| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: VII. In Paradisum | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: IV. Pie Jesu | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: III. Sanctus | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: I. Introit Et Kyrie | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: VI. Libera Me | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: V. Agnus Dei | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Opus 48: II. Offertoire | |
| | Håkan Hagegård & Warren Jones | Poème D'un Jour, Opus 21: Poème D'un Jour, Opus 21/Rencontre, No. 1 | |
| | Arnold Östman, The Drottningholm Court Theatre Orchestra & Håkan Hagegård | Don Giovanni, K. 527, Act I: Fin ch'han dal vino | |
| | Beverly Sills, Håkan Hagegård, Nicola Rescigno & The Metropolitan Opera Orchestra | Don Pasquale, Act I: E il dottor non si vede! — Pronta io son | |
| | Håkan Hagegård, Adolf Fredrik Baroque Ensemble & Anders Öhrwall | Wachet auf, ruft uns die Stimme, BWV 140: V. Recitative (Bass): So geh herein zu mir | |
| | Svein Sturla Hungnes, Marita Solberg, Kari Simonsen, Andrea Braein Hovig, Bjorn Willberg Andersen, Stale Bjornhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppanen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra & Ole Kristian Ruud | Peer Gynt, Op. 23, Act III: Scene 4, Ases dod (The Death of Ase) | |
| | Håkan Hagegård, Gabriel Bacquier, Nicola Rescigno & The Metropolitan Opera Orchestra | Don Pasquale, Act I: Bella siccome un angelo | |
| | Håkan Hagegård & Thomas Schuback | An den Tod, D. 518 | |
| | José Carreras, Ingvar Wixell, Katia Ricciarelli, Håkan Hagegård, Robert Lloyd, Francis Egerton, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | La Bohème / Act 2: "Chi guardi?" - "Ecco i giocattoli di Parpignol" | |
| | Svein Sturla Hungnes, Marita Solberg, Kari Simonsen, Andrea Braein Hovig, Bjorn Willberg Andersen, Stale Bjornhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppanen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra & Ole Kristian Ruud | Peer Gynt, Op. 23, Act V: Prelude. Peer Gynts hjemfart. Stormfull aften på havet (Peer Gynt’s Homecoming. Stormy Evening at Sea) | |
| | Håkan Hagegård & Thomas Schuback | 3 Gedichte: No. 2. Des Narren Regenlied | |
| | Håkan Hagegård & Warren Jones | En Sourdine, Opus 58, No. 2 | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Boston Symphony Orchestra, John Oliver & Tanglewood Festival Chorus | Requiem, Op. 48: Agnus Dei | |
| | Atlanta Symphony Orchestra, Robert Shaw & Håkan Hagegård | Carmina Burana, Pt. 2: No. 11, Estuans interius | |
| | Håkan Hagegård & Warren Jones | 2 Songs, Op. 4: No. 1, Chanson du pêcheur | |
| | Brigitte Fassbaender, Ulf Schirmer, Wiener Philharmoniker, Olaf Bär, Håkan Hagegård, Victor von Halem, Dame Kiri Te Kanawa & Uwe Heilmann | Capriccio, Op. 85 / 4. Szene: "Ihr geht. Entließ schon die Macht" | |
| | José Carreras, Ingvar Wixell, Ashley Putnam, Håkan Hagegård, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | La Bohème / Act 4: "Che ha detto il medico?" | |
| | Håkan Hagegård, Arleen Auger, Barbara Bonney, The Drottningholm Court Theatre Orchestra & Arnold Östman | Le nozze di Figaro, K. 492, Act II: "Esci, ormai, garzon malnato.Susanna!. Signore!" | |
| | Håkan Hagegård, Het Koninklijk Concertgebouworkest & Riccardo Chailly | Lyrische Symphonie, Op. 18: I. Langsam | |
| | Jesús López-Cobos, Håkan Hagegård, Jennifer Larmore, Raul Gimenez & Orchestre de Chambre de Lausanne | Il barbiere di Siviglia, Act II: Ah, qual colpo inaspettato! (Rosina, Conte, Figaro) | |
