| | Teresa Berganza, Orchestra of the Royal Opera House & Sir Alexander Gibson | Paride e Elena, Act I: "O del mio dolce ardor" (Paride) | |
| | Sir Georg Solti & Orchestra of the Royal Opera House | Semiramide: Ouverture | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Carnaval, Op. 9: No. 13, Estrella (Orchestrated by Gordon Jacob) | |
| | Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Dame Joan Sutherland | L'enlèvement au sérail, K.384, Act II: "Marten aller Arten" (Konstanze) | |
| | Robert Irving & Orchestra of the Royal Opera House | Coppélia: Entracte et valse - Scène "L'atelier de Coppélius" | |
| | Dame Joan Sutherland, Francesco Molinari-Pradelli, Orchestra of the Royal Opera House & Chorus of the Royal Opera House | Rigoletto, Act I, Scene 2: "Gualtier Maldè" - Aria. "Caro nome" (Gilda, Chœur) | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Alexander Gibson | Alceste, Act I: "Divinités du Styx" | |
| | Dame Joan Sutherland, Francesco Molinari-Pradelli & Orchestra of the Royal Opera House | Die Entführung aus dem Serail, K. 384, Act II, Scene 3: "Martern aller Artern" (Konstanze) | |
| | Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Dame Joan Sutherland | La sonnambula, Act I: "Come per me sereno" (Amina) | |
| | Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Dame Joan Sutherland | Lakmé, Act II: "Où va la jeune hindoue" (Lakmé) | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Carnaval, Op. 9: No. 4, Valse noble (Orchestrated by Gordon Jacob) | |
| | Orchestra of the Royal Opera House, Vittorio Gui, Maria Callas & Dame Joan Sutherland | Bellini, Act I, Scene 2: "Vanne, e li cela entrambi" (Norma, Clotilde) | |
| | Dame Joan Sutherland, Orchestra of the Royal Opera House & Francesco Molinari-Pradelli | La traviata, Act I: "Ah! Fors'è lui che l'anima" (Violetta) | |
| | Orchestra of the Royal Opera House, Vittorio Gui, Maria Callas & Mirto Picchi | Bellini, Act II, Scene 3: "Norma! deh! Norma, scolpati!" (Norma, Pollione) | |
| | Orchestra of the Royal Opera House & Youri Fayer | Giselle, Act II: Entrée du Prince | |
| | Orchestra of the Royal Opera House & Youri Fayer | Giselle, Act II: Pas de deux. Variation de Loys | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Invitation to the Dance, Op. 65, J. 260 (Orchestrated by Hector Berlioz) | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Alexander Gibson | Orpheus and Eurydice, Act II, Scene 3: "Che puro ciel!" | |
| | Orchestra of the Royal Opera House & Youri Fayer | Giselle, Act II: Lever de soleil et entrée de la Cour | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Carnaval, Op. 9: No. 18, Aveu (Orchestrated by Gordon Jacob) | |
| | Dame Joan Sutherland, Francesco Molinari-Pradelli & Orchestra of the Royal Opera House | Otello, Act IV, Scene 1: "Piangea cantando nell'erma landa" (Desdemona) | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Sir Alexander Gibson | Medea, Act II: "Medea, O Medea... Solo un pianto" (Neris) | |
| | Kenneth McKellar, Orchestra of the Royal Opera House & Earl Wild | Serse, HWV 40, Act I, Scene 1: Recitative. "Frondi tenere e belle" - Largo. "Ombra mai fu" | |
| | Orchestra of the Royal Opera House, Vittorio Gui & Mirto Picchi | Bellini, Act I, Scene 1: "Me protegge, me difende" (Pollione) | |
| | Dame Joan Sutherland, Orchestra of the Royal Opera House & Francesco Molinari-Pradelli | Lakmé, Act II: "Air des clochettes. "Où va la jeune hindoue"" (Lakmé) | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Alexander Gibson | Orpheus and Eurydice, Act III, Scene 1: "Che farò senza Euridice?" | |
