| | Jean Teitgen, John Nelson, Joyce DiDonato, Michael Spyres & Orchestre philharmonique de Strasbourg | Les Troyens, Op. 29, H. 133, Act 4: "Nuit d'ivresse et d'extase infinie !" (Didon, Énée, Mercure) [Live] | |
| | Ensemble Concerto, World Chamber Choir, Jordi Casals I Ibanyez, Giovanni Togni, Helga Stordal Bentsen, Lauren Armishaw, Katarina Bradic, Michael Spyres, Kepa Martinez de Albeniz & Emmanuele Nocco | Christe Adoramus Te | |
| | Corrado Rovaris, I Virtuosi Italiani, Michael Spyres & Lawrence Brownlee | Otello, Act II: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | |
| | Corrado Rovaris, Tara Erraught, I Virtuosi Italiani, Michael Spyres & Lawrence Brownlee | La donna del lago, Act II: "Qual pena in me già desta" (Uberto, Rodrigo, Elena) | |
| | Corrado Rovaris, I Virtuosi Italiani, Michael Spyres & Lawrence Brownlee | Il barbiere di Siviglia, Act I: "All'idea di quel metallo" (Figaro, Almaviva) | |
| | John Nelson, Michael Spyres & Orchestre philharmonique de Strasbourg | Les Troyens, Op. 29, H. 133, Act 5: "Inutiles regrets !" (Énée) [Live] | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 4: "O sainte melodie!" (Pauline, Polyeucte) | |
| | Constantine Orbelian, Moscow Chamber Orchestra & Michael Spyres | La fille du regiment, Act II: Cavatine: Ah! mes amis, quel jour defete … Pour mon ame | |
| | Czech Philharmonic, Jakub Hrůša, Ailyn Pérez, Christianne Stotijn, Michael Spyres & Prague Philharmonic Choir | Requiem, Op. 89, B. 165, Pt. 2: 12. Pie Jesu | |
| | Sir Mark Elder, Hallé, Angela Meade & Michael Spyres | Le duc d'Albe, Act 2: "Comment dans ma reconnaissance" (Hélène d'Egmont, Henri de Bruges) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 3: "Dieu du tonnerre, Ton front severe Emeut la terre" (Callisthenes, Chorus) | |
| | Corrado Rovaris, I Virtuosi Italiani, Michael Spyres & Lawrence Brownlee | Ricciardo e Zoraide, Act II: "Teco or sarà" (Agorante, Ricciardo) | |
| | Giorgio Trucco, Ugo Guagliardo, Filippo Adami, Antonino Fogliani, Michael Spyres, Cluj Transilvania Philharmonic Choir, Virtuosi Brunensis, Jessica Pratt, Geraldine Chauvet, Sean Spyres, Hugo Colin & Leonardo Cortellazzi | Otello, ossia Il moro di Venezia: Act II: Recitative: E a tanto giunger puote (Otello, Rodrigo) | |
| | Michael Spyres, Claudia Mahnke, Antonello Manacorda & Frankfurter Opern- und Museumsorchester | L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act II: Vogue, vogue, mon beau navire | |
| | Maxim Emelyanychev, Il Pomo d'Oro & Michael Spyres | Theodora, HWV 68, Pt. 1 Scene 5: Recitative. "Mistaken Wretches!" (Septimius) | |
| | John Eliot Gardiner, London Symphony Orchestra & Michael Spyres | Symphony No. 2, Op. 52 "Lobgesang": III. a) Recitativo "Saget es, die ihr erlöst seid durch den Herrn" | |
| | Marko Letonja, Orchestre philharmonique de Strasbourg & Michael Spyres | Il Barbiere di Siviglia, Act I: "Largo al factotum" (Figaro) | |
| | Michael Spyres, Andrew Foster-Williams, Virtuosi Brunensis & Antonino Fogliani | Guillaume Tell, Act I: Duo. Ah! Mathilde, idole de mon âme! (Live) | |
| | Francesco Corti, Il Pomo d'Oro & Michael Spyres | Alessandro nell'Indie, Act 1: Vil trofeo dun alma imbelle (Alessandro) | |
| | Fabien Gaschy, Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre philharmonique de Strasbourg, Michael Spyres & Nicolas Kuhn | Hamlet, Act II: "C'est en croyant revoir" - "Oh, vin! Dissipe la tristesse" (Hamlet, Marcellus, Horatio, Chorus) | |
| | Czech Chamber Soloists, Brno, Marco Cristarella Orestano, Ugo Mahieux, Maria Soulis, Rossella Bevacqua, Naples San Pietro a Majella Conservatory Chorus, Michael Spyres, Filippo Polinelli, Judith Gauthier, Vincenzo Bruzzaniti, Christopher Franklin & Giulio Mastrototaro | La Gazzetta: Act II Scene 5: Recitativo: Tutto sta ben disposto a maraviglia - Scene 6: Ad un mio pari un locandier disfida? - Scene 7: A che coll'armi (Filippo, Alberto, Pomponio) | |
| | Davinia Rodríguez, Michael Spyres, Orchestra Internazionale D'Italia & Fabio Luisi | Medea in Corinto, Act I: Fuggir mi vuoi? Barbaro! (Live) | |
| | Coro Gulbenkian, John Nelson, Orchestre philharmonique de Strasbourg & Michael Spyres | La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Les bergers laissent leurs troupeaux" (Chorus, Faust) | |
| | Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre philharmonique de Strasbourg, Mario Montalbano & Michael Spyres | Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | |
| | Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres & Alexander Vinogradov | Petite messe solennelle: Et resurrexit | |
| | John Eliot Gardiner, London Symphony Orchestra & Michael Spyres | Symphony No. 2, Op. 52 "Lobgesang": III. a) Recitativo "Saget es, die ihr erlöst seid durch den Herrn" | |
| | Coro Dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sondra Radvanovsky & Michael Spyres | Turandot, Act 2: "Figlio del cielo!" (Turandot, Altoum, Coro) | |
| | Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres & Alexander Vinogradov | Petite messe solennelle: Gratias agimus tibi | |
| | Claudia Mahnke, Michael Spyres, Antonello Manacorda & Frankfurter Opern- und Museumsorchester | L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act II: Le maître a-t-il faim? - Terrible et fatal promontoire | |
| | Constantine Orbelian, Moscow Chamber Orchestra & Michael Spyres | Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto | |
| | Gustavo Quaresma Ramos, Jean-Luc Tingaud, Poznań Camerata Bach Choir, Virtuosi Brunensis, Majella Cullagh, Lorenzo Regazzo, Marco Filippo Romano, Silvia Beltrami, Marc Sala, Michael Spyres & Matthieu Lécroart | Le siege de Corinthe, Act II: Finale. Il est son frere (Mahomet, Pamyra, Neocles, Omar, Chorus) | |
| | Philharmonia Chorus, London Philharmonic Choir, John Nelson, Philharmonia Orchestra & Michael Spyres | Grande Messe des morts, Op. 5, H. 75: IX. Sanctus (Live) | |
| | Leon Botstein, American Symphony Orchestra, Peter Volpe, Alexandra Deshorties & Michael Spyres | Les Huguenots: X. Act V, Vision - Ah! Voyez! | |
| | Lorenzo Regazzo, Michael Spyres, Matthieu Lécroart, Marco Filippo Romano, Silvia Beltrami, Marc Sala, Poznań Camerata Bach Choir, Virtuosi Brunensis, Majella Cullagh, Gustavo Quaresma Ramos & Jean-Luc Tingaud | Le siege de Corinthe, Act III: Air. Grand Dieu, faut-il qu'un peuple (Neocles) | |
| | Corrado Rovaris, I Virtuosi Italiani, Michael Spyres, Lawrence Brownlee & Xabier Anduaga | Armida, Act III: "In quale aspetto imbelle" (Rinaldo, Carlo, Ubaldo) | |
| | Michael Spyres, Judith Howarth, Andrew Foster-Williams, Nahuel di Pierro, Virtuosi Brunensis & Antonino Fogliani | Guillaume Tell, Act II: Récitatif. On vient (Live) | |
| | Davinia Rodríguez, Michael Spyres, Nozomi Kato, Orchestra Internazionale D'Italia & Fabio Luisi | Medea in Corinto, Act I: Sommi dèi, che i giuramenti (Live) | |
| | Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre philharmonique de Strasbourg & Michael Spyres | Le Postillon de Lonjumeau, Act I: "Mes amis, écoutez l'histoire" (Chapelou, Chorus) | |
| | Gianluca Buratto, Sir Mark Elder, Hallé, Angela Meade & Michael Spyres | Le duc d'Albe, Act 1: "Hélène! O ciel!. Henri..." (Henri de Bruges, Hélène d'Egmont, Daniel Brauer) | |
| | Marko Letonja, Orchestre philharmonique de Strasbourg & Michael Spyres | L'heure espagnole, M. 52: "Voilà, ce que j'appelle une femme charmante" (Ramiro) | |
| | Francesco Corti, Il Pomo d'Oro & Michael Spyres | Siroe, re di Persia, Act 1: Se il mio paterno amore (Cosroe) | |
| | Maxim Emelyanychev, Il Pomo d'Oro & Michael Spyres | Theodora, HWV 68, Pt. 2 Scene 3: Air. "Though the Honours" (Septimius) | |
| | London Symphony Orchestra, John Eliot Gardiner & Michael Spyres | Symphony No. 2, Op. 52 "Lobgesang": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | |
| | John Eliot Gardiner, London Symphony Orchestra & Michael Spyres | Symphony No. 2, Op. 52 "Lobgesang": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 4: "Grands dieux!" (Severe, Felix, Pauline, All) | |
| | Marc Minkowski, Paul-Antoine Bénos-Djian, Les Musiciens du Louvre, Elsa Dreisig & Michael Spyres | Mitridate, rè di Ponto, K. 87, Act II: "Qui, dove la vendetta" (Mitridate, Sifare, Farnace) | |
| | Carlo Rizzi, Hallé, Joyce El-Khoury & Michael Spyres | Guido et Ginévra: "Tu seras donc pour moi" | |
| | Giorgio Trucco, Ugo Guagliardo, Filippo Adami, Antonino Fogliani, Michael Spyres, Cluj Transilvania Philharmonic Choir, Virtuosi Brunensis, Jessica Pratt, Geraldine Chauvet, Sean Spyres, Hugo Colin & Leonardo Cortellazzi | Otello, ossia Il moro di Venezia: Act I: Recitative: Rodrigo! … (Elmiro, Rodrigo, Jago) | |
| | Constantine Orbelian, Moscow Chamber Orchestra & Michael Spyres | L'elisir d'amore (The Elixir of Love), Act III: Una furtiva lagrima | |
| | John Nelson, The English Concert & Michael Spyres | Messiah, HWV 56, Pt. 1: Aria. "Ev'ry Valley Shall Be Exalted" | |
