| | Carlo Rizzi, Jerry Hadley, Welsh National Opera Orchestra & Thomas Hampson | Les Pêcheurs de Perles, Act 1: "Au Fond du Temple Saint" [Nadir, Zurga] - Excerpt | |
| | Carlo Rizzi, Jerry Hadley, Welsh National Opera Orchestra & Thomas Hampson | Bizet : Les Pêcheurs de Perles : Act 1 "Au Fond Du Temple Saint" [Nadir, Zurga] - Excerpt | |
| | Anne Sofie von Otter, Jerry Hadley, Kent Nagano & Orchestre de l'Opéra de Lyon | Werther, Act 3: "Pourquoi Me Réveiller" [Werther, Charlotte] | |
| | Jerry Hadley, Richard Bonynge & Münchner Rundfunkorchester | Der Zarewitsch: Wolgalied | |
| | Eugene Perry, Henry Perry & Jerry Hadley | Symphonic Sondheim: Sweeney Todd | |
| | Karita Mattila, Jerry Hadley, Jorge Pita, Wiener Philharmoniker, Claudio Abbado, Chor der Wiener Staatsoper & Walter Hagen-Groll | Mass No. 6 in E-Flat, D. 950: Credo - "Et incarnatus est" - Andante | |
| | Jerry Hadley, Orchestra dell'Accademia Nazionale di Santa Cecilia & Leonard Bernstein | La Bohème, Act 1: "Che gelida manina" | |
| | Ambrosian Chorus, David Garrison, Frederica von Stade, Jerry Hadley, John McGlinn, Karla Burns, Lillian Gish, London Sinfonietta, Nancy Kulp, Paige O'Hara, Robert Nichols & Teresa Stratas | Show Boat, Act One Scene One: Niggers all work on de Mississippi | |
| | Frederica von Stade, Jerry Hadley, John McGlinn, London Sinfonietta & Nancy Kulp | Show Boat, Act I: You are love | |
| | Carlo Rizzi, Jerry Hadley, Samuel Ramey, Susanne Mentzer, Welsh National Opera Chorus & Welsh National Opera Orchestra | Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | |
| | Carolann Page, Jerry Hadley & Paul Gemignani | With So Little to Be Sure of (From "Anyone Can Whistle") | |
| | Anne Sofie von Otter, Jerry Hadley, Kent Nagano & Orchestre de l'Opéra de Lyon | Massenet : Werther : Act 3 "Pourquoi Me Réveiller" [Werther, Charlotte] | |
| | Ruth Ann Swenson & Jerry Hadley | Stranger in Paradise | |
| | Karita Mattila, Marjana Lipovšek, Jerry Hadley, Robert Holl, Wiener Philharmoniker, Claudio Abbado, Chor der Wiener Staatsoper & Walter Hagen-Groll | Mass No. 6 in E-Flat, D. 950: Agnus Dei - "Agnus Dei, qui tollis peccata mundi" | |
| | Carlo Rizzi, Cecilia Gasdia, Jerry Hadley, Samuel Ramey, Welsh National Opera Chorus & Welsh National Opera Orchestra | Faust : Act 2 "Marguerite!" [Faust, Marguerite, Méphistophélès] | |
| | Staatskapelle Dresden, Sir Colin Davis, Chor der Staatsoper Dresden, Robert Holl, Nora Gubisch, Ute Selbig & Jerry Hadley | A Child of Our Time: Part II: Men Were Ashamed of What Was Done (Bass) | |
| | Choeur de l'Opéra de Lyon, Kent Nagano, Orchestre de l'Opéra de Lyon & Jerry Hadley | The Rake's Progress, Act III, Scene 3: Dialogue. "Madmen's Words Are All Untrue" (Chorus, Tom) | |
| | Marie McLaughlin, Leonard Bernstein, Symphonieorchester des Bayerischen Rundfunks, Maria Ewing, Chor des Bayerischen Rundfunks, Jerry Hadley, Cornelius Hauptmann & Wolfgang Seeliger | Requiem in D Minor, K. 626: IX. Domine Jesu (Offertorium) | |
| | June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra & Leonard Bernstein | Candide, Act I: 2. Life Is Happiness Indeed | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Dame Felicity Lott, Marie McLaughlin, Nuccia Focile, Jerry Hadley, Alessandro Corbelli & Gilles Cachemaille | Così fan tutte, K. 588, Act II: Finale. Ah, signor, son rea di morte | |
| | Ambrosian Chorus, David Garrison, Frederica von Stade, Jerry Hadley, John McGlinn, Karla Burns, Lillian Gish, London Sinfonietta, Nancy Kulp, Paige O'Hara, Robert Nichols & Teresa Stratas | Show Boat, Appendix: Music in the air and a crowd on the floor | |
| | Robert Shaw, Atlanta Symphony Orchestra, Reid Bartelme, Jerry Hadley & Thomas Hampson | Elijah, Op. 70, MWV A 25, Pt. 1: No. 19, O Man of God, Help Thy People! | |
| | Robert Shaw, Atlanta Symphony Orchestra, Arleen Auger, Delores Ziegler, Jerry Hadley & Tom Krause | Requiem in D Minor, K. 626: IIId. Sequenz. Recordare | |
| | English Chamber Orchestra, Jerry Hadley, Nancy Gustafson & Richard Bonynge | The Land of Smiles, Act I: Finale. We Are Alone | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Dame Felicity Lott, Marie McLaughlin, Jerry Hadley & Gilles Cachemaille | Così fan tutte, K. 588, Act I: Recitativo. La commedia è graziosa | |
