| | Jean Rigby, Philip Langridge & Steuart Bedford | Canticle II, Op. 51: Abraham and Isaac | |
| | Jean Rigby, Lesley Garrett & Susan Bullock | Three Little Maids | |
| | Jean Rigby, Charles Daniels, The King's Consort & Robert King | Deus tuorum militum, RV 612 | |
| | Roderick Williams, Richard Hickox, Jean Rigby, City of London Sinfonia, Yvonne Kenny & Claire Rutter | A Dinner Engagement, Op. 45, Scene 1: Prenez 6 belles tomates (Lady Dunmow, Lord Dunmow, Mrs. Kneebone, Susan) | |
| | Paul Daniel, Jean Rigby, Philharmonia Orchestra & Dame Josephine Barstow | Wozzeck, Act I Scene 3: Military music off-stage - Tschin, Bum, Tschin, Bum, Bum, Bum, Bum! (Marie, Margret) | |
| | Jean Rigby, The King's Consort & Robert King | Juditha Triumphans, RV 644, Pt. 2: No. 26, Recit. Quam insolita luce (Ozias) | |
| | Jean Rigby & Iain Burnside | Sechs Lieder Op. 1 - No. 5 Mädchenlied (Bierbaum) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia & Patricia Rozario | The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia) | |
| | Nicholas Kok, Jean Rigby, Susannah Waters, Sandrine Piau & Andre Cognet | Cendrillon, Act 1: "Attendez, attendez- moi!" (Cendrillon, Armelinde, Maguelonne, Baron) | |
| | London Philharmonic Orchestra, Vladimir Jurowski, Felicity Palmer, Jean Rigby, Glyndebourne Chorus, Allison Bell, Nathan Gunn & Mats Almgren | Love and Other Demons, Scene 1/C: When you were born, I was your babalawo. | |
| | BBC Symphony Chorus, Sir Andrew Davis, Jean Rigby & BBC Symphony Orchestra | The Music Makers, Op. 69 | |
| | Barbara Hendricks, Ann Murray, Jean Rigby, John Constable, Uwe Heilmann, Gavin McNaughton, Stephen Orton, Laszlo Heltay, Celia Nicklin, Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields & Sir Neville Marriner | Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | |
| | Corydon Singers, Corydon Orchestra, Jean Rigby, John Mark Ainsley, Juliet Booth, Gwynne Howell & Matthew Best | Mass No. 3 in F Minor, WAB 28: IV. Sanctus | |
| | Corydon Orchestra, Juliet Booth, Jean Rigby, Corydon Singers & Matthew Best | Mass No. 3 in F Minor, WAB 28: IIb. Qui tollis | |
| | Richard Hickox, Jean Rigby, City of London Sinfonia, Yvonne Kenny & Claire Rutter | Ruth, Op. 50, Scene 1: Once more I see your green and golden hills, O Judah! (Naomi, Ruth, Orpah) | |
| | Matthew Best, Juliet Booth, Jean Rigby, Corydon Singers & Corydon Orchestra | Mass No. 3 in F Minor, WAB 28: IIa. Gloria | |
| | Jean Rigby, Ladies Chorus, Lesley Garrett, Mark Richardson, Richard Van Allan & Susan Bullock | So Please You Sir | |
| | Roderick Williams, Joyful Company Of Singers, Richard Hickox, Jean Rigby & City of London Sinfonia | Ruth, Op. 50, Scene 2: Come, let us go forth together (Head Reaper, Ruth, Women, Men) | |
| | Jean Rigby & Iain Burnside | Sechs Lieder, Op. 1: No. 1 Liebeswunsch | |
| | Jean Rigby, Neil Mackie, Stafford Dean, Academy of St Martin in the Fields & Sir Neville Marriner | The Yeomen of the Guard, Act I: "Alas! I waver to and fro" | |
| | Alastair Miles, Richard Hickox, Jean Rigby & City of London Sinfonia | The Rape of Lucretia, Op. 37, Act II Scene 2: Lucretia! Lucretia! O never again must we two dare to part (Lucretia, Collatinus) | |
| | Jean Rigby & Iain Burnside | Fünf Lenau-Lieder, Op. 17: No. 2 Herbstgefühl | |
| | John Rawnsley, Sir Mark Elder, Jean Rigby, English National Opera Orchestra, Helen Field & Arthur Davies | Rigoletto, Act III: When first I came to talk to you (Duke, Gilda, Maddalena, Rigoletto) | |
| | Alastair Miles, Richard Hickox, Jean Rigby & City of London Sinfonia | The Rape of Lucretia, Op. 37, Act II Scene 2: Last night Tarquinius ravished me and tore the fabric of our love (Lucretia, Collatinus) | |
| | Yves Abel, Jean Rigby, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 1: Flower duet. Shake the cherry tree (Butterfly, Suzuki) | |
| | Nicholas Kok, Jean Rigby, Susannah Waters & Andre Cognet | Cendrillon, Act 1: "Hier je vis circuler une voiture immense" (Armelinde, Maguelonne, Baron, ) | |
