| | West German Radio Symphony Orchestra, West German Radio Chorus, Margot Guilleaume, Ewald Kaldeweier, Johannes Feyerabend, Margit Kobeck & Günter Wand | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Agnus Dei | |
| | Günter Wand, Margit Kobeck, Johannes Feyerabend, Ewald Kaldeweier, Margot Guilleaume, West German Radio Chorus & West German Radio Symphony Orchestra | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Benedictus | |
| | West German Radio Symphony Orchestra, West German Radio Chorus, Margot Guilleaume, Ewald Kaldeweier, Johannes Feyerabend, Margit Kobeck & Günter Wand | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Gloria | |
| | Günter Wand, Margit Kobeck, Johannes Feyerabend, Ewald Kaldeweier, Margot Guilleaume, West German Radio Chorus & West German Radio Symphony Orchestra | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Kyrie | |
| | Fritz Wunderlich, Hermann Werdermann, Margot Guilleaume, Bertha Krimm, Walter Henschel, Karl-Georg Mentrup, Hermann Klaiss, Max Schulze & Erika Winkler | 3 Motets concertati: No. 2, Plorabo die ac nocte | |
| | Bachorchester Stuttgart, Hans Grischkat, Schwäbischer Singkreis, Margot Guilleaume, Friederike Sailer & Heinz Marten | Vespro della Beata Vergine: Ave maris stella | |
| | Gertrud Pitzinger, Hans Schmidt-Isserstedt, NDR Elbphilharmonie Orchestra, Josef Greindl, Margot Guilleaume & Walter Geisler | Mass in B Minor, BWV 232: Et resurrexit (choir) | |
| | Margot Guilleaume, Stuttgarter Bach-Orchester & Hans Grischkat | Jauchzet Gott in allen Landen, BWV 51: Recitative. "Wir beten zu dem Tempel an" | |
| | Richard Holm, West German Radio Chorus, Gerhard Gröschel, Margot Guilleaume, Cologne Gurzenich Orchestra & Günter Wand | Stabat Mater In F Minor, D. 383: Trio: Erdenfreuden Und Ihr Elend (Soprano, Tenor, Bass) | |
| | Bruno Müller, Hans Grischkat, Margot Guilleaume, Barbara Groth & Pro Musica Orchestra | Cantata No. 27 "Mein Herz ist bereit" | |
| | Margot Guilleaume, Hetty Plümacher, Werner Hohmann, Gustav Neidlinger, Elinor Junker-Giesen, Gertrud Jenne, Alfred Pfeifle, Rolf Reinhardt & Stuttgart Tonstudio Orchestra | The Girl In Gardener's Disguise, K. 196: Overture | |
| | Stuttgarter Bach-Orchester, Hans Grischkat, Margot Guilleaume & Friederike Sailer | Vespro della Beata Vergine: Pulchra es | |
| | Eduard Müller & Margot Guilleaume | Trattado de Glosas, Libro II: Madrigal. "O felici occhi miei" | |
| | Margit Kobeck, Margot Guilleaume, Ewald Kaldeweier, Johannes Feyerabend, West German Radio Chorus, Günter Wand & West German Radio Symphony Orchestra | Mass No. 16 in C Major, K. 317, "Krönungsmesse" (Coronation Mass): Sanctus | |
| | Margot Guilleaume, Maria Reith, Diana Eustrati, Rundfunk-Sinfonieorchester Berlin & Ferenc Fricsay | Die Zauberflöte, K. 620, Act II: "Seid uns zum zweiten Mal willkommen" | |
| | Margot Guilleaume & Helmut Tramnitz | Schemellis Gesangbuch: Ich steh’ an deiner Krippen hier, BWV 469 | |
| | NDR-Sinfonieorchester, Josef Greindl, Hans Schmidt-Isserstedt, Walter Geisler, Margot Guilleaume & Gertrud Pitzinger | Mass in B Minor, BWV 232: No. 7, Gratias Agimus Tibi | |
