| | Tutti Soloists, Christian Curnyn, Early Opera Company, Kurt Streit & Rosemary Joshua | Partenope, HWV 27, Act II Scene I: Con valorosa mano (Emilio, Partenope, All) | |
| | Christian Curnyn, Susan Bickley & City of London Sinfonia | The Beggar's Opera, Op. 43, Act I: Women indeed are bitter bad judges … ev'ry Man handsom who is going to the Camp - if any wench Venus' Girdle wear (Mrs Peachum) | |
| | Christian Curnyn, Early Opera Company, Renata Pokupić & Hilary Summers | Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Teodata! (Vitige, Teodata) | |
| | Nicola Benedetti & Christian Curnyn | Sonate accademiche, Op. 2, Sonata No. 6 in A Major: Largo | |
| | Christian Curnyn, Hilary Summers & Early Opera Company | Semele, HWV 58, Act III Scene VIII: No. 71, How I was hence remov'd (Ino) | |
| | Christian Curnyn, Early Opera Company, Tim Mead, Renata Pokupić, Hilary Summers, Thomas Walker & Iestyn Davies | Flavio, Re de' Longobardi, HWV 16, Act III Scene VII: E tu, Vitige, in pena (Flavio, Vitige, Teodata, Ugone, Guido) | |
| | Christian Curnyn & Early Opera Company | Semele, HWV 58, Act III: No. 45, Sinfonia. Larghetto e piano per tutto | |
| | Christian Curnyn, Hilary Summers, Lawrence Zazzo, Stephen Wallace, Early Opera Company, Andrew Foster-Williams & Rosemary Joshua | Partenope, HWV 27, Act I Scene III: Regina, in folte Schiere (Ormonte, Arsace, Armindo, Partenope, Rosmira) | |
| | Christian Curnyn, Hilary Summers & Early Opera Company | Serse, HWV 40, Act II: No. 54, Recitativo "Giacché il duol non m'uccide" (Amastre) | |
| | Christian Curnyn, Early Opera Company, Tim Mead & Renata Pokupić | Flavio, Re de' Longobardi, HWV 16, Act I Scene VIII: Vitige! (Flavio, Vitige) | |
| | Christian Curnyn, Early Opera Company & Iestyn Davies | Flavio, Re de' Longobardi, HWV 16, Act II Scene VI: Privarmi ancora (Guido) | |
| | Tutti Soloists, Christian Curnyn, Early Opera Company & Rosemary Joshua | Partenope, HWV 27, Act I Scene I: Viva viva Partenope viva - Miei Fidi arride il Cielo (Chorus, Partenope) | |
| | Christian Curnyn, Lawrence Zazzo & Early Opera Company | Partenope, HWV 27, Act I Scene XII: È figlio il mio timore (Arsace) | |
| | Christian Curnyn, Lawrence Zazzo & Early Opera Company | Partenope, HWV 27, Act I Scene III: O Eurimene hà l' idea di Rosmira (Arsace) | |
| | Christian Curnyn, Leah-Marian Jones, City of London Sinfonia & Tom Randle | The Beggar's Opera, Op. 43, Act III: Which way shall I turn me, how can I decide? (Macheath, Polly) | |
| | Christian Curnyn, Leah-Marian Jones, City of London Sinfonia & Tom Randle | The Beggar's Opera, Op. 43, Act I: Now I'm a wretch indeed! (Polly, Macheath, Omnes) | |
| | Christian Curnyn, Early Opera Company, Hilary Summers, Tim Mead & Thomas Walker | Flavio, Re de' Longobardi, HWV 16, Act II Scene I: Al tuo cenno reale ubbidiente (Teodata, Flavio) - Act II Scene II. Dove, dove mi celo? (Ugone, Flavio, Teodata) | |
| | Christian Curnyn, Early Opera Company & Joélle Harvey | Serse, HWV 40, Act I: No. 34, Recitativo "Per rapir quel tesore" (Atalanta) | |
| | Tutti Soloists, Christian Curnyn, Early Opera Company, Lucy Crowe & Allan Clayton | Acis and Galatea, HWV 49a: No. 12, Duet. Happy we! (Acis and Galatea) | |
| | Brindley Sherratt, Christian Curnyn & Early Opera Company | Semele, HWV 58, Act I Scene I: No. 4, Daughter, obey (Cadmus) | |
| | Christian Curnyn, Early Opera Company & Lucy Crowe | Acis and Galatea, HWV 49a: No. 11, Air. As when the dove (Galatea) | |
| | Christian Curnyn, Early Opera Company, Renata Pokupić & Hilary Summers | Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Fra i ciechi orror' notturni (Vitige, Teodata) | |
| | Christian Curnyn, City of London Sinfonia, Robert Anthony Gardiner & Jeremy White | The Beggar's Opera, Op. 43, Act I: Sir, black Moll hath sent word (Flich, Peachum) | |
| | Christian Curnyn, David Daniels & Early Opera Company | Serse, HWV 40, Act III: No. 76, Recitativo "Sono vani i pretesti…" (Arsamene) | |
