| | Boris Berezovsky, Orchestre de chambre de Paris & John Nelson | Piano Concerto No. 1 in E Minor, Op. 11: II. Romance - Larghetto | |
| | Boris Berezovsky, Orchestre de chambre de Paris & John Nelson | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | |
| | Chicago Symphony Chorus & John Nelson | Amen, Op. 35 | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney & Daire Fitzgerald | Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) | |
| | Emmanuelle Haïm, Orchestre de chambre de Paris, John Nelson & Stephanie Blythe | Aria: Erbarme dich, sein Gott (from St Matthew Passion BWV244) | |
| | Boris Berezovsky, Orchestre de chambre de Paris & John Nelson | Piano Concerto No. 2 in F Minor, Op. 21: III. Allegretto Vivace | |
| | Chicago Symphony Chorus & John Nelson | Euntes Ibant Et Flebant, Op. 32 | |
| | Boris Berezovsky, Orchestre de chambre de Paris & John Nelson | Piano Concerto No. 1 in E Minor, Op. 11: III. Rondeau - Vivace | |
| | John Nelson, Kathleen Battle, Wynton Marsalis, Anthony Newman, John Feeney & Daire Fitzgerald | Cantata No. 21 "Ich hatte viel Bekummernis", BWV 21: Aria. "Seufzer, Tranen, Kummer, Not" | |
| | Emmanuelle Haïm, John Nelson, Orchestre de chambre de Paris & Stephanie Blythe | Saint Matthew Passion, BWV 244: "Erbarme dich, sein Gott" | |
| | John Nelson, Orchestre de chambre de Paris, Stephanie Blythe & Emmanuelle Haïm | Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria, "Erbarme dich, mein Gott" (Alto) | |
| | Stephanie Blythe, David Daniels, Orchestre de chambre de Paris, Emmanuelle Haïm, Martin Isepp & John Nelson | Recitativo e duetto: Madre ... Son nata a lagrimar from Giulio Cesare HWV17) | |
| | Emmanuelle Haïm, Martin Isepp, John Nelson, Orchestre de chambre de Paris, David Daniels & Stephanie Blythe | Duetto: Son nata a lagrimar | |
| | Susan Graham, John Nelson, Orchestra of the Royal Opera House, Covent Garden & Elizabeth Fyfe | D'amour L'ardente Flamme (Romance) From la Damnation de Faust, Op. 24, (Quatrième Partie, Scène 15) | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney & Daire Fitzgerald | Samson, oratorio, Act 3, HWV 57: Let the Bright Seraphim | |
| | John Nelson, Joyce DiDonato, Michael Spyres, Orchestre philharmonique de Strasbourg & Jean Teitgen | Les Troyens, Op. 29, H. 133, Act 4: "Nuit d'ivresse et d'extase infinie !" (Didon, Énée, Mercure) [Live] | |
| | John Nelson, Alastair Miles, Orchestre de chambre de Paris, Lynne Dawson, David Daniels, Christine Brandes, Ian Bostridge & The Bach Choir | L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the morn upon the night | |
| | Wynton Marsalis, John Nelson & Kathleen Battle | Let the Bright Seraphim from "Samson" | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, Krista Bennion Feeney, Eriko Sato, John Feeney & Daire Fitzgerald | Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134): No. 1, [Aria] Jauchzet Gott In Allen Landen | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney, Daire Fitzgerald & Marc Goldberg | Mio Tesoro, per te moro, for voice, trumpet & continuo (Arie con tromba sola No. 6) | |
| | Wynton Marsalis, Kathleen Battle, John Nelson, Anthony Newman, Orchestra of St. Luke's, John Feeney & Daire Fitzgerald | Eternal Source of Light Divine, Ode for the Birthday of Queen Anne, HWV 74 | |
| | John Nelson, Orchestre de chambre de Paris, Stephanie Blythe, Martin Isepp, Emmanuelle Haïm & David Daniels | Giulio Cesare in Egitto, HWV 17, Act 1 Scene 11: Recitativo, "Madre! Mia vita!" - No. 16a, Duetto, "Son nata a lagrimar" (Sesto, Cornelia) | |
| | Rebecca Evans, John Nelson, Joyce DiDonato, Orchestre de chambre de Paris, Le Jeune Choeur de Paris, Laurence Equilbey & Geoffroy Jourdain | A Midsummer Night's Dream Op.61 (1843): Wedding March | |
| | Emmanuelle Haïm, Martin Isepp, John Nelson & Orchestre de chambre de Paris | Duetto: Son nata a lagrimar | |
