| | Mattiwilda Dobbs & Gerald Moore | 5 Lieder, Op. 49: No. 4, Wiegenlied | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act II: Chorus of Slaves (Live) | |
| | Noel Mangin, Yehudi Menuhin, Bath Festival Orchestra, Nicolai Gedda, Mattiwilda Dobbs, Jenifer Eddy & John Fryatt | The Abduction from the Seraglio, K. 384, Act III: Your noble mercy passes measure (Belmonte, Constanza, Blonda, Pedrillo, Osmin) | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act I: Sleep of Dodon (Live) | |
| | Mattiwilda Dobbs, Badische Staatskapelle & Alexander Krannhals | Exsultate, jubilate, K. 165: Tu virginum corona | |
| | Mattiwilda Dobbs & Gerald Moore | 2 Mélodies, Op. 46: No. 2, Clair de lune | |
| | Mattiwilda Dobbs & Gerald Moore | 6 Lieder, Op. 97: No. 2, Auf dem Schiffe | |
| | Vera Korene, Paul Guers, Henriette Barreau, Jacques Eyser, Jean Marchat, Maria Casares, Choeurs René Saint-Paul, André Cluytens, Rita Gorr, Solange Michel, Orchestre National de France, Mattiwilda Dobbs, Jacqueline Brumaire, Lucienne Jourfier & Martha Angelici | Le Martyre de saint Sébastien, L. 130a, Act 3: Prélude - Fanfare (Toutes les voix) | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Léopold Simoneau & Mattiwilda Dobbs | Les contes d'Hoffmann, Act II: "Ils se sont éloignés enfin !" - Romance. "Ah ! Comprends-tu, dis-moi, cette joie éternelle" (Hoffmann, Olympia) | |
| | Mattiwilda Dobbs, Jean Morel, The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus | Les Contes d'Hoffmann, Act I (Olympia): Les oiseaux dans la charmille (Chanson d'Olympia) (February 7, 1959) | |
| | Mattiwilda Dobbs, Enzo Seri, Jean Borthayre, Lucien Mans, René Leibowitz, René Alix & Paris Philharmonic Orchestra | The Pearl Fishers: Act II (Beginning) | |
| | Mattiwilda Dobbs, Orchester der Deutschen Oper Berlin, Richard Kraus, Chor der Deutschen Oper Berlin & Günther Arndt | Hoffmanns Erzählungen (Les Contes d'Hoffmann) - sung in German: "Phöbus stolz im Sonnenwagen" | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Mattiwilda Dobbs & Heinz Rehfuss | Les contes d'Hoffmann, Act IV, Tableau 1: "Ah ! Quelle est cette voix" (Antonia, Miracle) | |
| | André Cluytens, Orchestre National de France & Mattiwilda Dobbs | Le Martyre de saint Sébastien, L. 130a, Act 2: "Qui pleure mon Enfant si doux ... " (Vox Coelestis) | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Léopold Simoneau & Mattiwilda Dobbs | Les contes d'Hoffmann, Act IV, Tableau 1: "Ne plus chanter ! Hélas !" (Hoffmann, Antonia) | |
| | Mattiwilda Dobbs, Orchester der Deutschen Oper Berlin, Richard Kraus, Chor der Deutschen Oper Berlin & Günther Arndt | Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Phöbus stolz im Sonnenwagen" | |
| | Mattiwilda Dobbs & Gerald Moore | Goethe-Lieder: No. 27, Die Bekehrte | |
| | Yehudi Menuhin, Bath Festival Orchestra, Mattiwilda Dobbs, Nicolai Gedda, John Fryatt & Jenifer Eddy | The Abduction from the Seraglio, K. 384, Act II: Ah, Belmonte, ah my dear one! (Constanza, Belmonte, Pedrillo, Blonda) | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Mattiwilda Dobbs & Chœur des Concerts de Paris | Les contes d'Hoffmann, Act II: Chanson de la poupée. "Les oiseaux dans la charmille" (Olympia, Chœur) | |
| | Mattiwilda Dobbs, Joseph Post & Sydney Symphony Orchestra | Lakmé: Ou Va La Jeune Indoue (Bell Song'") | |
| | Mattiwilda Dobbs & Gerald Moore | 7 Mélodies, Op. 2: No. 7, Le colibri | |
| | Yehudi Menuhin, Bath Festival Orchestra, Jenifer Eddy, Mattiwilda Dobbs & David Kelsey | The Abduction from the Seraglio, K. 384, Act II: Señorita, try - try - not to lose hope (Blonda, Constanza, Pasha Selim) | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel: Prologue, The Astrologer's Preface (Live) | |
| | Mattiwilda Dobbs & Gerald Moore | 3 Mélodies, Op. 23: No. 2, Notre amour | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Aimé Doniat, Mattiwilda Dobbs, Chœur des Concerts de Paris, Nata Tuscher, Léopold Simoneau & Heinz Rehfuss | Les contes d'Hoffmann, Act II: Finale. "Voici les valseurs !" (Spalanzani, Hoffmann, Olympia, Chœur, Nicklausse, Coppélius) | |
| | Yehudi Menuhin, Bath Festival Orchestra, David Kelsey & Mattiwilda Dobbs | The Abduction from the Seraglio, K. 384, Act I: Always so sad, my beloved (Pasha Selim, Constanza) | |
