| | Bonaventura Bottone, Ambrosian Opera Chorus, John Alldis Choir, Renato Bruson, Aldo Ceccato, Edita Gruberová, Alfredo Kraus, Kathleen Kuhlmann, John McCarthy, Nicola Rescigno, Royal Philharmonic Orchestra, Robert Lloyd & Tina Turner | We Don't Need Another Hero (Thunderdome) [Extended Instrumental] | |
| | Sir Colin Davis, London Symphony Orchestra, Olga Borodina & Robert Lloyd | Samson et Dalila: Act 1 "Printemps qui commence" [Dalila, un Vieillard Hébreu] | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Robert Lloyd & Gottfried Hornik | Die Zauberflöte, K. 620, Act II: Der dreimalige Akkord - Dialog. Sarastro dankt euch | |
| | Beverly Sills, Robert Tear, Stuart Burrows, Paul Plishka, Robert Lloyd, London Symphony Orchestra & Julius Rudel | Anna Bolena: Io sentii sulla mia mano | |
| | Katherine Willis, Mary Wells, Catherine Wearing, Robert Tear, Sam Monck, Medici String Quartet, Robert Lloyd, Sir Philip Ledger, Colin Huehns, Francis Grier, David Glick, Tristan Fry, Cato Fordham, Finchley Children's Music Group, John Constable, Choral Scholars of King's College, Cambridge, Catherine Benson & Heather Begg | The Little Sweep Op. 45, Scene One: A January Morning: IIIa Hide and Seek: "Juliet! Juliet!" (Children) | |
| | Robert Lloyd, Grace Bumbry, Michael Halász, Lella Cuberli, Giuseppe Giacomini, Eugenia Cardano, Paolo Todisco, Bari Symphony Orchestra & Amici della Polifonia e Voci Per La Musica Chorus | Norma, Act I, Scene 3: Norma Viene: Le Cinge la Chioma (Chorus) | |
| | Anna Tomowa-Sintow, Patricia Payne, Robert Tear, Robert Lloyd, John Constable, London Symphony Chorus, London Symphony Orchestra & Sir Colin Davis | Mass in D Major, Op. 123 "Missa Solemnis": Sanctus Dominus Deus Sabaoth | |
| | Robert Lloyd, Grace Bumbry, Michael Halász, Lella Cuberli, Giuseppe Giacomini, Eugenia Cardano, Paolo Todisco, Bari Symphony Orchestra & Amici della Polifonia e Voci Per La Musica Chorus | Norma, Act I, Scene 6: Vieni in Roma, Ah, Vieni, O Cara (Pollione, Adalgisa) | |
| | Raimund Herincx, Robert Lloyd, John Alldis Choir, Giuseppe Patane, Philharmonia Orchestra & Beverly Sills | I Capuleti e i Montecchi, Act 2 Tableau 1 Scene 2: "Prendi… gl'istanti volano" (Lorenzo, Giulietta) - "Arresta … Calmati" (Capellio, Lorenzo, Chorus) | |
| | Katherine Willis, Mary Wells, Catherine Wearing, Robert Tear, Sam Monck, Medici String Quartet, Robert Lloyd, Sir Philip Ledger, Colin Huehns, Francis Grier, David Glick, Tristan Fry, Cato Fordham, Finchley Children's Music Group, John Constable, Choral Scholars of King's College, Cambridge, Catherine Benson & Heather Begg | The Little Sweep Op. 45, Scene Three: The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children) | |
| | Sherrill Milnes, Zubin Mehta, Orchestra of the Royal Opera House, Covent Garden, Carol Neblett, Chorus of the Royal Opera House, Covent Garden, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Robert Lloyd, Francis Egerton & Robin Stapleton | La fanciulla del West, Act I: Hello, Minnie! | |
| | Robert Lloyd, Richard Van Allan, Robert Tear, Dame Janet Baker, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, Act II: "Approcher, Claudio!" | |
| | John Rawnsley, Steuart Bedford, The Aldeburgh Festival Orchestra & Robert Lloyd | The Beggar's Opera, Op. 43 (Realised by Britten) Act III: "Ourselves, Like the Great" | |
| | Nina Walker & Robert Lloyd | Songs of the Sea Op. 91 (version with piano): V. The Old Superb (Allegro vivace) | |
| | Catherine Denley, English Baroque Soloists, John Eliot Gardiner, Norma Burrowes & Robert Lloyd | Semele, HWV 58, Act 1: "Why dost thou untimely grieve" (Cadmus, Ino, Athamas, Semele) | |
| | Yuri Mazurok, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | Il Trovatore / Act 2: "Tutto è deserto" | |
