| | Seiji Ozawa, Yo-Yo Ma, Itzhak Perlman & Boston Symphony Orchestra | Humoresque No. 7 In G-flat Major, Op. 101 | |
| | Seiji Ozawa, Boston Symphony Orchestra & Isaac Stern | Romance in F Major for Violin and Orchestra, Op. 50 | |
| | Itzhak Perlman, Boston Symphony Orchestra, Yo-Yo Ma & Seiji Ozawa | Slavonic Dance No. 2 in E Minor, Op. 72 | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: VII. In Paradisum | |
| | Seiji Ozawa, New England Conservatory Chorus & Boston Symphony Orchestra | Carmina Burana: I. O Fortuna | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: IV. Pie Jesu | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: III. Sanctus | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: I. Introit Et Kyrie | |
| | Jessye Norman, Boston Symphony Orchestra & Seiji Ozawa | Symphony No. 3 in D Minor, Pt. 2: IV. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht' | |
| | Seiji Ozawa & Boston Symphony Orchestra | Romeo And Juliet, Op. 64, Act I: 13. Dance Of The Knights | |
| | Seiji Ozawa & Boston Symphony Orchestra | Boléro, M.81 | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: VI. Libera Me | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: V. Agnus Dei | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: II. Offertoire | |
| | Charles Kavaloski, Boston Symphony Orchestra & Seiji Ozawa | Pavane pour une infante défunte, M. 19 | |
| | Frederica von Stade, Seiji Ozawa & Boston Symphony Orchestra | Rusalka, Op. 114, Act I: Mesícku na nebi hlubokém (Silver moon upon the deep dark sky) | |
| | Evgeny Kissin, Seiji Ozawa & Boston Symphony Orchestra | Songs, Op. 34: No. 14. Vocalise | |
| | Seiji Ozawa, Yo-Yo Ma, Itzhak Perlman & Boston Symphony Orchestra | Humoresque No. 7 in G-flat Major, Op. 101 | |
| | Boston Symphony Orchestra, Seiji Ozawa & Tanglewood Festival Chorus | Pavane, Op. 50 | |
| | Itzhak Perlman, Yo-Yo Ma, Seiji Ozawa & Boston Symphony Orchestra | Slavonic Dance No. 2 In E Minor, Op. 72 | |
| | Seiji Ozawa, New York Philharmonic & Leonard Bernstein | 2 Contemplations: No. 2. Central Park in the Dark | |
| | Charles Kavaloski, Boston Symphony Orchestra & Seiji Ozawa | Pavane pour une infante défunte | |
| | Anne-Sophie Mutter, Orchestre National de France & Seiji Ozawa | Zigeunerweisen, Op. 20 | |
| | Seiji Ozawa, Yo-Yo Ma, Itzhak Perlman & Boston Symphony Orchestra | Humoresque No. 7 in G-Flat Major, Op. 101 | |
| | Seiji Ozawa, Julian Rodescu, Janis Taylor, Vladimir Atlantov, Tanglewood Festival Chorus, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Dominique Labelle, Maureen Forrester, Katherine Ciesinski, Tanya Roudenko, Boston Symphony Orchestra, Sergei Leiferkus, John Oliver, The American Boychoir & James Litton | Pique Dame (The Queen of Spades): Da, Vspomnila...Podrugi Milie | |
| | Seiji Ozawa, Julian Rodescu, Janis Taylor, Vladimir Atlantov, Tanglewood Festival Chorus, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Dominique Labelle, Maureen Forrester, Katherine Ciesinski, Tanya Roudenko, Boston Symphony Orchestra, Sergei Leiferkus, John Oliver, The American Boychoir & James Litton | Pique Dame (The Queen of Spades): Uzh vecher | |
