| | Mathias Vidal, Hervé Niquet, Sarah Tynan, Alain Buet, Andrew Foster-Williams, Salome Haller, Luigi De Donato, Blandine Staskiewicz, Concert Spirituel Chorus, Le Concert Spirituel & Marina de Liso | Le carnaval de Venise: Le bal, dernier divertissement: Forlane | |
| | Nicolas Rivenq, Arnaud Marzorati, Alain Lanceron, Andrew Foster-Williams, Choeurs Et Orchestre Des Arts Florissants, William Christie, Jaul Azzaretti & Paul Agnew | De profundis: Requiem (Choeur) | |
| | Mathias Vidal, Hervé Niquet, Sarah Tynan, Alain Buet, Andrew Foster-Williams, Salome Haller, Luigi De Donato, Blandine Staskiewicz, Concert Spirituel Chorus, Le Concert Spirituel & Marina de Liso | Le carnaval de Venise: Overture | |
| | Brussels Philharmonic, Hervé Niquet, Julien Véronèse & Andrew Foster-Williams | Dimitri, Acte I Scène 5: Que dis-tu? | |
| | Sir Colin Davis, Andrew Foster-Williams, London Symphony Orchestra, London Symphony Chorus, Jeremy Ovenden & Miah Persson | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Terzett und Chor - "Sie steigt herauf" | |
| | Christian Curnyn, Hilary Summers, Lawrence Zazzo, Stephen Wallace, Early Opera Company, Andrew Foster-Williams & Rosemary Joshua | Partenope, HWV 27, Act I Scene III: Regina, in folte Schiere (Ormonte, Arsace, Armindo, Partenope, Rosmira) | |
| | Christophe Rousset, Edwin Crossley-Mercer, Emiliano Gonzales Toro, Les Chantres du Centre de Musique baroque de Versailles, Les Talens Lyriques & Andrew Foster-Williams | Hercule mourant, Act V Scene 4: Hilus, jure moi d'accomplir la volonté d'un père | |
| | Michael Spyres, Andrew Foster-Williams, Virtuosi Brunensis & Antonino Fogliani | Guillaume Tell, Act I: Duo. Ah! Mathilde, idole de mon âme! (Live) | |
| | Scottish Opera, Richard Egarr, Andrew Foster-Williams & Tim Brooke-Taylor | HMS Pinafore: 18. Act II, Song. Fair Moon, to Thee I Sing | |
| | Concert Spirituel Chorus, Maria Riccarda Wesseling, Nicolas Courjal, Gabrielle Philiponet, Mathias Vidal, Hervé Niquet, Le Concert Spirituel, Nicholas Maire & Andrew Foster-Williams | Semiramis: Act II Scene 2: Recitatif: Mais Assur parait (Azema) - Scene 3: Va, dis-je, et vois enfin (Assur, Arzace) - Scene 4: Tu combles la mesure (Assur, Azema) | |
| | Andrew Foster-Williams, Stephen Layton & Britten Sinfonia | Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass) | |
| | Flemish Radio Choir, Brussels Philharmonic, Hervé Niquet, Marianne Fiset, Frédéric Antoun & Andrew Foster-Williams | Velléda: Scène "Velléda ! Dieux puissants !..." | |
| | Wroclaw Baroque Orchestra, National Forum of Music Choir, Paul McCreesh, Ben Palmer, Carolyn Sampson, Jeremy Ovenden, Andrew Foster-Williams & Gabrieli | The Seasons, Hob. XXI:3, IV. Winter: No. 38, Then Dawns that Morn so Glorious (Double Chorus with Solos) | |
| | Andrew Foster-Williams, Andrew Kennedy, Sir Colin Davis, London Symphony Orchestra, Laura Claycomb & London Symphony Chorus | Benvenuto Cellini, Op. 23, H 76, Act II, Scene 15: Peuple Ouvrier | |
| | Scottish Opera, Richard Egarr, Neal Davies & Andrew Foster-Williams | HMS Pinafore: 23. Act II, Soli. Carefully on Tiptoe Stealing | |
| | Andrew Foster-Williams, Gregory Kunde, London Symphony Orchestra, Sir Colin Davis & Andrew Kennedy | Benvenuto Cellini, Op. 23, H 76, Act I, Scenes 8-9: Amis, Avant Qu'on Recommence | |
