| | Alexandrina Pendatchanska, Freiburger Barockorchester, Johannes Weisser, Kenneth Tarver, Lorenzo Regazzo, Nikolay Borchev, Olga Pasichnyk, René Jacobs & Sunhae Im | Don Giovanni, Atto Primo. Scena 20. Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio "Riposate, Vezzose Ragazze" | |
| | Olga Pasichnyk & Ewa Poblocka | Leocadia: Les chemins de l'amour | |
| | Olga Pasichnyk & Natalya Pasichnyk | 19 Polish Songs, Op. 74: No. XI. Dwojaki koniec | |
| | Olga Pasichnyk & Natalya Pasichnyk | 19 Polish Songs, Op. 74: No. II. Wiosna | |
| | Alexandrina Pendatchanska, Freiburger Barockorchester, Kenneth Tarver, Lorenzo Regazzo, Nikolay Borchev, Olga Pasichnyk, René Jacobs & Sunhae Im | Don Giovanni, Atto Secondo. Scena Ultima. Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello "Ah Dove È Il Perfido" | |
| | Freiburger Barockorchester, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Secondo. Scena 12. Rondo Donna Anna "Non Mi Dir, Bell'idol Mio" | |
| | Freiburger Barockorchester, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Secondo. Scena 12. Recitativo Accompagnato Donna Anna "Crudele! Ah No, Mio Bene!" | |
| | Alexandrina Pendatchanska, Freiburger Barockorchester, Kenneth Tarver, Lorenzo Regazzo, Nikolay Borchev, Olga Pasichnyk, René Jacobs & Sunhae Im | Don Giovanni, Atto Secondo. Scena 7. Sestetto Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto "Sola Sola In Buio Loco" / Scena 8. "Ferma, Briccone" | |
| | Freiburger Barockorchester, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 13. Aria Donna Anna "O Sai Chi l'onore" | |
| | Freiburger Barockorchester, Kenneth Tarver, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 3. Recitativo Donna Anna, Don Ottavio "Ah del Padre In Periglio" - Recitativo Accompagnato Donna Anna, Don Ottavio "Ma Qual Mai S'offre, O Dei" | |
| | Olga Pasichnyk & Natalya Pasichnyk | 19 Polish Songs, Op. 74: No. XIII. Nie ma czego trzeba | |
| | Olga Pasichnyk & Natalya Pasichnyk | 19 Polish Songs, Op. 74: No. III. Smutna rzeka | |
| | Olga Pasichnyk & Ewa Poblocka | Chanson Triste | |
| | Olga Pasichnyk & Ewa Poblocka | Rondel Chinois | |
| | Robert Pomakov, Olga Pasichnyk, Roy Goodman & European Union Baroque Orchestra | Apollo e Dafne, HWV 122 : Aria: Felicissima quest'alma | |
| | Alexandrina Pendatchanska, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 19. Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni "Bisogna Aver Coraggio" | |
| | Freiburger Barockorchester, Kenneth Tarver, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 13. Recitativo Accompagnato Donna Anna, Don Ottavio "Don Ottavio, Son Morta!" | |
| | Alexandrina Pendatchanska, Freiburger Barockorchester, Johannes Weisser, Kenneth Tarver, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 12. Recitativo Donna Elvira "Ah Ti Ritrovo Ancor" / N.9 Quartetto Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni "Non Ti Fidar, O Misera" | |
| | Freiburger Barockorchester, Kenneth Tarver, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 3. Duetto Donna Anna, Don Ottavio "Fuggi, Crudele, Fuggi!" | |
| | Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 1. Introduzione Leporello, Donna Anna, Don Giovanni, Il Commendatore "Notte e Giorno Faticar" | |
| | László Czidra, Zsuzsa Pertis, Zsolt Harsányi & Olga Pasichnyk | Recorder Sonata in F major: Siciliana | |
| | Olga Pasichnyk, Warsaw Philharmonic Orchestra & Antoni Wit | A Sea of Dreams Did Breathe on Me., Pt. 1 "The Enchanted Garden": No. 2, Beneath a Mysterious Tree | |
| | Olga Pasichnyk & Ewa Poblocka | Fleur Des Bles | |
| | Freiburger Barockorchester, Johannes Weisser, Kenneth Tarver, Olga Pasichnyk & René Jacobs | Don Giovanni, Atto Primo. Scena 11. Recitativo Don Giovanni, Don Ottavio, Donna Anna "Mi Par Ch'oggi Il Demonio Si Diverta" | |
| | Olga Pasichnyk & Ewa Poblocka | Nuit D'Etoiles | |
| | Romuald Tesarowicz, Piotr Beczala, Olga Pasichnyk, Wojtek Drabowicz, Stefania Toczyska, Krzysztof Szmyt, Alla Polacca Choir, Polish National Opera Orchestra, Polish National Opera Chorus, Jacek Kaspszyk, Ryszard Wroblewski, Justyna Kabala & Maciej Dunin-Borkowski | Krol Roger (King Roger), Op. 46: Act III: Rogerze! Rogerze! (Roger! Roger!) (Roxana, Edirisi, Roger, Shepherd, Chorus, Soprano, Tenor) | |
| | Olga Pasichnyk & Natalya Pasichnyk | 19 Polish Songs, Op. 74: No. XV. Narzeczony | |
| | Romuald Tesarowicz, Piotr Beczala, Olga Pasichnyk, Wojtek Drabowicz, Stefania Toczyska, Krzysztof Szmyt, Alla Polacca Choir, Polish National Opera Orchestra, Polish National Opera Chorus, Jacek Kaspszyk, Ryszard Wroblewski, Justyna Kabala & Maciej Dunin-Borkowski | Krol Roger (King Roger), Op. 46: Act II: A…! Roksana! Jej spiew! (Roxana, Roger, Edirisi, Chorus) | |
| | Romuald Tesarowicz, Piotr Beczala, Olga Pasichnyk, Wojtek Drabowicz, Stefania Toczyska, Krzysztof Szmyt, Alla Polacca Choir, Polish National Opera Orchestra, Polish National Opera Chorus, Jacek Kaspszyk, Ryszard Wroblewski, Justyna Kabala & Maciej Dunin-Borkowski | Krol Roger (King Roger), Op. 46: Act I: Moj Bog jest piekny (My God is Young and Handsome) (Shepherd, Chorus) | |
| | Robert Pomakov, Olga Pasichnyk, Roy Goodman & European Union Baroque Orchestra | The Alchemist, HWV 43: Overture | |
| | Olga Pasichnyk, Anna Lubańska, Krzysztof Szmyt, Krzysztof Borysiewicz, Sinfonia Amabile Orchestra & Piotr Wajrak | Requiem in D Minor, K. 626 (Completed by F.X. Süssmayr): Sequence IV. Recordare | |
| | Olga Pasichnyk & Jan Vande Weghe | Zur Rosenzeit | |
| | Romuald Tesarowicz, Piotr Beczala, Olga Pasichnyk, Wojtek Drabowicz, Stefania Toczyska, Krzysztof Szmyt, Alla Polacca Choir, Polish National Opera Orchestra, Polish National Opera Chorus, Jacek Kaspszyk, Ryszard Wroblewski, Justyna Kabala & Maciej Dunin-Borkowski | Krol Roger (King Roger), Op. 46: Act II: Tajemnych glebin (With this Hand I Wake the Deep Secret) (Shepherd) | |
| | European Union Baroque Orchestra, Roy Goodman & Olga Pasichnyk | Apollo e Dafne: Aria: Felicissima quest'alma | |
| | Robert Pomakov, Olga Pasichnyk, Roy Goodman & European Union Baroque Orchestra | Apollo e Dafne, HWV 122 : Aria: Pende il ben dell'universo | |
| | Romuald Tesarowicz, Piotr Beczala, Olga Pasichnyk, Wojtek Drabowicz, Stefania Toczyska, Krzysztof Szmyt, Alla Polacca Choir, Polish National Opera Orchestra, Polish National Opera Chorus, Jacek Kaspszyk, Ryszard Wroblewski, Justyna Kabala & Maciej Dunin-Borkowski | Krol Roger (King Roger), Op. 46: Act II: Soldiers Seize the Shepherd: Kto smie moj czar (Who Would Bind Me) (Shepherd, Roxana, Chorus) | |
| | Olga Pasichnyk & Ewa Poblocka | Metamorphoses: No. 2. C'est ainsi que tu es | |
| | Romuald Tesarowicz, Piotr Beczala, Olga Pasichnyk, Wojtek Drabowicz, Stefania Toczyska, Krzysztof Szmyt, Alla Polacca Choir, Polish National Opera Orchestra, Polish National Opera Chorus, Jacek Kaspszyk, Ryszard Wroblewski, Justyna Kabala & Maciej Dunin-Borkowski | Krol Roger (King Roger), Op. 46: Act III: Na sad, na sad (Yield to Justice, King) (Chorus, Roger, Shepherd, Edirisi, Roxana) | |
| | Olga Pasichnyk & Jan Vande Weghe | Solovinyi Romans | |
| | Robert Pomakov, Olga Pasichnyk, Roy Goodman & European Union Baroque Orchestra | The Alchemist, HWV 43: Air | |
| | Olga Pasichnyk, Natalya Pasichnyk & Christian Svarfvar | Melody | |
| | Olga Pasichnyk & Natalya Pasichnyk | 19 Polish Songs, Op. 74: No. XVI. Piosnka litewska | |
| | Wroclaw Baroque Orchestra, Jaroslaw Thiel & Olga Pasichnyk | Vado, ma dove? Oh Dei!, K. 583 | |
| | Olga Pasichnyk & Ewa Poblocka | La courte paille: No. 6. La carafon | |
| | Olga Pasichnyk & Natalya Pasichnyk | Coquette (arr. of Mazurka No. 5 in B-Flat Major, Op. 7, No. 1) | |
| | Alexandrina Pendatchanska, Sunhae Im, René Jacobs, Lorenzo Regazzo, Freiburger Barockorchester, Olga Pasichnyk, Kenneth Tarver & Nikolay Borchev | Don Giovanni, K. 527, Act 2 Scene 7: "Sola sola in buio loco", Scene 8: "Ferma, briccone" | |
| | Olga Pasichnyk & Zurich Collegium Novum | 7 Abgesange auf eine tote Linde: I. Trostlos wie Schweigen die Zeit zerklirrt… | |
| | Coline-Marie Orliac & Olga Pasichnyk | Pierścień (The Ring), Op. 74, No. 14 | |
| | Alexandrina Pendatchanska, Kenneth Tarver, Freiburger Barockorchester, Olga Pasichnyk, Johannes Weisser, René Jacobs & Lorenzo Regazzo | Don Giovanni, K. 527, Act I Scene 19: "Bisogna aver coraggio" | |
| | Olga Pasichnyk & Ewa Poblocka | Extase | |