| | Momo Kodama, Mito Chamber Orchestra & Seiji Ozawa | Piano Concerto No. 23 in A Major, K. 488: II. Adagio | |
| | Seiji Ozawa, Boston Symphony Orchestra & Isaac Stern | Romance in F Major for Violin and Orchestra, Op. 50 | |
| | Anne-Sophie Mutter, Orchestre National de France & Seiji Ozawa | Zigeunerweisen Op. 20 | |
| | Dmitri Hvorostovsky & Seiji Ozawa | Pique dame: Act II: Scene 1: Yeletsky's Aria | |
| | Evelyn Mandac, Stanley Kolk, Sherrill Milnes, New England Conservatory Chorus, Children's Chorus of the New England Conservatory, Boston Symphony Orchestra & Seiji Ozawa | Carmina burana: O Fortuna | |
| | Seiji Ozawa, Julian Rodescu, Vladimir Atlantov, Tanglewood Festival Chorus, Dennis Peterson, Dmitri Hvorostovsky, Ernesto Gavazzi, Mirella Freni, Maureen Forrester, Boston Symphony Orchestra, Jorge Chaminé, Sergei Leiferkus & John Oliver | Pique Dame (The Queen of Spades): Akh! Istomilas Ya Gorem | |
| | Arcadi Valodos, Seiji Ozawa, Arcadi Volodos & Berliner Philharmoniker | Piano Concerto No. 1: III. Allegro Con Fuoco | |
| | Hugh Seenan, London Symphony Orchestra, Mstislav Rostropovich & Seiji Ozawa | Cello Concerto No.1 In e Flat Major Op.197 : IV Allegro Con Moto | |
| | Hugh Seenan, London Symphony Orchestra, Mstislav Rostropovich & Seiji Ozawa | Cello Concerto No.1 In e Flat Major Op.197 : III Cadenza | |
| | Anneliese Rothenberger, Tom Krause, Lajos Kozma, State Orchestra of Vienna, Seiji Ozawa & Vienna State Choir | Cosi Fan Tutte: Per Pieta, Ben Mio, Perdona" | |
| | Evgeny Kissin, Seiji Ozawa & Boston Symphony Orchestra | Piaño Concerto No. 3 in D Minor, Op. 30: III. L'Istesso Tempo - Finale: Allá Breve | |
| | Evgeny Kissin, Seiji Ozawa & Boston Symphony Orchestra | Piaño Concerto No. 3 in D Minor, Op. 30: II. Intermezzo: Adagio | |
| | Evgeny Kissin, Seiji Ozawa & Boston Symphony Orchestra | Piaño Concerto No. 3 in D Minor, Op. 30: I. Allegro Ma Non Tanto | |
| | Seiji Ozawa, Boston Symphony Orchestra, Melissa Joan Hart, Garrick Ohlsson, John Browning & Jules Eskin | The Carnival of the Animals: VII. Aquarium | |
| | Itzhak Perlman, Seiji Ozawa, Yo-Yo Ma & Boston Symphony Orchestra | Slavonic Dance No. 2 in E minor, Op. 72 | |
| | Jessye Norman, Orchestre National de France & Seiji Ozawa | Carmen, Act 1: "Quand je vous aimerai?.L'amour est un oiseaux rebelle" (Habanera) | |
| | Katia & Marielle Labèque, Boston Symphony Orchestra & Seiji Ozawa | Concerto for 2 Pianos and Orchestra in D Minor, FP 61: I. Allegro ma non troppo | |
| | New Japan Philharmonic & Seiji Ozawa | La Marseillaise | |
| | Anne-Sophie Mutter, Saito Kinen Orchestra & Seiji Ozawa | Introduction et Rondo capriccioso, Op. 28 | |
| | Boston Symphony Orchestra & Seiji Ozawa | A Midsummer Night's Dream, Op. 61 Incidental Music: No. 9 Wedding March | |
| | Evelyn Mandac, Stanley Kolk, Sherrill Milnes, New England Conservatory Chorus, Children's Chorus of the New England Conservatory, Boston Symphony Orchestra & Seiji Ozawa | Carmina burana: Tempus est iocundum | |
| | Boston Symphony Orchestra & Seiji Ozawa | Boléro, M.81 | |
| | Seiji Ozawa & Toronto Symphony Orchestra | The Dorian Horizon for 17 Strings | |
| | Seiji Ozawa, Yvonne Loriod, Jeanne Loriod & Toronto Symphony Orchestra | Turangalîla Symphonie: Chant D'amour 2 | |
