| | Bonaventura Bottone & Janis Kelly | We'll Go Away Together | |
| | Company, Janis Kelly, Sally Burgess, Shezwae Powell & Willard White | Can't Help Lovin' Dat Man | |
| | Angela Hickey, Blythe Duff, Bonaventura Bottone, Janis Kelly & Meriel Dickinson | Don't Forget the Lilac Bush (Finale) | |
| | Janis Kelly | What Good Would the Moon Be? | |
| | Janis Kelly & Jason Howard | Make Believe | |
| | Company, Janis Kelly, Raynor Bourton & Richard Van Allan | I Loved Her Too (Finale) | |
| | Janis Kelly, Kristine Ciesinski & Richard Van Allan | There'll Be Trouble | |
| | George Dvorsky & Janis Kelly | Almost Like Being In Love | |
| | Chorus, Janis Kelly & Jason Howard | You Are Love | |
| | Janis Kelly, Jayce Ogren & BBC Symphony Orchestra | Prima Donna / Act 2: Scene 3: Vocalises | |
| | Ethan Freeman & Janis Kelly | From This Day On / Farewell Music | |
| | Jayce Ogren, BBC Symphony Orchestra, Janis Kelly & Antonio Figueroa | Prima Donna / Act 1: Scene 13: "Bonjour, Madame Saint Laurent" | |
| | Janis Kelly, New London Orchestra, Ronald Corp, Christopher Maltman, Joanna Gamble, Michael George, Donald Maxwell, Richard Suart & New London Light Opera Chorus | The Maid of the Mountains: Act 2 IX. Finale: So That's It? (Teresa/Beppo/Tonio/Baldassare/Crowd/General/Angela) | |
| | Janis Kelly, Meriel Dickinson & Simon Masterton-Smith | Wouldn't You Like to Be On Broadway | |
| | Janis Kelly & Malcolm Martineau | 4 Songs, Op. 39: No. 4, Les roses d'Ispahan | |
| | Christopher Maltman, Janis Kelly, New London Orchestra & Ronald Corp | The Maid of the Mountains, Act II: No. 5, Duet. A Paradise for Two (Beppo/Teresa) | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra & Antonio Figueroa | Prima Donna / Act 1: Scene 18: Aria "Abandonne, pose ta couronne" | |
| | Jayce Ogren, BBC Symphony Orchestra & Janis Kelly | Prima Donna / Act 2: Scene 4: "Et maintenant, Aliénor, à nous deux" | |
| | Blythe Duff, Bonaventura Bottone, Janis Kelly, Kristine Ciesinski & Matthew Costello | Scene 17 | |
| | James Rainbird & Janis Kelly | Pie Jesu (From "Requiem") | |
| | Richard Suart, Ronald Corp, Christopher Maltman, Donald Maxwell, Janis Kelly, Joanna Gamble, Michael George, New London Light Opera Chorus & New London Orchestra | The Maid of the Mountains, Act II: No. 9, Finale. So That's It? (Teresa/Beppo/Tonio/Baldassare/Crowd/General/Angela) | |
| | Brian Greene, Company & Janis Kelly | After the Ball | |
| | Jayce Ogren, BBC Symphony Orchestra, Janis Kelly & Antonio Figueroa | Prima Donna / Act 1: Scene 17: "Régine, quelle majesté" | |
| | Brian Greene, Company & Janis Kelly | Finale Act One | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra, Kathryn Guthrie, Antonio Figueroa & Richard Morrison | Prima Donna / Act 1: Scene 21: "Oh, ma douleur!" | |
| | Janis Kelly, Kristine Ciesinski & Richard Van Allan | Scene 15 | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra & Kathryn Guthrie | Prima Donna / Act 1: Scene 3: "Merci. Asseyez-vous" | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra & Antonio Figueroa | Prima Donna / Act 1: Scene 15: "Madame Saint Laurent" | |
| | Janis Kelly & John Wilson | The Rowan Tree | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra, Kathryn Guthrie & Richard Morrison | Prima Donna / Act 2: Scene 7: "C'est impossible!" | |
| | Janis Kelly, New London Orchestra, Ronald Corp & Christopher Maltman | The Maid of the Mountains: Act 2 V. Duet: A Paradise for Two (Beppo/Teresa) | |
| | Janis Kelly, New London Orchestra, Ronald Corp, Michael George & New London Light Opera Chorus | The Maid of the Mountains: Act 3 V. Finale: When Each Day the Tides Are Ebbing and Flowing (Fisherfolk/Teresa/Baldassare) | |
| | Janis Kelly & Malcolm Martineau | 4 Songs, Op. 49: No. 3, Le pays des rêves | |
| | Ethan Freeman & Janis Kelly | Almost Like Being In Love | |
| | Janis Kelly & Girls | Waitin' for My Dearie | |
| | George Dvorsky & Janis Kelly | Almost Like Being In Love (from Brigadoon) | |
| | Blythe Duff, Bonaventura Bottone, Janis Kelly, Kristine Ciesinski, Meriel Dickinson, Peter Bronder, Susan Bullock & Terry Jenkins | Scene 14 | |
| | Janis Kelly & Malcolm Martineau | 4 Songs, Op. 39: No. 1, Aurore | |
| | Jayce Ogren, BBC Symphony Orchestra, Janis Kelly & Kathryn Guthrie | Prima Donna / Act 1: Scene 6: "Mais non, Madame" | |
| | Bonaventura Bottone, Company, Janis Kelly & Meriel Dickinson | The Woman Who Lived Up There | |
| | Chorus, Ethan Freeman, Janis Kelly & Maurice Clarke | Reprises | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra, Kathryn Guthrie & Richard Morrison | Prima Donna / Act 1: Scene 20: "Oh, ma voix!" | |
| | Chorus, Janis Kelly & Jason Howard | Why Do I Love You? | |
| | George Dvorsky & Janis Kelly | The Heather On the Hill | |
| | Janis Kelly, Ronald Corp, New London Orchestra & New London Light Opera Chorus | The Maid of the Mountains, Act I: No. 3, Song. My Life Is Love (Teresa/Brigands) | |
| | Geoffrey Simon, London Symphony Orchestra & Janis Kelly | Hamlet, Op. 67a, TH 23, Act IV Scene 5: Deuxième scène d'Ophélie | |
| | Bonaventura Bottone, Harry Nicoll, Janis Kelly, Raynor Bourton & Richard Van Allen | Finaletto | |
| | Janis Kelly | What Good Would the Moon Be? (Reprise) | |
| | Bonaventura Bottone, Edwin Craig, Harry Nicoll, Janis Kelly, Kristine Ciesinski & Simon Masterton-Smith | Scene 18 | |
| | Janis Kelly, Jayce Ogren, BBC Symphony Orchestra & Antonio Figueroa | Prima Donna / Act 1: Scene 19: "Charmant, tout à fait" | |
