Chas Nastal! Dolzhna Provinovatsa Nebesnomu Velen'yu Ioanna | |
| | Ewa Podleś, Hungarian State Opera Chorus, Hungarian State Opera Orchestra & Pier Giorgio Morandi | Tancredi, Act I: "Oh patria… Di tanti palpiti" (Tancredi) | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Cavatina | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Aria | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Scena | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act I, Recitativo e Duetto | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act I, Recitativo e Cavatina | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act I, Introduzione | |
| | Ewa Podleś, Constantine Orbelian & Russia Philharmonia | Prince Igor (Knyaz Igor), Act II: Merknet Svet Dnevnoy | |
| | Ewa Podleś, Hungarian State Opera Chorus, Hungarian State Opera Orchestra & Pier Giorgio Morandi | Il barbiere di Siviglia, Act I: "Una voce poco fa" (Rosina) | |
| | Ewa Podleś, Hungarian State Opera Chorus, Hungarian State Opera Orchestra & Pier Giorgio Morandi | L'Italiana in Algeri, Act II: Amici, in ogni evento m'affido a voi…Pensa alla patria (Isabella)L'Italiana in Algeri, Act II: "Amici, in ogni evento m'affido a voi…Pensa alla patria" (Isabella) | |
| | Ewa Podleś, Filharmonia Poznańska & Łukasz Borowicz | Lucrezia Borgia: Il segreto per esser felici (Live) | |
| | Ewa Podleś & Garrick Ohlsson | Melodya, Op. 74 No. 9 | |
| | Ewa Podleś & Garrick Ohlsson | Tchaikovsky: Nyet, Tol'ko Tot Kto Znal (No. Only One Who Knows Longing) Op. 6 No. 6 | |
| | Ewa Podleś, Marc Minkowski, Choeur des Musiciens du Louvre-Grenoble, Mireille Delunsch & Les Musiciens du Louvre | Armide: 39. "Sors, sors du sein d'Armide" | |
| | Choeurs de l'Opéra National de Lyon, Ewa Podleś, Jean-Paul Fouchécourt, Laurent Naouri, Patricia Petibon, Choeur de L'Opéra National de Lyon, Jennifer Smith, Lydie Pruvot, Orchestre de l'Opéra National de Lyon, Steven Cole, Etienne Lescroart, Orchestre De Chambre De Grenoble, Marc Minkowski, Virginie Pochon, Choeur & Orchestre De L'Opéra National De Lyon, Alan Woodbridge, Sharman Plesner, Agathe Mélinand, Sébastien Rouland, Natalie Dessay, Yann Beuron & Véronique Gens | Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Vive le vin! Vive Pluton! (Choeur) | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Recitativo | |
| | Marc Minkowski, Les Musiciens du Louvre, Ewa Podleś, Luc Coadou & Denis Sedov | Ariodante HWV 33: "Sire, Deh, Non Negare" | |
| | Ewa Podleś, Hungarian State Opera Chorus, Pier Giorgio Morandi & Hungarian State Opera Orchestra | La Cenerentola (Cinderella): La cenerentola (Cinderella), Act II: Nacqui all'affanno e al pianto | |
| | Ensemble Vocal et Instrumental de Lausanne, Michel Corboz, Michel Brodard, Guy De Mey, Ewa Podleś & Catherine Dubosc | Requiem in D Minor, K. 626: III. Tuba mirum | |
| | Ewa Podleś, Polish National Radio Symphony Orchestra & Alexander Liebreich | 3 Fragments, Op. 5: No. 3, Moja pieśń wieczorna | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act I, Recitativo instramentale e Finale | |
| | Constantine Orbelian, Ewa Podleś & Moscow Chamber Orchestra | Orlando, HWV 31, Act I: Non Fu Gia Men Forte Alcide | |
| | Ewa Podleś & Garrick Ohlsson | Tchaikovsky: Pesn' Zemfiri (Zemfira's Song) | |
| | Wieslaw Ochman, Ewa Podleś, Bozena Harasimowicz Hass, Izabela Klosinska, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord & Gustaw Holoubek | Symphony No. 7, "7 Gates of Jerusalem": III. De profundis | |
