| | Jascha Heifetz, Fritz Reiner & Chicago Symphony Orchestra | II. Canzonetta: Andante from Violin Concerto In D, Op. 35 | |
| | Fritz Reiner & Chicago Symphony Orchestra | Also sprach Zarathustra, Op. 30: Sonnenaufgang | |
| | Fritz Reiner & Chicago Symphony Orchestra | 1812 Overture | |
| | Fritz Reiner & Chicago Symphony Orchestra | La gazza ladra (The Thieving Magpie): Overture | |
| | Fritz Reiner & Chicago Symphony Orchestra | Also sprach Zarathustra, Op. 30: Sonnenaufgang | |
| | Fritz Reiner & Chicago Symphony Orchestra | Mysterious Mountain, Op. 132 (Symphony No. 2): IV. Andante Espressivo | |
| | Arthur Rubinstein, Chicago Symphony Orchestra & Fritz Reiner | Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | |
| | Chicago Symphony Orchestra & Fritz Reiner | Music for Strings, Percussion and Celesta: III. Adagio | |
| | Van Cliburn, Chicago Symphony Orchestra & Fritz Reiner | Piano Concerto No. 5 In E-Flat, Op. 73 "Emperor": II. Adagio un Poco Mosso | |
| | Fritz Reiner & Chicago Symphony Orchestra | Mysterious Mountain, Op. 132 (Symphony No. 2): III. Double Fugue: Allegro Vivo | |
| | Fritz Reiner & Chicago Symphony Orchestra | Mysterious Mountain, Op. 132 (Symphony No. 2): II. Double Fugue: Moderato Maestoso | |
| | Fritz Reiner & Chicago Symphony Orchestra | Mysterious Mountain, Op. 132 (Symphony No. 2): I. Andante | |
| | Fritz Reiner & Chicago Symphony Orchestra | Invitation to the Dance, Op. 65 (Excerpt) | |
| | Chicago Symphony Orchestra & Fritz Reiner | Also Sprach Zarathustra, Op. 30: Sunrise | |
| | Chicago Symphony Orchestra & Fritz Reiner | Music for Strings, Percussion and Celesta: IV. Allegro molto | |
| | Chicago Symphony Orchestra & Fritz Reiner | Music for Strings, Percussion and Celesta: II. Allegro | |
| | Chicago Symphony Orchestra & Fritz Reiner | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto | |
| | Chicago Symphony Orchestra & Fritz Reiner | Le barbier de Séville (Il barbiere di Siviglia): Ouverture | |
| | Van Cliburn, Chicago Symphony Orchestra & Fritz Reiner | Piano Concerto No. 5 in E-Flat, Op. 73 "Emperor": III. Rondo - Allegro | |
| | Van Cliburn, Chicago Symphony Orchestra & Fritz Reiner | Piano Concerto No. 5 in E-Flat, Op. 73 "Emperor": II. Adagio un poco mosso | |
| | Bidu Sayao, Fritz Reiner & NBC Symphony Orchestra | Madama Butterfly, Act II: Un bel di, vedremo | |
| | Fritz Reiner & Chicago Symphony Orchestra | Also sprach Zarathustra, Op. 30: Introduction | |
| | Chicago Symphony Orchestra & Fritz Reiner | Music for Strings, Percussion and Celesta: I. Andante tranquillo | |
| | Fritz Reiner, Sidney Harth & Chicago Symphony Orchestra | Scheherazade, Op. 35: The Sea and Sinbad's Ship | |
| | Arthur Rubinstein, Fritz Reiner & Chicago Symphony Orchestra | Rhapsody On a Theme of Paganini, Op. 43: Variation XVIII: Andante Cantabile | |
| | Van Cliburn, Chicago Symphony Orchestra & Fritz Reiner | Piano Concerto No. 5 In E-Flat, Op. 73 "Emperor": III. Rondo: Allegro | |
| | Fritz Reiner, Philadelphia Robin Hood Dell Orchestra & William Kapell | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Allegro | |
| | Fritz Reiner & RCA Victor Symphony Orchestra | Orchestral Suite No. 3 in D Major, BWV 1068: Air | |
