| | The Bell Telephone Hour Orchestra, Donald Voorhees & Bidu Sayao | "Tré giorni son che Nina" | |
| | Bidu Sayao, Fritz Reiner & NBC Symphony Orchestra | Madama Butterfly, Act II: Un bel di, vedremo | |
| | Jarmila Novotna, Ezio Pinza, Bidu Sayao, John Brownlee, Salvatore Baccaloni, Eleanor Steber, Louis D'Angelo, Bruno Walter, The Metropolitan Opera Chorus, The Metropolitan Opera Orchestra, Irra Petina, Marita Farell, Alessio De Paolis & John Garris | Le nozze di Figaro, K. 492, Act II Scene 3: Trio. Susanna, or via sortite, sottite, io cosi vo (Count Almaviva, Contessa Almaviva, Susanna) | |
| | Ezio Pinza, Jarmila Novotna, Rose Bamtpon, Bidu Sayao & Alexander Kipnis | Don Giovanni, Atto Primo: I. No. 1 Introduzione "Notte e giorno faticar" | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act I (Conc.): Scene (v) Ripossate, vezzose ragazze | |
| | Jarmila Novotna, Ezio Pinza, Bidu Sayao, John Brownlee, Salvatore Baccaloni, Eleanor Steber, Irra Petina, Marita Farell, Alessio De Paolis, John Garris, Louis D'Angelo, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act I Scene 5: Basilio, in traccia tosto [Count Almaviva] | |
| | Ezio Pinza, Jarmila Novotna, Rose Bamtpon, Bidu Sayao & Alexander Kipnis | Don Giovanni, Atto Primo: XXV. No. 11 Aria "Fin ch'han del vino" | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act I: Mi par ch'oggi il demonio si diverta | |
| | Bidu Sayao, The Metropolitan Opera Orchestra & Fritz Busch | Le nozze di Figaro, K. 492 Act IV: Deh, vieni non tardar (Live) | |
| | Ezio Pinza, Jarmila Novotna, Rose Bampton, Bidu Sayao, Alexander Kipnis, Charles Kullmann, Mack Harrel, Norman Cordon, Bruno Walter & New York Metropolitan Orchestra | Don Giovanni: Act 1 - La Ci Darem La Mano; Fermati, Scellerato; Ah, Fuggi Il Traditor | |
| | Nino Martini, The Metropolitan Opera Orchestra, Gennaro Papi, Bidu Sayao, Salvatore Baccaloni, The Metropolitan Opera Chorus & Francesco Valentino | Don Pasquale: Recitative. Quando avete introdotto il dottor Malatesta | |
| | Bidu Sayao & Charles Kullman | Manon : Act V : N'est Ce Plus Ma Main Que Cette Main Presse | |
| | Lawrence Tibbett, The Metropolitan Opera Orchestra, Emil Cooper, The Metropolitan Opera Chorus, Martial Singher, Alexander Kipnis & Bidu Sayao | Pelleas et Melisande (Pelleas and Melisande): Act III, Scene III: Ah! Je respire enfin! | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act II: Ah taci, ingiusto core! | |
| | Bidu Sayao & Charles Kullman | Manon : Act II : Je Venais D'écrire À Mon Père | |
| | John Brownlee, Bruno Walter, The Metropolitan Opera Orchestra, Bidu Sayao & Alessio De Paolis | Le nozze di Figaro, K.492, IWM 348, Act I: "Cosa sento! Tosto andate" (Conte, Basilio, Susanna) | |
| | John Brownlee, The Metropolitan Opera Orchestra, Fritz Busch, Eleanor Steber, Italo Tajo & Bidu Sayao | Le nozze di Figaro, K. 492 Act IV: Partito è alfin l'audace (Live) | |
| | John Brownlee, Ezio Pinza, Bruno Walter, The Metropolitan Opera Orchestra & Bidu Sayao | Le nozze di Figaro, K.492, IWM 348, Act IV: "Pace, pace, mio dolce tesoro" (Figaro, Susanna, Conte) | |
