| | William Lovelady | Psalm 104 (feat. Sarn Dyer, Miriam Allan, Nicholas Madden, Tom Lilburn, Simon Whiteley, James Vivian & Luke Bond) | |
| | Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra | Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Introit: Requiem Aeternam | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: Aria: Thou didst blow with the wind has led forth Thy people (Soprano) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718, Act II Scene 12: Empio, vien pure (Griselda) | |
| | Miriam Allan & Ironwood | A New Ground, Z. 339/3 | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718, Act II Scene 9: Recitative. Sola se ben mi lasci (Costanza, Griselda) | |
| | Miriam Allan, Rob Wyn Jones & Echo du Danube Ensemble | The Wonders of the World: II. What Women Want: The First of the Lords (William Brade) | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act II Scene 3: Recitative: You, Gobrias, lead directly to the palace (Cyrus) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718: Sinfonia, I. Allegro | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act I Scene 2: Recitative: Be comforted (Cyrus) | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act I Scene 1: Overture | |
| | Miriam Allan, Rob Wyn Jones & Echo du Danube Ensemble | The Wonders of the World: XI. Epilogue: When Griping Grief (Richard Edwards) | |
| | Miriam Allan, Rob Wyn Jones & Echo du Danube Ensemble | The Wonders of the World: IV: At the Market: Nutmegs and Ginger: Home Again, Market Is Done - Fine Knacks for Ladies (John Dowland) | |
| | Mathilde Ortscheidt, Jonathan Sells, Paul Agnew, Les Arts Florissants, Miriam Allan, Hannah Morrison & Sean Clayton | Il Primo Libro de Madrigali, Op. 1, SWV 1-19: Tornate, o cari baci, SWV 16 | |
| | David Allsopp, Miriam Allan, Hannoversche Hofkapelle & Jurgen Budday | Joshua, HWV 64, Act I: Our Limpid Streams with Freedom Flow (Live) | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act I Scene 4: By slow degress the wrath of God (Chorus of Jews) | |
| | Miriam Allan, Rob Wyn Jones & Echo du Danube Ensemble | The Wonders of the World: X. Banquet: Ein Schottisch Tanz (William Brade) - Come Thou Monarch of the Vine (William Shakespeare) | |
| | Mathilde Ortscheidt, Jonathan Sells, Paul Agnew, Les Arts Florissants, Miriam Allan & Hannah Morrison | Il Primo Libro de Madrigali, Op. 1, SWV 1-19: Fiamma ch'allaccia, SWV 10 | |
| | Miriam Allan & Ironwood | King Arthur, Z. 628: Fairest Isle | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act III Scene 3: Aria: Destructive war, thy limits know (Cyrus) | |
| | Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra | Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: V. Confutatis Maledictis | |
| | Miriam Allan, Rob Wyn Jones & Echo du Danube Ensemble | The Wonders of the World: VII. Revels: I Can Not Keepe My Wyfe At Howme (Anonymous) | |
| | Cantillation, Corin Bone, Dan Walker, Miriam Allan, Orchestra of the Antipodes & Antony Walker | Dardanus: Act IV, Scene II: Il est temps de courir aux armes (Les trois Songes, choeur des Songes) | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: Recitative: And Miriam, the prophetess, the sister of Aaron, took timbrel in her hand (Tenor) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718: Sinfonia, II. Andante | |
| | Marie Gautrot, Paul Agnew, Hannah Morrison, Les Arts Florissants, Lisandro Abadie & Miriam Allan | Madrigals, Book 8, SV 146–167, Book 1: V. "Baci soavi, e cari" | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: Duet: The Lord is my strength and my song (Soprano 1, Soprano 2) | |
| | David Greco, Miriam Allan, Erin Helyard & Orchestra of the Antipodes | Giasone, Act II: Io pur ti tocco ò lido (Live) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718, Act I Scene 4: Recitative: Ecco il tempo, in cui l'alma (Griselda, Ottone) | |
| | Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra | Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Offertory: I. Domine Jesu Christe | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act III Scene 3: I will magnify Thee, O God my king (Daniel, Nitocris, Chorus) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718, Act I Scene 10: Ferma, t'arresta (oh dio!) rendimo il figlio [Griselda, Corrado] | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: The people shall hear and be afraid (Chorus) | |
| | Miriam Allan, Michael Chance, Mark le Brocq, Christopher Purves, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Messiah, HWV 56: Pt. II: He trusted in God that He would deliver Him (Chorus) | |
| | Miriam Allan | Love Song | |
| | Andrew Goodwin, Miriam Allan, David Hansen, Orchestra of the Antipodes & Erin Helyard | Giasone, Act III: Giason qui parla, è solo? (Live) | |
| | Marcus Ullmann, Martin Snell, Miriam Allan, Anne Buter, Gewandhaus Chamber Choir, Morten Schuldt-Jensen & Leipzig Chamber Orchestra | Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: I. Dies Irae | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act II Scene 2: Recitative: O king, live for ever! (Nitocris, Belshazzar) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718, Act III Scene 3: Aria. Son infelice tanto (Griselda) | |
| | Miriam Allan, Erin Helyard & Orchestra of the Antipodes | Giasone, Act III: Infelice, ch'ascolto? (Live) | |
| | Marcus Ullmann, Miriam Allan, Anne Buter, Martin Snell, GewandhausKammerchor, Morten Schuldt-Jensen & Leipziger Kammerorchester | Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Benedictus | |
| | Paul Agnew, Les Arts Florissants, Miriam Allan & Mhairi Lawson | Madrigals, Book 7, SV 117–145: No. 27. Chiome d'oro, SV 143 | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: Duet: Thou in Thy mercy (Counter-tenor, Tenor) | |
| | Miriam Allan, Michael Chance, Mark le Brocq, Christopher Purves, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Messiah, HWV 56: Pt. I: Pifa – Recitative: There were shepherds abiding in the field (Soprano) | |
| | Miriam Allan & Ironwood | She Loves and She Confesses Too, Z. 413 | |
| | Miriam Allan, David Hansen, Erin Helyard & Orchestra of the Antipodes | Giasone, Act III: Non ho più core in petto (Live) | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: Aria: Thou shalt bring them in (Counter-tenor) | |
| | Miriam Allan, Sarah Wegener, David Allsopp, Benjamin Hulett, Steffen Balbach, Daniel Raschinsky, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Israel in Egypt, HWV 54: Pt. II: He is my God and I will prepare Him an habitation (Chorus) | |
| | Mark le Brocq, Miriam Allan, Michael Chance, Patrick van Goethem, Andre Morsch, Maulbronn Chamber Choir, Hanoverian Court Orchestra & Jurgen Budday | Belshazzar, HWV 61, Act III Scene 3: Recitative: Be it thy care, good Gobrias (Cyrus) | |
| | Tobias Cole, Miriam Allan, Erin Helyard, David Hansen, Christopher Saunders, Caitlin Hulcup, Russell Harcourt & Orchestra of the Antipodes | Griselda, RV 718, Act III Scene 8: Recitative. Ministri accelerate (Griselda) | |
