| | Mark Padmore, Andrew Manze, Lucy Crowe & The English Concert | L'Allegro, Il Penseroso, ed il Moderato, Part III: As steals the morn | |
| | Lucy Crowe, Tim Mead, La Nuova Musica & David Bates | Stabat Mater, P. 77: I. Duo "Stabat mater dolorosa" | |
| | Alison Balsom, Lucy Crowe, The English Concert & Trevor Pinnock | The Fairy Queen, Z. 629: The Plaint | |
| | Lucy Crowe, Jennifer Johnston, James Gilchrist, Matthew Rose, Monteverdi Choir, Orchestre Révolutionnaire et Romantique & John Eliot Gardiner | Mass in D Major, Op. 123, "Missa Solemnis": I. Kyrie | |
| | Lucy Crowe, Marc Minkowski & Les Musiciens du Louvre | A Song for St Cecilia's Day, HWV 76: The Soft Complaining Flute | |
| | Lucy Crowe, Mark Padmore, The English Concert & Andrew Manze | L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | |
| | The King's Consort, Matthew Halls & Lucy Crowe | Parnasso in Festa, HWV 73: Part 2 XIII. Aria: Ho perso il caro ben' (Orfeo) | |
| | Lucy Crowe, Orchestre du Concert d'Astrée & Emmanuelle Haïm | Messiah, HWV 56, Pt. 3: "I know that my Redeemer liveth" (Soprano) | |
| | Lucy Crowe & Harry Bicket | Aminta e Fillide, HWV 83: Aria "Se vago rio" (Aminta) | |
| | Karl Jenkins, Lucy Crowe, World Orchestra for Peace, World Choir for Peace, Nicol Matt, Alexander Duggan & Jody Jenkins | Sakura, Spring Has Come | |
| | Karl Jenkins, London Symphony Orchestra, Laurence Cottle, Lucy Crowe & Rundfunkchor Berlin | The Peacemakers: VII. A Meditation: Peace Is | |
| | La Nuova Musica, David Bates, Lucy Crowe & Tim Mead | Stabat Mater, P. 77: XII. Duo "Quando corpus morietur" | |
| | Karl Jenkins, Lucy Crowe, World Orchestra for Peace, World Choir for Peace, Nicol Matt, Jody Jenkins & Alexander Duggan | Yet, Here I Am: I. Intrada | |
| | Ivor Bolton, Mozarteumorchester Salzburg, Mauro Peter, Neal Davies & Lucy Crowe | Il ritorno di Tobia, Hob. XXI:1, Part II: No. 14a, Ah dove corri, oh padre? (Recitativo) | |
| | John Nelson, The English Concert & Lucy Crowe | Messiah, HWV 56, Pt. 1: Recitative and Accompagnato. "And Suddenly" | |
| | Edward Gardner, BBC Symphony Orchestra & Lucy Crowe | Chantefleurs et Chantefables: I. La belle-de-nuit (The Marvel of Peru) | |
| | Lucy Crowe, La Nuova Musica & David Bates | Giulo Cesare in Egitto, HWV 17: V'adoro, pupille | |
| | Paula Murrihy, Lucy Crowe, Mary Bevan, William Dazeley, The English Concert & Harry Bicket | Serse, HWV 40, Act III: Recitativo. Sono vani (Arsamene, Romilda, Atalanta, Elviro) | |
| | John Eliot Gardiner, Lucy Crowe, Monteverdi Choir & London Symphony Orchestra | Symphony No. 2, Op. 52 "Lobgesang": II. b) Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele" | |
| | Lucy Crowe & Iain Burnside | Four Songs, Op. 8: No. 3, Who is Silvia? | |
| | The English Concert, Harry Bicket & Lucy Crowe | Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Aria. L’empio rigor del fato (Rodelinda) | |
| | La Nuova Musica, David Bates, Lucy Crowe & Tim Mead | Stabat Mater, P. 77: XI. Duo "Inflammatus et accensus" | |
| | La Nuova Musica, David Bates, Lucy Crowe & Tim Mead | Stabat Mater, P. 77: IX. Duo "Sancta mater, istud agas" | |
| | Lucy Crowe, The English Concert & Harry Bicket | Serse, HWV 40, Act I: Aria. Se l’idol mio (Romilda) | |
| | Lucy Crowe & Anna Tilbrook | Vier Lieder, Op. 2: II. Schenk mir deinen goldenen Kamm | |
| | Tutti Soloists, Christian Curnyn, Early Opera Company, Lucy Crowe & Allan Clayton | Acis and Galatea, HWV 49a: No. 12, Duet. Happy we! (Acis and Galatea) | |