| | Noel Mangin, Yehudi Menuhin, Bath Festival Orchestra, John Fryatt, Nicolai Gedda, Jenifer Eddy, David Kelsey & Mattiwilda Dobbs | The Abduction from the Seraglio, K. 384, Act III: Guards! Bring in the two slaves! (Osmin, Pedrillo, Belmonte, Blonda, Pasha Selim, Constanza) | |
| | Mattiwilda Dobbs, Enzo Seri, Jean Borthayre, Lucien Mans, René Leibowitz, René Alix & Paris Philharmonic Orchestra | The Pearl Fishers: Act I (Beginning) | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act II: Shemakha's Seduction of Dodon (Live) | |
| | Mattiwilda Dobbs, Sándor Kónya, Ulfried Günther, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor & Günther Arndt | Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Die Tänzer sind da!" | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act I: Dream of Dodon (Live) | |
| | Mattiwilda Dobbs, Joseph Post & Sydney Symphony Orchestra | Lakmé: Ou Va La Jeune Indoue ("Bell Song") | |
| | Mattiwilda Dobbs, Enzo Seri, Jean Borthayre, Lucien Mans, René Leibowitz, René Alix & Paris Philharmonic Orchestra | The Pearl Fishers: Act II (Conclusion) | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Léopold Simoneau & Mattiwilda Dobbs | Les contes d'Hoffmann, Act IV, Tableau 1: "C'est une chanson d'amour" - Duo. "Ah ! J'ai le bonheur dans l'âme !" (Hoffmann, Antonia) | |
| | Mattiwilda Dobbs & Gerald Moore | 2 Lieder, Op. 43: No. 2, Nacht und Träume, D. 827 | |
| | Mattiwilda Dobbs & Gerald Moore | 20 Mélodies, Premier recueil: No. 1, Si mes vers avaient des ailes | |
| | Vera Korene, Paul Guers, Henriette Barreau, Jacques Eyser, Jean Marchat, Maria Casares, Choeurs René Saint-Paul, André Cluytens, Rita Gorr, Solange Michel, Orchestre National de France, Mattiwilda Dobbs, Jacqueline Brumaire, Lucienne Jourfier & Martha Angelici | Le Martyre de saint Sébastien, L. 130a, Act 3: Salut, beau jeune homme" (L'Empereur, Le Saint, Toutes les voix, Les Femmes Byblos) | |
| | Yehudi Menuhin, Bath Festival Orchestra, Nicolai Gedda & Mattiwilda Dobbs | The Abduction from the Seraglio, K. 384, Act III: What dreadful fate conspires against us (Belmonte, Constanza) | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act I: Scene with the Parrot (Live) | |
| | Orchestre des concerts de Paris, Pierre-Michel le Conte, Heinz Rehfuss, Nata Tuscher & Mattiwilda Dobbs | Les contes d'Hoffmann, Act IV, Tableau 1: "Ta mère ? Oses-tu l'invoquer ?" - Trio. "Cher enfant que j'appelle" (Miracle, La mère d'Antonia, Antonia) | |
| | Yehudi Menuhin, Bath Festival Orchestra & Mattiwilda Dobbs | The Abduction from the Seraglio, K. 384, Act I: How I loved him, I was happy (Constanza) | |
| | Mattiwilda Dobbs, Sándor Kónya, Ulfried Günther, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor & Günther Arndt | Hoffmanns Erzählungen (Les Contes d'Hoffmann) - sung in German: "Die Tänzer sind da!" | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act III: The Astrologer's Epilogue (Live) | |
| | Vera Korene, Paul Guers, Henriette Barreau, Jacques Eyser, Jean Marchat, Maria Casares, Choeurs René Saint-Paul, André Cluytens, Rita Gorr, Solange Michel, Orchestre National de France, Mattiwilda Dobbs, Jacqueline Brumaire, Lucienne Jourfier & Martha Angelici | Le Martyre de saint Sébastien, L. 130a, Act 3: Prélude - Fanfare (Toutes les voix) | |
| | The Orchestra of the Royal Opera House, The Royal Opera Chorus, Igor Markevitch, Howell Glynne & Mattiwilda Dobbs | The Golden Cockerel, Act I: The Summons to War (Live) | |
| | Yehudi Menuhin, Bath Festival Orchestra, Mattiwilda Dobbs, Jenifer Eddy, Nicolai Gedda & John Fryatt | The Abduction from the Seraglio, K. 384, Act III: The nobelman despises vengeance (Constanza, Blonda, Belmonte, Pedrillo) | |
| | Paris Philharmonic, René Leibowitz, Enzo Seri, Jean Borthayre, Lucien Mans & Mattiwilda Dobbs | The Pearl Fishers : Act II. Part II - Act III | |
| | Mattiwilda Dobbs & Gerald Moore | 4 Lieder, Op. 3: No. 3, Heidenröslein, D. 257 | |
| | Mattiwilda Dobbs & Gerald Moore | 6 Gesänge, Op. 6: No. 6, Nachtigallen schwingen | |
| | Yehudi Menuhin, Bath Festival Orchestra, Nicolai Gedda & Mattiwilda Dobbs | The Abduction from the Seraglio, K. 384, Act III: Then my life I gladly offer (Belmonte, Constanza) | |