| | Orchestre de chambre de Paris, John Nelson & David Guerrier | Trumpet Concerto in D Major: II. Allegro moderato | |
| | Catherine Robbin, John Nelson, Orchestre de l'Opéra de Lyon & Sylvia McNair | Béatrice et Bénédict: Act 1 "Vous soupirez, Madame?" [Ursule, Héro] | |
| | Orchestre de chambre de Paris & John Nelson | Symphony No. 7 In A Major, Op. 92: I. Poco Sostenuto, Vivace | |
| | Susan Graham, John Nelson & Orchestra of the Royal Opera House, Covent Garden | Les Nuits D'été, Op. 7: II. Le Spectre de la Rose | |
| | John Nelson & Orchestre de l'Opéra National de Lyon | Béatrice et Bénédict: Act 1 "Vous soupirez, Madame?" [Ursule, Héro] | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, Krista Bennion Feeney, Eriko Sato, John Feeney & Daire Fitzgerald | Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134): No. 4, [Chorale] Sei Lob Und Preis Mit Ehren. Allelujah. | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney & Daire Fitzgerald | Il Barcheggio, for trumpet, 2 violins & continuo: IV. {Allegro} | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney & Daire Fitzgerald | Il Barcheggio, for trumpet, 2 violins & continuo: III. Canzone | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney & Daire Fitzgerald | Il Barcheggio, for trumpet, 2 violins & continuo: II. Allegretto-Corrente | |
| | Kathleen Battle, Wynton Marsalis, John Nelson, Orchestra of St. Luke's, Anthony Newman, John Feeney, Daire Fitzgerald & Marc Goldberg | Si suoni la tromba, for voice, trumpet & continuo (Arie con tromba sola No. 1) | |
| | The Piano Guys, Lyceum Philharmonic at American Heritage School, Julie Ann Nelson & John Nelson | Beethoven's 5 Secrets | |
| | Chicago Lyric Opera Chorus, Chicago Symphony Chorus & John Nelson | Amen, Op. 35 | |
| | John Nelson, Michael Spyres & Orchestre philharmonique de Strasbourg | Les Troyens, Op. 29, H. 133, Act 5: "Inutiles regrets !" (Énée) [Live] | |
| | John Nelson, David Daniels, Emmanuelle Haïm, Orchestre de chambre de Paris, Martin Isepp & Stephanie Blythe | Giulio Cesare, HWV. 17 'Julius Caesar' Act I: Son nata a lagrimar | |
| | Gregory Kunde, John Nelson, Orchestre National de France & Patrizia Ciofi | Benvenuto Cellini, Act 2 - Troisieme Tableau, Scene 3: Duo - Ah! le ciel, cher époux (Teresa/Cellini) | |
| | Marie-Claire Alain, European Union Children's Chorus, Maîtrise D'Antony, Choeur de l'Orchestre de Paris, Orchestre de Paris & John Nelson | Te Deum, Op. 22: IV. Christe, Rex gloriae - Hymne | |
| | John Nelson, Boris Berezovsky & Orchestre de chambre de Paris | Piano Concerto No. 1 in E Minor, Op. 11: III. Rondeau (Vivace) | |
| | John Nelson, Joyce DiDonato & Orchestre philharmonique de Strasbourg | La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite) | |
| | John Aler, John Nelson & English Chamber Orchestra | Semele HWV 58: Where'er You Walk | |
| | Gregory Kunde, John Nelson, Orchestre National de France, Patrizia Ciofi, Eric Huchet, Eric Salha & Joyce DiDonato | Benvenuto Cellini, Act 1 - Deuxieme Tableau, Scene 11: Récitatif - Viens, le temps passe (Fieramosca/Pompeo) | |
| | John Nelson, The English Concert & Lucy Crowe | Messiah, HWV 56, Pt. 1: Recitative and Accompagnato. "And Suddenly" | |
| | John Nelson, Orchestre National de France & Patrizia Ciofi | Benvenuto Cellini, H. 76a, Appendix: "Entre l'amour et le devoir" (Teresa) | |
| | Orchestre de chambre de Paris, John Nelson & Paul Meyer | Clarinet Concerto in A Major, K. 622: II. Adagio | |
| | John Nelson, Boris Berezovsky & Orchestre de chambre de Paris | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | |
| | Coro Gulbenkian, John Nelson, Orchestre philharmonique de Strasbourg & Michael Spyres | La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Les bergers laissent leurs troupeaux" (Chorus, Faust) | |
| | John Nelson, Orchestre de l'Opéra de Lyon, Susan Graham & Jean-Luc Viala | Béatrice et Bénédict, H. 138, Act 1: "Comment le dédain pourrait-il mourir ?" (Béatrice, Bénédict) | |