| | Margot Guilleaume & Helmut Tramnitz | Schemelli's Songbook: So wünsch’ ich mir zu guter Letzt, BWV 502 | |
| | Bachorchester Stuttgart, Hans Grischkat, Werner Hohmann, Heinz Marten, Schwäbischer Singkreis & Margot Guilleaume | Vespro della Beata Vergine, Magnificat a 7: Gloria Patri | |
| | Richard Holm, Margot Guilleaume, Cologne Gurzenich Orchestra, Gerhard Gröschel, Günter Wand & West German Radio Chorus | Stabat Mater in F Minor, D. 383: Trio and Chorus. Dass dereinst wir, wenn im Tode (Soprano, Tenor, Bass, Chorus) | |
| | Margot Guilleaume, August Wenzinger, Fritz Neumeyer, Helmut Winschermann, Ulrich Grehling & Gustav Scheck | 9 German Arias, HWV 209: No. 8, "In der angenehmen Büschen" | |
| | NDR Elbphilharmonie Orchestra, Margot Guilleaume, Josef Greindl, Hans Schmidt-Isserstedt, Gertrud Pitzinger & Walter Geisler | Mass in B Minor, BWV 232: Osanna (choir) | |
| | Margot Guilleaume, Werner Hohmann, Morst Günter, Metty Plümacher, Hans Grischkat, Der Schwäbische Singkreis & Bach Orchester Stuttgart | Mass in B Minor, BWV 232: I.a. Kyrie eleison | |
| | Fritz Wunderlich, Margot Guilleaume, Bernhard Michaelis, Helmut Krebs, Hamburg Staatliche Hochschule fur Musik Choir, August Wenzinger, Orchestra of the Sommerliche Musiktage Hitzacher 1955, Hanni Mack-Cosack, Peter Offermanns, Clemens Kaiser-Breme & Jeanne Deroubaix | L'Orfeo: Act IV | |
| | Margot Guilleaume, Hetty Plümacher, Werner Hohmann, Gustav Neidlinger, Elinor Junker-Giesen, Gertrud Jenne, Alfred Pfeifle & Rolf Reinhardt | The Girl In Gardener's Disguise, K. 196: Act III, Numbers 24 Through 28 | |
| | Richard Holm, Margot Guilleaume, Günter Wand, Gerhard Gröschel, Cologne Gurzenich Orchestra & West German Radio Chorus | Stabat Mater in F Minor, D. 383: Erben sollen sie am Throne (Chrous) | |
| | Margot Guilleaume & Fritz Neumeyer | An die Einsamkeit, K. 391 | |
| | Südwestdeutsches Kammerorchester, Mathieu Lange, Carl Gorvin, Margot Guilleaume & Jeanne Deroubaix | Stabat Mater: Stabat mater dolorosa | |
| | Gertrud Pitzinger, Margot Guilleaume, Hans Schmidt-Isserstedt, Josef Greindl, Walter Geisler & NDR Elbphilharmonie Orchestra | Mass in B Minor, BWV 232: Benedictus (Tenor) | |
| | Bachorchester Stuttgart, Hans Grischkat, Werner Hohmann, Heinz Marten, Schwäbischer Singkreis, Margot Guilleaume, Friederike Sailer, Lotte Wolf-Matthäus & Franz Kelch | Vespro della Beata Vergine: Laudate pueri | |
| | Margot Guilleaume & Fritz Neumeyer | Sehnsucht nach dem Frühling, K. 596 | |
| | Margot Guilleaume & Fritz Neumeyer | Clavierbüchlein für Anna Magdalena Bach, Vol. II: So oft ich meine Tobackspfeife (Formerly Attributed to Johann Sebastian Bach as BWV 515) | |
| | West German Radio Symphony Orchestra, West German Radio Chorus, Johannes Feyerabend, Ewald Kaldeweier, Günter Wand, Margit Kobeck & Margot Guilleaume | Mass No. 16 in C Major, K. 317, "Krönungsmesse" (Coronation Mass): Benedictus | |
| | West German Radio Chorus, Cologne Gurzenich Orchestra, Gerhard Gröschel, Günter Wand, Margot Guilleaume & Richard Holm | Stabat Mater in F Minor, D. 383: Aria. Sohn des Vaters, aber leiden müssen deine Bruder (Bass) | |
