| | Rivka Golani, Jukka-Pekka Saraste & Toronto Symphony Orchestra | Viola Concerto: II. Andante | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Tritóna I / Tritona I | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Fiú- és férfi-képletek / Boys' and men's patterns | |
| | Rivka Golani & John Lenehan | Sonata in G Minor, Op. 19: II. Allegro scherzando | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Matild Csasztuskája / Matild's chastushka | |
| | Rivka Golani | Lamentations of Jeremiah | |
| | Rivka Golani & Zsuzsa Kollár | Bolero, Op. 51 No. 3 | |
| | Rivka Golani | Cello Suite No. 3 In C Major, BWV 1009: V. Bouree | |
| | Rivka Golani | Cello Suite No. 4 In e Flat Major, BWV 1010: I. Prelude | |
| | New Note Ensemble, Nic Pendlebury & Rivka Golani | Sinfonia No. 1 for String Orchestra: II. Catharsis | |
| | Rivka Golani, Bern Symphony Orchestra & Peter Maag | Rhapsody-Concerto for Viola and Orchestra: I. Moderato | |
| | Borodin Trio & Rivka Golani | Piano Quartet No. 2 in A Major, Op. 26: III. Scherzo. Poco allegro - Trio | |
| | Rivka Golani & Zsuzsa Kollár | Tambourin Chinois, Op. 3 | |
| | Rivka Golani, London Musici & Mark Stephenson | Concerto for Viola & Chamber Orchestra, Op. 108: III. Allegro Vivace | |
| | Rivka Golani, Bernadene Blaha & Joaquin Valdepenas | 5 Stucke Im Volkston (5 Pieces In Folk Style), Op. 102: II. Langsam | |
| | New Note Ensemble, Nic Pendlebury & Rivka Golani | Sinfonia No. 1 for String Orchestra: I. Cinque terre | |
| | Rivka Golani | Cello Suite No. 1 In G Major, BWV 1007: IV. Sarabande | |
| | Borodin Trio & Rivka Golani | Piano Quartet No. 1 in G Minor, Op. 25: I. Allegro | |
| | Zsuzsa Kollár & Rivka Golani | Polichinelle (Sérénade) | |
| | Rivka Golani & John Lenehan | Sonata in G Minor, Op. 19: I. Lento. Allegro moderato | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Bölcsődés fiú mondókája: Milyen jó anya... / Nursery boy's spell: What a good mother... | |
| | H. Berlioz | Harold en Italie, Op. 16: III. Allegro Assai (Serenade of an Abruzzi Mountain-Dweller to His Mistress) | |
| | Rivka Golani & Zsuzsa Kollár | Hungarian Dance No. 20 | |
| | Rivka Golani, Sir Andrew Davis & Toronto Symphony Orchestra | Chaconne: Introduction: Variation I - XXIII: Coda | |
| | Rivka Golani | Cello Suite No. 6 In D Major, BWV 1012: V. Gavotte | |
| | Haifa Symphony Orchestra, Stanley Sperber & Rivka Golani | Concerto for Viola and Orchestra: I. — | |
| | Beth Tikvah Synagogue Choir, Beth Tzedec Choral Group, Morry Kernerman, Corol McCartney, Rivka Golani, David Miller & Srul Irving Glick | Music for Passover: XI. Hineni Muchan Umezuman | |
| | Rivka Golani, London Musici & Mark Stephenson | Concerto for Viola & Chamber Orchestra, Op. 108: II. Andante con moto | |
| | Rivka Golani, Bernadene Blaha & Joaquin Valdepenas | 3 Romanzen, Op. 94 : III. Nicht Schnell | |
| | Rivka Golani, Maureen Forrester & Thomas Muraco | 2 Gesange, Op. 91: I. Gestillte Sehnsucht | |
| | Rivka Golani, Bernadene Blaha & Joaquin Valdepenas | Marchenbilder (Fairy Tales), Op. 113: II. Lebhaft | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Sárga-ja-csikó (Matild dünnyögte nóta) / folk tune hummed by Matild | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Tücsök-kóda, Bölcsődések / Chicada-coda, nursery children | |
| | Rivka Golani | Cello Suite No. 6 In D Major, BWV 1012: III. Courante | |
| | Rivka Golani, John Lenehan & Douglas Perry | Romeo and Juliet (arr. by Vadim Borisovsky): Morning Serenade | |
| | Rivka Golani | Requiem | |
| | Rivka Golani & Zsuzsa Kollár | Silent Woods (Arr. of Waldesruhe, Op. 68) | |
| | Rivka Golani | Songs, Float from my Lips (Ének, hajolj ki ajkamon): I. Invocation (Invokáció) | |
| | Rivka Golani | Cello Suite No. 5 In C Minor, BWV 1011: II. Allemande | |
| | Rivka Golani & Michael Hampton | Sonata for Viola and Piano in B-Flat Major, Op. 36: II. Barcarolla (Andante con moto) | |
| | Borodin Trio & Rivka Golani | Piano Quartet No. 3 in C Minor, Op. 60: III. Andante | |
| | Rivka Golani | 7 Miniatures in the Form of a Mobile | |
| | Beth Tikvah Synagogue Choir, Beth Tzedec Choral Group, Morry Kernerman, Corol McCartney, Rivka Golani, David Miller & Srul Irving Glick | Music for Passover: XV. Adir Hu | |
| | Judy Loman & Rivka Golani | Sonata No. 2, BWV 1028: I. Adagio | |
| | Rivka Golani & Michael Hampton | Sarasateana: III. Malaguena | |
| | Rivka Golani | Cello Suite No. 6 In D Major, BWV 1012: II. Allemande | |
| | Erika Raum, Rivka Golani, Regina Symphony Orchestra & Victor Sawa | Persephone and Demeter: I. Persephone and Demeter | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - Fény / Light | |
| | Rivka Golani, Zsanett Pfujd, MR Symphony Orchestra & László Tihanyi | A Nagy Iniciálé – emberhangidőszobor / The Great Initial - humanvoicetimesculpture - V-ének II / Old womens abandon II | |
| | Rivka Golani | Cello Suite No. 1 In G Major, BWV 1007: V. Menuetto | |