| | Carl Davis, Royal Liverpool Philharmonic Orchestra, Royal Liverpool Philharmonic Choir, Choristers of Liverpool Cathedral, Jerry Hadley & Willard White | Liverpool Oratorio, II. School: 'We're Here in School Today to Get a Perfect Education' | |
| | Jerry Hadley, Deutsches Symphonie-Orchester Berlin, Kent Nagano & Rundfunkchor Berlin | Mass I. Devotions before Mass: III. Responsory: "Alleluia" | |
| | Jerry Hadley, Angelina Reaux, Orchestra dell'Accademia Nazionale di Santa Cecilia & Leonard Bernstein | La Bohème: "Non sono in vena!" | |
| | Ambrosian Chorus, David Garrison, Frederica von Stade, Jerry Hadley, John McGlinn, Karla Burns, Lillian Gish, London Sinfonietta, Nancy Kulp, Paige O'Hara, Robert Nichols & Teresa Stratas | Show Boat, Act One Scene Four: Hello, Windy | |
| | Jerry Hadley, Deutsches Symphonie-Orchester Berlin, Kent Nagano & Rundfunkchor Berlin | Mass II. First Introit (Rondo): I. Prefatory Prayers | |
| | Angela Maria Blasi, Sir Neville Marriner, Academy of St Martin in the Fields, Sylvia McNair, Iris Vermillion, Jerry Hadley, Claes-Håkon Ahnsjö & John Constable | Il Re Pastore, K. 208: "Viva, Viva L'invitto Duce" | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Scottish Chamber Orchestra Chorus, Barbara Hendricks, Jerry Hadley, Peter Svensson & Alastair Miles | Die Zauberflöte, K. 620, Act II: Dreiter Finale. Wir wandeln durch des Tones Macht | |
| | Ruth Ann Swenson & Jerry Hadley | Paradise Garden | |
| | Jerry Hadley, Thomas Hampson, Angelina Reaux, Orchestra dell'Accademia Nazionale di Santa Cecilia & Leonard Bernstein | La Bohème: "Mimì è tanto malata!" | |
| | Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks & Leonard Bernstein | Requiem, K. 626: IIIb. Tuba mirum (Orch. Beyer) | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Jerry Hadley, Alessandro Corbelli & Gilles Cachemaille | Così fan tutte, K. 588, Act I: Terzetto. Una bella serenata | |
| | Diana Soviero, Jerry Hadley, Brian Schexnayder & Rico Saccani | La Traviata: Act III, Scene II, "Noi Siamo Zingarelle..." | |
| | English Chamber Orchestra, Richard Bonynge, Jerry Hadley & London Voices | Giuditta, Scene 1: Comrades, This Life Is the Life for Me! | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Alessandro Corbelli, Jerry Hadley, Christine Brewer & Dame Felicity Lott | Don Giovanni, K. 527, Act I: Finale I. Bisogna aver coraggio | |
| | Angelina Reaux, Jerry Hadley, James Busterud, Thomas Hampson, Paul Plishka, Orchestra dell'Accademia Nazionale di Santa Cecilia & Leonard Bernstein | La bohème, Act II: Viva Parpignol! | |
| | Diana Soviero, Jerry Hadley, Brian Schexnayder & Rico Saccani | La Traviata: Act IV, Scene V, "Parigi O Cara" | |
| | Jerry Hadley, Robert Holl, Nora Gubisch, Ute Selbig, Staatskapelle Dresden, Sir Colin Davis & Chor der Staatsoper Dresden | A Child of Our Time: Part I: I Have No Money for My Bread (Tenor) | |
| | Robert Shaw, Atlanta Symphony Orchestra, Paul Plishka, Diane Curry, Susan Dunn & Jerry Hadley | Requiem: II. Dies irae | |
| | Kent Nagano, Orchestre de l'Opéra de Lyon & Jerry Hadley | The Rake's Progress, Act I, Scene 1: Recitative. "Here I Stand" (Tom) | |
| | Jerry Hadley | Act 3, Scene 3 | |
| | Ambrosian Chorus, David Garrison, Frederica von Stade, Jerry Hadley, John McGlinn, Karla Burns, Lillian Gish, London Sinfonietta, Nancy Kulp, Paige O'Hara, Robert Nichols & Teresa Stratas | Show Boat, Act Two Scene Nine: Cotton Blossom, Cotton Blossom | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras & Jerry Hadley | Così fan tutte, K. 588, Act II: Aria. Ah, lo veggio, quell'anima bella | |
| | Samuel Ramey, Kent Nagano, Orchestre de l'Opéra de Lyon, Dawn Upshaw & Jerry Hadley | The Rake's Progress, Act III, Scene 2: Duet. "Well Then. My Heart Is Wild" (Nick, Tom, Anne) | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Jerry Hadley, Gottfried Hornik & Peter Svensson | Die Zauberflöte, K. 620, Act I: Erster Finale. Die Weisheitslehre dieser Knaben | |
| | Jerry Hadley, London Symphony Orchestra & Leonard Bernstein | Candide: I Must Be So | |
