| | John Cameron | Liquid Sunshine | |
| | John Cameron | Half-Forgotten Daydreams | |
| | John Cameron, José Carreras & The Angel Orchestra of London | Tristesse (From Étude in E Major, Op. 10, No. 3) | |
| | John Cameron, José Carreras & The Angel Orchestra of London | Amore Perduto (From Adagio in G Minor) | |
| | John Cameron & Gerald Moore | Is My Team Ploughing | |
| | John Cameron | Swamp Fever | |
| | John Cameron & Gerald Moore | With Rue My Heart Is Laden | |
| | John Cameron & Gerald Moore | On the Idle Hill of Summer | |
| | John Cameron & Gerald Moore | When the Lad for Longing Sighs | |
| | John Cameron & Gerald Moore | Bredon Hill | |
| | John Cameron & Gerald Moore | Think No More, Lad | |
| | John Cameron & Gerald Moore | Look Not In My Eyes | |
| | John Cameron & Gerald Moore | When I Was One-and-Twenty | |
| | John Cameron & Gerald Moore | Loveliest of Trees | |
| | John Cameron & Frog | Abby's Nightmare | |
| | John Cameron, José Carreras & The Angel Orchestra of London | A Place Far, Far Away | |
| | John Cameron | Advance | |
| | John Cameron | Spirit Of America | |
| | John Cameron | Dawn | |
| | John Cameron | All That Love Went to Waste | |
| | John Mitchinson, John Cameron, John Shirley-Quirk, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, H.138, Act I: "Me marier? Dieu me pardonne!" | |
| | George Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent & Richard Lewis | HMS Pinafore (or, The Lass that Loved a Sailor), Act I: When I was a lad I served a term (Sir Joseph, Relatives, Sailors) | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Overture | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Chorus: From the East unto to the West | |
| | John Cameron & Hollywood Cinema Orchestra | Say A Little Prayer | |
| | John Cameron | Venus Probe | |
| | John Cameron | 49th Street Shakedown | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Overture | |
| | John Cameron | A Shropshire Lad: When the Lad for Longing Sighs | |
| | John Cameron, Sir Thomas Beecham & Royal Philharmonic Orchestra | Songs of Sunset: No. 7, I Was Not Sorrowful | |
| | George Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent & Richard Lewis | HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Carefully on tiptoe stealing (Ralph, Josephine, Sailors, Captain Corcoran, Dick) | |
| | John Cameron | Blade Race | |
| | George Baker, Heather Harper, John Cameron, Elsie Morison, Glyndebourne Chorus, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Hold, monsters! (Edith, Samuel, Girls, Major-General Stanley, Pirates) (1987 Remastered Version) (Edith, Samuel, Girls, Major-General Stanley, Pirates; 1987 Remastered Version) | |
| | John Cameron | Bright Future | |
| | Elsie Morison, John Cameron, Glyndebourne Chorus, Marjorie Thomas, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent, Richard Lewis, Monica Sinclair & Geraint Evans | The Mikado (or, The Town of Titipu) [1987 Remastered Version], Act II: A more humane Mikado (Mikado, Nobles) | |
| | George Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent & Richard Lewis | HMS Pinafore (or, The Lass that Loved a Sailor), Act I: I am the captain of the Pinafore (Captain Corcoran, Sailors) | |
| | John Cameron | Mission Accomplished | |
| | John Cameron | Battle of the Giants | |
| | Sir Malcolm Sargent, Glyndebourne Festival Chorus, Pro Arte Orchestra, George Baker, Ian Wallace, Alexander Young, Owen Brannigan, John Cameron, Monica Sinclair, Marjorie Thomas, April Cantelo, Heather Harper & Elsie Morison | Iolanthe, or The Peer and the Peri: Act II, If you go in you're sure to win | |
| | George Baker, James Milligan, Glyndebourne Chorus, John Cameron, Elsie Morison, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Oh, better far to live and die (Pirate King, Pirates) | |
| | John Cameron | Mending the Nets | |
| | George Baker, Elsie Morison, Alexander Young, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, April Cantelo, Heather Harper, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: None shall part us from each other (Phyllis, Strephon) | |
| | John Cameron | Hydropower | |
| | John Cameron | Sniper - Sting | |
| | George Baker, Elsie Morison, John Cameron, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act II: Stay, Frederic, stay! (Mabel, Frederic) | |
| | George Baker, Alexander Young, Pro Arte Orchestra, Sir Malcolm Sargent, John Cameron, April Cantelo, Heather Harper, Elsie Morison, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis) | |
| | John Cameron | Johnny Be Bad | |
| | John Cameron | No Place to Go | |
| | John Cameron | Swamp Fever | |
| | John Cameron | Design Centre | |