| | Wroclaw Baroque Orchestra, Paul McCreesh, Ben Palmer, Andrew Foster-Williams & Gabrieli | The Seasons, Hob. XXI:3, I. Spring: No. 4, With Eagerness the Countryman Sets Forth (Song) | |
| | Mathias Vidal, Hervé Niquet, Sarah Tynan, Alain Buet, Andrew Foster-Williams, Salome Haller, Luigi De Donato, Blandine Staskiewicz, Concert Spirituel Chorus, Le Concert Spirituel & Marina de Liso | Le carnaval de Venise: Orfeo nell'inferi Scene 1: Symphony | |
| | Nicolas Rivenq, Arnaud Marzorati, Alain Lanceron, Andrew Foster-Williams, Choeurs Et Orchestre Des Arts Florissants, William Christie, Jaul Azzaretti & Paul Agnew | De profundis: Quia apus te (Choeur) | |
| | Véronique Gens, Andrew Foster-Williams, Münchner Rundfunkorchester & Ulf Schirmer | Proserpine, Acte I: X. Scène "Que préféreriez-vous" | |
| | Le Concert Spirituel, Gabrielle Philiponet, Nicholas Maire, Andrew Foster-Williams, Mathias Vidal, Nicolas Courjal, Maria Riccarda Wesseling, Hervé Niquet & Concert Spirituel Chorus | Semiramis: Act II Scene 6: Marche | |
| | Jean-Sébastien Bou, Anas Séguin, Juliette Mars, Andrew Foster-Williams, Les Talens Lyriques & Christophe Rousset | Faust, Acte I: Dialogue. "Chère Marguerite ! Allons !..." | |
| | Christophe Rousset, Andrew Foster-Williams, Les Talens Lyriques, Edwin Crossley-Mercer & Les Chantres du Centre de Musique baroque de Versailles | Hercule mourant, Act III Scene 2: Au pied du mont Olympe | |
| | Nicolas Rivenq, Arnaud Marzorati, Alain Lanceron, Andrew Foster-Williams, Choeurs Et Orchestre Des Arts Florissants, William Christie, Jaul Azzaretti & Paul Agnew | Notus in Judea Deus (1729): Vovete et reddite (Recit de taille) | |
| | Gregory Kunde, Isabelle Cals, Laura Claycomb, Andrew Kennedy, Peter Coleman-Wright, London Symphony Chorus & Andrew Foster-Williams | Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 16-17: Couvrez-moi Ce Drôle | |
| | Christian Curnyn, Early Opera Company, Andrew Foster-Williams, Tim Mead & Renata Pokupić | Flavio, Re de' Longobardi, HWV 16, Act I Scene VI: Della mia prole Emilia (Lotario, Flavio, Vitige) | |
| | Carolyn Sampson, Hilary Summers, William Unwin, Andrew Foster-Williams, The King's Consort & Robert King | Petite messe solennelle: IIb. Et in terra pax | |
| | Andrew Foster-Williams, Britten Sinfonia & Stephen Layton | Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) | |
| | Nicolas Rivenq, Arnaud Marzorati, Alain Lanceron, Andrew Foster-Williams, Choeurs Et Orchestre Des Arts Florissants, William Christie, Jaul Azzaretti & Paul Agnew | Exaudiat te Dominus (psaume 19): Lµtabimur in salutari tuo (Choeur & basse-taille) | |
| | Le Concert Spirituel, Gabrielle Philiponet, Nicholas Maire, Maria Riccarda Wesseling, Hervé Niquet, Concert Spirituel Chorus, Andrew Foster-Williams, Mathias Vidal & Nicolas Courjal | Semiramis: Act II Scene 6: Air: Maitresse de mon diademe (Semiramis) | |
| | Christophe Rousset, Chœur de Chambre de Namur, Les Talens Lyriques & Andrew Foster-Williams | Phaeton, Acte V, Scène 2: Dieu qui vous déclarez mon père | |
| | Jean-Sébastien Bou, Anas Séguin, Juliette Mars, Andrew Foster-Williams, Flemish Radio Choir, Thibaud Epp, Les Talens Lyriques & Christophe Rousset | Faust, Acte I: Mélodrame et Choral des épées. "Votre belle voix..." | |
| | Benjamin Bernheim, Andrew Foster-Williams, Les Talens Lyriques & Christophe Rousset | Faust, Acte III: Mélodrame et Dialogue. "Vois-tu trembler..." | |