| | Fritz Wunderlich, Margot Guilleaume, Bernhard Michaelis, Helmut Krebs, Hamburg Staatliche Hochschule fur Musik Choir, August Wenzinger, Orchestra of the Sommerliche Musiktage Hitzacher 1955, Hanni Mack-Cosack, Peter Offermanns, Clemens Kaiser-Breme & Jeanne Deroubaix | L'Orfeo: Toccata - Prologo | |
| | NDR Elbphilharmonie Orchestra, Walter Geisler, Hans Schmidt-Isserstedt, Josef Greindl, Gertrud Pitzinger & Margot Guilleaume | Mass in B Minor, BWV 232: Crucifixus (choir) | |
| | Helmut Krebs, Hanni Mack-Cosack, Margot Guilleaume, Hildegard Wild, Hamburg State Music Academy Chorus, Hitzacker Summer Festival 1955 Orchestra & August Wenzinger | L'Orfeo : Act III | |
| | Walter Geisler, Gertrud Pitzinger, Margot Guilleaume, Hans Schmidt-Isserstedt, NDR-Sinfonieorchester & Josef Greindl | Mass in B Minor, BWV 232: Laudamus | |
| | Margot Guilleaume, August Wenzinger, Fritz Neumeyer, Helmut Winschermann, Ulrich Grehling & Gustav Scheck | Neun deutsche Arien: In der angenehmen Büschen, HWV 209 | |
| | Bach Orchester Stuttgart, Der Schwäbische Singkreis, Hans Grischkat, Margot Guilleaume, Werner Hohmann, Morst Günter & Metty Plümacher | Mass in B Minor, BWV 232: II.a. Gloria in excelsis | |
| | Margot Guilleaume & Helmut Tramnitz | Schemellis Gesangbuch: So wünsch’ ich mir zu guter Letzt, BWV 502 | |
| | Radio-Sinfonieorchester Stuttgart, Hans Müller-Kray, Margot Guilleaume, Christo Bajew & Benno Kusche | Die neugierigen Frauen, Act III, Scene 8: "Na, also? Geh' weiter, Dummian!" (Rosaura, Florindo, Arlecchino) | |
| | Fritz Wunderlich, Clemens Kaiser-Breme, Margot Guilleaume, Horst Gunter, Orchester der "Sommerlichen Musiktage Hitzacker 1955" & August Wenzinger | L'Orfeo, Act 4: O de gli abitator de l'ombre eterne | |
| | Ernest Ansermet, Margot Guilleaume & Cologne Radio Symphony Orchestra | The Martyrdom of Saint Sebastian, L. 124, Act 2 (Sung in German): Erigonum Melos | |
| | Margot Guilleaume, Walter Gerwig, August Wenzinger & Eduard Müller | Trattado de glosas: Un Madrigal a 4 "O felici occhi miei" con 2 Recercadas sobre el mesmo madrigal | |
| | RIAS Symphonie-Orchester, Ferenc Fricsay, Rita Streich, Josef Greindl, Ernst Haefliger, Lisa Otto, Kim Borg, Martin Vantin, Marianne Schech, Liselotte Losch, Howard Vandenburg, Margot Guilleaume, Maria Reith, Diana Eustrati, Margarete Klose, Dietrich Fischer & Maria Srader | The Magic Flute, K. 620, Act II: "Die Strahlen der Sonne vertriben die Nacht" | |
| | Margot Guilleaume & Fritz Neumeyer | Das Veilchen, K. 476 | |
| | West German Radio Chorus, Günter Wand, Gerhard Gröschel, Cologne Gurzenich Orchestra, Margot Guilleaume & Richard Holm | Stabat Mater in F Minor, D. 383: Trio. Erdenfreuden und ihr Elend (Soprano, Tenor, Bass) | |
| | Fritz Wunderlich, Margot Guilleaume, Bernhard Michaelis, Helmut Krebs, Hamburg Staatliche Hochschule fur Musik Choir, August Wenzinger, Orchestra of the Sommerliche Musiktage Hitzacher 1955, Hanni Mack-Cosack, Peter Offermanns, Clemens Kaiser-Breme & Jeanne Deroubaix | L'Orfeo: Act I | |
| | Margot Guilleaume, August Wenzinger, Fritz Neumeyer, Helmut Winschermann, Ulrich Grehling & Gustav Scheck | 9 German Arias, HWV 203: No. 2, "Das zitternde Glänzen der spielenden Wellen" | |
