| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part I: How It Began: Scene 1: Signing On | |
| | Michael Pratt, New York New Music Ensemble, Stephen Gosling, Linda Quan, Jean Kopperud, Jayn Rosenfeld, John Whitfield, Mary Nessinger & James Baker | Life in The Castle: I. In The Castle | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part IV: The Way It Ended: Scene 9: The Chase: The Second Day | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part III: Three Dialogues: Ahab And The Blacksmith Forge A Harpoon | |
| | Michael Pratt, New York New Music Ensemble, John Whitfield, Stephen Gosling, Linda Quan, James Baker, Jean Kopperud, Mary Nessinger & Jayn Rosenfeld | Life in The Castle: V. Invisible Woman | |
| | Maria Tegzes, Composer's Ensemble at Princeton & Michael Pratt | Ariel Music: I. Ariel to Prospero | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part IV: The Way It Ended: Epilogue | |
| | Peter Scales | Passing Circumstances (Group) (feat. Irene Lallas & Michael Pratt) | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part III: Three Dialogues: The Parsee Tells Ahab The Condition Of His Death | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part III: Three Dialogues: The Symphony | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: Ordeal | |
| | Peter Scales | For the Cameras (feat. Irene Lallas & Michael Pratt) | |
| | Michael Pratt, New York New Music Ensemble, John Whitfield, Mary Nessinger, Linda Quan, Jean Kopperud, Stephen Gosling, Jayn Rosenfeld & James Baker | Life in The Castle: IV. Apparition | |
| | Peter Scales | Pass the Bottle (feat. Irene Lallas & Michael Pratt) | |
| | Michael Pratt | Love's Seasons | |
| | Michael Pratt, New York New Music Ensemble, John Whitfield, Linda Quan, James Baker, Jayn Rosenfeld, Stephen Gosling, Mary Nessinger & Jean Kopperud | Life in The Castle: II. Mirror | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: III. Betrayals | |
| | Michael Pratt, New York New Music Ensemble, Jean Kopperud, Mary Nessinger, Stephen Gosling, Jayn Rosenfeld, James Baker, John Whitfield & Linda Quan | Life in The Castle: VI. There is More to a Mirror | |
| | Composer's Ensemble at Princeton, Michael Pratt & Maria Tegzes | Ariel Music: III. Ariel to Ferdinand | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: Departure | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: Arrival | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: Beyond | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: II. Departure | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part IV: The Way It Ended: Scene 10: The Chase The Third Day | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part I: How It Began: Prologue | |
| | Composer's Ensemble at Princeton, Michael Pratt & Maria Tegzes | Ariel Music: V. Ariel to Alonso, Antonio, and Sebastian | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part I: How It Began: Scene 2: The Quater Deck | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: IV. Ordeal | |
| | Composer's Ensemble at Princeton, Michael Pratt & Maria Tegzes | Ariel Music: II. Ariel to Ferdinand | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: Betrayals | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part II: The Business We Follow: Cutting In And Trying Out | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: I. Arrival | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part II: The Business We Follow: Stubb Kills A Whale | |
| | Michael Pratt, New York New Music Ensemble, Jayn Rosenfeld, John Whitfield, Jean Kopperud, Stephen Gosling, Mary Nessinger, Linda Quan & James Baker | Life in The Castle: III. Meeting | |
| | Chamber Orchestra of Philadelphia & Michael Pratt | Moby Dick: Scenes From An Imaginary Opera - Part IV: The Way It Ended: Scene 8: The Chase: The First Day | |
| | Sarah Davis, Douglas Gillespie, Riley Lee, Barbara White, Taylor Levine, Dominic Donato & Michael Pratt | Weakness: V. Beyond | |
| | Composer's Ensemble at Princeton, Michael Pratt & Maria Tegzes | Ariel Music: IV. Ariel to Gonzalo | |