| | Andrew Foster-Williams, Münchner Rundfunkorchester & Ulf Schirmer | Cinq-Mars, CG 10, Acte III: VII. Tu t’en vas | |
| | Jeremy Ovenden, Andrew Foster-Williams, Mozarteumorchester Salzburg & Ivor Bolton | Die letzten Dinge, WoO 61, Pt. I, Recitativo. Steige herauf | |
| | Benjamin Bernheim, Andrew Foster-Williams, Flemish Radio Choir, Thibaud Epp, Les Talens Lyriques & Christophe Rousset | Faust, Acte IV: Chœur des follets et Scène. "Dans les bruyères..." | |
| | Andrew Foster-Williams, Stephen Layton & Britten Sinfonia | Messiah, HWV 56, Pt. 1: No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass) | |
| | Mathias Vidal, Hervé Niquet, Sarah Tynan, Alain Buet, Andrew Foster-Williams, Salome Haller, Luigi De Donato, Blandine Staskiewicz, Concert Spirituel Chorus, Le Concert Spirituel & Marina de Liso | Le carnaval de Venise: Act II Scene 7: Je me suis fait trop longtems violence (Rodolfo) | |
| | Theresa Kronthaler, Andrew Foster-Williams, ORF Vienna Radio Symphony Orchestra & Constantin Trinks | Euryanthe, Op. 81, J. 291, Act II: Der Gruft entronnen, atme ich wieder (Live) | |
| | Sir Colin Davis, Jeremy Ovenden, London Symphony Orchestra, Miah Persson & Andrew Foster-Williams | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12b Rezitativ - "Die Mittagssonne" | |
| | Polyphony, Britten Sinfonia, Andrew Foster-Williams, Roger Allam & Stephen Layton | Via Crucis: Station 2: Dicebat autem Jesus ad omnes | |
| | Véronique Gens, Andrew Foster-Williams, Münchner Rundfunkorchester & Ulf Schirmer | Proserpine, Acte III: III. Scène "Approchez, ma beauté ; nous sommes seuls maîtres" | |
| | Le Concert Spirituel, Gabrielle Philiponet, Nicholas Maire, Maria Riccarda Wesseling, Hervé Niquet, Concert Spirituel Chorus, Andrew Foster-Williams, Mathias Vidal & Nicolas Courjal | Semiramis: Act II Scene 2: Recitatif: Objet de tous mes voeux (Arzace, Azema) | |
| | Sir Colin Davis, Miah Persson, London Symphony Chorus, Andrew Foster-Williams, London Symphony Orchestra & Jeremy Ovenden | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39, Terzett und Doppelchor - "Dann bricht der grosse Morgen an" | |
| | Andrew Foster-Williams, The King's Consort & Robert King | La Senna festeggiante, RV 693: Part 1 XVIII. Aria. L'alta lor gloria immortale (La Senna) | |
| | Wroclaw Baroque Orchestra, Paul McCreesh, Ben Palmer, Andrew Foster-Williams & Gabrieli | The Seasons, Hob. XXI:3, IV. Winter: No. 37, Consider then, Misguided Man (Song & Accompaniment) | |
| | Brussels Philharmonic, Hervé Niquet, Gabrielle Philiponet, Jennifer Borghi, Philippe Talbot & Andrew Foster-Williams | Dimitri, Acte V Scène 2: Voici l’instant, ma fiancée | |
| | Mathias Vidal, Hervé Niquet, Sarah Tynan, Alain Buet, Andrew Foster-Williams, Salome Haller, Luigi De Donato, Blandine Staskiewicz, Concert Spirituel Chorus, Le Concert Spirituel & Marina de Liso | Le carnaval de Venise: Act II Scene 2: Malgre toute l'ardeur qui regne dans vostre ame (Leonora, Rodolfo) | |
| | Wroclaw Baroque Orchestra, Paul McCreesh, Ben Palmer, Carolyn Sampson, Jeremy Ovenden, Andrew Foster-Williams & Gabrieli | The Seasons, Hob. XXI:3, IV. Winter: No. 32, And Drawing Near the Welcome Sight (Recitative & Accompaniment) | |
| | Nicolas Rivenq, Arnaud Marzorati, Alain Lanceron, Andrew Foster-Williams, Choeurs Et Orchestre Des Arts Florissants, William Christie, Jaul Azzaretti & Paul Agnew | De profundis: Symphonie | |
