| | Chloë Hanslip, London Symphony Orchestra & Martyn Brabbins | Bruch : Violin Concerto No.1 in G minor Op.26 : I Vorspiel - Allegro moderato | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | The Gadfly Suite, Op. 97a: VIII. Romance [Excerpt] | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | The Gadfly Suite, Op. 97a: VIII. Romance (Arr. Atovmyan for Violin and Orchestra) | |
| | Caspar Frantz & Chloë Hanslip | 2 morceaux de salon, Op. 12: No. 1. Le Depart | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | Spanish Dances, Op. 22: No. 3, Romanza Andaluza | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | Violin Concerto No. 2 in B Minor, Op. 7: III. Rondo "La Campanella" | |
| | Caspar Frantz & Chloë Hanslip | 2 Grandes Etudes, Op. 49: No. 2. Etude in G Major | |
| | Caspar Frantz & Chloë Hanslip | La Ronde Des Lutins, Op. 25 | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | Main Theme (From "Schindler's List") | |
| | Chloë Hanslip, Andrew Mogrelia & Bournemouth Symphony Orchestra | Scenes de la Csarda No. 4, Op. 32, "Hejre Kati" (Version for Violin and Orchestra) | |
| | Caspar Frantz & Chloë Hanslip | Le Carillon d'Arras, Op. 36 | |
| | Caspar Frantz & Chloë Hanslip | Calabrese, Op. 34, No. 6 | |
| | Chloë Hanslip, Kirk Trevor & Slovak State Philharmonic Orchestra (Kosice) | Concerto romantique, Op. 35: II. Adagio Non Troppo | |
| | Chloë Hanslip, Kirk Trevor & Slovak State Philharmonic Orchestra (Kosice) | Violin Concerto No. 2 in G Minor, Op. 131: II. Adagio Quasi Andante | |
| | Chloë Hanslip, Leonard Slatkin & Royal Philharmonic Orchestra | Violin Concerto: III. Toccare | |
| | Karl Jenkins, London Symphony Orchestra, Rundfunkchor Berlin & Chloë Hanslip | The Peacemakers: IX. Solitude (For Chloë Hanslip) | |
| | Chloë Hanslip, Kirk Trevor & Slovak State Philharmonic Orchestra (Kosice) | Concerto romantique, Op. 35: III. Canzonetta: Allegretto Moderato | |
| | Paul Mann, London Symphony Orchestra & Chloë Hanslip | Valse-scherzo, Op. 34 (Arr. for Violin and Orchestra) | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 3 in E-Flat Major, Op. 12 No. 3: III. Rondo. Allegro molto | |
| | Chloë Hanslip, Hallé & Nicholas Collon | Witness to a Snow Miracle: VII. Halo | |
| | The BBC National Orchestra of Wales, Clark Rundell & Chloë Hanslip | Violin Concerto: I. Allegro | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio | |
| | Chloë Hanslip & Danny Driver | Valse harmonique | |
| | Chloë Hanslip, Royal Flemish Philharmonic & Martyn Brabbins | Violin Concerto No. 2 in F-Sharp Minor, Op. 19: III. Rondo. Allegro | |
| | Caspar Frantz & Chloë Hanslip | 3 Morceaux en forme de sonate, Op. 44: No. 1. Allegro Giusto | |
| | Chloë Hanslip & Danny Driver | Song | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 2, Op. 12/2: II. Andante | |
| | Caspar Frantz & Chloë Hanslip | 3 Morceaux en forme de sonate, Op. 44: No. 2. Romanza | |
| | Stephen Farr & Chloë Hanslip | Fantasy on a Chorale, Op. 80 "Es ist genug": V. Es ist genug | |
| | Chloë Hanslip, Leonard Slatkin & Royal Philharmonic Orchestra | Violin Concerto: II. Chaconne: Body Through Which the Dream Flows | |
| | The BBC National Orchestra of Wales, Clark Rundell & Chloë Hanslip | Violin Concerto: XI. Pesante | |
| | Caspar Frantz & Chloë Hanslip | 3 Morceaux en forme de sonate, Op. 44: No. 3. Finale: Allegro Vivace | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 9, Op. 47 "Kreutzer": II. Andante con variazione | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | The Fair at Sorochyntsi, Act III: Gopak | |
| | Chloë Hanslip, Andrew Mogrelia & Bournemouth Symphony Orchestra | Violin Concerto No. 2 in E Major, Op. 90: I. Allegro con Fuoco | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": III. Finale. Presto | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 3 in E-Flat Major, Op. 12 No. 3: II. Adagio con molta espressione | |
| | Stephen Farr & Chloë Hanslip | Fantasy on a Chorale, Op. 80 "Es ist genug": III. So spanne mich doch aus | |
| | Chloë Hanslip, Slovak State Philharmonic Orchestra (Kosice) & Kirk Trevor | Violin Concerto No. 2: Adagio Quasi Andante | |
| | Chloë Hanslip, Hallé & Nicholas Collon | Witness to a Snow Miracle: III. Flames Become Birds | |
| | Chloë Hanslip, Hallé & Nicholas Collon | Witness to a Snow Miracle: VI. Torments | |
| | Caspar Frantz & Chloë Hanslip | Scherzo fantastique, Op. 25 "La ronde des lutins" | |
| | Chloë Hanslip, Andrew Mogrelia & Bournemouth Symphony Orchestra | Scenes de la Csarda No. 3, Op. 18, "Maros Vize" (Version for Violin and Orchestra) | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 4 in A Minor, Op. 23: I. Presto | |
| | Stephen Farr & Chloë Hanslip | Fantasy on a Chorale, Op. 80 "Es ist genug": I. Es ist genug | |
| | Chloë Hanslip, Kirk Trevor & Slovak State Philharmonic Orchestra (Kosice) | Concerto romantique, Op. 35: I. Allegro Moderato | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 9, Op. 47 "Kreutzer": II. Andante con variazione | |
| | Chloë Hanslip, London Symphony Orchestra & Paul Mann | Adagio appassionato, Op. 57 | |
| | Chloë Hanslip & Danny Driver | Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di minuetto, ma molto moderato e grazioso | |
| | Chloë Hanslip, Kirk Trevor & Slovak State Philharmonic Orchestra (Kosice) | Concerto romantique, Op. 35: IV. Allegro Molto | |
