| | Leonard Bernstein, Alan Titus, Maurice Peress, Norman Scribner Choir & The Berkshire Boy Choir | Mass. A Theatre Piece for Singers, Players and Dancers: I. Devotions Before Mass: 2. Hymn and Psalm: "A Simple Song" | |
| | Alan Titus, Alexander Rahbari, Slovak Philharmonic Chorus & Slovak Radio Symphony Orchestra | Carmen: Votre Toast (Toreador Song) | |
| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act I No. 2: Aria - O war' ich schon mit dir vereint (Marzelline) | |
| | Alan Titus, Doina Palade (Miacaela), Giorgio Lamberti (Don Jose) & Graciela Alperyn (Carmen) | Carmen: Entr'acte | |
| | Leonard Bernstein, Alan Titus, Norman Scribner Choir & The Berkshire Boy Choir | Mass: VI. Gloria | |
| | Leonard Bernstein, Alan Titus, Norman Scribner Choir & The Berkshire Boy Choir | Mass: V. Meditation No. 1 | |
| | Leonard Bernstein, Alan Titus, Norman Scribner Choir & The Berkshire Boy Choir | Mass: Devotions before Mass - Hymn and Psalm: "A Simple Song" | |
| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act I No. 3: Quartet - Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) | |
| | Alan Titus, Dame Margaret Price, Münchner Philharmoniker, Chor des Münchner Philharmoniker & Sergiu Celibidache | Requiem Op. 48: Libera Me | |
| | Alan Titus, Doina Palade (Miacaela), Giorgio Lamberti (Don Jose) & Graciela Alperyn (Carmen) | Carmen: Act III: Trio: Melons! Coupons! (Carmen) | |
| | Alan Titus, Doina Palade (Miacaela), Giorgio Lamberti (Don Jose) & Graciela Alperyn (Carmen) | Carmen: Act I: Sequidilla & Duet: Pres Des Remparts De Seville (Carmen, Don Jose) | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Marilyn Horne, Susan Quittmeyer, Julie Kaufmann, Sharon Sweet, Alan Titus, Frank Lopardo & Oliviero de Fabritiis | Falstaff; Act 3, Scene 1: Provvedi le lanterne | |
| | Alan Titus, Doina Palade (Miacaela), Giorgio Lamberti (Don Jose) & Graciela Alperyn (Carmen) | Carmen: Act II: Chorus: Vivat! Vivat Le Torero! | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Francesco Ellero d'Argenta, Ulrich Ress, Alan Titus & Oliviero de Fabritiis | Falstaff; Act 2, Scene 2: Al ladro! | |
| | Slovak Philharmonic Chorus, Ann Liebeck, Slovak Radio Symphony Orchestra, Alexander Rahbari, Graciela Alperyn, Giorgio Lamberti, Alan Titus & Doina Palade | Carmen: Prelude to Act III | |
| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act II No. 16: Finale - Heil! Heil sei dem Tag! (People and Prisoners) | |
| | Pinchas Steinberg, Alan Titus & Münchner Rundfunkorchester | La Wally: Hagenbach Qui? | |
| | Leonard Bernstein, New York Philharmonic, Gwendolyn Killebrew, Patricia Wells, Norman Scribner Choir, Michael Devlin & Alan Titus | Mass in C Major, Hob. XXII:9 "Paukenmesse": I. Kyrie. Largo - Allegro moderato | |
| | Graciela Alperyn, Giorgio Lamberti, Ann Liebeck, Doina Palade, Danilo Rigosa, Dalia Schaechter, Alan Titus, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra & Alexander Rahbari | Carmen, WD 31, Act I: La cloche a sonnée (Cigarette Factory Girls) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act I: Dialogue: Hauptmann! Besteigen Sie mit einem Trompeter (Pizarro, Rocco) | |
| | Rafael Kubelik, Symphonieorchester des Bayerischen Rundfunks, Edith Mathis, Alan Titus & Rainer Scholze | Don Giovanni, K. 527, Act I: Tra quest' arbori celata | |
| | Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, David Syrus, Ingrid Kertesi, Alan Titus, Cornelia Kallisch, Heinz Zednik, Siegmund Nimsgern, Helen Donath, Julia Varady, Marilyn Schmiege, Ferruccio Furlanetto, Claes H. Ahnsjö & Gerhard Auer | Le nozze di Figaro: In quegli anni, in cui val poco (Aria) | |
| | Alan Titus, Doina Palade (Miacaela), Giorgio Lamberti (Don Jose) & Graciela Alperyn (Carmen) | Carmen: Act I: Tra La La La, Coupe-Moi (Carmen, Don Jose) | |
| | Alan Titus, Doina Palade (Miacaela), Giorgio Lamberti (Don Jose) & Graciela Alperyn (Carmen) | Carmen: Act I: Chorus Of Cigarette-Factory Girls: La Cloche A Sonnee (Don Jose) | |
| | Graciela Alperyn, Giorgio Lamberti, Ann Liebeck, Doina Palade, Danilo Rigosa, Dalia Schaechter, Alan Titus, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra & Alexander Rahbari | Carmen, WD 31, Act II: Finale. Holà! Carmen! holà! holà! (Zuniga, Don José, Carmen) | |
| | Leonard Bernstein, Alan Titus & Mass Studio Cast Orchestra | Mass - A Theatre Piece for Singers, Players and Dancers: XIII. The Lord's Prayer: No. 2, Trope: "I Go On" (Remastered 2017) | |