| | Beverly Sills, Delia Wallis, Rolando Panerai, Terence Sharpe, Keith Erwen, Nicolai Gedda, John Alldis, Royal Philharmonic Orchestra, Aldo Ceccato, John Alldis Choir & Robert Lloyd | La Traviata, Act III: Teneste la promessa (Violetta) | |
| | Academy of St Martin in the Fields, Yvonne Kenny, Sir Neville Marriner, Robert Tear & Robert Lloyd | Pulcinella - Ballet avec chante: Con queste paroline (Bass) | |
| | Katia Ricciarelli, José Carreras, Ingvar Wixell, Håkan Hagegård, Robert Lloyd, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | La Bohème / Act 2: "Viva Parpignol..." - "Una cuffietta a pizzi" | |
| | Beverly Sills, Rolando Panerai, Delia Wallis, Terence Sharpe, John Alldis, Keith Erwen, Royal Philharmonic Orchestra, Aldo Ceccato, John Alldis Choir & Robert Lloyd | La Traviata, Act I: Libiamo, ne' lieti calci (Alfredo,Violetta) | |
| | Robert Lloyd, Christopher Gillett, Josephine Barstow, Felicity Palmer, Steuart Bedford, Della Jones, Susan Gritton, Peter Savidge, Ann Taylor, Stuart Kale, Northern Sinfonia & Gerald Finley | Albert Herring, Op. 39: Act I Scene 2: Well! Think of that, my lad! | |
| | Stuart Burrows, Robert Lloyd, John Alldis Choir, John Alldis, London Symphony Orchestra & Julius Rudel | Anna Bolena: Da quel dì che, lei perduta | |
| | Stuart Burrows, Robert Lloyd, Academy of St Martin in the Fields & Sir Colin Davis | Die Entführung aus dem Serail, K. 384: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | |
| | Sherrill Milnes, Zubin Mehta, Orchestra of the Royal Opera House, Covent Garden, Carol Neblett, Chorus of the Royal Opera House, Covent Garden, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Robert Lloyd, Francis Egerton & Robin Stapleton | La Fanciulla del West / Act 1: Hello, Minnie! | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Scottish Chamber Orchestra Chorus & Robert Lloyd | Die Zauberflöte, K. 620, Act II: Dreiter Finale. Die Strahlen der Sonne vertreiben die Nacht | |
| | Katherine Willis, Mary Wells, Catherine Wearing, Robert Tear, Sam Monck, Medici String Quartet, Robert Lloyd, Sir Philip Ledger, Colin Huehns, Francis Grier, David Glick, Tristan Fry, Cato Fordham, Finchley Children's Music Group, John Constable, Choral Scholars of King's College, Cambridge, Catherine Benson & Heather Begg | The Little Sweep Op. 45, Scene One: A January Morning: IV. Shanty: "Pull the rope gently" (Children) | |
| | Academy of St Martin in the Fields, Yvonne Kenny, Sir Neville Marriner, Robert Tear & Robert Lloyd | Pulcinella - Ballet avec chante: Gavotta | |
| | Sir Thomas Allen, Agnes Baltsa, Francisco Araiza, Domenico Trimarchi, Robert Lloyd, Academy of St Martin in the Fields & Sir Neville Marriner | Il barbiere di Siviglia / Act 2: No.13 Quintetto: "Don Basilio!" "Cosa veggo!" | |
| | Robert Lloyd, Louis Quilico, Giacomo Aragall, John Alldis Choir, National Philharmonic Orchestra & Richard Bonynge | Esclarmonde, Act 3: Noble héros! | |
| | Robert Lloyd, Christopher Gillett, Josephine Barstow, Felicity Palmer, Steuart Bedford, Della Jones, Susan Gritton, Peter Savidge, Ann Taylor, Stuart Kale, Northern Sinfonia & Gerald Finley | Albert Herring, Op. 39: Act II Scene 1: Interlude | |
| | English Baroque Soloists, John Eliot Gardiner & Robert Lloyd | Semele, HWV 58, Act 1: "Ah, wretched prince" (Cadmus, Athamas) "Wing'd with our fears" (Cadmus) | |
| | Robert Lloyd, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | Il Trovatore / Act 1: "All'erta! all'erta!" | |
| | Raimund Herincx, Robert Lloyd, John Alldis Choir, Giuseppe Patane, Philharmonia Orchestra & Nicolai Gedda | I Capuleti e i Montecchi, Act 1 Tableau 1 Scene 2: "Sì, mi abbraccia. A te d'imene" (Capellio, Lorenzo, Tebaldo, Chorus) | |