| | Martial Singher, Alexander Kipnis, Bidu Sayao, The Metropolitan Opera Orchestra, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Chorus | Pelleas et Melisande (Pelleas and Melisande): Act II: Interlude | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act II Scene 5: Epilogue. Resti dunque quel birbon (Zerlina, Masetto, Leporello) | |
| | Bidu Sayao, Martial Singher, Alexander Kipnis, The Metropolitan Opera Chorus, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Orchestra | Pelleas et Melisande (Pelleas and Melisande): Act V: 'Ce n'est pas de cette petite blessure' | |
| | Bidu Sayao, Sydney Rayner, Richard Bonelli, The Metropolitan Opera Chorus, Maurice Abravanel & The Metropolitan Opera Orchestra | Manon: Act III: Epouse quelque brave fille (Des Griex) | |
| | Bidu Sayao, Martial Singher, Alexander Kipnis, The Metropolitan Opera Chorus, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Orchestra | Pelleas et Melisande (Pelleas and Melisande): Act I, Scene I: Pourquoi pleures-tu? | |
| | The Bell Telephone Hour Orchestra, Donald Voorhees & Bidu Sayao | "Roving in the Dew" | |
| | Carlo Coscia, Gennaro Papi, Ezio Pinza, Bidu Sayao, George Cehanovsky, Giuseppe De Luca, Louis d' Angelo, Annamary Dickey, Milton Cross, Armand Tokatyan & Lodovico Oliviero | La boheme: Act I: Questo Mar Rosso - mi ammollisce e assidera (Marcello, Rodolfo) | |
| | Bidu Sayao, Frank Miller, Fritz Reiner & NBC Symphony Orchestra | Bachianas brasileiras No. 5: I. Aria: Cantilena | |
| | Heitor Villa-Lobos, Studio Orchestra & Bidu Sayao | Forest of the Amazon: “Veleiros” (Sails) | |
| | Bidu Sayao, Sydney Rayner, Richard Bonelli, The Metropolitan Opera Chorus, Maurice Abravanel & The Metropolitan Opera Orchestra | Manon: Act V: Manon! pauvre Manon! (Des Grieux, Lescaut) | |
| | Bidu Sayao, John Brownlee, Salvatore Baccaloni, Ferruccio Tagliavini, Nicola Moscona, Hugh Thompson, Mimi Benzell, Lodovico Oliviero, Giuseppe Antonicelli, Lawrence Davidson & Milton Cross | La boheme: Act II: Ch'io beva del tossico! - Oh! Musetta! | |
| | The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus, Ferruccio Tagliavini, Salvatore Baccaloni, Giuseppe Valdengo, Bidu Sayao & Giuseppe Antonicelli | L'elisir d'amore (The Elixir of Love) : Act II Scene 8: Prendi: prendi per me sei liber | |
| | Jarmila Novotna, Ezio Pinza, Bidu Sayao, John Brownlee, Salvatore Baccaloni, Eleanor Steber, Irra Petina, Marita Farell, Alessio De Paolis, John Garris, Louis D'Angelo, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act IV Scene 9: Pian, pianin le andro piu presso (Cherubino, Countess Almaviva, Count Almaviva, Susanna, Figaro) | |
| | Jussi Björling, Bidu Sayao, Anna-Lisa Bjorling, Gaetano Merola & San Francisco Opera Orchestra | Romeo et Juliette: Act IV: Duet: Va! Je t'ai pardonne … Nuit hymenee | |
| | Bidu Sayao, Giuseppe Antonicelli, Giuseppe Valdengo, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus, Salvatore Baccaloni & Ferruccio Tagliavini | L'elisir d'amore (The Elixir of Love) : Act I Scene 6: Ardir! Ha forse il cielo | |
| | The Metropolitan Opera Chorus, Salvatore Baccaloni, Ferruccio Tagliavini, The Metropolitan Opera Orchestra, Giuseppe Valdengo, Bidu Sayao & Giuseppe Antonicelli | L'elisir d'amore (The Elixir of Love) : Act I Scene 2: Or se m' ami come io t'amo | |