| | Lucy Crowe, The English Concert & Harry Bicket | Serse, HWV 40, Act II: Accompagnato. L’amerò? (Romilda) | |
| | The English Concert, Harry Bicket, Lucy Crowe, Sophie Bevan, Iestyn Davies, Hugo Hymas & Ashley Riches | La Resurrezione, HWV 47, Pt. 1 Scene 3: II. Chorus. Il Nume vincitor (Angel, Chorus of Angels) | |
| | Christian Curnyn, Early Opera Company & Lucy Crowe | Acis and Galatea, HWV 49a: No. 11, Air. As when the dove (Galatea) | |
| | Lucy Crowe, Jennifer Johnston, James Gilchrist, Matthew Rose, Monteverdi Choir, Orchestre Révolutionnaire et Romantique & John Eliot Gardiner | Mass in D Major, Op. 123, "Missa Solemnis": IV. Sanctus | |
| | Iain Burnside, Lucy Crowe & William Berger | Drei Lieder für zwei Singstimmen, Op. 77: II. Das Ährenfeld | |
| | Geoffrey Mitchell Choir, David Parry, Ann Taylor, Anne-Marie Owens, Philharmonia Orchestra, Lucy Crowe & Þóra Einarsdóttir | Vert-Vert, Act 3: "Mimi! Mimi! Mimi!" (Chorus, Mademoiselle Paturelle, Mimi, Bathilde, Emma) | |
| | Lucy Crowe & Iain Burnside | A Duan of Barra, Op. 20 | |
| | John Nelson, The English Concert & Lucy Crowe | Messiah, HWV 56, Appendix: Aria. "Rejoice Greatly" | |
| | Sir Simon Rattle, London Symphony Orchestra, Lucy Crowe & Sophia Burgos | The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II, Scene VI: Jsemli opravdu tak krásná? | |
| | Gerald Finley, Choir of the Enlightenmen, Elizabeth Kenny, Steven Devine, Dame Sarah Connolly, Orchestra of the Age of Enlightenment & Lucy Crowe | Dido and Aeneas, Z. 626, Act 1: IV. Whence could so much virtue spring? (Dido, Belinda, Second Woman, Chorus) | |
| | Iain Burnside, Lucy Crowe & William Berger | Duette für Sopran und Bass, Op.16: II. Brennende Liebe | |
| | The English Concert, Harry Bicket & Lucy Crowe | Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 3: Aria. Spietati, io vi giurai (Rodelinda) | |
| | Harry Bicket & Lucy Crowe | Armida abbandonata, HWV 105: Aria "Venti, fermate, si" (Armida) | |
| | David Bates, Lucy Crowe & La Nuova Musica | Leçons de ténèbres pour le mercredy, Première Leçon, à une voix: Beth. Plorans ploravit in nocte | |
| | Les Musiciens du Louvre Grenoble, Marc Minkowski & Lucy Crowe | Ode for Saint Cecilia's Day, HWV 76: VII. The Soft Complaining Flute (Aria) | |
| | Lucy Crowe, London Early Opera & Bridget Cunningham | Astianatte: Deh! lascia o core | |
| | Christian Curnyn, Early Opera Company, Lucy Crowe, Claire Booth & Susan Bickley | The Judgment of Paris: Hither turn thee, gentle Swain (Venus, Pallas, Juno) | |
| | Harry Bicket & Lucy Crowe | Armida abbandonata, HWV 105: Aria "Ah! crudele, e pur ten vai" (Armida) | |
| | Catrin Finch & Lucy Crowe | The Jade Mountain, Op. 116: V. Farewell to a Japanese Buddhist Priest bound Homeward | |
| | Lucy Crowe & Anna Tilbrook | Acht Gedichte aus Letzte Blätter, Op. 10: IV. Die Georgine | |
| | Lucy Crowe, Orchestre du Concert d'Astrée & Emmanuelle Haïm | Messiah, HWV 56, Pt. 3: "If God be for us, who can be against us?" (Soprano) | |
| | Sir Simon Rattle, London Symphony Orchestra, Lucy Crowe, Sophia Burgos, Paulina Malefane & Irene Hoogveld | The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II, Scene VI: Kdybyste věděli, co já viděla | |
| | Iain Burnside & Lucy Crowe | Frühling im Sommer | |
| | Monteverdi Choir, John Eliot Gardiner, Jurgita Adamonyte, London Symphony Orchestra & Lucy Crowe | Symphony No. 2, Op. 52 "Lobgesang": V. Andante "Ich harrete des Herrn" | |
