| | François Le Roux, Maria Ewing, Christa Ludwig, Wiener Staatsopernchor, Helmut Froschauer, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act I: Hoé! Hisse hoé! | |
| | Marie McLaughlin, Leonard Bernstein, Symphonieorchester des Bayerischen Rundfunks, Maria Ewing, Chor des Bayerischen Rundfunks, Jerry Hadley, Cornelius Hauptmann & Wolfgang Seeliger | Requiem in D Minor, K. 626: IX. Domine Jesu (Offertorium) | |
| | Carol Vaness, London Philharmonic Orchestra, Keith Lewis, Bernard Haitink & Maria Ewing | Don Giovanni K527, ATTO PRIMO, Scena quarta, Finale: Protegga il giusto cielo ... Vendichi il giusto cielo (Donna Anna/Don Ottavio/Donna Elvira) | |
| | François Le Roux, Maria Ewing, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act IV: Où vas-tu? | |
| | François Le Roux, Maria Ewing, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act II: Oui, c'est ici, nous y sommes | |
| | Maria Ewing, London Symphony Orchestra, Claudio Abbado & London Symphony Chorus | La damoiselle élue, CD 69a: Je voudrais qu'il fût déjà près de moi | |
| | Sergej Larin, Elena Zaremba, Maria Ewing, Margaret Jane Wray, Johann Tilli, Orchestre de l’Opéra national de Paris, Myung-Whun Chung, Choeurs de l'Opera Bastille & Gunter Wagner | Lady Macbeth of Mtsensk District, Act 4: Moyó poctén'ye! -. - [Adagio] (Orchestra) | |
| | Marie McLaughlin, Leonard Bernstein, Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Maria Ewing, Jerry Hadley, Cornelius Hauptmann & Wolfgang Seeliger | Requiem in D Minor, K. 626: XII. Benedictus | |
| | Francois Le Roux, Maria Ewing, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, Act 3: "Mes longs cheveux descendent" | |
| | Maria Ewing, Myung-Whun Chung, Orchestre de l’Opéra national de Paris, Sergej Larin & Elena Zaremba | Lady Macbeth of Mtsensk District, Act IV: V lesú - Znáyes' li | |
| | Maria Ewing, Myung-Whun Chung & Orchestre de l’Opéra national de Paris | Lady Macbeth of Mtsensk District, Act 1: Zerebyónok, K. kobïlke torópitsya | |
| | Richard Hickox, Collegium Musicum 90 & Maria Ewing | Dido and Aeneas, Z. 626, Act III Scene 1: Thy hand, Belinda (Dido) | |
| | Maria Ewing, José Van Dam, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act II: Ah, ah, tout va bien | |
| | Richard Hickox, Collegium Musicum 90, Maria Ewing & Rebecca Evans | Dido and Aeneas, Z. 626, Act I: Whence could so much virtue spring (Dido, Belinda) | |
| | Kenneth Collins, James Morris, Maria Ewing, James Levine, John Alldis Choir, John Alldis & Philharmonia Orchestra | I Vespri Siciliani: Viva la guerra | |
| | Maria Ewing, Sergej Larin, Orchestre de l’Opéra national de Paris & Myung-Whun Chung | Lady Macbeth of Mtsensk District, Act 2: Sergéy, Seryóza! Vsyo spit | |
| | Claudio Abbado, Wiener Philharmoniker, Maria Ewing & José Van Dam | Pelléas Et Mélisande: "Ah, Ah, Tout Va Bien" | |
| | Carol Vaness, John Rawnsley, London Philharmonic Orchestra, Keith Lewis, Bernard Haitink, Elizabeth Gale, Maria Ewing & Richard Van Allan | Don Giovanni K527, ATTO SECONDO, Scena seconda, Sestetto: Ferma briccone, dove ten vai! | |
| | François Le Roux, Maria Ewing, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act IV: Nous sommes venus ici il y a bien longtemps | |
| | Plácido Domingo, Martina Arroyo, Maria Ewing, Sherrill Milnes, James Levine & Philharmonia Orchestra | I Vespri Siciliani: Act I: O donna! | |
| | Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks & Leonard Bernstein | Requiem, K. 626: IIIb. Tuba mirum (Orch. Beyer) | |
| | Sir Simon Rattle, City of Birmingham Symphony Orchestra & Maria Ewing | Shéhérazade, M. 41: I. Asie | |
| | Francois Le Roux, Claudio Abbado, Wiener Philharmoniker, Maria Ewing & Christa Ludwig | Pelléas Et Mélisande: "Il Fait Sombre" | |
| | Francois Le Roux, Claudio Abbado, Wiener Philharmoniker & Maria Ewing | Pelléas Et Mélisande: Nous Sommes Venus Ici Il y a Bien Longtemps | |
| | Romuald Tesarowicz, Myung-Whun Chung, Orchestre de l’Opéra national de Paris, Choeurs de l'Opera Bastille, Maria Ewing, Sergej Larin, Mario Agnetti, Anatolij Kotscherga & Gunter Wagner | Lady Macbeth of Mtsensk District, Act III: Sláva suprúgam - . - Cto takóye? | |