| | Christian Curnyn, Rosemary Joshua & Early Opera Company | Semele, HWV 58, Act I Scene IV: No. 23, Endless pleasure, endless love (Semele) | |
| | Christian Curnyn, Early Opera Company & Kurt Streit | Partenope, HWV 27, Act II Scene II: Barbaro Fato sì (Emilio) | |
| | Christian Curnyn, Early Opera Company & Claire Booth | Three Mad Songs: The Way of the Word. Love's but the frailty of the Mind | |
| | Tutti Soloists, Christian Curnyn & Early Opera Company | Acis and Galatea, HWV 49a: No. 30, Galatea, dry thy tears (Chorus) | |
| | Christian Curnyn, Early Opera Company, Andrew Foster-Williams, Tim Mead & Renata Pokupić | Flavio, Re de' Longobardi, HWV 16, Act I Scene VI: Della mia prole Emilia (Lotario, Flavio, Vitige) | |
| | Christian Curnyn, Early Opera Company & Iestyn Davies | Flavio, Re de' Longobardi, HWV 16, Act II Scene VI: Rompo i lacci, e frango i dardi (Guido) | |
| | Christian Curnyn, Early Opera Company, Tim Mead, Renata Pokupić & Hilary Summers | Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Guido, Lotario uccise? (Flavio, Vitige, Teodata) | |
| | Christian Curnyn, Stephen Wallace & Early Opera Company | Partenope, HWV 27, Act III Scene V: Nobil Core, che ben ama (Armindo) | |
| | Christian Curnyn & Early Opera Company | Alceste, HWV 45: Sinfonia from Admeto, re di Tessaglia, HWV 22 | |
| | Christian Curnyn, Tim Mead & Early Opera Company | Amadigi di Gaula, HWV 11, Act 1 Scene 9: Recitativo "Ferma, deh! Ferma, oh Dio!" | |
| | Christian Curnyn, Early Opera Company, Lucy Crowe, Claire Booth & Susan Bickley | The Judgment of Paris: Hither turn thee, gentle Swain (Venus, Pallas, Juno) | |
| | Early Opera Company & Christian Curnyn | Il trionfo del Tempo e del Disinganno: Recitative Bellezza Ma che veggio | |
| | Christian Curnyn, Early Opera Company, Roderick Williams & Benjamin Hulett | The Judgment of Paris: Happy thou of Human Race (Mercury, Paris) | |
| | Christian Curnyn, Early Opera Company & Benjamin Hulett | Alceste, HWV 45: VI. Ye swift minutes as ye fly (Tenor) | |
| | Christian Curnyn, Mary Bevan & Early Opera Company | Amadigi di Gaula, HWV 11, Act 1 Scene 4: Aria "Ah! Spietato! E non ti muove" | |
| | Christian Curnyn, Rosemary Joshua & Early Opera Company | Semele, HWV 58, Act I Scene I: No. 6, The morning lark to mine accords his note ( Semele) | |
| | Christian Curnyn, Stephen Wallace, Early Opera Company, Rosemary Joshua & Kurt Streit | Partenope, HWV 27, Act III Scene II: Chi m' apre i lumi, e che mi scioglie il Core? (Partenope, Emilio, Armindo) | |
| | Christian Curnyn, Early Opera Company & Joélle Harvey | Serse, HWV 40, Act I: No. 32, Recitativo "Al fin sarete sposa al vostro Serse" (Atalanta) | |
| | Christian Curnyn, Leah-Marian Jones, Susan Bickley, City of London Sinfonia & Jeremy White | The Beggar's Opera, Op. 43, Act I: The Turtle thus with plaintive crying, her Lover dying (Polly, Mrs Peachum, Peachum) | |
| | Christian Curnyn, Tim Mead, Hilary Summers & Early Opera Company | Amadigi di Gaula, HWV 11, Act 1 Scene 1: Recitativo "Or che di negro ammanto" | |
| | Christian Curnyn, Hilary Summers & Early Opera Company | Semele, HWV 58, Act I Scene II: No. 20, You've undone me (Ino) | |
| | Tutti Soloists, Christian Curnyn & Early Opera Company | Acis and Galatea, HWV 49a: No. 2, Oh, the pleasure of the plains! (Chorus) | |
| | Christian Curnyn, Anna Stéphany & Early Opera Company | Serse, HWV 40, Act II: No. 51, Aria "Se bramate d'amar chi vi sdegna" Allegro (Serse) | |
| | Donald Maxwell, Christian Curnyn, City of London Sinfonia & Sarah Fox | The Beggar's Opera, Op. 43, Act III: To be sure, wench, you must have been aiding and abetting (Lockit, Lucy Lockit) | |
| | Ministri, Christian Curnyn & Early Opera Company | Serse, HWV 40, Act III: No. 90, Coro "Chi infelice si trovò" (Ministri) | |
| | Christian Curnyn, City of London Sinfonia, Tom Randle & Sarah Fox | The Beggar's Opera, Op. 43, Act II: The first time at the looking glass (Macheath, Lucy Lockit) | |