| | Corydon Orchestra, Corydon Singers, Jean Rigby, Matthew Best & Roger Smith | Opferlied, Op. 121b | |
| | Jean Rigby, Bryn Terfel, Academy of St Martin in the Fields & Sir Neville Marriner | The Yeomen of the Guard, Act I: "Mistress Meryll!" | |
| | Richard Hickox, Jean Rigby, City of London Sinfonia, Yvonne Kenny & Claire Rutter | Ruth, Op. 50, Scene 1: Turn back, my daughters (Naomi, Ruth, Orpah) | |
| | Richard Hickox, Jean Rigby, City of London Sinfonia, Yvonne Kenny & Claire Rutter | Ruth, Op. 50, Scene 1: Ah, must I leave thee? Must we part? (Orpah, Naomi, Ruth) | |
| | Sir Neville Marriner, Jean Rigby & Academy of St Martin in the Fields | Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" | |
| | Jean Rigby, Iain Burnside & Krysztof Smietana | Fünf Lenau-Lieder Op. 17 - No. 4 Bitte Op. 17a (Voice / Violin / Piano) | |
| | Charles Daniels, Jean Rigby, Neal Davies, The King's Consort & Robert King | Confitebor tibi, Domine, RV 596: IV. Intellectus bonus omnibus | |
| | London Philharmonic Orchestra, Vladimir Jurowski, Felicity Palmer, Jean Rigby, Glyndebourne Chorus, Allison Bell, Nathan Gunn & Mats Almgren | Love and Other Demons, Scene 6: God save you, Sierva Maria de Todos Los Angeles... | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia, Patricia Rozario & Catherine Pierard | The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, Female Chorus) | |
| | Renato Bruson, Giuseppe Sinopoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Edita Gruberová, Neil Shicoff & Jean Rigby | Rigoletto, Act I: "Veglia, o donna, questa fior" | |
| | Sir Neville Marriner, Jean Rigby, Ann Murray, Academy of St Martin in the Fields & Barbara Hendricks | Magnificat in D Major, BWV 243: X. Terzetto. "Suscepit Israel puerum suum" | |
| | Yvonne Kenny, Jean Rigby, Anthony Rolfe Johnson, John Connell, Academy of St Martin in the Fields & Sir Neville Marriner | Elijah, Op. 70, Pt. 1: "Cast Thy Burden Upon the Lord" | |
| | Jean Rigby, Charles Daniels, Neal Davies, The King's Consort & Robert King | Confitebor tibi, Domine, RV 596: IV. Intellectus bonus omnibus | |
| | Corydon Orchestra, Gerald Finley, Matthew Best & Jean Rigby | L'Enfance du Christ: XI. L'étable de Bethléem: Ô mon cher fils, donne cette herbe tendre (La Vierge Marie/Joseph) | |
| | Jean Rigby, Corydon Orchestra, Gerald Finley & Matthew Best | L'enfance du Christ, H. 130, Pt. 1 (Herod's Dream): XI. L'étable de Bethléem. Ô mon cher fils, donne cette herbe tendre (La Vierge Marie/Joseph) | |
| | Yves Abel, Jean Rigby, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 1: Izaghi Izanami (Suzuki, Butterfly) | |
| | BBC National Chorus of Wales, Richard Hickox, BBC National Orchestra of Wales, Philip Langridge, Cheryl Barker, Jean Rigby, Roderick Williams & Royal Welsh College of Music and Drama Chamber Choir | Quo Vadis: V. O timely happy, timely wise (Quartet, Chorus, Semi-chorus) | |
| | Jean Rigby, The King's Consort & Robert King | Non in pratis aut in hortis, RV 641: II. Ibi spinis confixus | |
| | Jean Rigby, The King's Consort & Robert King | Juditha Triumphans devicta Holofernes barbarie, RV 644: Part 2 No 02. Aria. O Sydera, o stellae (Ozias) | |
| | Vernon Handley, Jean Rigby & BBC Philharmonic | The Bard of the Dimbovitza, GP 160: I. Gypsy Song | |
| | Charles Daniels, Jean Rigby, The King's Consort & Robert King | Deus tuorum militum, RV 612 | |
| | Corydon Orchestra, Corydon Singers, Gwynne Howell, Janice Watson, Jean Rigby, John Mark Ainsley & Matthew Best | Mass in C Major, Op. 86: V. Benedictus | |
| | London Philharmonic Orchestra, Vladimir Jurowski, Felicity Palmer, Jean Rigby, Glyndebourne Chorus, Allison Bell, Nathan Gunn & Mats Almgren | Love and Other Demons, Scene 3/B: Marquis, ...she has a slight fever. | |
| | Anne Sofie von Otter, Yvonne Kenny, Jean Rigby, Lynne Dawson, Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields & Sir Neville Marriner | Elijah, Op. 70, Pt. 2: "Above Him Stood the Seraphim" - "Holy, Holy, Holy" | |
