| | Elizabeth Watts, The Sacconi Quartet, Streetwise Opera & Duncan Ward | Lascia Ch'io Pianga | |
| | Elizabeth Watts, Akademie für Alte Musik Berlin & Hans-Christoph Rademann | Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S) | |
| | Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens & Handel and Haydn Society | Requiem, K. 626: III. Sequentia: Lacrimosa | |
| | Elizabeth Watts & Roger Vignoles | Nacht Und Träume, D. 827 | |
| | Elizabeth Watts & Roger Vignoles | Des Madchens Klage, D. 191 | |
| | Elizabeth Watts & Roger Vignoles | Die Forelle, D. 550 (Op. 32) | |
| | Elizabeth Watts, The English Concert & Laurence Cummings | La Santissima Vergine del Rosario: Aria "Mentr'io godo in dolce oblio" | |
| | Scottish Chamber Orchestra, Christian Baldini & Elizabeth Watts | Così fan tutte, K. 588: "Ei parte" - "Per pietà" | |
| | The Mozartists, Ian Page & Elizabeth Watts | Artaxerxes, Act I: No. 11, Air: “Fly, soft ideas, fly” | |
| | Elizabeth Watts, Britten Sinfonia & David Hill | Mirror of Perfection: IV. Canticel of Love II | |
| | Elizabeth Watts & Roger Vignoles | Liane, D. 298 | |
| | Harry Bicket, Elizabeth Watts & The English Concert | Mein Herze schwimmt im Blut, BWV 199: VIII. Aria "Wie freudig ist mein Herz" | |
| | Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens & Handel and Haydn Society | Requiem, K. 626: III. Sequentia: Confutatis | |
| | Elizabeth Watts | Blood In Blood Out | |
| | Elizabeth Watts & Roger Vignoles | Thekla, D. 595 | |
| | Elizabeth Watts, Laurence Cummings & The English Concert | Erminia, RosS 374/26: Recitativo "Qui, dove al germogliar" | |
| | Elizabeth Watts & Roger Vignoles | Im Abendrot, D. 799 | |
| | Scottish Chamber Orchestra, Christian Baldini & Elizabeth Watts | Don Giovanni, K. 527: "Vedrai, carino" | |
| | Elizabeth Watts, Laurence Cummings & The English Concert | Non so qual più m'ingombra: Aria "Nacque, col Gran Messia" | |
| | Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens & Handel and Haydn Society | Requiem, K. 626: I. Introitus: Requiem | |
| | Elizabeth Watts & Roger Vignoles | Krämerspiegel, Op. 66: VI. O lieber Künstler sei ermahnt | |
| | Elizabeth Watts & Roger Vignoles | Suleika I, D. 720 (Op. 14, No. 1) | |
| | Elizabeth Watts & Roger Vignoles | Krämerspiegel, Op. 66: I. Es war einmal ein Bock | |
| | Elizabeth Watts, Laurence Cummings & The English Concert | Griselda, Op. 114, RosS 357/66: Aria "Figlio! Tiranno! O Dio!" | |
| | Scottish Opera, Richard Egarr, Andrew Foster-Williams, Toby Spence, Elizabeth Watts, John Mark Ainsley, Gavan Ring, Neal Davies, Kitty Whately & Tim Brooke-Taylor | HMS Pinafore: 24. Act II, Scena. Pretty Daughter of Mine | |
| | Elizabeth Watts, Roderick Williams & Malcolm Martineau | O Hush Thee, My Baby | |
| | Elizabeth Watts & Roger Vignoles | 5 Kleine Lieder, Op. 69: No. 4, Waldesfahrt | |
| | Elizabeth Watts, Academy of Ancient Music & Richard Egarr | Brockes-Passion, HWV 48: No. 70, Die zarten Schläfen sind bis ans Gehirne | |
| | Elizabeth Watts & Roger Vignoles | Heimliches Lieben, D. 922 | |
| | Elizabeth Watts, Academy of Ancient Music & Richard Egarr | Brockes-Passion, HWV 48: No. 71a, Jesu, dich mit unsern Seelen | |
| | Elizabeth Watts, Laurence Cummings & The English Concert | Correa nel seno amato, RosS 383/14: IV. Aria "Ombre Opache" | |
| | Elizabeth Watts & Roger Vignoles | An Die Nachtigall, D. 497 | |
| | Yannick Nézet-Séguin, Neville Creed, Stéphane Degout, London Philharmonic Choir, Elizabeth Watts & London Philharmonic Orchestra | A German Requiem, Op. 45: III. Herr, lehre doch mich | |
| | Elizabeth Watts, Academy of Ancient Music & Richard Egarr | Brockes-Passion, HWV 48: No. 77, Bestürzter Sünder, nimm in acht des Heilands Schmerzen! | |
| | David Bates, Elizabeth Watts & La Nuova Musica | Seconde Leçon, à une voix: I. Vau. Et egressus est | |
| | Elizabeth Watts, Roderick Williams, Britten Sinfonia & David Hill | Mirror of Perfection: II. Canticle of Love I | |
| | Robert Murray, Elizabeth Watts, Academy of Ancient Music & Richard Egarr | Brockes-Passion, HWV 48: No. 45, Die Nacht war kaum vorbei | |
| | Elizabeth Watts & Roger Vignoles | Lambertine, D. 301 | |
| | Elizabeth Watts & Roger Vignoles | Nacht Und Träume, D. 827 | |
| | Elizabeth Watts & Roger Vignoles | Sei Mir Gegrüßt, D. 741 (Op. 20, No. 1) | |
| | Elizabeth Watts & Roger Vignoles | Sei Mir Gegrüßt, D. 741 (Op. 20 / 1) | |
| | Elizabeth Watts, Laurence Cummings & The English Concert | Eraclea: Aria "A questo nuovo affanno" | |
| | Harry Bicket, Elizabeth Watts & The English Concert | Mein Herze schwimmt im Blut, BWV 199: IV. Aria "Tief gebückt und voller Reue" | |
| | Elizabeth Watts, Huw Daniel, Laurence Cummings & The English Concert | Mitridate Eupatore: Aria "Esci omai" | |
| | Scottish Chamber Orchestra, Christian Baldini & Elizabeth Watts | La clemenza di Tito, K. 621: "S'altro che lacrime" | |
| | Elizabeth Watts & Roger Vignoles | Aus Diego Manzanares, D. 458 | |
| | Elizabeth Watts & Roger Vignoles | Krämerspiegel, Op. 66: VIII. Von Händlern wird die Kunst bedroht | |
| | Elizabeth Watts, Laurence Cummings & The English Concert | Erminia, RosS 374/26: Aria "Torbido, irato, e nero" | |
| | Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens & Handel and Haydn Society | Requiem, K. 626: III. Sequentia: Dies irae | |
| | Elizabeth Watts & Roger Vignoles | Krämerspiegel, Op. 66: No. 10, Die Künstler sind die Schöpfer | |