| | Verónica Cangemi, Marc Minkowski, Les Musiciens du Louvre, Ewa Podleś, Anne Sofie von Otter & Richard Croft | Ariodante HWV 33: "Ginevra?" | |
| | Ewa Podleś & Garrick Ohlsson | Musorgsky 'Songs and Dances of Death': Kolibelnaya (Lullaby) | |
| | Ewa Podleś, Filharmonia Poznańska & Łukasz Borowicz | L'italiana in Algeri: Cruda sorte! Amor tiranno! (Live) | |
| | Wieslaw Ochman, Ewa Podleś, Bozena Harasimowicz Hass, Izabela Klosinska, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord & Gustaw Holoubek | Symphony No. 7, "7 Gates of Jerusalem": VI. Facta es super me manus Domini | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act I, Recitativo | |
| | Wieslaw Ochman, Ewa Podleś, Bozena Harasimowicz Hass, Izabela Klosinska, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord & Gustaw Holoubek | Symphony No. 7, "7 Gates of Jerusalem": II. Si oblitus fuero tui, Jerusalem | |
| | Constantine Orbelian, Ewa Podleś & Moscow Chamber Orchestra | Rinaldo, HWV 7, Act II: Il Tricerbero Humiliato Al Mio Brando Rendero | |
| | Ewa Podleś, Jean-Paul Fouchécourt, Patricia Petibon, Jennifer Smith, Lydie Pruvot, Orchestre de l'Opéra National de Lyon, Steven Cole, Etienne Lescroart, Orchestre De Chambre De Grenoble, Marc Minkowski, Virginie Pochon, Choeur & Orchestre De L'Opéra National De Lyon, Alan Woodbridge, Sharman Plesner, Agathe Mélinand, Sébastien Rouland, Yann Beuron, Véronique Gens, Laurent Naouri & Natalie Dessay | Orphée aux enfers, Act 2: "Il m'a semblé sur mon épaule" (Eurydice/Jupiter) | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Recitativo | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Aria | |
| | Capella Brugensis, Ewa Podleś, Collegium Instrumentale Brugense & Alberto Zedda | Tancredi: Recitativo e cavatina, 'O patria!... Di tanti palpiti' | |
| | Ewa Podleś, Hungarian State Opera Chorus, Hungarian State Opera Orchestra & Pier Giorgio Morandi | L'italiana in Algeri: Cruda sorte! Amor tiranno! | |
| | Ewa Podleś, Marc Minkowski & Les Musiciens du Louvre | Armide: 35. "Je réponds à te voeux" | |
| | Antoni Wit, Ewa Podleś, Polish National Radio Symphony Orchestra, Cracow Philharmonic Chorus & Cracow Boys' Choir | Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | |
| | Ewa Podleś & Garrick Ohlsson | Musorgsky 'Songs and Dances of Death': Trepak (Trepak) | |
| | Anna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo | Tancredi: Act II, Recitativo | |
| | Ewa Podleś, Marc Minkowski, Les Musiciens du Louvre & Verónica Cangemi | Ariodante HWV 33: "Orgogliosa Beltade!" | |
| | Leopoldinum & Ewa Podleś | Gli Uccelli – Il Cucu | |
| | Constantine Orbelian, Ewa Podleś & Moscow Chamber Orchestra | Orlando, HWV 31, Act II: Cielo! Se Tu Il Consenti Deh! Fa' Che Nel Mio Seno | |
| | Ewa Podleś, Hungarian State Opera Orchestra & Pier Giorgio Morandi | Semiramide: Ah! Quel giorno ognor rammento | |
| | Ewa Podleś, Jean-Paul Fouchécourt, Laurent Naouri, Patricia Petibon, Lydie Pruvot, Jennifer Smith, Steven Cole, Etienne Lescroart, Véronique Gens, Choeurs de l'Opéra National de Lyon, Virginie Pochon, Choeur & Orchestre De L'Opéra National De Lyon, Choeur de L'Opéra National de Lyon, Alan Woodbridge, Orchestre de l'Opéra National de Lyon, Orchestre De Chambre De Grenoble, Marc Minkowski, Sharman Plesner, Agathe Mélinand, Sébastien Rouland, Natalie Dessay, Yann Beuron & Jean Paul Fouchecourt | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | |
