| | Alexandre Lagoya, Orchestre national de l'Opéra de Monte-Carlo & Antonio de Almeida | Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | |
| | Ambrosian Opera Chorus, Antonio de Almeida, London Philharmonic Orchestra & June Anderson | Hamlet, Act 4: "Le voilà ! Je crois l'entendre" (Ophélie, Chœur) | |
| | Frederica von Stade, Antonio de Almeida & Royal Philharmonic Orchestra | Chants d'Auvergne, Vol. I: No. 2, Baïlèro | |
| | Antonio de Almeida, Denyce Graves, London Philharmonic Orchestra & June Anderson | Hamlet, Act II, Scene 1: "Dans son regard plus sombre" (La Reine, Ophélie) | |
| | Philharmonia Orchestra, Marilyn Horne, Frederica von Stade, Claude Meloni, Andre Battedou, Alain Vanzo, Ruth Welting, Nicola Zaccaria, Paul Hudson, Antonio de Almeida & Ambrosian Opera Chorus | Mignon (Opéra-Comique en 3 Actes, 5 Tableaux): "A Merveille, J'en Ris D'avance!" (Ruth Welting, Andre Battedou) | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Sinfonie del Silenzio e de la Morte: II. Sinfonia del Silenzio | |
| | Antonio de Almeida, Orchestre national de l'Opéra de Monte-Carlo & Alexandre Lagoya | Fantasía Para un Gentilhombre for Guitar and Small Orchestra: I. Villano y Ricercare (Adagietto: Andante Moderato) | |
| | Michel Trempont, Thomas Hampson, Samuel Ramey, François Le Roux, Jean-Philippe Courtis, Antonio de Almeida, Denyce Graves, London Philharmonic Orchestra & Gérard Garino | Hamlet, Act 5: "Ophélie ! Hamlet !" (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre) | |
| | Thomas Hampson, Antonio de Almeida, Denyce Graves & London Philharmonic Orchestra | Hamlet, Act III: "Hamlet, ma douleur est immense" (La Reine, Hamlet) | |
| | Philharmonia Orchestra & Antonio de Almeida | La Juive, Act I: Introduction | |
| | Moscow Symphony Orchestra & Antonio de Almeida | Sinfonia per Antigenida: II. Lento | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Sinfonia dello zodiaco, Partita No. 3, "Autumn": II. Allegro grazioso | |
| | Antonio de Almeida, Philharmonia Orchestra, Anna Moffo & Martina Arroyo | La Juive (Highlights): Ah! Que ma voix plaintive | |
| | Dalmacio Gonzales, June Anderson, Philharmonia Orchestra & Antonio de Almeida | La Juive, Act III: "Ah! c'est trop supporter ce supplice in- fernal" | |
| | Antonio de Almeida, Frederica von Stade & Scottish Chamber Orchestra | Barbe Bleue (Highlights): Couplets de la rosière | |
| | Antonio de Almeida, Philharmonia Orchestra, Frederica von Stade & Ambrosian Opera Chorus | Mignon: "C'est moi, j'ai tout brisé | |
| | Dalmacio Gonzales, Philharmonia Orchestra & Antonio de Almeida | La Juive, Act I: "Cette foule importune en ces lieux assi- due" | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Sinfonia Per Antigenida: III. Allegro | |
| | Philharmonia Orchestra & Antonio de Almeida | Le voyage dans la lune (Highlights): Overture, Pt. I. Allegro maestoso | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Sinfonia del Mare | |
| | Vladimir Viardo, Antonio de Almeida & Moscow Symphony Orchestra | Piano Concerto No. 3, "Ave Maria": III. Andantino | |
| | June Anderson, Dalmacio Gonzales, Philharmonia Orchestra & Antonio de Almeida | La Juive, Act III: "J'accepte désormais et tes soins et ton zèle" | |
| | Ambrosian Opera Chorus, Antonio de Almeida & London Philharmonic Orchestra | Hamlet, Act 4: "Voici la riante saison" (Chœur) | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Symphony No. 2 in B Flat Major, Op. 36 "Ouessant": III. Choral: Allegro | |
| | Moscow Symphony Orchestra & Antonio de Almeida | Symphony No. 7, "Delle canzoni": I. Allegro | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Symphony No. 7 - "Les Dances de las Vie": III. Danses medievales | |
| | Philharmonia Orchestra & Antonio de Almeida | Orphée aux enfers (Highlights): Ballet pastoral, Pt. I. Introduction et entrées des bergers | |
| | Catherine Michel, Antonio de Almeida & Orchestre national de l'Opéra de Monte-Carlo | Concertino for Harp and Chamber Orchestra, Op. 93: II. Andante (Quasi Recitativo) | |
| | Orchestre national de l'Opéra de Monte-Carlo, Antonio de Almeida & Catherine Michel | Concerto Serenade for Harp and Orchestra: II. Intermezzo con aria (Adagio - Allegro moderato) | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Acuarelas Chapinas: La Ventana | |
| | Antonio de Almeida, London Symphony Orchestra, Ambrosian Opera Chorus, Michel Senechal & Claude Meloni | La Navarraise, Act I: J'ai trois maisons dans Madrid | |
| | Ofra Harnoy, Antonio de Almeida & Bournemouth Symphony | Cello Concerto in D Minor: III. Introduction. Andante - Allegro vivace | |
| | Philharmonia Orchestra, Marilyn Horne, Frederica von Stade, Claude Meloni, Andre Battedou, Alain Vanzo, Ruth Welting, Nicola Zaccaria, Paul Hudson, Antonio de Almeida & Ambrosian Opera Chorus | Mignon (Opéra-Comique en 3 Actes, 5 Tableaux): "Laërte, Ami Laërte, Accourez Au Plus Vite!" (Ruth Welting, Old Townsfolk, Andre Battedou, Onlookers) | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Sinfonietta: Moto espressivo e moderato | |
| | Antonio de Almeida, London Philharmonic Orchestra & June Anderson | Hamlet, Act 4: "Et maintenant, écoutez ma chanson !" (Ophélie) | |
| | Dalmacio Gonzales, Julia Varady, Philharmonia Orchestra & Antonio de Almeida | La Juive, Act II: "C'est lui! la force m'abandonne!" | |
| | Moscow Philharmonic Orchestra & Antonio de Almeida | Le Cid: Navarraise | |
| | Catherine Michel, Antonio de Almeida & Orchestre national de l'Opéra de Monte-Carlo | Concertino for Harp and Chamber Orchestra, Op. 93: II. Andante - Quasi Recitativo | |
| | 香港管弦樂團 & Antonio de Almeida | Rhapsodie orientale, Op. 29 | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Symphony No. 8, "Symphonia Brevis": III. Non Troppo Lento - Piu Mosso - Allegramente - Tranquillo - Mosso - Lento - Meno Lento, Non Trascinar | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Symphony No. 3, "Delle campane": IV. Lento | |
| | Antonio de Almeida & Moscow Symphony Orchestra | Symphony No. 11, "delle Cornamuse": III. Gaio | |
| | RTÉ National Symphony Orchestra, Antonio de Almeida & François-Joël Thiollier | Ballade in F-Sharp Major, Op. 19 | |
| | Philharmonia Orchestra, Marilyn Horne, Frederica von Stade, Claude Meloni, Andre Battedou, Alain Vanzo, Ruth Welting, Nicola Zaccaria, Paul Hudson, Antonio de Almeida & Ambrosian Opera Chorus | Mignon (Opéra-Comique en 3 Actes, 5 Tableaux), Act I: Ouverture (Orchestra) | |
| | Philharmonia Orchestra, Marilyn Horne, Frederica von Stade, Claude Meloni, Andre Battedou, Alain Vanzo, Ruth Welting, Nicola Zaccaria, Paul Hudson, Antonio de Almeida & Ambrosian Opera Chorus | Mignon (Opéra-Comique en 3 Actes, 5 Tableaux): "Je Suis Titania" (Ruth Welting, Frederica Von Stade, the Prince and the Baron) | |
| | René Massis, Ferruccio Furlanetto, Julia Varady, José Carreras, Ambrosian Opera Chorus, Philharmonia Orchestra & Antonio de Almeida | La Juive, Act I: "Si la rigeur et la vengeance" | |
| | Philharmonia Orchestra, Marilyn Horne, Frederica von Stade, Claude Meloni, Andre Battedou, Alain Vanzo, Ruth Welting, Nicola Zaccaria, Paul Hudson, Antonio de Almeida & Ambrosian Opera Chorus | Mignon (Opéra-Comique en 3 Actes, 5 Tableaux): "Légères Hirondelles" (Marilyn Horne, Nicola Zaccaria) | |
| | Frederica von Stade, Antonio de Almeida & Royal Philharmonic Orchestra | Chants d'Auvergne, Vol. V: No. 3, Là-haut, sur le rocher | |
| | Philharmonia Orchestra, Marilyn Horne, Frederica von Stade, Claude Meloni, Andre Battedou, Alain Vanzo, Ruth Welting, Nicola Zaccaria, Paul Hudson, Antonio de Almeida & Ambrosian Opera Chorus | Mignon (Opéra-Comique en 3 Actes, 5 Tableaux): "Elle Ne Croyais Pas Dans Sa Candeur Naïve" (Alain Vanzo) | |
| | René Massis, José Carreras, Ferruccio Furlanetto, June Anderson, Julia Varady, Dalmacio Gonzales, Ambrosian Opera Chorus, Philharmonia Orchestra & Antonio de Almeida | La Juive, Act III: "Vous qui du Dieu vivant - "Ah!" - "Malheur extrême!" | |