| | Sir Simon Rattle, City of Birmingham Symphony Orchestra & Maria Ewing | Shéhérazade, M. 41: II. La flûte enchantée | |
| | Aage Haugland, Myung-Whun Chung, Orchestre de l’Opéra national de Paris, Guillaume Petitot & Maria Ewing | Lady Macbeth of Mtsensk District, Act II: Ustál - . - Progolodálsya ya | |
| | Kurt Masur, Westminster Symphonic Choir, New York Philharmonic & Maria Ewing | Le Martyre de Saint Sébastien, L.124, Act I, La Cour des lys, No. 2: "Sébastien!” | |
| | Maria Ewing, José Van Dam, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act V: Mélisande, as-tu pitié de moi? | |
| | Myung-Whun Chung, Orchestre de l’Opéra national de Paris, Sergej Larin, Maria Ewing & Heinz Zednik | Lady Macbeth of Mtsensk District, Act 3: Cto tï - .- Interlude (Orchestra) | |
| | Maria Ewing, Aage Haugland, Sergej Larin, Orchestre de l’Opéra national de Paris & Myung-Whun Chung | Lady Macbeth of Mtsensk District, Act 2: Opyát' usnúl -. - [Andante] (Orchestra) | |
| | Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks & Leonard Bernstein | Requiem, K. 626: IIId. Recordare (Orch. Beyer) | |
| | Maria Ewing, Orchestre de l’Opéra national de Paris & Myung-Whun Chung | Lady Macbeth of Mtsensk District, Act 4: Ne legkó pósle pocóta da poklónov péred sudóm stoyát'! | |
| | Maria Ewing, Myung-Whun Chung, Orchestre de l’Opéra national de Paris, Sergej Larin, Heinz Zednik & Aage Haugland | Lady Macbeth of Mtsensk District, Act I: Mnógo vï - Cto ego? | |
| | Maria Ewing, José Van Dam, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, Act 2: "Voyons, donne-moi ta main" | |
| | London Philharmonic Orchestra, Bernard Haitink, Maria Ewing, Sir Thomas Allen & Richard Van Allan | Don Giovanni K527, ATTO SECONDO, Scena prima: Trio: Ah taci, ingiusto core! (Donna Elvira/Leporello/Don Giovanni) | |
| | Francois Le Roux, Maria Ewing, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, Act 4: "On dirait que ta voix" | |
| | Richard Hickox, Collegium Musicum 90 & Maria Ewing | Dido and Aeneas, Z. 626, Act I: Ah! Belinda I am prest (Dido) | |
| | François Le Roux, Maria Ewing, José Van Dam, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act I: Je ne pourrai plus sortir | |
| | Francois Le Roux, Maria Ewing, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, Act 2: "C'est au bord d'une fontaine" | |
| | Maria Ewing, José Van Dam, Wiener Philharmoniker & Claudio Abbado | Pelléas et Mélisande, CD 93, Act I: Pourquoi pleures-tu? | |
| | Myung-Whun Chung, Orchestre de l’Opéra national de Paris, Aage Haugland, Jean-Claude Costa, Choeurs de l'Opera Bastille, Jean Savignol, José Ochagavia, Romuald Tesarowicz, Maria Ewing & Gunter Wagner | Lady Macbeth of Mtsensk District, Act II: Vídno - . - Akh, Borís Timoféyevic | |
| | Francois Le Roux, Claudio Abbado, Wiener Philharmoniker & Maria Ewing | Pelléas Et Mélisande: "Oui, C'est Ici, Nous y Sommes" | |
| | Sir Simon Rattle, City of Birmingham Symphony Orchestra & Maria Ewing | Shéhérazade, M. 41: II. La flûte enchantée | |
| | Maria Ewing, James Levine & National Philharmonic Orchestra | Andrea Chenier: Act II: Temer? ... Perchè? Perchè temer dovrò? | |
| | Sir Simon Rattle, City of Birmingham Symphony Orchestra & Maria Ewing | Shéhérazade, M. 41: III. L'indifférent | |
| | London Philharmonic Orchestra, Bernard Haitink & Maria Ewing | Don Giovanni K527, ATTO SECONDO, Scena seconda, Recitativo & Aria: Mi tradì quell'alma ingrata (Donna Elvira) | |
| | Maria Ewing, Claudio Abbado, Wiener Philharmoniker, José Van Dam & Jean-Philippe Courtis | Pelléas Et Mélisande: "Qu'avez-vous Fait?" | |
| | Carol Vaness, John Rawnsley, London Philharmonic Orchestra, Keith Lewis, Bernard Haitink, Elizabeth Gale, Maria Ewing & Richard Van Allan | Don Giovanni K527, ATTO SECONDO, Scena seconda, Sestetto: Mille torbidi pensieri (Donna Elvira/Leporello/Don Ottavio/Donna Anna/Zerlina/Masetto) | |
| | Maria Ewing, Claudio Abbado, Wiener Philharmoniker & Jean-Philippe Courtis | Pelléas Et Mélisande: "Maintenant Que Le Père de Pelléas" | |