| | Jarmila Novotna, Ezio Pinza, Bidu Sayao, John Brownlee, Salvatore Baccaloni, Eleanor Steber, Irra Petina, Marita Farell, Alessio De Paolis, John Garris, Louis D'Angelo, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act I, Scene 3: Tutto ancor non ho perso (Marcellina, Susanna) | |
| | Bidu Sayao, John Brownlee, Salvatore Baccaloni, Ferruccio Tagliavini, Nicola Moscona, Hugh Thompson, Mimi Benzell, Lodovico Oliviero, Giuseppe Antonicelli, Lawrence Davidson & Milton Cross | La boheme: Act I: O soave fanciulla (Rodolfo, Mimi) | |
| | Bidu Sayao, Martial Singher, Alexander Kipnis, The Metropolitan Opera Chorus, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Orchestra | Pelleas et Melisande (Pelleas and Melisande): Act III, Scene I: Je les tiens dans les mains | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 3: Finch'han dal vino, "Champagne Aria" (Don Giovanni) | |
| | Bidu Sayao, Salvatore Baccaloni, Nino Martini, Francesco Valentino, The Metropolitan Opera Chorus, Gennaro Papi & The Metropolitan Opera Orchestra | Don Pasquale: Curtain Calls And Commentary | |
| | The Bell Telephone Hour Orchestra, Donald Voorhees & Bidu Sayao | “Obstination” (Steadfast) | |
| | Bidu Sayao, Giuseppe Antonicelli, Giuseppe Valdengo, The Metropolitan Opera Chorus, Salvatore Baccaloni, Ferruccio Tagliavini & The Metropolitan Opera Orchestra | L'elisir d'amore (The Elixir of Love) : Act I Scene 10: Andiam Belcore | |
| | Bidu Sayao, Salvatore Baccaloni, Nino Martini, The Metropolitan Opera Orchestra, Gennaro Papi, The Metropolitan Opera Chorus & Francesco Valentino | Don Pasquale: Curtain Calls and Commentary III | |
| | Bidu Sayao, Salvatore Baccaloni, Nino Martini, Francesco Valentino, The Metropolitan Opera Chorus, Gennaro Papi & The Metropolitan Opera Orchestra | Don Pasquale: Curtain Calls And Commentary | |
| | Nino Martini, The Metropolitan Opera Orchestra, Gennaro Papi, Bidu Sayao, Salvatore Baccaloni, The Metropolitan Opera Chorus & Francesco Valentino | Don Pasquale: Stretta del Quartetto. Son tradito, beffeggiato | |
| | Jussi Björling, Bidu Sayao, Salvatore Baccaloni, Francesco Valentino, Nicola Moscona, George Cehanovsky, Lawrence Davidson, The Metropolitan Opera Chorus, Giuseppe Antonicelli, The Metropolitan Opera Orchestra, Mimi Benzell & Anthony Marlowe | La boheme: Act III: Ohe, la, le guardie Aprite! (Chorus) | |
| | Bidu Sayao & Charles Kullman | Manon : Act III : Je Marche Sur Tous Les Chemins | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act I: Fuggi, crudele, fuggi! | |
| | John Brownlee, Fritz Busch, The Metropolitan Opera Orchestra, Bidu Sayao & Eleanor Steber | Le nozze di Figaro, K.492, IWM 348, Act III: "Che imbarazzo è mai questo!" (Conte, Rosina, Susanna) | |
| | Bruno Walter, The Metropolitan Opera Orchestra, Bidu Sayao, Eleanor Steber & Jarmila Novotna | Le nozze di Figaro, K.492, IWM 348, Act II: "Quanto duolmi, Susanna" (Contessa, Susanna, Cherubino) | |
| | Jarmila Novotna, Ezio Pinza, Bidu Sayao, John Brownlee, Salvatore Baccaloni, Eleanor Steber, Irra Petina, Marita Farell, Alessio De Paolis, John Garris, Louis D'Angelo, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Le nozze di Figaro, K. 492, Act IV Scenes 1-6: Cavatina. L'ho perduta … Me meschina (Barbarina) | |