| | Seiji Ozawa, Boston Symphony Orchestra, Håkan Hagegård & Tanglewood Festival Chorus | Requiem in D Minor, Op. 48: VI. Libera me | |
| | Beverly Sills, Gabriel Bacquier, Håkan Hagegård, Alfredo Kraus, Nicola Rescigno & The Metropolitan Opera Orchestra | Don Pasquale, Act II: Riunita immantinente — Son tradito | |
| | Emanuel Ax & Håkan Hagegård | Schwanengesang, D. 957: XI. Die Stadt. Mässig geschwind | |
| | Håkan Hagegård & Thomas Schuback | Stjärnan | |
| | Håkan Hagegård & Gunnar Idenstam | Sorgen Och Gladjen | |
| | Seiji Ozawa, Barbara Bonney, Håkan Hagegård, Tanglewood Festival Chorus, John Oliver & Boston Symphony Orchestra | Requiem, Op. 48: Libera me | |
| | Birgit Nordin, Håkan Hagegård, Per Jonsson, Helsingborg Concert Hall Choir, Helsingborg Symphony Orchestra & Sten Frykberg | Forkladd gud, Op. 24: Tror du, att faren skulle… (Do you think That sheep…) [Baritone, Soprano, Chorus] [the Disguised God] | |
| | Leonard Slatkin, Håkan Hagegård, Sylvia McNair, Saint Louis Symphony Chorus, St. Louis Symphony Orchestra & John Aler | Carmina burana: Tempus est iocundum | |
| | Seiji Ozawa, Håkan Hagegård, Tanglewood Festival Chorus, Henk Kooistra, Barbara Bonney, Boston Symphony Orchestra & John Oliver | Requiem, Opus 48: III. Sanctus | |
| | Stefan Parkman, Academy Chamber Choir of Uppsala & Håkan Hagegård | Trees: I. !blac | |
| | Håkan Hagegård, Kurt Streit, The Drottningholm Court Theatre Chorus, The Drottningholm Court Theatre Orchestra & Arnold Östman | Die Zauberflöte, K. 620, Act I: "Wo willst du kühner Fremdling hin?" | |
| | Katia Ricciarelli, José Carreras, Ingvar Wixell, Håkan Hagegård, Robert Lloyd, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | La Bohème / Act 2: "Viva Parpignol..." - "Una cuffietta a pizzi" | |
| | Håkan Hagegård & Emanuel Ax | Die schöne Müllerin, Op. 25, D. 795: 6. Der Neugierige | |
| | Arnold Östman, The Drottningholm Court Theatre Orchestra, Håkan Hagegård & Barbara Bonney | Don Giovanni, K. 527, Act I: Alfin siam liberati | |
| | Barbara Bonney, Kristinn Sigmundsson, Kurt Streit, Gilles Cachemaille, Håkan Hagegård, The Drottningholm Court Theatre Orchestra & Arnold Östman | Die Zauberflöte, K. 620, Act 2: "Soll ich dich, Teurer, nicht mehr sehn?" | |
| | Håkan Hagegård, Anders Ohrwall & Stockholm Bach Choir | Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau": Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" | |
| | Håkan Hagegård, Het Koninklijk Concertgebouworkest & Riccardo Chailly | Lyrische Symphonie, Op. 18: V. Feurig und kraftvoll | |
| | Olaf Bär, Ulf Schirmer, Wiener Philharmoniker, Victor von Halem, Håkan Hagegård, Dame Kiri Te Kanawa & Uwe Heilmann | Capriccio, Op. 85 / 3. Szene: "Die Bühne ist fertig" | |
| | Håkan Hagegård, Nico Castel, Gabriel Bacquier, Beverly Sills, Alfredo Kraus, Nicola Rescigno & The Metropolitan Opera Orchestra | Don Pasquale, Act II: Fra da una parte — Ah, figliuol, non mi far scene | |
| | Della Jones, Gilles Cachemaille, Håkan Hagegård, Arnold Östman & The Drottningholm Court Theatre Orchestra | Don Giovanni, K. 527, Act II: "Ah! taci, ingiusto core" | |
| | Håkan Hagegård & Thomas Schuback | 5 Gesänge, Op. 71 (text by K. Simrock): An den Mond, Op. 71, No. 2 | |
| | Håkan Hagegård, Gorild Mauseth, Bergen Philharmonic Choir, Bergen Philharmonic Orchestra & Ole Kristian Ruud | Sigurd Jorsalfar, Op. 22: VIII. The King's Song | |
| | Håkan Hagegård, Jussi Björling, Birgit Nilsson, Orphei Drängar, Adolf Fredriks Bachskör & Gösta Winbergh | Julsång (O Helga Natt) | |
| | Håkan Hagegård & Thomas Schuback | Minnesång | |