| | Fritz Reiner & London Philharmonic Orchestra | Tristan und Isolde: Act One: Scene One - Westwärts schweift der Blick (Isolde) | |
| | Fritz Reiner, Gregor Piatigorsky & Pittsburgh Symphony Orchestra | Don Quixote, Fantastische Variationen über ein Thema ritterlichen Charakters für großes Orchester, op. 35: XI. Variation VIII. Gemächlich – Die unglückliche Fahrt auf dem venetianischen Nachen | |
| | Fritz Reiner, Sabine Kalter, London Philharmonic Orchestra, Kirsten Flagstad & Roy Devereux | Tristan und Isolde, WWV 90, IRW 51, Act I: "Frisch weht der Wind" (Junger Seemann, Isolde, Brangäne) | |
| | Victoria de los Ángeles, Giuseppe Valdengo, Fritz Reiner, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act II: Dunque, voi non aprite? | |
| | Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, The Metropolitan Opera Chorus, Regina Resnik, Licia Albenese, Lorenzo Alvarez, Martha Lipton, Cloe Elmo, Fritz Reiner & The Metropolitan Opera | Falstaff: Act I: Sei polli: sei scellini (Falstaff) | |
| | RCA Victor Symphony Orchestra & Fritz Reiner | Suites pour orchestre, Suite No. 4, BWV 1069: No. 1 in D Major, Ouverture | |
| | Paul Schöffler, Gerhard Pechner, Osie Hawkins, Joseph Folmer, Thomas Hayward, Algerd Brazis, Alessio De Paolis, Emery Darcy, Mack Harrell, Hans Hopf, Lawrence Davidson, Lorenzo Alvary, Fritz Reiner, The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus | Die Meistersinger, Act I: Ihr mahnt mich da gar recht | |
| | Ljuba Welitsch, Orchester der Metropolita Opera New York & Fritz Reiner | Don Ottavio son morta aus "Don Giovanni" | |
| | Jascha Heifetz & Fritz Reiner | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | |
| | Fritz Reiner & Columbia Ensemble | Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | |
| | Fritz Reiner & Chicago Symphony Orchestra | Also sprach Zarathustra, Op. 30, TrV 176: VIII. The Dance Song | |
| | Fritz Reiner | Colas Breugnon Op. 24: Overture | |
| | Fritz Reiner, The Metropolitan Opera Orchestra, Astrid Varnay & Set Svanholm | Der fliegende Holländer, WWV 63, IRW 18, Act II: "Mein Herz, voll Treue bis zum Sterben" (Erik, Senta) | |
| | Fritz Reiner & Pittsburgh Symphony Orchestra | Le Bourgeois gentilhomme, Orchestral Suite, Op. 60 - Menuett | |
| | Chicago Symphony Orchestra & Fritz Reiner | Lieutenant Kijé Suite: Troika | |
| | Fritz Reiner, Paul Schöffler, Gerhard Pechner, Hans Hopf, Victoria de los Ángeles & The Metropolitan Opera Orchestra | Die Meistersinger, Act II: War das eu'r Lied? | |
| | The RCA Victor Orchestra, Fritz Reiner, Osie Hawkins, Risë Stevens, Jan Peerce & Robert Shaw Chor | Carmen, Act II: "Holà Carmen! Holà!" (Zuniga, Carmen, Don José, Chœur) | |
| | Fritz Reiner & Chicago Symphony Orchestra | Il signor Bruschino Overture | |
| | The Metropolitan Opera Orchestra, Fritz Reiner, Set Svanholm & Elisabeth Höngen | Salome, Op. 54: "Sie ist ein Ungeheuer" (Herodes, Herodias) | |
| | Fritz Reiner & London Philharmonic Orchestra | Tristan und Isolde: Act Two: Scene Three - Doch unsre Liebe, heißt sie nicht Tristan und Isolde? | |
| | Jascha Heifetz, Fritz Reiner & Chicago Symphony Orchestra | Violin Concerto Op. 35, In D Major/Allegro Vivacissimo | |
| | Fritz Reiner & Chicago Symphony Orchestra | La mer, L. 109: III. Dialogue of the Wind and the Sea | |