| | Alan Titus, Beverly Sills, Henry Newman, London Symphony Orchestra, Alfredo Kraus, Donald Gramm, Sarah Caldwell & Ambrosian Opera Chorus | Don Pasquale, ATTO TERZO Sesta Scena: Com' è gentil la notte a mezzo (Ernesto/Coro) | |
| | Alan Titus, Beverly Sills, Henry Newman, London Symphony Orchestra, Alfredo Kraus, Donald Gramm, Sarah Caldwell & Ambrosian Opera Chorus | Don Pasquale, ATTO TERZO Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | |
| | Leonard Bernstein, Alan Titus, Maurice Peress, Norman Scribner Choir & The Berkshire Boy Choir | Mass. A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 2. Gloria in excelsis | |
| | Sir Colin Davis, Alan Titus, Symphonieorchester des Bayerischen Rundfunks, David Syrus, Chor des Bayerischen Rundfunks & Michael Gläser | Non più andrai (Aria) from Le nozze di Figaro, K. 492 | |
| | Alan Titus, Antal Doráti & Orchestre de Chambre de Lausanne | La fedeltà premiata: "Di questo audace ferro" | |
| | Pinchas Steinberg, Francesco Ellero d'Artegna, Alan Titus & Münchner Rundfunkorchester | La Wally: L'Hagenbach? L'aborro! | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act II: Dialogue: Er erwacht! (Leonore, Rocco, Florestan) | |
| | Alan Titus, Symphonieorchester des Bayerischen Rundfunks & Bernard Haitink | Die Jahreszeiten, Hob. XXI:3, Pt. 2 "Der Sommer": No. 10, Der munt're Hirt versammelt nun (Live) | |
| | Pinchas Steinberg, Francesco Ellero d'Artegna, Julie Kaufmann, Alan Titus, Francisco Araiza, Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester | La Wally: Non C'è Che Dir! | |
| | Alan Titus, Doina Palade, Ann Liebeck, Slovak Radio Symphony Orchestra, Alexander Rahbari, Slovak Philharmonic Chorus, Graciela Alperyn & Giorgio Lamberti | Carmen, Act I: Seguidilla and Duet. Pres des remparts de Seville (Carmen, Don Jose) | |
| | Leonard Bernstein, New York Philharmonic, Norman Scribner Choir & Alan Titus | Mass in C Major, Hob. XXII:9 "Paukenmesse": IIb. Gloria. Qui tollis peccata mundi. Adagio | |
| | Alan Titus, Symphonieorchester des Bayerischen Rundfunks & Bernard Haitink | Die Jahreszeiten, Hob. XXI:3, Pt. 3 "Der Herbst": No. 24, Steht auf die breiten Wiesen hin! (Live) | |
| | Pinchas Steinberg, Francesco Ellero d'Artegna, Alan Titus, Julie Kaufmann, Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester | La Wally, Act I: Prelude... Tra la la! tra la la! | |
| | Herbert Lippert, Julie Kaufmann, Alan Titus, Symphonieorchester des Bayerischen Rundfunks & Bernard Haitink | Die Jahreszeiten, Hob. XXI:3, Pt. 4 "Der Winter": No. 33, So wie er naht (Live) | |
| | Herbert Lippert, Alan Titus, Symphonieorchester des Bayerischen Rundfunks & Bernard Haitink | Die Jahreszeiten, Hob. XXI:3, Pt. 2 "Der Sommer": No. 9, in grauem Schleier rückt heran (Live) | |
| | London Symphony Orchestra, Sarah Caldwell, Alan Titus & Donald Gramm | Don Pasquale: Bella siccome un angelo (Malatesta/Pasquale) | |
| | Slovak Radio Symphony Orchestra, Alan Titus, Doina Palade, Graciela Alperyn, Giorgio Lamberti, Ann Liebeck, Slovak Philharmonic Chorus & Alexander Rahbari | Carmen: Prelude to Act II | |
| | Pinchas Steinberg, Julie Kaufmann, Alan Titus & Münchner Rundfunkorchester | La Wally: Un Di, Verso Il Murzoll | |
| | Leonard Bernstein, Alan Titus, Maurice Peress, Norman Scribner Choir & The Berkshire Boy Choir | Mass. A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 3. Epiphany | |
| | Graciela Alperyn, Giorgio Lamberti, Alan Titus, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Alexander Rahbari, Doina Palade & Ann Liebeck | Carmen, Act I: La cloche a sonnee (Cigarette Factory Girls) | |
| | Graciela Alperyn, Giorgio Lamberti, Ann Liebeck, Doina Palade, Danilo Rigosa, Dalia Schaechter, Alan Titus, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra & Alexander Rahbari | Carmen, WD 31, Act III: Sextet and Chorus. Écoute, écoute, compagnon (Carmen, Don José, le Dancaire, Le Remendado, Frasquita, Mercedes, Smugglers) | |
| | Leonard Bernstein, Alan Titus, Norman Scribner Choir & The Berkshire Boy Choir | Mass: XIV. Sanctus: "Holy! Holy! Holy!..." | |
| | Leonard Bernstein, Alan Titus, Maurice Peress, Norman Scribner Choir & The Berkshire Boy Choir | Mass. A Theatre Piece for Singers, Players and Dancers: IV. Confession: 1. Confiteor | |
| | Leonard Bernstein, Alan Titus, Barbara Williams, David Cryer, Ed Dixon, John D. Anthony, Jonathan Gram, Joy Franz, Margaret Cowie, Maurice Peress, Norman Scribner Choir, Ronald Young & The Berkshire Boy Choir | Mass. A Theatre Piece for Singers, Players and Dancers: XVII. Pax: Communion ("Secret Songs") | |