| | Christoph von Dohnányi, The Cleveland Orchestra, Cleveland Orchestra Chorus, Carol Vaness, Janice Taylor, Siegfried Jerusalem & Robert Lloyd | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto | |
| | Robert Lloyd, George Main, Yvonne Kenny, Jean Lainé, Alicia Nafé, Teresa Berganza, London Symphony Orchestra & Claudio Abbado | Carmen, Act 2: Vous avez quelque chose à nous dire (Zuniga, Pastia, Frasquita, andrès, Mercédès, Carmen) | |
| | Jules Bastin, Robert Lloyd, John Alldis Choir, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, Act I: "Mourez, tendres époux" - "Ah! mon Dieu!" - "Un in- stant!" | |
| | Robert Lloyd, Grace Bumbry, Michael Halász, Lella Cuberli, Giuseppe Giacomini, Eugenia Cardano, Paolo Todisco, Bari Symphony Orchestra & Amici della Polifonia e Voci Per La Musica Chorus | Norma, Act I, Scene 9: Oh, non Tremare, O Perfido (Norma, Adalgisa) | |
| | Anne Collins, Steuart Bedford, The Aldeburgh Festival Choir, Ann Murray, The Aldeburgh Festival Orchestra & Robert Lloyd | The Beggar's Opera, Op. 43 (Realised by Britten) Act I: "Our Polly Is a Sad Slut" | |
| | Sir Adrian Boult, Sheila Armstrong, Richard Angas, Norma Burrowes, John Carol Case, Bernard Dickerson, Wendy Eathorne, John Elwes, Gerald English, Wynford Evans, Marie Hayward, Raimund Herincx, Alfreda Hodgson, Gloria Jennings, Christopher Keyte, London Philharmonic Choir, London Philharmonic Orchestra, John Noble, Ian Partridge, Doreen Price, Geoffrey Shaw, John Shirley-Quirk, Jean Temperley, Delia Wallis, Robert Lloyd, Kenneth Woollam, Terence Sharp & Joseph Ward | The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1 | |
| | English Baroque Soloists, John Eliot Gardiner, Monteverdi Choir, Robert Lloyd & George Frideric Handel | Semele: Act 1 "See, See! Jove's Priests and Holy Augurs Come" [Cadmus] "Hail Cadmus, Hail!" [Chorus] | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Barbara Hendricks, Helmut Wildhaber & Robert Lloyd | Die Zauberflöte, K. 620, Act II: Monolog. Morden soll ich? - Dialog. Woll soll ich tun? | |
| | Samuel Ramey, Robert Lloyd, Kent Nagano & Orchestre de l'Opéra de Lyon | The Rake's Progress, Act I, Scene 1: Recitative. "I'll Call the Coachman, Sir" (Nick, Trulove) | |
| | Jesus Lopez-Cobos, Margaret Price, Livia Budai, London Philharmonic Orchestra, Robert Lloyd, Giuseppe Giacomini & London Philharmonic Choir | Requiem: XI. Lacrimosa | |
| | Ashley Putnam, Ingvar Wixell, William Elvin, Katia Ricciarelli, José Carreras, Håkan Hagegård, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | La Bohème / Act 2: "Quando M'en Vo'" (Musetta's Waltz) | |
| | Sir Adrian Boult, Sheila Armstrong, John Elwes, Wynford Evans, London Philharmonic Orchestra, John Noble, Robert Lloyd & Terence Sharp | The Pilgrim's Progress, Act IV, Scene 2: The Delectable Mountains: The Lord Is My Shepherd | |
| | Robert Lloyd, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris & Arthur Oldham | Samson et Dalila, Act 1: "Hymne de joie" | |
| | Robert Lloyd, Christopher Gillett, Josephine Barstow, Felicity Palmer, Steuart Bedford, Della Jones, Susan Gritton, Peter Savidge, Ann Taylor, Stuart Kale, Northern Sinfonia & Gerald Finley | Albert Herring, Op. 39: Act II Scene 2: Albert! Fast asleep, poor kid | |
| | José Carreras, Frederica von Stade, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden & Sir Colin Davis | Werther, Act 1: "Rêve! Extase! Bonheur!" - "Charlotte! Charlotte! Al- bert est de retour!" | |
| | Scottish Chamber Orchestra, Sir Charles Mackerras, Barbara Hendricks, Jerry Hadley & Robert Lloyd | Die Zauberflöte, K. 620, Act II: Terzett. Soll ich dich, Teurer, nicht mehr seh'n? | |
| | English Baroque Soloists, John Eliot Gardiner, Maldwyn Davies, Robert Lloyd & George Frideric Handel | Semele: Act 3 "See from Above the Bellying Clouds Descend" [Cadmus] Sinfonia "Apollo Comes to Relieve Your Care" [Apollo] | |