| | Orchestra of the Royal Opera House, Vittorio Gui, Maria Callas & Dame Joan Sutherland | Bellini, Act II, Scene 3: "Ei tornerà. si!" (Norma, Clotilde) | |
| | Orchestra of the Royal Opera House, Vittorio Gui & Ebe Stignani | Bellini, Act I, Scene 1: "Sgombra è la sacra selva" (Adalgisa) | |
| | Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Dame Joan Sutherland | I puritani, Act I: "Son vergin vezzosa" (Elvira) | |
| | Kenneth McKellar, Orchestra of the Royal Opera House & Earl Wild | Judas Maccabaeus, HWV 63, Pt. 2: Recitative. "My Arms! Against This Gorgias Will I Go" - Aria. "Sound an Alarm" | |
| | Dame Joan Sutherland, Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Chorus of the Royal Opera House | Rigoletto, Act I, Scene 13: "Gualtier Maldè" - "Caro nome che il mio cor" (Gilda, Chorus) | |
| | Orchestra of the Royal Opera House, Vittorio Gui, Maria Callas, Giacomo Vaghi, Chorus of the Royal Opera House & Douglas Robinson | Bellini, Act I, Scene 1: "Ah! bello a me ritorna" (Norma, Oroveso, Coro) | |
| | Kenneth McKellar, Orchestra of the Royal Opera House & Earl Wild | Silent Worship. "Did You Not Hear My Lady" (After Ptolemy, King of Egypt, HWV 25) | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Alexander Gibson | Julius Caesar in Egypt, HWV 17, Act III, Scene 3: "Piangerò la sorte mia" | |
| | Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Dame Joan Sutherland | Otello, Act IV: "Mia madre aveva una povera ancella" (Desdemona) | |
| | Orchestra of the Royal Opera House, Vittorio Gui, Maria Callas & Mirto Picchi | Bellini, Act II, Scene 3: "In mia man alfin tu sei" (Oroveso, Norma, Clotilde, Coro, Pollione) | |
| | Orchestra of the Royal Opera House & Robert Irving | Suite from The Nutcracker, Op. 71a: Characteristic Dances. Dance of the Mirlitons | |
| | Orchestra of the Royal Opera House, Francesco Molinari-Pradelli & Dame Joan Sutherland | La sonnambula, Act I: "Care compagne, è voi" (Amina) | |
| | Dame Joan Sutherland, Francesco Molinari-Pradelli & Orchestra of the Royal Opera House | La traviata, Act I, Scene 5: "Follie! Follie!" (Violetta) | |
| | Robert Irving & Orchestra of the Royal Opera House | Les sylphides: Mazurka, Op. 67 No. 3 (Arranged for Orchestra By Roy Douglas) | |
| | Orchestra of the Royal Opera House, Vittorio Gui, Maria Callas, Mirto Picchi, Ebe Stignani, Chorus of the Royal Opera House & Douglas Robinson | Bellini, Act I, Scene 2: "Vanne, sì, mi lascia, indegno" (Norma, Pollione, Adalgisa, Coro) | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Carnaval, Op. 9: No. 15, Pantalon et Colombine (Orchestrated by Gordon Jacob) | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Sir Alexander Gibson | Alceste, Act I: "Divinités du Styx" (Alcestis) | |
| | Orchestra of the Royal Opera House & Vittorio Gui | Bellini: Sinfonia | |
| | Teresa Berganza, Orchestra of the Royal Opera House & Sir Alexander Gibson | Paride ed Elena, Wq. 39: "O del mio dolce ardor" (Paride) | |
| | Robert Irving & Orchestra of the Royal Opera House | Les sylphides: Grande valse brillante, Op. 18 (Arranged for Orchestra By Roy Douglas) | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Carnaval, Op. 9: No. 2, Pierrot (Orchestrated by Gordon Jacob) | |
| | Dame Joan Sutherland, Francesco Molinari-Pradelli & Orchestra of the Royal Opera House | La traviata, Act I, Scene 5: "Ah, fors'è lui che l'anima" (Violetta) | |
| | Orchestra of the Royal Opera House & Hugo Rignold | Carnaval, Op. 9: No. 11, Chiarina (Orchestrated by Gordon Jacob) | |
| | Orchestra of the Royal Opera House & Vittorio Gui | Bellini, Act II, Scene 1: Introduzione | |
